You Searched For: Kris%2BKristofferson

Trouble In Mind / one sheet / USA

17.05.11

Poster Poster
Title
Trouble In Mind
AKA
Wanda's Café (France) | Stati di alterazione progressiva (Condition of progressive alteration] (Italy)
Year of Film
1985
Director
Alan Rudolph
Starring
Kris Kristofferson, Keith Carradine, Lori Singer, Geneviève Bujold, Joe Morton, Divine, George Kirby, John Considine, Dirk Blocker, Albert Hall
Origin of Film
USA
Genre(s) of Film
Kris Kristofferson, Keith Carradine, Lori Singer, Geneviève Bujold, Joe Morton, Divine, George Kirby, John Considine, Dirk Blocker, Albert Hall,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1985
Designer
Mike Kaplan
Artist
Ignacio Gomez
Size (inches)
27 3/16" x 40 1/16"
SS or DS
SS
NSS #
--
Tagline
--

Convoy / B2 / style A / Japan

05.04.17

Poster Poster

Convoy was legendary American director Sam Peckinpah‘s penultimate film and his most commercially successful, despite it being critically mauled. It was made at the height of the craze for CB Radio/trucking films, which included the likes of Smokey and the Bandit and the TV series Movin’ On. The film’s title comes from the hit country and western novelty song of the same name by C.W. McCall and Chip Davis that was released in 1975. The song appears during the opening and intermittently during the film, with the latter version being reworked especially for the production.

It’s fair to say that the film is light on plot but Kris Kristofferson stars as long-distance trucker Martin ‘Rubber Duck’ Penwald who ends up leading the titular line of trucks across several states. Following an diner-based altercation with three police officers, including Duck’s long-term nemesis Sheriff “Dirty Lyle” Wallace (a great performance by Ernest Borgnine), a group of truckers head for the Arizona state line to escape prosecution. Lyle ups the stakes and pursues them into New Mexico whilst the convoy continues to grow. The authorities are determined to stop the truckers and Lyle uses the life of a fellow trucker to lure Duck into a trap from which it seems there’ll be no escape.

As had become standard for Peckinpah productions, the film finished over schedule and massively over budget, causing the director to be taken off post-production of the film. Studio staff worked with an editor to trim down a first cut that was over three hours long. It doesn’t particularly feel like a Peckinpah film (compared to the likes of The Wild Bunch, say) but there are certainly some well done scenes and the choices of location are excellent. Some of the editing choices aren’t great, however, with the slow-motion diner brawl being particularly excruciating to watch today. By this point in his career the director’s addiction to alcohol and drugs had become so profound that it would be another five years before he would work again.

This Japanese B2, one of two posters printed for the release in the country, features an image of the titular line of trucks, along with four head shots of what the distributors clearly decided were the key cast members.

Pat Garrett and Billy the Kid / B2 / Japan

25.01.12

Poster Poster

A striking use of Japanese characters on this poster for Sam Peckinpah’s 1973 take on the true story of lawman versus outlaw, Pat Garrett and Billy the Kid. The film starred James Coburn and Kris Kristofferson and featured American musician Bob Dylan in his first film role. Dylan also composed several songs for the soundtrack and released an album of the same name that year, which featured the classic song ‘Knockin’ on Heaven’s Door’.

This was Peckinpah’s third western and it’s said that he wanted the film to be the definitive statement on the genre. Sadly, multiple problems beset the production, including budgetary and time constraints, malfunctioning equipment and sick cast and crew members. This led to a falling out between the director and the studio (MGM) and ultimately saw the film being removed from Peckinpah’s control. The footage was roughly edited and cut down before being dumped into cinemas, with an unsurprisingly poor critical and commercial outcome.

In 1988 a director’s cut of the film was released and led to it being given a favourable reappraisal from critics and many now hail the film as one of Peckinpah’s best. In 2005 a third version was released onto DVD, which combines the two cuts and adds in some new material whilst still running shorter than the director’s cut.

‘Riders on the Storm’ is an excellent write up of the production of the film and features this great picture of the director.

The original trailer is on YouTube.

