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One Flew Over the Cuckoo’s Nest / one sheet / USA

20.02.15

Poster Poster
Title
One Flew Over the Cuckoo's Nest
AKA
Gökboet (Sweden)
Year of Film
1975
Director
Miloš Forman
Starring
Jack Nicholson, Louise Fletcher, William Redfield, Brad Dourif, Will Sampson, Danny DeVito, Scatman Crothers, Christopher Lloyd
Origin of Film
USA
Genre(s) of Film
Jack Nicholson, Louise Fletcher, William Redfield, Brad Dourif, Will Sampson, Danny DeVito, Scatman Crothers, Christopher Lloyd,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1975
Designer
Unknown
Artist
--
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
75/280
Tagline
--

Arguably Jack Nicholson‘s finest performance (not an easy choice when there are films like Chinatown), One Flew Over the Cuckoo’s Nest is one of only three films that have won all five major Academy Awards (Best Picture, Actor in Lead Role, Actress in Lead Role, Director, and Screenplay), with the others being It Happened One Night (1934) and The Silence of the Lambs (1991). Based on the 1962 novel of the same name by Ken Kesey, the film focuses on goings on inside Oregon State Mental Hospital, which is where the book is set and, fortuitously, production was able to take place.

Nicholson plays Randall McMurphy a lifelong petty criminal who is sent to the mental hospital for evaluation after he fakes insanity in order to try and avoid a prison sentence in a traditional jail. After adjusting to life among genuinely disturbed characters including Billy Bibbit (Brad Dourif) and Martini (Danny DeVito) and Taber (Christopher Lloyd) he starts to lead a small rebellion agains the authorities in the hospital and gains a cult status amongst the patients. But McMurphy hasn’t reckoned on the determination of the cruel Nurse Ratched (an unforgettable Louise Fletcher) who realises how much of a threat he is to life at the hospital and the tension between them escalates until a shocking ending that hasn’t lost it’s power 40 years on.

The film was a huge box-office and critical success with the Academy Awards being only some of the many accolades the film would garner. The film has been oft parodied in the years since with several elements of the story entering the cultural lexicon, such as uncompromising authoritarian figures often being referred to as being Ratched-like.

I’m unsure who’s responsible for the design of this poster so if anyone has any ideas please get in touch.

The Shining / screen print / Aesthetic Apparatus / USA

17.05.11

Poster Poster

The Shining / quad / UK

18.05.11

Poster Poster
Title
The Shining
AKA
--
Year of Film
1980
Director
Stanley Kubrick
Starring
Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers, Barry Nelson, Philip Stone, Joe Turkel, Anne Jackson, Tony Burton, Barry Dennen
Origin of Film
UK | USA
Genre(s) of Film
Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers, Barry Nelson, Philip Stone, Joe Turkel, Anne Jackson, Tony Burton, Barry Dennen,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1980
Designer
Chapman Beauvais (John Chapman and Tom Beauvais)
Artist
--
Size (inches)
30" x 39 13/16"
SS or DS
SS
Tagline
The tide of terror that swept America IS HERE

The Shining / B2 / Japan

17.05.11

Poster Poster

The Shining / one sheet / advance / UK

17.05.11

Poster Poster
Title
The Shining
AKA
--
Year of Film
1980
Director
Stanley Kubrick
Starring
Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers, Barry Nelson, Philip Stone, Joe Turkel, Anne Jackson, Tony Burton, Barry Dennen
Origin of Film
UK | USA
Genre(s) of Film
Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers, Barry Nelson, Philip Stone, Joe Turkel, Anne Jackson, Tony Burton, Barry Dennen,
Type of Poster
One sheet
Style of Poster
Advance
Origin of Poster
UK
Year of Poster
1980
Designer
Saul Bass
Artist
Saul Bass
Size (inches)
26 15/16" x 39 13/16"
SS or DS
SS
NSS #
--
Tagline
The tide of terror that swept America IS HERE

The Shining / one sheet / restrike / USA

17.05.11

Poster Poster
Title
The Shining
AKA
--
Year of Film
1980
Director
Stanley Kubrick
Starring
Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers, Barry Nelson, Philip Stone, Joe Turkel, Anne Jackson, Tony Burton, Barry Dennen
Origin of Film
UK | USA
Genre(s) of Film
Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers, Barry Nelson, Philip Stone, Joe Turkel, Anne Jackson, Tony Burton, Barry Dennen,
Type of Poster
One sheet
Style of Poster
Restrike
Origin of Poster
USA
Year of Poster
1980s
Designer
Unknown
Artist
Saul Bass
Size (inches)
26 7/8" x 40 7/16"
SS or DS
SS
NSS #
800010
Tagline
A Masterpiece Of Modern Horror

