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Halloween / Thailand

03.05.16

Poster Poster
Title
Halloween
AKA
The Babysitter Murders (USA - working title) | Halloween: la notte delle streghe [The night of the witches] (Italy)
Year of Film
1978
Director
John Carpenter
Starring
Donald Pleasence, Jamie Lee Curtis, Nancy Kyes, P.J. Soles, Charles Cyphers, Kyle Richards, Brian Andrews, John Michael Graham, Nancy Stephens
Origin of Film
USA
Genre(s) of Film
Donald Pleasence, Jamie Lee Curtis, Nancy Kyes, P.J. Soles, Charles Cyphers, Kyle Richards, Brian Andrews, John Michael Graham, Nancy Stephens,
Type of Poster
Thai
Style of Poster
--
Origin of Poster
Thailand
Year of Poster
1978
Designer
Unknown
Artist
Unknown (central image based on Bob Gleason art from US one sheet)
Size (inches)
21.5" x 30 13/16"
SS or DS
SS
Tagline
--

This is the Thai poster for the release of John Carpenter‘s seminal horror film Halloween. An independent release, financed by one man (Moustapha Akkad), the film was produced on a low budget of $300k and would go on to gross over $70m worldwide. Halloween kickstarted a franchise that would run for seven sequels (and a recent remake) and the masked character of Michael Myers would enter the horror pantheon as one of its most memorable monsters.

Carpenter wrote the screenplay with his then girlfriend, producer Debra Hill and is often credited as being the the first in a long line of slasher films, although films like Alfred Hitchock’s Psycho were obvious inspirations. The film has little in the way of gore or violence and instead uses clever camera work and sound design to brilliant effect, keeping the audience on the edge of their seats throughout. There have been countless imitations over the years but few that match up to the taught, perfectly-paced original Halloween.

This Thai poster features the classic illustration of a knife blade morphing into a carved pumpkin that was created by the American artist Bob Gleason and used on the US one sheet and several other posters around the globe. The lurid montage at the bottom of the poster was created by a local Thai artist whose signature I’ve been unable to identify. If anyone has any ideas who was responsible, please get in touch.

In March 2016 Gleason’s original artwork was put up for auction (selling for just under $84k) and was accompanied by a letter from the artist talking about its creation, which is well worth a read.

Ravagers / one sheet / USA

17.05.11

Poster Poster
Title
Ravagers
AKA
--
Year of Film
1979
Director
Richard Compton
Starring
Richard Harris, Art Carney, Anthony James, Ann Turkel, Alana Stewart, Woody Strode, Ernest Borgnine, Seymour Cassel, Bob Westmoreland
Origin of Film
USA
Genre(s) of Film
Richard Harris, Art Carney, Anthony James, Ann Turkel, Alana Stewart, Woody Strode, Ernest Borgnine, Seymour Cassel, Bob Westmoreland,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1979
Designer
Unknown
Artist
--
Size (inches)
27 1/8" x 41 1/16"
SS or DS
SS
NSS #
790101
Tagline
1991: Civilization Is Dead. Violence, hunger and horror are rampant... There is no law! All that are left are bands of Ravagers.

Invasion Of The Body Snatchers / one sheet / advance / USA

17.05.11

Poster Poster
Title
Invasion Of The Body Snatchers
AKA
--
Year of Film
1978
Director
Philip Kaufman
Starring
Donald Sutherland, Brooke Adams, Jeff Goldblum, Veronica Cartwright, Leonard Nimoy, Art Hindle
Origin of Film
USA
Genre(s) of Film
Donald Sutherland, Brooke Adams, Jeff Goldblum, Veronica Cartwright, Leonard Nimoy, Art Hindle,
Type of Poster
One sheet
Style of Poster
Advance
Origin of Poster
USA
Year of Poster
1978
Designer
Bill Gold
Artist
--
Size (inches)
27 1/16" x 41"
SS or DS
SS
NSS #
780188
Tagline
From deep space... | The seed is planted...terror grows.