Convoy / one sheet / USA

17.05.11

Poster Poster
Title
Convoy
AKA
--
Year of Film
1978
Director
Sam Peckinpah
Starring
Kris Kristofferson, Ali MacGraw, Ernest Borgnine, Burt Young, Madge Sinclair, Franklyn Ajaye, Brian Davies, Seymour Cassel, Cassie Yates, Walter Kelley
Origin of Film
USA
Genre(s) of Film
Kris Kristofferson, Ali MacGraw, Ernest Borgnine, Burt Young, Madge Sinclair, Franklyn Ajaye, Brian Davies, Seymour Cassel, Cassie Yates, Walter Kelley,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1978
Designer
Bill Gold
Artist
Victor Gadino
Size (inches)
27 1/8" x 41"
SS or DS
SS
NSS #
780096
Tagline
Kristofferson and MacGraw... Ain't nothin' gonna get in their way!

Bring Me The Head Of Alfredo Garcia / B2 / Japan

17.05.11

Poster Poster
Title
Bring Me The Head Of Alfredo Garcia
AKA
--
Year of Film
1974
Director
Sam Peckinpah
Starring
Warren Oates, Isela Vega, Robert Webber, Gig Young, Helmut Dantine, Emilio Fernández, Kris Kristofferson
Origin of Film
USA | Mexico
Genre(s) of Film
Warren Oates, Isela Vega, Robert Webber, Gig Young, Helmut Dantine, Emilio Fernández, Kris Kristofferson,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1975
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

Blade II / one sheet / USA

17.05.11

Poster Poster
Title
Blade II
AKA
--
Year of Film
2002
Director
Guillermo del Toro
Starring
Wesley Snipes, Kris Kristofferson, Ron Perlman, Thomas Kretschmann, Leonor Varela, Danny John-Jules, Luke Goss, Marit Kile
Origin of Film
USA
Genre(s) of Film
Wesley Snipes, Kris Kristofferson, Ron Perlman, Thomas Kretschmann, Leonor Varela, Danny John-Jules, Luke Goss, Marit Kile,
Type of Poster
One sheet
Style of Poster
Final
Origin of Poster
USA
Year of Poster
2002
Designer
BLT & Associates
Artist
--
Size (inches)
27" x 40"
SS or DS
DS
NSS #
--
Tagline
--

Blade / B2 / Japan

17.05.11

Poster Poster
Title
Blade
AKA
Penge (Hungary)
Year of Film
1998
Director
Stephen Norrington
Starring
Wesley Snipes, Stephen Dorff, Kris Kristofferson, N'Bushe Wright, Donal Logue, Sanaa Lathan
Origin of Film
USA
Genre(s) of Film
Wesley Snipes, Stephen Dorff, Kris Kristofferson, N'Bushe Wright, Donal Logue, Sanaa Lathan,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1998
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Blade / one sheet / USA

17.05.11

Poster Poster
Title
Blade
AKA
Penge (Hungary)
Year of Film
1998
Director
Stephen Norrington
Starring
Wesley Snipes, Stephen Dorff, Kris Kristofferson, N'Bushe Wright, Donal Logue, Sanaa Lathan
Origin of Film
USA
Genre(s) of Film
Wesley Snipes, Stephen Dorff, Kris Kristofferson, N'Bushe Wright, Donal Logue, Sanaa Lathan,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1998
Designer
BLT & Associates
Artist
--
Size (inches)
27" x 40"
SS or DS
DS
NSS #
--
Tagline
The power of an immortal. The soul of a human. The heart of a hero.

Bring Me The Head Of Alfredo Garcia / B1 / re-release / Japan

27.04.15

Poster Poster
Title
Bring Me The Head Of Alfredo Garcia
AKA
--
Year of Film
1974
Director
Sam Peckinpah
Starring
Warren Oates, Isela Vega, Robert Webber, Gig Young, Helmut Dantine, Emilio Fernández, Kris Kristofferson
Origin of Film
USA | Mexico
Genre(s) of Film
Warren Oates, Isela Vega, Robert Webber, Gig Young, Helmut Dantine, Emilio Fernández, Kris Kristofferson,
Type of Poster
B1
Style of Poster
Re-release
Origin of Poster
Japan
Year of Poster
1994
Designer
Unknown
Artist
--
Size (inches)
28 2/16" x 40.5"
SS or DS
SS
Tagline
--

This is the Japanese B1 poster for the 1994 re-release of the late American director Sam Peckinpah‘s (The Wild Bunch, Straw Dogs) Bring Me the Head of Alfredo Garcia. Following the horrendous experience he’d had making Pat Garrett and Billy the Kid, which had suffered multiple production setbacks and ultimately saw the director and studio (MGM) part ways, Peckinpah decided to make his next film on a low budget and hopefully free from interference. He was to have his wish come true and claimed before his death that it’s the only one of his films that was released in its intended form. The screenplay was written by Peckinpah and Gordon Dawson and the main character played by Warren Oates is now seen as a thinly-veiled self-portrait of the director himself (apparently the actor even borrowed a pair of the director’s sunglasses).