One Flew Over the Cuckoo’s Nest / B2 / Japan

17.05.11

Poster Poster
Title
One Flew Over the Cuckoo's Nest
AKA
Gökboet (Sweden)
Year of Film
1975
Director
Miloš Forman
Starring
Jack Nicholson, Louise Fletcher, William Redfield, Brad Dourif, Will Sampson, Danny DeVito, Scatman Crothers, Christopher Lloyd
Origin of Film
USA
Genre(s) of Film
Jack Nicholson, Louise Fletcher, William Redfield, Brad Dourif, Will Sampson, Danny DeVito, Scatman Crothers, Christopher Lloyd,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1976
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

Bronco Billy / one sheet / USA

27.02.12

Poster Poster

One of Clint Eastwood’s lesser known outings, Bronco Billy is nevertheless apparently one of the actor-director’s favourites amongst his myriad films. It was pitched firmly in the vein of his earlier Orangutan-featuring screwball comedy dramas, Every Which Way But Loose and its sequel. The studio presumably hoped to ape their success, but in the end the film failed to generate similar box-office numbers.

Eastwood stars as the titular Billy, the leader of a traveling Wild West show and so-called ‘fastest guns in the West’. Things aren’t looking too great for the show and go from bad to worse when they pick up Antoinette Lilly (Sondra Locke) a wealthy heiress who has been abandoned by her future husband. Antoinette must learn to cope without the luxuries she has become accustomed to whilst Billy struggles to keep the show afloat. Eventually the pair strike up a relationship, but it’s not long before Antoinette’s former life catches up with her.

This US one sheet features artwork by American Roger Huyssen, a commercial artist who has worked on advertising campaigns for some of the world’s largest brands, as well as magazine covers, packaging design and several movie posters. His website features plenty of samples of his work and this poster can be seen on there. He often partners with lettering designer Gerard Huerta (working as 2H studio) as is the case on this poster. You’ll notice both signatures are included on the poster.

It’s a brilliantly detailed and colourful design and works perfectly for the film it’s advertising. I particularly like the idea of using a billboard in the style of the Wild West show to display the film’s title.

The film’s trailer is on YouTube.

Silver Streak / one sheet / style A / USA

31.05.16

Poster Poster
Title
Silver Streak
AKA
--
Year of Film
1976
Director
Arthur Hiller
Starring
Gene Wilder, Jill Clayburgh, Richard Pryor, Patrick McGoohan, Ned Beatty, Clifton James, Ray Walston, Stefan Gierasch, Len Birman, Valerie Curtin, Lucille Benson, Scatman Crothers, Richard Kiel, Fred Willard
Origin of Film
USA
Genre(s) of Film
Gene Wilder, Jill Clayburgh, Richard Pryor, Patrick McGoohan, Ned Beatty, Clifton James, Ray Walston, Stefan Gierasch, Len Birman, Valerie Curtin, Lucille Benson, Scatman Crothers, Richard Kiel, Fred Willard,
Type of Poster
One sheet
Style of Poster
Style A
Origin of Poster
USA
Year of Poster
1976
Designer
Unknown
Artist
George Gross
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
76/200
Tagline
By plane, by train, by the edge of your seat, it's the most hilarious suspense ride of your life!

Silver Streak, a 1976 comedy thriller, marked the first time that the celebrated comic actors Gene Wilder and Richard Pryor would appear together in a film and there would be a further three pairings following this one. Directed by Arthur Hiller, who would helm See No Evil, Hear No Evil starring Wilder and Pryor 13 years later, the film is mostly set onboard the eponymous long distance train. Wilder plays George Caldwell a book editor who is traveling from Los Angeles to Chicago for his sister’s wedding. Whilst onboard he meets Hilly (Jill Clayburgh) and the pair strike up a romance, but soon George is battling to stay alive after he witnesses the murder of an art historian and attracts the attention of the killers.

The gang plan to impersonate the dead historian in order to pass of a pair of forged Rembrandt paintings as original. George is forcefully removed from the train several times and it’s during one of these escapades that he meets the criminal Grover T. Muldoon (Pryor) who he enlists in helping him reach the train to climb back onboard and bring the conspiracy to light. As this poster artwork suggests, the film ends in a spectacular train crash.

