You Searched For: Adrienne%2BKing

Creepshow / B2 / Japan

17.05.11

Poster Poster

Creepshow / one sheet / advance / international

17.05.11

Poster Poster

Creepshow / quad / UK

25.01.13

Poster Poster

Director George A. Romero was hired to direct this horror anthology and was paired with legendary horror author Stephen King who was on screen-writing duties (hence the top tagline). The film is an homage to boys’ comics of the 1950s, including Tales from the Crypt and The Vault of Horror, and features five short stories that are bookended by scenes featuring a young boy (played Joe King, son of Stephen) who is berated by his abusive father for reading those ‘crap’ comics and who later takes deadly revenge on his father. As with any anthology some of the stories are stronger than others and arguably the best is the one called ‘The Crate’ that sees an ancient creature unleashed from its titular prison, whilst ‘Something to Tide You Over’ a seriously creepy tale of revenge starring Ted Danson and a villainous Leslie Nielsen.

Romero once again collaborated with the special effects guru Tom Savini whose work on Creepshow definitely stands up as amongst the finest of his career. His cockroach-wrangling during the final story ‘They’re Creeping Up On You’ deserves special mention. The director assembled a very impressive cast that includes the likes of Ed HarrisHal Holbrook and genre-favourite Adrienne Barbeau. Stephen King himself even makes an (overblown, hammy) appearance as an unlucky yokel who gets more than he bargained for after discovering a strange meteorite.

The artwork is unique to this British quad but is based on artwork (source) by the American artist Bernie Wrightson that was painted for the title page of the tie-in comic book adaptation. The artwork has recently (July 2013) been confirmed as having been painted by the British poster art stalwart Tom Chantrell. Confirmation was made after the job books of Alan Wheatley, the design agency account handler for the distributor Alpha Films Ltd, were checked and Chantrell’s name was assigned to it. The poster’s artist identity had previously been unknown, although Chantrell’s name had been put forward despite the lack of his usual signature.

Note that there is a printed code upside down on the top left edge of the poster (see last picture). I’m not sure why this was added but it’s possibly to do with it being part of a poster dealer’s inventory – someone cataloguing posters may stamp them with a number to keep track of them – but why stamp it on the front? I know of at least one other copy of the poster with the number on the top so it’s a bit of a mystery.

The character of The Creep depicted on the poster also features on both the excellent advance one sheet and the final version, as well as the Japanese B2.

Creepshow / one sheet / USA

17.05.11

Poster Poster

Friday the 13th / B2 / Japan

17.05.11

Poster Poster
Title
Friday The 13th
AKA
A Long Night at Camp Blood (USA - working title)
Year of Film
1980
Director
Sean S. Cunningham
Starring
Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Mark Nelson, Jeannine Taylor, Robbi Morgan, Kevin Bacon
Origin of Film
USA
Genre(s) of Film
Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Mark Nelson, Jeannine Taylor, Robbi Morgan, Kevin Bacon,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1980
Designer
Unknown
Artist
Joann Daley (central axe artwork)
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Friday the 13th Part 2 / B2 / Japan

02.02.15

Poster Poster
Title
Friday the 13th Part 2
AKA
L'assassino ti siede accanto [You're sitting next to the killer] (Italy)
Year of Film
1981
Director
Steve Miner
Starring
Amy Steel, John Furey, Adrienne King, Kirsten Baker, Stuart Charno, Warrington Gillette, Walt Gorney, Marta Kober, Tom McBride, Bill Randolph, Lauren-Marie Taylor, Russell Todd
Origin of Film
USA
Genre(s) of Film
Amy Steel, John Furey, Adrienne King, Kirsten Baker, Stuart Charno, Warrington Gillette, Walt Gorney, Marta Kober, Tom McBride, Bill Randolph, Lauren-Marie Taylor, Russell Todd,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1981
Designer
Unknown
Artist
Unknown
Size (inches)
20 5/16" x 28 13/16"
SS or DS
SS
Tagline
--

Following only a year after the release of the original film, Friday the 13th Part 2 stuck very close to the formula that had made the first film such a surprising box office hit. The film’s original director and producer Sean S. Cunningham decided not to return for the sequel after disagreements with studio Paramount over the direction it should take. Despite the fact that the film’s original killer had been decapitated at the end, the studio wanted to continue the same storyline, whereas Cunningham and others (including make-up maestro Tom Savini) had wanted to make the series more of an anthology with different unique storylines for each instalment. 

Steve Miner, an associate-producer on the original, was tapped to direct the sequel (he would also helm part 3) and the story was set in the same area as the first film with the action taking place at another camp on Crystal Lake along from where the original set of murders happened. The producers realised they could use the character of Jason Voorhees, the supposedly drowned son of the original killer Pamela Voorhees, as the antagonist and it’s revealed that his body was never found.

