Wild At Heart / one sheet / USA

17.05.11

US one sheet poster for Wild At Heart (1990)US one sheet poster for Wild At Heart (1990), image 2US one sheet poster for Wild At Heart (1990), image 3
Title
Wild At Heart
AKA
Sailor et Lula (France)
Year of Film
1990
Director
David Lynch
Starring
Nicolas Cage, Laura Dern, Diane Ladd, Harry Dean Stanton, Willem Dafoe, J.E. Freeman, Crispin Glover, Calvin Lockhart, Isabella Rossellini, Grace Zabriskie, Sherilyn Fenn, Marvin Kaplan, William Morgan Sheppard, David Patrick Kelly
Origin of Film
USA
Genre(s) of Film
Crime | Drama
Type of Poster
One sheet
Origin of Poster
USA
Year of Poster
1990
Designer
Unknown
Size (inches)
27" x 41"
SS or DS
SS

This is the US one sheet poster for David Lynch’s 1990 twisted road trip Wild at Heart (opens in a new tab). Based on Barry Gifford’s 1989 novel of the same name (opens in a new tab), the film is arguably the most conventional film that Lynch has ever made, but it’s no less weird and wonderful than the rest of his output. Nicolas Cage (opens in a new tab) turns in one of his career best performances as Sailor Ripley, a young man sent to jail for killing a knife-wielding attacker in North Carolina.

Upon his release, he is met by his girlfriend Lula Fortune (Laura Dern (opens in a new tab)) at the prison gates and the pair decide to run away to California to escape her domineering mother Marietta (a memorable performance by Diane Ladd (opens in a new tab)). Marietta is a twisted bully and totally disapproves of Sailor and Lula’s relationship. It’s revealed that she sent the knife-wielding killer after him to begin with and when they disappear she hires both a private detective and a dangerous mobster to track them down.

The lovers end up in Texas where they meet an old friend called Perdita Durango (Isabella Rossellini (opens in a new tab)) who they hope will be able to help them, but also encounter the psychotic gangster Bobby Peru (a terrifying Willem Dafoe (opens in a new tab)) who leads Sailor astray with terrible consequences. The film is full of Lynch’s trademark surreal sequences and shocking moments of violence, including one involving a shotgun that is hard to forget. Apparently the film tested badly upon completion and Lynch recalls that over 100 people walked out during one screening. It received a pretty mixed critical reception but it did win the coveted Palme d’Or at the Cannes Film Festival and was a moderate financial success in the US and internationally.

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