The Living Daylights / one sheet / teaser / USA

17.05.11

Poster Poster
Title
The Living Daylights
AKA
007 zona pericolo [Dangerous area] (Italy)
Year of Film
1987
Director
John Glen
Starring
Timothy Dalton, Maryam d'Abo, Joe Don Baker, Art Malik, John Rhys-Davies, Jeroen Krabbé
Origin of Film
UK | USA
Genre(s) of Film
Timothy Dalton, Maryam d'Abo, Joe Don Baker, Art Malik, John Rhys-Davies, Jeroen Krabbé,
Type of Poster
One sheet
Style of Poster
Teaser
Origin of Poster
USA
Year of Poster
1987
Designer
Unknown
Artist
Keith Hamshere (photo)
Size (inches)
27" x 41 1/16"
SS or DS
SS
NSS #
--
Tagline
The most dangerous Bond. Ever.

Hard Candy / one sheet / USA

22.06.11

Poster Poster
Title
Hard Candy
AKA
Lolipop (Turkey)
Year of Film
2005
Director
David Slade
Starring
Ellen Page, Patrick Wilson, Odessa Rae, Sandra Oh
Origin of Film
USA
Genre(s) of Film
Ellen Page, Patrick Wilson, Odessa Rae, Sandra Oh,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
2005
Designer
Art Machine
Artist
--
Size (inches)
27 1/16" x 40"
SS or DS
DS
NSS #
--
Tagline
--

The brutal, brilliant ‘revenge’ drama Hard Candy is the film that put Ellen Page firmly on the map. Patrick Wilson is also excellent and perfectly conveys the terror that would fill any bloke faced with ‘that’ situation. The Japanese B2 features a still from the infamous scene.

This one sheet by Art Machine perfectly captures the mood of the film and is one of my favourite film posters of the last decade.

You can watch the trailer on Youtube.

Cobra / B2 / photo style / Japan

17.05.11

Poster Poster
Title
Cobra
AKA
Die City Cobra (Austria / West Germany)
Year of Film
1986
Director
George P. Cosmatos
Starring
Sylvester Stallone, Brigitte Nielsen, Reni Santoni, Andrew Robinson, Brian Thompson, Art LaFleur, Lee Garlington
Origin of Film
USA
Genre(s) of Film
Sylvester Stallone, Brigitte Nielsen, Reni Santoni, Andrew Robinson, Brian Thompson, Art LaFleur, Lee Garlington,
Type of Poster
B2
Style of Poster
Photo style
Origin of Poster
Japan
Year of Poster
1986
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Future Cop / one sheet / USA

17.05.11

Poster Poster
Title
Future Cop
AKA
Trancers (USA - original title)
Year of Film
1985
Director
Charles Band
Starring
Tim Thomerson, Helen Hunt, Michael Stefani, Art LaFleur, Telma Hopkins, Richard Herd, Anne Seymour, Miguel Fernandes
Origin of Film
USA
Genre(s) of Film
Tim Thomerson, Helen Hunt, Michael Stefani, Art LaFleur, Telma Hopkins, Richard Herd, Anne Seymour, Miguel Fernandes,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1985
Designer
Unknown
Artist
Unknown
Size (inches)
27 1/8" x 41"
SS or DS
SS
NSS #
--
Tagline
2247 collides with 1985 . . . when a 23rd century crime fighter heats it up in L.A., today

Gleaming The Cube / one sheet / USA

17.05.11

Poster Poster
Title
Gleaming The Cube
AKA
California Skate (Italy)
Year of Film
1989
Director
Graeme Clifford
Starring
Christian Slater, Steven Bauer, Richard Herd, Le Tuan, Min Luong, Art Chudabala, Peter Kwong, Max Perlich, Tony Hawk, Rodney Mullen
Origin of Film
USA
Genre(s) of Film
Christian Slater, Steven Bauer, Richard Herd, Le Tuan, Min Luong, Art Chudabala, Peter Kwong, Max Perlich, Tony Hawk, Rodney Mullen,
Type of Poster
One sheet
Style of Poster
USA
Origin of Poster
USA
Year of Poster
1989
Designer
Intralink Film Graphic Design
Artist
--
Size (inches)
27" x 41"
SS or DS
SS
NSS #
880126
Tagline
All he cared about was Gleaming the Cube...until the night they killed his brother.

