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The Avengers / screen print / regular / Tyler Stout / USA

31.07.14

Poster Poster

2012 was an important year for several of cinema’s biggest franchises with the latest James Bond film, Skyfall, appearing four years after the last, plus Christopher Nolan bringing his Dark Knight trilogy to a spectacular close with The Dark Knight Rises. However, unquestionably the cinematic event of the year was the much anticipated release of Marvel’s superhero team-up The Avengers.

Even before the successful release of Iron Man in 2008, the production team in charge of what is known as the Marvel Cinematic Universe, had planned to release a series of films focusing on individual superheroes based on Marvel comic characters, with the intention of establishing their backstories, and popularity, with fans before uniting them together in a ‘crossover’ film. The original Avengers comic, which brought together previously stand-alone characters including Thor, Captain America, Hulk and Iron Man, was first released in 1963 and has been in print since then so it was no surprise that it was chosen to the be the crossover film following the first five standalone stories.

The film was helmed by cult screenwriter/director Joss Whedon who saw worldwide success with TV shows like Buffy, Angel and cult favourite Firefly, but this was his first major studio film and his appointment in 2010 was seen as a surprise, but welcome, choice by many fans. Whedon pushed the studio allow him to begin a new script after reading a screenplay by Zak Penn that they had been tinkering with since 2007 and the studio eventually agreed, with production beginning in July 2010.

Marvel’s faith in Whedon paid off in spectacular style when the film was released in 2012 and broke multiple worldwide box-office records, including highest-grossing opening in the US, the highest opening week earnings and fewest number of days to reach half a billion dollars (23). It was the highest grossing film of 2012 and currently stands at third in the all-time rankings.

To celebrate the release of the film, Marvel once again worked with Austin-based Mondo to release a series of screen prints based on characters from the film. The incomparable Austin-based geek culture outfit has worked on prints for all of the standalone Marvel releases, starting with Iron Man in 2008 and only skipping the same year’s The Incredible Hulk.

The team at Mondo assembled a roster of its most celebrated artists to turn in designs for each of the main characters and these were released over the period of a week in April 2012, beginning with Olly Moss‘ portrait of Black Widow and ending with Thor by Martin Ansin and Iron Man by Kevin Tong. A few weeks later, on the eve of the film’s release, Mondo then revealed a print featuring all of the characters that was designed and illustrated by arguably their most popular artist, Tyler Stout.

As usual, the print came in both regular and variant versions and, despite each having relatively high print runs, the poster sold out within seconds of going on sale on Mondo’s webshop. I was lucky to snag a copy of the print via Tyler’s ‘lottery’, which he now holds on his own site shortly after each print release sells out via Mondo.

Whilst adding the regular version to the Film on Paper collection I wanted to interview the man himself about the creation of the poster as I’ve done previously with his work on the prints for AkiraKill Bill and Star Trek II: The Wrath of Khan. The interview can be read in full by clicking here.

Note that the final image of Iron Man is stamped on the back of the print.

Tyler Stout on the making of his The Avengers screen print

31.07.14

To celebrate the release of 2012’s hugely anticipated superhero team-up The Avengers, Marvel, the studio behind what was unquestionably the biggest cinematic event of the year, once again worked with Austin-based Mondo to release a series of screen prints based on characters from the film. The incomparable Austin-based geek culture outfit has worked on prints for all of the standalone Marvel releases, starting with Iron Man in 2008 and only skipping the same year’s The Incredible Hulk.

The team at Mondo assembled a roster of its most celebrated artists to work on prints for each of the main characters and these were released over the period of a week in April 2012, beginning with Olly Moss‘ portrait of Black Widow and ending with Thor by Martin Ansin and Iron Man by Kevin Tong. A few weeks later, on the eve of the film’s release, Mondo then revealed a print featuring all of the characters that was designed and illustrated by arguably their most popular artist, Tyler Stout.

The regular version of Tyler Stout’s screen print for The Avengers, 2012

The regular version of Tyler Stout’s screen print for The Avengers, 2012

As usual, the print came in both regular and variant versions and, despite each having relatively high print runs, the poster sold out within seconds of going on sale on Mondo’s site. I was lucky to snag a copy of the print via Tyler’s own lottery, which he now holds on his own site shortly after each print release sells out via Mondo.

Whilst adding the regular version to the Film on Paper collection I wanted to interview the man himself about the creation of the print as I’ve done previously with his work on Akira, Kill Bill and Star Trek II: The Wrath of Khan. The interview can be read in full below:

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Hey Tyler, can I start by asking if you were keen to work on a poster for The Avengers after the prints you’d done for Iron Man 2 and Captain America? Did you ask the guys at Mondo if you could get involved?
Well, bear in mind that I did this poster over two years ago so it’s hard for me to remember the exact conversation, but it probably was something similar to the Mondo guys asking me, “Hey do you want to do a poster for Avengers?” and me going “Sure”, and then several emails from them saying “Is it done yet?” then me finishing it at the last minute.


Did you get to see the film before you worked on the print? What did you think?
I didn’t. I don’t know if I’ve ever seen a film before it’s released officially. Actually, Best Worst Movie – I saw that one. For the rest though, if it’s a new film, I don’t usually get into screenings. I really liked The Avengers a lot and it’s my second favourite Marvel film, after the first Iron Man. Since then I would probably add Captain America 2 up there as I really enjoyed that, plus Iron Man 3.

How long were you given to work on the design?
I can’t really say for sure. I’m certain they gave me at least a month’s heads-up, probably more like three months heads-up. Not that it does much good as I’m a last minute man.

An early thumbnail sketch for the poster that Tyler submitted to Mondo for approval before beginning work.

An early thumbnail sketch for the poster that Tyler submitted to Mondo for approval before beginning work.

Can you talk about your initial design ideas for the poster?
We were required to submit a thumbnail sketch of our design ideas early on in the process. As you can see I stuck pretty close to mine and just had to tweak a few colors and voila. Done. It was in my head the entire time.

Were there certain elements or characters you knew had to sit next to each other?
My posters are the very definition of happy accidents. Looking at this one, I think I deliberately made Captain America and Iron Man/Tony Stark smaller and less central to the piece because I’d already done posters for their individual films, so those two characters had already had their day to shine. Having seen the film, I realise now that maybe Hawkeye isn’t as main of a character as Cap or Stark (who’s a huge part of the film), but thats life. I let personal bias get in the way.

An early, colourless version of the print with a few notable differences.

An early, colourless version of the print with a few notable differences.

What about the idea of having each character with a portrait and an alternative pose?
I like drawing faces up close and I like kinda showing them in action. I just like repeating things for some reason. It gives it the feeling of movement, for me anyway.

One small note of interest is that, due to a lack of time, I used the city portion of a discarded design for a Drive poster as the background for this print. Later we ended up doing a letterpress of that same Drive design. This is known in the TStout industry as ‘double-dipping’.

TheAvengers_screenprint_TylerStout_BlackWidowClose

A close-up of an earlier version of the poster, featuring Black Widow and a cityscape ‘borrowed’ from an unused poster for Drive (as detailed above and featured below).

A letterpress of an earlier, unused poster for Drive (2011) that was designed by Tyler and from which he 'borrowed' the background cityscape for the Avengers print.

A letterpress of an earlier, unused poster for Drive (2011) that was designed by Tyler and from which he ‘borrowed’ the background cityscape for the Avengers print.

Was the composition and framing using the ‘A’ something you arrived at rapidly?
Having looked back at earlier versions it seems like the A feature was always pretty central to the design, there wasn’t any layout that didn’t involve it actually. So that’s good that I stuck to my guns.

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