Set in Mexico, the story sees a bounty put out on a the titular character after he impregnates the young daughter of a powerful man known as El Jefe (Emilio Fernández). The $1 million prize sparks the interest of a number of bounty hunters who set off to track Garcia down. Eventually two of them enter the dive bar where Bennie (Oates), a retired American Army officer, is eking out a living. Bennie believes he might be able to track down Garcia so when his girlfriend, the prostitute Elita (Isela Vega), reveals that the man died in a car crash after leaving her bordello, he makes a deal with the bounty hunters to track down the body and bring it to them. He and Elita set off to find Garcia’s grave but they’re not the only ones in pursuit and it’s not long before Peckinpah’s trademark violence is visited upon Bennie and everyone else involved.

In most scenes you can practically smell the alcohol and sweat emanating from Warren Oates and it’s almost certain that he was well lubricated throughout filming. Sadly for Peckinpah, the film was roundly trashed by critics (with a few notable exceptions like Roger Ebert) and was also a box-office failure at the time. It has, however, cultivated a cult following in the years since and has received more favourable contemporary reviews. Many fans of the director see it as the last true Peckinpah film released.

This poster was printed for the re-release in Japan that was marking 10 years since Peckinpah’s death from heart failure in 1984. I’ve only ever seen it in B1 format but it’s possible that a B2 poster exists for this release.

Convoy / B1 / Poland

08.02.17

Poster Poster

Convoy was legendary American director Sam Peckinpah‘s penultimate film and his most commercially successful, despite it being critically mauled. It was made at the height of the craze for CB Radio/trucking films, which included the likes of Smokey and the Bandit and the TV series Movin’ On. The film’s title comes from the hit country and western novelty song of the same name by C.W. McCall and Chip Davis that was released in 1975. The song appears during the opening and intermittently during the film, with the latter version being reworked especially for the production.

It’s fair to say that the film is light on plot but Kris Kristofferson stars as long-distance trucker Martin ‘Rubber Duck’ Penwald who ends up leading the titular line of trucks across several states. Following an diner-based altercation with three police officers, including Duck’s long-term nemesis Sheriff “Dirty Lyle” Wallace (a great performance by Ernest Borgnine), a group of truckers head for the Arizona state line to escape prosecution. Lyle ups the stakes and pursues them into New Mexico whilst the convoy continues to grow. The authorities are determined to stop the truckers and Lyle uses the life of a fellow trucker to lure Duck into a trap from which it seems there’ll be no escape.

As had become standard for Peckinpah productions, the film finished over schedule and massively over budget, causing the director to be taken off post-production of the film. Studio staff worked with an editor to trim down a first cut that was over three hours long. It doesn’t particularly feel like a Peckinpah film (compared to the likes of The Wild Bunch, say) but there are certainly some well done scenes and the choices of location are excellent. Some of the editing choices aren’t great, however, with the slow-motion diner brawl being particularly excruciating to watch today. By this point in his career the director’s addiction to alcohol and drugs had become so profound that it would be another five years before he would work again.

 

This Polish poster was designed and illustrated by Andrzej Pagowski, a prolific film poster artist who was born in Warsaw in 1953 and studied at the celebrated University of Fine Arts in Poznań, graduating in 1978 under the tutorship of the noted artist Waldemar Świerzy. In 1990 he started his own graphic design studio called Studio P, which he developed into an advertising agency by 1993. According to the biography on his official site, Pagowski has illustrated over 1000 posters during his career and has also done work for books, magazines and music covers. In addition, he is also a TV and theatre stage designer and a screenwriter. Undoubtedly a man of many talents!

Pagowski’s official site features an extensive gallery of his work, including several of the posters. Polishposter.com also features multiple pages worth of his movie posters and this culture.pl article is well worth a read too.

To see the other Pagowski-designed posters I’ve collected click here.