A striking design for this superb film based on a nine month period in the life of notorious prostitute-turned-serial-killer Aileen Wuornos. The physical transformation of the usually stunning Charlize Theron (as Aileen) has to be seen to be believed, and she’s fully deserving of the multiple awards (including an Oscar) that her performance garnered.

I’m not sure who painted the flower at the top of the poster, so leave a comment or send me an email if you know so I can credit the artist.

The poster is printed on a thick, textured paper and you should be able to see this in the close-up photos.

Here’s the trailer for the film.

About to celebrate its 20th anniversary next year, Bryan Singer’s The Usual Suspects continues to sit at the top of many film fans’ lists of best crime thrillers and has been in the IMDb top 25 of all time (currently 23) since its release. Having won the Grand Jury Prize at the Sundance Film Festival with his debut film, Public Access, Singer once again collaborated with high school friend and screenwriter Christopher McQuarrie with the spark of the story coming from the title of an article in the satirical Spy magazine which the director had read. The idea of a bunch of criminals meeting in a police line-up and embarking on a new job came to Singer and the visual motif for the poster was one of the first concepts he and McQuarrie had, with the director asking “What would possibly bring these five felons together in one line-up?”

Actor Kevin Spacey had seen Public Access at Sundance and told Singer that he wanted to be involved in whatever his next project was so when the screenplay, which went through several rewrites, eventually attracted financing from a European company Spacey was cast as Roger ‘Verbal’ Kint. With a complex narrative structure, the film starts in the aftermath of a deadly attack on a container ship in San Pedro Bay which has left 27 people dead and two survivors, a badly burned Hungarian criminal and small-time con-artist Verbal Kint.

During questioning by a US customs agent, Kint explains how the massacre was the culmination of a series of events that began with a police line-up of ‘the usual suspects’ (Spacey, Gabriel Byrne, Benicio Del Toro, Stephen Baldwin and Kevin Pollak) a ragtag bunch of criminals and followed their interactions with an underworld legend known as Keyser Söze. The film ends with one of the greatest twists in the history of cinema.

This is the Japanese B2 which features the same line-up shot seen on the UK quad and the international one sheet, but there were barely any posters for the film that didn’t feature the image in some form.

This is the Japanese B1 poster for the release of Hal Ashby‘s 1979 comedy-drama Being There. The film is based on the novel of the same name by Jerzy Kosiński, who was also involved in the initial effort to craft the screenplay, with an uncredited Robert C. Jones. Being There was the penultimate film for the legendary British comedy actor Peter Sellers who would pass away only a year after its release at the untimely age of 54.

Sellers plays Chance, a simple-minded gardener who has lived and worked in the same Washington DC house since he was a young boy. He has never left the house, is unable to read or write and everything he has learnt has come from the TV set in his bedroom. When the owner of the house passes away, Chance is forced to wander the streets wearing the tailored suit of his old employer, unsure what to do next. An accidental encounter with the Eve Rand (Shirley MacLaine), the wife of the elderly billionaire business mogul Ben Rand (Melvyn Douglas), sees him transported in a limousine to the sprawling residence of the Rands. There he meets Ben who mistakenly assumes him to be Chauncey Gardener, a cultured and wise gentleman, who endears himself to the mogul. Rand mistakes his simple proclamations about gardening to be deep metaphors about the state of the economy. Chance even meets the President (Jack Warden), a friend of Rand’s, and influences a major speech he makes. Eventually people around Rand and the President begin to investigate Chauncey Gardener’s background, whilst Ben Rand’s health begins to fail and Eve becomes smitten with Chance.

The film was a critical success and was award-winning, with Sellers being given the Golden Globe for Best Actor (Musical or Comedy) and Melvyn Douglas snagging the Best Supporting Actor at the 1980 Academy Awards. The Rand’s home was the incredible Biltmore Estate in North Carolina.

The artwork on this Japanese B1 also featured on an international one sheet and the the German poster. I’m unsure who is responsible for the art so if anyone has any ideas please get in touch.

This is the original poster for the Thai release of John Carpenter’s sci-fi classic Escape From New York. I’d have a hard time choosing my favourite of the three (fictional) characters Carpenter and Kurt Russell created together; R.J. MacReady (The Thing), Jack Burton (Big Trouble in Little China) and Snake Plissken (EFNY). The latter is the gruff former war hero and convicted bank robber who is sent onto the island of Manhattan of an alternative 1997, which has been sealed-off as a lawless prison, in search of the American President whose plane crashed there after a terrorist attack. He’s arguably the coolest of the three and is a character much imitated in other lesser films featuring a reluctant hero.

This poster was painted by the artist Tongdee Panumas (he signs his posters with just his first name) who was an incredibly prolific Thai film poster artist during the 70s, 80s and 90s but I’ve been unable to find out much about him, other than that he was born in 1947. If anyone has any more information please get in touch.

The main illustration of Snake Plissken is unique to this poster but some of the other elements, especially the montage to the left, are based on the final US one sheet for the film that was painted by Barry E Jackson. The set of portraits in boxes are taken from the US advance poster that was painted by Stan Watts.

The rest of the John Carpenter posters I’ve collected can be seen by clicking here.

This is the original poster for the Polish release (in 1983) of John Carpenter’s sci-fi classic Escape From New York. I’d have a hard time choosing my favourite of the three (fictional) characters Carpenter and Kurt Russell created together; R.J. MacReady (The Thing), Jack Burton (Big Trouble in Little China) and Snake Plissken (EFNY). The latter is the gruff former war hero and convicted bank robber who is sent onto the island of Manhattan of an alternative 1997, which has been sealed-off as a lawless prison, in search of the American President whose plane crashed there after a terrorist attack. He’s arguably the coolest of the three and is a character much imitated in other lesser films featuring a reluctant hero.

The artwork on the poster is by Wieslaw Walkuski who was born in 1956 and studied at the Academy of Fine Arts in Warsaw. Since 1981 Walkuski has worked as a graphic designer and artist for publishing houses and theaters, as well as for the Polish film organisations Polfilm and Film Polski. He’s worked freelance since 1987 and has painted over 200 film posters. He continues to live and work in Warsaw. Walkuski’s official website features galleries of many of his designs and images of his other work.

He’s responsible for some incredible designs and two of my favourites include those he painted for Lars Von Trier’s Breaking the Waves and the Dustin Hoffman comedy Tootsie.

The rest of the John Carpenter posters I’ve collected can be seen by clicking here.

This is the original UK press kit for the release of John Carpenter’s sci-fi classic Escape From New York. I’d have a hard time choosing my favourite of the three (fictional) characters Carpenter and Kurt Russell created together; R.J. MacReady (The Thing), Jack Burton (Big Trouble in Little China) and Snake Plissken (EFNY). The latter is the gruff former war hero and convicted bank robber who is sent onto the island of Manhattan of an alternative 1997, which has been sealed-off as a lawless prison, in search of the American President whose plane crashed there after a terrorist attack. He’s arguably the coolest of the three and is a character much imitated in other lesser films featuring a reluctant hero.

As the name suggests, a press kit was supplied by the film’s distributors to members of the press for the purpose of promoting the release. It offers an outline of the story along with details of the cast and filmmakers involved. This kit also included four 8×10″ stills from the film, with each one having a short cast list and synopsis taped to the back. Some press kits are significantly larger and more detailed than this one so I suspect there may have been other parts to it, but I’m not certain.

The rest of the John Carpenter posters I’ve collected can be seen by clicking here.