There are few films quite like Flash Gordon (opens in a new tab) and having re-watched it on blu-ray recently I was reminded how much of an impression it had on me when I first saw it as a child. I also listened to the excellent audio commentary with director Mike Hodges (opens in a new tab), who admits to being an unlikely choice to direct and confirms in no uncertain terms that they were making things up as they went along. It sounds like a typically chaotic Dino De Laurentiis (opens in a new tab) production with scenes being written the night before filming and huge amounts of the budget going on the costume and set designs (though these are very impressive, even today).

There are several reasons the film remains one of my favourites of the 1980s:

Acting
Topol (opens in a new tab) is insanely over the top as Dr Hans Zarkov with an accent that changes from scene to scene. It’s not hard to see why Sam J. Jones (opens in a new tab) never hit the big time, although you can’t say he doesn’t give the role his all. Max Von Sydow (opens in a new tab) is clearly having fun playing Ming and Brian Blessed (opens in a new tab) is spectacular as Vultan the Hawksman; no one else could deliver the simple line ‘pass me the remote control’ with such unbridled gusto. A pre-Bond Timothy Dalton (opens in a new tab) is also rather memorable, sporting a spectacular moustache.

The woodbeast
This infamous scene (opens in a new tab) (featuring Peter Duncan (opens in a new tab)) terrified me as a child, and not just ‘wow, that’s a bit weird’, I’m talking more like ‘I’m never going near a tree stump ever again’. Scarred. For. Life. There’s also an odd ‘black whoopee-cushion with tendrils’ creature that attacks Flash and is seared into my memory, even if it looks like a painted balloon when you watch it again today.

The costumes and set designs
As mentioned, a serious amount of budget was spent on costumes and sets by Danilo Donati (opens in a new tab) and it shows. You only have to watch this brief clip (opens in a new tab) to get an idea of the amount of work that went into them – very impressive stuff.

Ornella Muti
(opens in a new tab)Just like Jane Seymour in Live and Let Die, Ornella (playing Princess Aura) was responsible for putting more than a few hairs on my chest. Her costumes are the very definition of figure-hugging. The infamous interrogation scene has to be seen to be believed.

The music
An awesome soundtrack by Brit rockers Queen (opens in a new tab) that still sounds superb today. I almost tried to persuade my wife to walk down the aisle to the sound of Ming’s wedding march (opens in a new tab); it’s that good. The 2011 remaster is available on Spotify (opens in a new tab).

This Thai poster was painted by the artist Tongdee Panumas (he signs his posters with just his first name) who was an incredibly prolific Thai film poster artist during the 70s, 80s and 90s but I’ve been unable to find out much about him, other than that he was born in 1947. If anyone has any more information please get in touch. A knowledgeable collector of Thai posters told me that the artists would rarely if ever see the film they were creating the poster for and would instead paint images based on still photos or posters from other countries. This led to some wild designs and even some artwork with characters and elements that didn’t even appear in the actual film!

I believe elements of this poster were copied from the same stills that were used to make some of the other worldwide posters for Flash Gordon, so it’s likely that the film was actually released some time after 1980. If anyone knows the date please get in touch. I also have a landscape version of the poster in the collection.