The Living Daylights / one sheet / international

17.05.11

Poster Poster
Title
The Living Daylights
AKA
007 zona pericolo [Dangerous area] (Italy)
Year of Film
1987
Director
John Glen
Starring
Timothy Dalton, Maryam d'Abo, Joe Don Baker, Art Malik, John Rhys-Davies, Jeroen Krabbé
Origin of Film
UK | USA
Genre(s) of Film
Timothy Dalton, Maryam d'Abo, Joe Don Baker, Art Malik, John Rhys-Davies, Jeroen Krabbé,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
International
Year of Poster
1987
Designer
Brian Bysouth | Bernie Goddard | Mike Bell | Stephen Laws
Artist
Brian Bysouth
Size (inches)
27" x 40 13/16"
SS or DS
SS
NSS #
--
Tagline
The new James Bond... living on the edge.

Unquestionably the last truly great James Bond poster was painted by the British artist Brian Bysouth and the design was discussed during my 2012 interview with him:

“The last painting I did was for The Living Daylights. There were a number of us involved with the initial design ideas for that poster, including Bernie Goddard, a freelance designer who often worked with FEREF. Mike Bell and Stephen Laws also produced some concept roughs. Using the original Bond spiral gun barrel idea was a concept that featured on some of the designs and Bernie submitted one using it. The final concept was an amalgamation of ideas and I was tasked with composing the montage that became the poster. I produced the final colour rough that was sent to the client and we were all very glad when it was approved and I was able to start the finished painting.

I came across the rough a little while ago and it’s in reasonable condition considering it’s age.

That design ended up being used around the world and, as Sim Branaghan disclosed in his book, you were paid the highest fee ever given to a British film poster artist for that.
[Laughs] I probably shouldn’t have told Sim that! I don’t know if it was the highest fee ever paid, as I have no idea what other artists in Britain were getting for their work. But later I read somewhere that Bob Peak was being paid up to $50,000 for one poster at the beginning of the 1980s, and other artists such as Drew Struzan were perceived as being extremely well rewarded. I used to charge a day rate and always felt there was a downward pressure on the fees I charged. I was aware that as a director of the company I felt obliged not to inflate my prices, always making allowance for the company mark-up.  With the wisdom of hindsight, maybe I was wrong and I should have charged more. Anyway, I remember being content at the time.

I never knew how much FEREF were charging the client and I never thought to enquire. I decided that I was going to charge £3000 for my work on The Living Daylights because I had been working on the campaign for weeks. The fee was agreed and that was fine. Looking back in retrospect at an illustration that was used around the world to market a James Bond film do you really think that was a lot of money? It’s peanuts! Especially in comparison to the enormous budget the studio would have allotted to the marketing in total. Finally, I hope I am right in believing the client thought well of FEREF because we didn’t ridiculously inflate the price of the work we did for them. We sincerely believed we were the best at what we did, and it was upmost in our minds that we had to be competitive with our charges.”
The article also features pictures of the original artwork and initial sketches for this poster.

Where the Buffalo Roam / quad / UK

18.05.11

Poster Poster
Title
Where the Buffalo Roam
AKA
--
Year of Film
1980
Director
Art Linson
Starring
Bill Murray, Peter Boyle, Bruno Kirby, Rene Auberjonois, R.G. Armstrong, Mark Metcalf, Craig T. Nelson
Origin of Film
USA
Genre(s) of Film
Bill Murray, Peter Boyle, Bruno Kirby, Rene Auberjonois, R.G. Armstrong, Mark Metcalf, Craig T. Nelson,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1980
Designer
Unknown
Artist
Ralph Steadman
Size (inches)
30" x 39 15/16"
SS or DS
SS
Tagline
--