As a new set of teenagers arrive at the summer camp ahead of the influx of kids, a killer stalks and murders them one by one, in much the same fashion as the original film. The film has a similar jump-scare ending to the first but it’s fudged slightly as it’s not clear whether it was another dream or not. The character of Jason was nevertheless established as the main bad guy and the series would continue successfully for the next 25-plus years. Part 2 was a victim of the original’s success in that the MPAA were a lot more strict in terms of the gore content this time around and several scenes were cut or truncated to appease the sensors.

This Japanese B2 is a lot more interesting than the US one sheet and I’m unsure who is responsible for the art of the axe. If anyone has any ideas please get in touch.

Friday The 13th / quad / UK

21.05.11

Poster Poster
Title
Friday The 13th
AKA
A Long Night at Camp Blood (USA - working title)
Year of Film
1980
Director
Sean S. Cunningham
Starring
Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Mark Nelson, Jeannine Taylor, Robbi Morgan, Kevin Bacon
Origin of Film
USA
Genre(s) of Film
Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Mark Nelson, Jeannine Taylor, Robbi Morgan, Kevin Bacon,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1980
Designer
Unknown
Artist
Unknown
Size (inches)
29 7/8" x 39 7/8"
SS or DS
SS
Tagline
On Friday the 13th, they began to die horribly, one......by one

Friday the 13th / one sheet / re-release / USA

17.05.11

Poster Poster
Title
Friday the 13th
AKA
A Long Night at Camp Blood (USA - working title)
Year of Film
1980
Director
Sean S. Cunningham
Starring
Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Mark Nelson, Jeannine Taylor, Robbi Morgan, Kevin Bacon
Origin of Film
USA
Genre(s) of Film
Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Mark Nelson, Jeannine Taylor, Robbi Morgan, Kevin Bacon,
Type of Poster
One sheet
Style of Poster
Re-release (GCIU version)
Origin of Poster
USA
Year of Poster
1980s
Designer
Spiros Angelikas
Artist
Alex Ebel
Size (inches)
27 1/8" x 41"
SS or DS
SS
NSS #
800073
Tagline
They were warned...They are doomed...And on Friday the 13th, nothing will save them

Friday the 13th Part 2 / Turkey

24.11.15

Poster Poster
Title
Friday the 13th Part 2
AKA
L'assassino ti siede accanto [You're sitting next to the killer] (Italy)
Year of Film
1981
Director
Steve Miner
Starring
Amy Steel, John Furey, Adrienne King, Kirsten Baker, Stuart Charno, Warrington Gillette, Walt Gorney, Marta Kober, Tom McBride, Bill Randolph, Lauren-Marie Taylor, Russell Todd
Origin of Film
USA
Genre(s) of Film
Amy Steel, John Furey, Adrienne King, Kirsten Baker, Stuart Charno, Warrington Gillette, Walt Gorney, Marta Kober, Tom McBride, Bill Randolph, Lauren-Marie Taylor, Russell Todd,
Type of Poster
Turkish
Style of Poster
--
Origin of Poster
Turkey
Year of Poster
1981
Designer
Unknown
Artist
Ömer Muz
Size (inches)
27" x 39.5"
SS or DS
SS
Tagline
--

Following only a year after the release of the original film, Friday the 13th Part 2 stuck very close to the formula that had made the first film such a surprising box office hit. The film’s original director and producer Sean S. Cunningham decided not to return for the sequel after disagreements with studio Paramount over the direction it should take. Despite the fact that the film’s original killer had been decapitated at the end, the studio wanted to continue the same storyline, whereas Cunningham and others (including make-up maestro Tom Savini) had wanted to make the series more of an anthology with different unique storylines for each instalment. 

Steve Miner, an associate-producer on the original, was tapped to direct the sequel (he would also helm part 3) and the story was set in the same area as the first film with the action taking place at another camp on Crystal Lake along from where the original set of murders happened. The producers realised they could use the character of Jason Voorhees, the supposedly drowned son of the original killer Pamela Voorhees, as the antagonist and it’s revealed that his body was never found.

As a new set of teenagers arrive at the summer camp ahead of the influx of kids, a killer stalks and murders them one by one, in much the same fashion as the original film. The film has a similar jump-scare ending to the first but it’s fudged slightly as it’s not clear whether it was another dream or not. The character of Jason was nevertheless established as the main bad guy and the series would continue successfully for the next 25-plus years. Part 2 was a victim of the original’s success in that the MPAA were a lot more strict in terms of the gore content this time around and several scenes were cut or truncated to appease the sensors.

This poster features the signature of Ömer Muz, a prolific artist who worked on many painted film posters their release. I’ve been unable to find out much about him so if anyone has any details please get in touch.