The artwork is by George Gross, an American who is best known as an artist of pulp book covers but, as this short biography details, he also worked on magazine illustrations and covers for popular novels. The artist was born in 1909 in Brooklyn and he followed his father into the area of commercial illustration, with both of his siblings eventually making it a proper family affair. This site has a gallery of his pulp covers. I’ve been unable to determine if he painted any other film posters so please get in touch if you know of any others.

It’s worth noting that the central figures have been rather crudely cut out and placed over the background scenes, which have also been cut up in places (see if you can spot the replicated policeman).

The Shootist / quad / UK

10.07.13

Poster Poster
Title
The Shootist
Year of Film
1976
Director
Don Siegel
Starring
John Wayne, Lauren Bacall, Ron Howard, James Stewart, Richard Boone, Hugh O'Brian, Bill McKinney, Harry Morgan, John Carradine, Sheree North, Rick Lenz, Scatman Crothers
Origin of Film
USA
Genre(s) of Film
John Wayne, Lauren Bacall, Ron Howard, James Stewart, Richard Boone, Hugh O'Brian, Bill McKinney, Harry Morgan, John Carradine, Sheree North, Rick Lenz, Scatman Crothers,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1976
Designer
John Raymer
Artist
Roger Coleman
Size (inches)
30" x 39 14/16"
SS or DS
SS
Tagline
The unforgettable drama of a legendary gunfighter's last days.

A superb portrait of the late, great John Wayne on this British quad for the release of The Duke’s last film, 1976’s The Shootist. Directed by Don Siegel, the film depicts the last days of a legendary gunfighter named J. B. Books and it actually begins with a montage of clips from Wayne’s earlier cowboy films. In the early 20th century, at the ‘end’ of the wild west, Books arrives in Carson City, Nevada and, after seeking an audience with a doctor, is told that he has terminal cancer and has only a couple of months left to live. He rents a room from the widow Bond Rogers (Lauren Bacall) and her son Gillom (Ron Howard) with the intention of planning a quiet and dignified end to his life, but his mere presence in the town sets of a chain of events with various characters keen to take advantage of Books’ predicament. Before long, the legendary shootist realises that he’s going to have to end his life with bang, not a whimper.

This British quad was designed at the London advertising outfit Lonsdales by a gentleman called John Raymer and was painted by the freelance artist Roger Coleman. Unique to the UK campaign, the intimate portrait of a grizzled Wayne was commissioned by Paramount Pictures UK as they felt that the original US poster, painted by Richard Amsel, had contributed to the film’s poor domestic box office performance.

As detailed in Sim Branaghan’s superb British Film Posters book, John Raymer was born in 1933 in South Norwood, South London, and went on to attend the nearby Croydon School of Art where he gained a National Diploma after specialising in book illustration. After completing his National Service he returned home in 1955 and was taken on by a design agency called Greenly’s situated on Berkeley Square in central London. The agency had held the Paramount account since 1922 and Raymer was finally given the opportunity to work on it in 1967, which was a year before the designer Frank Pickford, who had been on the account since day one, retired from the agency.

By the mid 1960s Richard Lonsdale-Hands had taken over the agency and there was clear recognition that the traditional model of adapting a US campaign for the UK market was no longer working. Sim’s book features a fascinating account from Raymer on the way Lonsdales dealt with being given more freedom to create publicity better suited to UK audiences. In 1975 the designer moved to the rival agency Downton’s where he apparently found the change of pace quite difficult to adapt to initially, with the requests for multiple designs per week being quite a change from his experience at the more sedate Lonsdales. When the illustrated cinema poster work began to slow down in the 1980s he started, like many other designers and artists, to work on video covers as well as a handful of quads, often in collaboration with the illustrator Brian Bysouth. He finally retired in 1993, and at the time of the publishing of Sim’s book was painting local scenes that were being sold in local galleries in his native Surrey.

Roger Coleman, one of several freelance illustrators used by Lonsdales, was born in South Wigston, Leicestershire in 1930 and studied painting at Leicester College of Art before winning a national portrait competition in 1952. He then went on to study at the Royal College of Art in London and eventually joined the editorial staff of Design magazine where he wrote about art and design and organised several exhibitions. In 1960 he was taken on by the agency Artist Partners and thus began several years of working on film campaigns, which included posters for films such as Catch 22 (1970) and Bad News Bears (1976) as well as concepts for the posters for Kubrick’s 2001. The Shootist is probably Coleman’s most famous printed poster, which the artist recalls was painted in six days, and the striking image of Wayne undoubtedly helped the film to success at the UK box office.