Silent Night Evil Night / 30×40 / USA

25.12.12

Poster Poster
Title
Silent Night Evil Night
AKA
Black Christmas (original Canadian title, later used for the USA and other countries) | Stranger in the House (USA - TV title)
Year of Film
1974
Director
Bob Clark
Starring
Olivia Hussey, Keir Dullea, Margot Kidder, John Saxon, Marian Waldman, Andrea Martin, James Edmond, Doug McGrath, Art Hindle, Lynne Griffin, Michael Rapport
Origin of Film
Canada
Genre(s) of Film
Olivia Hussey, Keir Dullea, Margot Kidder, John Saxon, Marian Waldman, Andrea Martin, James Edmond, Doug McGrath, Art Hindle, Lynne Griffin, Michael Rapport,
Type of Poster
30x40
Style of Poster
--
Origin of Poster
USA
Year of Poster
1975
Designer
Unknown
Artist
Robert Tanenbaum
Size (inches)
30" x 40"
SS or DS
SS
NSS #
75/148
Tagline
If this picture doesn't make your skin crawl... it's on TOO TIGHT.

This 1974 Canadian horror, originally produced and released as Black Christmas, is often credited as being the first in the slasher sub-genre that went on to spawn countless others in the years that followed, including John Carpenter’s Halloween and Friday the 13th. It was one of the earliest films to feature the concept of a mysterious psychopath hunting down and murdering teens one by one, and it also was one of the first horrors to feature scenes shot from the killers point of view. Director Bob Clark was an American who worked in Canada for over a decade, producing some of the country’s most successful films, of which this was the highpoint. He had previously helmed the low-budget zombie horror Children Shouldn’t Play with Dead Things (1973) and would later see great success with the teen comedy Porky’s (1982) and the classic A Christmas Story one year later. Clark was tragically killed along with his son in a head-on car crash in 2007.

Although the film had seen great success in Canada with its production title of Black Christmas (for its release in 1974) the American distributor Warner Bros apparently changed the title to Silent Night Evil Night (and later Stranger in the House) because it feared audiences would think the film was an entry in the then burgeoning blaxploitation genre. After flopping in its first release in the USA (in 1975), the title was later changed back to Black Christmas and the posters that had already been printed with ‘Silent Night…’ had a snipe with the original title glued over the top, as can be seen on this one sheet.

The artwork is by the American artist Robert Tanenbaum. To see other posters I’ve collected by him click here.

The Living Daylights / quad / UK

24.05.13

Poster Poster
Title
The Living Daylights
AKA
007 zona pericolo [Dangerous area] (Italy)
Year of Film
1987
Director
John Glen
Starring
Timothy Dalton, Maryam d'Abo, Joe Don Baker, Art Malik, John Rhys-Davies, Jeroen Krabbé
Origin of Film
UK | USA
Genre(s) of Film
Timothy Dalton, Maryam d'Abo, Joe Don Baker, Art Malik, John Rhys-Davies, Jeroen Krabbé,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1987
Designer
Brian Bysouth | Bernie Goddard | Mike Bell | Stephen Laws
Artist
Brian Bysouth
Size (inches)
30 1/16" x 39 14/16"
SS or DS
SS
NSS #
--
Tagline
The new James Bond... living on the edge.

The Living Daylights was the first of two films in the long-running James Bond franchise to feature actor Timothy Dalton as the legendary spy. Dalton had been offered the role following Roger Moore’s decision not to reprise it in the wake of the disappointing performance of 1985’s A View to a Kill. The film sees Bond caught up in an international conspiracy after the abduction from a London safe-house of a recently defected KGB officer, which sees the agent travel to Czechoslovakia, Morocco, Austria and eventually Afghanistan in search of the missing man. The spy uncovers an arms-dealing plot with global ramifications and he must work with the Russian girlfriend of the missing KGB officer to get to the truth and prevent the conspirators from fulfilling their plans.

