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The Beyond / A1 / Germany

05.12.14

Poster Poster
Title
The Beyond
AKA
Die Geisterstadt der Zombies (Germany) | L'aldilà (Italy) | 7 Doors of Death (USA)
Year of Film
1981
Director
Lucio Fulci
Starring
Catriona MacColl, David Warbeck, Cinzia Monreale, Antoine Saint-John, Veronica Lazar, Anthony Flees, Giovanni De Nava, Al Cliver, Michele Mirabella, Gianpaolo Saccarola
Origin of Film
Italy
Genre(s) of Film
Catriona MacColl, David Warbeck, Cinzia Monreale, Antoine Saint-John, Veronica Lazar, Anthony Flees, Giovanni De Nava, Al Cliver, Michele Mirabella, Gianpaolo Saccarola,
Type of Poster
A1
Style of Poster
--
Origin of Poster
Germany
Year of Poster
1981
Designer
Unknown
Artist
Lutz Peltzer
Size (inches)
23.5" x 33 9/16"
SS or DS
SS
Tagline
--

Unique artwork features on this German A1 poster for the release of Lucio Fulci‘s classic horror The Beyond (1981). Nicknamed The Godfather of Gore, the late Italian director is responsible for several memorable entries in the horror genre and The Beyond is one of what are often considered to be the big four Fulci films (the others being Zombie Flesh Eaters, The House By the Cemetery and City of the Living Dead), which were all made within two years of each other. The director tried his hand at various genres, including westerns and comedies, but it was horror where he found the greatest success and for which he is best remembered.

The Beyond is the second film in the unofficial ‘Gates of Hell’ trilogy of Fulci films that began with 1980s City of the Living Dead and ended with The House By the Cemetery. British actress Catriona MacColl, star of the other two films, plays New Yorker Liza Merril who has inherited a run-down Louisiana hotel and decides to spend her savings on renovating the place. What she doesn’t realise is that it was built over one of ‘Seven Doors of Death’, which are direct pathways to hell, and when people involved in helping her repair the hotel begin to die horribly she is helped by a local doctor (David Warbeck) and a mysterious local blind woman called Emily (Cinzia Monreale). It soon becomes clear that the pathway is letting supernatural evil out and creating bloodthirsty zombies of the dead and Liza must fight for her very survival.

As with many of Fulci’s films, the story plays second fiddle to the striking visuals and gory set-pieces as the body count ramps up. It’s never less than memorable and is often cited by Fulci fans as their favourite of his films. The Beyond also features a great score by regular Fulci collaborator Fabio Frizzi. The film was butchered heavily for its original US release (as ‘7 Doors of Death’) and was missing most of the gore scenes and a different soundtrack. The UK release was originally heavily cut, despite being granted an ‘X’ certificate. It was finally passed fully uncut in 2001.

A reader of the site got in touch to confirm that the poster was painted by Lutz Peltzer, a prolific German artist who worked on over 800 posters during his career. The German site Archiv für Filmposter features a biography and plenty of images of his work. It details that he was born in 1925 in Mannheim and passed away in 2003.

The Beyond / Thailand

01.04.16

Poster Poster
Title
The Beyond
AKA
Die Geisterstadt der Zombies (Germany) | L'aldilà (Italy) | 7 Doors of Death (USA)
Year of Film
1981
Director
Lucio Fulci
Starring
Catriona MacColl, David Warbeck, Cinzia Monreale, Antoine Saint-John, Veronica Lazar, Anthony Flees, Giovanni De Nava, Al Cliver, Michele Mirabella, Gianpaolo Saccarola
Origin of Film
Italy
Genre(s) of Film
Catriona MacColl, David Warbeck, Cinzia Monreale, Antoine Saint-John, Veronica Lazar, Anthony Flees, Giovanni De Nava, Al Cliver, Michele Mirabella, Gianpaolo Saccarola,
Type of Poster
Thai
Style of Poster
--
Origin of Poster
Thailand
Year of Poster
1981
Designer
Unknown
Artist
Noppadol
Size (inches)
21" x 29 15/16"
SS or DS
SS
Tagline
--

Unique artwork features on this Thai poster for the release of Lucio Fulci‘s classic horror The Beyond (1981). Nicknamed The Godfather of Gore, the late Italian director is responsible for several memorable entries in the horror genre and The Beyond is one of what are often considered to be the big four Fulci films (the others being Zombie Flesh Eaters, The House By the Cemetery and City of the Living Dead), which were all made within two years of each other. The director tried his hand at various genres, including westerns and comedies, but it was horror where he found the greatest success and for which he is best remembered.

The Beyond is the second film in the unofficial ‘Gates of Hell’ trilogy of Fulci films that began with 1980s City of the Living Dead and ended with The House By the Cemetery. British actress Catriona MacColl, star of the other two films, plays New Yorker Liza Merril who has inherited a run-down Louisiana hotel and decides to spend her savings on renovating the place. What she doesn’t realise is that it was built over one of ‘Seven Doors of Death’, which are direct pathways to hell, and when people involved in helping her repair the hotel begin to die horribly she is helped by a local doctor (David Warbeck) and a mysterious local blind woman called Emily (Cinzia Monreale). It soon becomes clear that the pathway is letting supernatural evil out and creating bloodthirsty zombies of the dead and Liza must fight for her very survival.

As with many of Fulci’s films, the story plays second fiddle to the striking visuals and gory set-pieces as the body count ramps up. It’s never less than memorable and is often cited by Fulci fans as their favourite of his films. The Beyond also features a great score by regular Fulci collaborator Fabio Frizzi. The film was butchered heavily for its original US release (as ‘7 Doors of Death’) and was missing most of the gore scenes and a different soundtrack. The UK release was originally heavily cut, despite being granted an ‘X’ certificate. It was finally passed fully uncut in 2001.

This montage featuring some of the more memorable moments of gory violence from the film was painted by a Thai artist called Noppadol about whom I’ve been unable to discover very little, other than a few of the other film poster titles he worked on (including Saturn 3 and Evil Dead). If anyone knows any more details please get in touch.

Although folded and not in amazing condition this is a very scarce poster and one that’s getting increasingly hard to find. I’ll continue to try and locate one without the fold lines but suspect it won’t be easy. The blue ink marks on the bottom of the poster relate to showings at specific times in specific cinemas and were stamped on after the original printing.