The Fall of Ako Castle (AKA Swords of Vengeance) is the late director Kinji Fukasaku‘s take on the real historical event known as the Forty-seven Ronin, which took place in early 18th Century Japan. The tale of revenge focuses on a group of samurai who were left leaderless after their feudal lord is forced to commit ritual suicide (seppuku) after assaulting a court official. The ronin spend two years planning their revenge attack and once it is complete are forced to also commit seppuku for the act of murder. The story was popularised in Japanese culture as emblematic  of the loyalty, sacrifice, persistence, and honor that all good people should preserve in their daily lives.

The story has been brought to the cinema screen at least six times, with perhaps the most famous version being Chushingura: Hana no Maki, Yuki no Maki (1962), featuring Toshirō Mifune as one of the ronin, who would also go on to feature in Fukasaku’s version. Next year Keanu Reeves is set to star in 47 Ronin, a Hollywood version of the tale that sees him play a half Japanese half British character who joins the samurai in their quest for revenge.

Superstar actor and martial artist Sonny Chiba headlined Fukasaku’s version and is perhaps best known in the West for his role in 1974’s The Street Fighter, which firmly established him as a martial arts legend. Fukasaku had earlier directed several successful samurai period and yakuza films such as Battles Without Honor and Humanity (1973) and the Japanese portion of 1970s Tora! Tora! Tora! His final film, Battle Royale (2000), is perhaps the one he is best known outside of Japan.

The film’s original trailer is on YouTube.

A rare mix of photography and artwork features on this Japanese B2 for the release of (what would later be re-titled) The Streetfighter’s Last Revenge. The final entry in a trilogy of films starring legendary Japanese martial artist Shin’ichi ‘Sonny’ Chiba, the film followed the original The Streetfighter and Return of the Street Fighter which were all produced in one year (1974). The original film was Chiba’s breakout international hit and was released in the USA and elsewhere in 1974, but this sequel would have to wait 5 years before it was given a cinema release in the States. When it did finally arrive it was significantly altered and had large amounts of violence removed.

The reason for the delayed release is likely to do with the drop in quality over the first two entries as this review (and several others) on IMDb testifies:

‘If you love THE STREET FIGHTER (and you probably do if you looked up this entry) don’t even bother with this final entry in the series. This one sucks out loud, and has only one decent fight scene which lasts for about a minute. Our hero now has taken on a more “MISSION: IMPOSSIBLE”-type persona since he now is a master of disguise (???). Skip this.’

This film and the others in the trilogy are now in the public domain (so can be streamed from multiple sources online). Director Quentin Tarantino is a big Chiba fan and these are the films that the character of Clarence (Christian Slater) is watching in a cinema triple-bill when he first meets Alabama (Patricia Arquette) in Tony Scott’s True Romance (Tarantino wrote the script).

I’ve struggled to find out who is responsible for the artwork on this poster so if anyone has an idea please get in touch. The US poster uses the same art and photograph, which was almost never the case, but I suspect that the distributor (New Line) was trying to save money by reusing as much as possible.