This is the UK quad and it features artwork that was used across the globe to promote the film. It’s unquestionably the last truly great Bond poster and was also the last to be entirely hand painted. The man responsible is the British artist Brian Bysouth and the poster was discussed during my 2012 interview with him:

“The last painting I did was for The Living Daylights. There were a number of us involved with the initial design ideas for that poster, including Bernie Goddard, a freelance designer who often worked with FEREF. Mike Bell and Stephen Laws also produced some concept roughs. Using the original Bond spiral gun barrel idea was a concept that featured on some of the designs and Bernie submitted one using it. The final concept was an amalgamation of ideas and I was tasked with composing the montage that became the poster. I produced the final colour rough that was sent to the client and we were all very glad when it was approved and I was able to start the finished painting.

I came across the rough a little while ago and it’s in reasonable condition considering it’s age.

That design ended up being used around the world and, as Sim Branaghan disclosed in his book, you were paid the highest fee ever given to a British film poster artist for that.
[Laughs] I probably shouldn’t have told Sim that! I don’t know if it was the highest fee ever paid, as I have no idea what other artists in Britain were getting for their work. But later I read somewhere that Bob Peak was being paid up to $50,000 for one poster at the beginning of the 1980s, and other artists such as Drew Struzan were perceived as being extremely well rewarded. I used to charge a day rate and always felt there was a downward pressure on the fees I charged. I was aware that as a director of the company I felt obliged not to inflate my prices, always making allowance for the company mark-up.  With the wisdom of hindsight, maybe I was wrong and I should have charged more. Anyway, I remember being content at the time.

I never knew how much FEREF were charging the client and I never thought to enquire. I decided that I was going to charge £3000 for my work on The Living Daylights because I had been working on the campaign for weeks. The fee was agreed and that was fine. Looking back in retrospect at an illustration that was used around the world to market a James Bond film do you really think that was a lot of money? It’s peanuts! Especially in comparison to the enormous budget the studio would have allotted to the marketing in total. Finally, I hope I am right in believing the client thought well of FEREF because we didn’t ridiculously inflate the price of the work we did for them. We sincerely believed we were the best at what we did, and it was upmost in our minds that we had to be competitive with our charges.”

The article also features pictures of the original artwork and initial sketches for this poster.

Apocalypse Now / one sheet / USA

12.08.13

Poster Poster

A classic painting by the late, great Bob Peak on this one sheet for the release of arguably the best war film ever made, Francis Ford Coppola’s Apocalypse Now. Set during America’s war in Vietnam, the film follows Martin Sheen‘s US Army Army and special forces veteran Benjamin Willard as he journeys up the dangerous Nung River and deeper into the jungle in the search of the rogue Special Forces Colonel Walter E. Kurtz (Marlon Brando in an unforgettable role). Willard is told that an insane Kurtz has gathered together an army of indigenous fighters inside neutral Cambodia and that he must ‘terminate with extreme prejudice’. After landing at the mouth of the river in a spectacular sequence in which Colonel Kilgore (Robert Duvall) first attacks an enemy village from helicopters whilst blasting Wagner’s Ride of the Valkyries from loudspeakers, then orders some of his men to surf despite the fact that mortar shells continue to land all around them, Willard  joins the crew of a Navy PBR boat that transports him on his fateful journey up river.

Apocalypse Now is famous for its fraught production in which the shoot went over time and over budget, sets were destroyed by storms, Martin Sheen suffered a heart attack and other woes that caused Coppola to famously say, “We had access to too much money, too much equipment, and little by little we went insane”, and “My film is not about Vietnam, it is Vietnam”. The director’s wife Eleanor helped to put together the acclaimed documentary of the troubled production called Hearts of Darkness: A Filmmaker’s Apocalypse, which is an essential watch for fans of the film. Despite the production woes, the film was a huge critical and commercial success, with its cultural impact undeniable.

Master movie poster artist Bob Peak was asked to create a series of paintings to sell the film and he worked in conjunction with art directors Murray Smith and Don Smolen from the boutique poster agency Smolen, Smith and Connolly, based in New York City. Two of Peak’s paintings were used in North America, with an image of the Nung River on the teaser poster and then this superb portrait of Brando as Kurtz with a menacing looking Sheen behind him was the final poster. Both of those images were used around the world to sell the film. German cinemas also saw this stunning image of Kurtz that was painted by Peak and used exclusively in that country.

Bob Peak was born in 1927 in Denver, Colorado and grew up in Wichita, Kansas before heading off to serve in the military during the Korean War. Upon his return Peak enrolled in the Los Angeles-based Art Center College of Design where he began to hone his craft as an artist, moving to New York after graduation where he began his career as a commercial illustrator, first working on a campaign for Old Hickory Whiskey. For the next few years the artist worked on a string of successful advertising campaigns, magazine editorials and more, but it was when United Artists hired Peak to work on their campaign for the release of West Side Story in 1961 that he began what would prove to be a fruitful and almost unrivalled career in film poster creation.

Peak’s immediately recognisable style was soon much in demand and his painting appeared on posters for films such as My Fair Lady (1964) and Camelot (1967), but it was his work in the area of sci-fi and fantasy for which Peak is perhaps best known, with the iconic design for the first Superman film (1978), the classic image he created for Rollerball (1975) and the colourful poster for Star Trek: The Motion Picture (1979), amongst several classics of the genre he was responsible for. His paintings for Apocalypse Now, however, arguably saw the artist working at the top of his game and in the recently published must-own book The Art of Bob Peak (put together by one of his sons), he is quoted as saying, “Of all my movie work, it is my work on Apocalypse Now that I am most proud of.”

To see the other posters in the Film on Paper collection that were painted by Bob Peak click here.

I, Robot / one sheet / advance / USA

17.05.11

Poster Poster
Title
I, Robot
AKA
Yo, robot (Argentina / Chile / Mexico / Peru / Spain)
Year of Film
2004
Director
Alex Proyas
Starring
Will Smith, Bridget Moynahan, Bruce Greenwood, James Cromwell, Chi McBride, Alan Tudyk, Shia LaBeouf, Terry Chen
Origin of Film
USA | Germany
Genre(s) of Film
Will Smith, Bridget Moynahan, Bruce Greenwood, James Cromwell, Chi McBride, Alan Tudyk, Shia LaBeouf, Terry Chen,
Type of Poster
One sheet
Style of Poster
Advance
Origin of Poster
USA
Year of Poster
2004
Designer
Art Machine
Artist
--
Size (inches)
27" x 40"
SS or DS
DS
NSS #
--
Tagline
What will you do with yours?

The Proposition / one sheet / USA

17.05.11

Poster Poster
Title
The Proposition
AKA
--
Year of Film
2005
Director
John Hillcoat
Starring
Guy Pearce, Ray Winstone, Emily Watson, Danny Huston, David Wenham, John Hurt
Origin of Film
Australia | UK
Genre(s) of Film
Guy Pearce, Ray Winstone, Emily Watson, Danny Huston, David Wenham, John Hurt,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
2005
Designer
Art Machine
Artist
--
Size (inches)
27" x 40"
SS or DS
SS
NSS #
--
Tagline
--

The Living Daylights / one sheet / Australia

17.05.11

Poster Poster
Title
The Living Daylights
AKA
007 zona pericolo [Dangerous area] (Italy)
Year of Film
1987
Director
John Glen
Starring
Timothy Dalton, Maryam d'Abo, Joe Don Baker, Art Malik, John Rhys-Davies, Jeroen Krabbé
Origin of Film
UK | USA
Genre(s) of Film
Timothy Dalton, Maryam d'Abo, Joe Don Baker, Art Malik, John Rhys-Davies, Jeroen Krabbé,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
Australia
Year of Poster
1987
Designer
Brian Bysouth | Bernie Goddard | Mike Bell | Stephen Laws
Artist
Brian Bysouth
Size (inches)
27" x 40 1/16"
SS or DS
SS
NSS #
--
Tagline
The new James Bond... living on the edge.

Unquestionably the last truly great James Bond poster was painted by the British artist Brian Bysouth and the design was discussed during my 2012 interview with him:

“The last painting I did was for The Living Daylights. There were a number of us involved with the initial design ideas for that poster, including Bernie Goddard, a freelance designer who often worked with FEREF. Mike Bell and Stephen Laws also produced some concept roughs. Using the original Bond spiral gun barrel idea was a concept that featured on some of the designs and Bernie submitted one using it. The final concept was an amalgamation of ideas and I was tasked with composing the montage that became the poster. I produced the final colour rough that was sent to the client and we were all very glad when it was approved and I was able to start the finished painting.

I came across the rough a little while ago and it’s in reasonable condition considering it’s age.

That design ended up being used around the world and, as Sim Branaghan disclosed in his book, you were paid the highest fee ever given to a British film poster artist for that.
[Laughs] I probably shouldn’t have told Sim that! I don’t know if it was the highest fee ever paid, as I have no idea what other artists in Britain were getting for their work. But later I read somewhere that Bob Peak was being paid up to $50,000 for one poster at the beginning of the 1980s, and other artists such as Drew Struzan were perceived as being extremely well rewarded. I used to charge a day rate and always felt there was a downward pressure on the fees I charged. I was aware that as a director of the company I felt obliged not to inflate my prices, always making allowance for the company mark-up.  With the wisdom of hindsight, maybe I was wrong and I should have charged more. Anyway, I remember being content at the time.

I never knew how much FEREF were charging the client and I never thought to enquire. I decided that I was going to charge £3000 for my work on The Living Daylights because I had been working on the campaign for weeks. The fee was agreed and that was fine. Looking back in retrospect at an illustration that was used around the world to market a James Bond film do you really think that was a lot of money? It’s peanuts! Especially in comparison to the enormous budget the studio would have allotted to the marketing in total. Finally, I hope I am right in believing the client thought well of FEREF because we didn’t ridiculously inflate the price of the work we did for them. We sincerely believed we were the best at what we did, and it was upmost in our minds that we had to be competitive with our charges.”
The article also features pictures of the original artwork and initial sketches for this poster.

Invasion Of The Body Snatchers / one sheet / USA

17.05.11

Poster Poster
Title
The Invasion Of The Body Snatchers
AKA
--
Year of Film
1978
Director
Philip Kaufman
Starring
Donald Sutherland, Brooke Adams, Jeff Goldblum, Veronica Cartwright, Leonard Nimoy, Art Hindle
Origin of Film
USA
Genre(s) of Film
Donald Sutherland, Brooke Adams, Jeff Goldblum, Veronica Cartwright, Leonard Nimoy, Art Hindle,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1978
Designer
Bill Gold
Artist
--
Size (inches)
27 1/16" x 41"
SS or DS
SS
NSS #
780188
Tagline
From deep space... | The seed is planted...terror grows.

The Human Centipede (First Sequence) / one sheet / advance / USA

17.05.11

Poster Poster
Title
The Human Centipede (First Sequence)
AKA
--
Year of Film
2009
Director
Tom Six
Starring
Dieter Laser, Ashley C. Williams, Ashlynn Yennie, Akihiro Kitamura, Peter Blankenstein, Bernd Kostrau, Rene de Wit
Origin of Film
Netherlands
Genre(s) of Film
Dieter Laser, Ashley C. Williams, Ashlynn Yennie, Akihiro Kitamura, Peter Blankenstein, Bernd Kostrau, Rene de Wit,
Type of Poster
One sheet
Style of Poster
Advance
Origin of Poster
USA
Year of Poster
2010
Designer
Art Machine
Artist
--
Size (inches)
27" x 39 14/16"
SS or DS
SS
NSS #
--
Tagline
Their flesh is his fantasy

The Girl on the Bridge / B2 / Japan

17.05.11

Poster Poster

The Descent / one sheet / USA

17.05.11

Poster Poster
Title
The Descent
AKA
--
Year of Film
2005
Director
Neil Marshall
Starring
Shauna Macdonald, Natalie Mendoza, Alex Reid, Saskia Mulder, MyAnna Buring, Nora Jane Noone
Origin of Film
UK
Genre(s) of Film
Shauna Macdonald, Natalie Mendoza, Alex Reid, Saskia Mulder, MyAnna Buring, Nora Jane Noone,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
2006
Designer
Art Machine
Artist
--
Size (inches)
27" x 40"
SS or DS
DS
NSS #
--
Tagline
Scream your last breath.

Star Wars / one sheet / style A / first printing / USA

17.05.11

Poster Poster
Title
Star Wars
AKA
Star Wars: Episode IV - A New Hope (full title) | La guerre des étoiles (Canada - French title / France)
Year of Film
1977
Director
George Lucas
Starring
Mark Hamill, Harrison Ford, Carrie Fisher, David Prowse, Peter Cushing, Alec Guinness, Anthony Daniels, Kenny Baker, Peter Mayhew
Origin of Film
USA
Genre(s) of Film
Mark Hamill, Harrison Ford, Carrie Fisher, David Prowse, Peter Cushing, Alec Guinness, Anthony Daniels, Kenny Baker, Peter Mayhew,
Type of Poster
One sheet
Style of Poster
Style A - first printing
Origin of Poster
USA
Year of Poster
1977
Designer
Tom Jung | Murray Smith (art direction)
Artist
Tom Jung
Size (inches)
27" x 41 1/16"
SS or DS
SS
NSS #
77/21-0
Tagline
A long time ago in a galaxy far, far away...

Saw II / one sheet / teaser / USA

17.05.11

Poster Poster
Title
Saw II
AKA
--
Year of Film
2005
Director
Darren Lynn Bousman
Starring
Tobin Bell, Donnie Wahlberg, Shawnee Smith, Erik Knudsen, Emmanuelle Vaugier, Franky G, Beverly Mitchell, Glenn Plummer, Dina Meyer, Lyriq Bent
Origin of Film
USA | Canada
Genre(s) of Film
Tobin Bell, Donnie Wahlberg, Shawnee Smith, Erik Knudsen, Emmanuelle Vaugier, Franky G, Beverly Mitchell, Glenn Plummer, Dina Meyer, Lyriq Bent,
Type of Poster
One sheet
Style of Poster
Teaser - style A
Origin of Poster
USA
Year of Poster
2005
Designer
Art Machine
Artist
--
Size (inches)
27" x 40"
SS or DS
DS
NSS #
--
Tagline
--

Rita, Sue And Bob Too / quad / UK

18.05.11

Poster Poster
Title
Rita, Sue And Bob Too
AKA
--
Year of Film
1986
Director
Alan Clarke
Starring
Michelle Holmes, Siobhan Finneran, George Costigan, Lesley Sharp, Kulvinder Ghir
Origin of Film
UK
Genre(s) of Film
Michelle Holmes, Siobhan Finneran, George Costigan, Lesley Sharp, Kulvinder Ghir,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1986
Designer
Kunst Art
Artist
--
Size (inches)
29 15/16" x 40"
SS or DS
SS
Tagline
Thatcher's Britain with her knickers down

Ravagers / B2 / Japan

17.05.11

Poster Poster
Title
Ravagers
AKA
--
Year of Film
1979
Director
Richard Compton
Starring
Richard Harris, Art Carney, Anthony James, Ann Turkel, Alana Stewart, Woody Strode, Ernest Borgnine, Seymour Cassel, Bob Westmoreland
Origin of Film
USA
Genre(s) of Film
Richard Harris, Art Carney, Anthony James, Ann Turkel, Alana Stewart, Woody Strode, Ernest Borgnine, Seymour Cassel, Bob Westmoreland,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1979
Designer
Unknown
Artist
--
Size (inches)
20 7/16" x 29"
SS or DS
SS
Tagline
--