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Star Trek II – The Wrath of Khan / screen print / regular / Tyler Stout / USA

29.04.13

Poster Poster

The Wrath of Khan was the follow up to 1979s Star Trek – The Motion Picture, which was the first feature film to hit cinemas following the ending of the original series 10 years previously. Even though the show was cancelled by the network (NBC) after only three seasons, it had garnered a significant cult following and had made a major impact on popular culture, helped greatly by broadcast syndication on channels across the US during the 1970s. Despite earning significant box-office takings, many critics and fans of the original series were disappointed with the first feature film and reviews tended to criticise it as overlong, bereft of any significant action and, worst of all, boring.

A sequel was inevitable, but Gene Roddenberry, the creator of the original series and executive producer of the first film, was removed from its production by Paramount after they claimed that Roddenberry had forced the first film over budget and had muddled the script with too many re-writes. His replacement was Harve Bennett, with Roddenberry given an ‘executive consultant’ role. Bennett studied the original series for inspiration having decided that the film should be more action-packed and regain some of the swashbuckling feel that had been lost in the first film. Deciding that the sequel needed a decent bad guy, Bennett settled on the character of Khan Noonien Singh, a genetically engineered super solider, who had featured in the first series episode Space Seed, which had long been a fan favourite. At the end of that episode Khan and some of his comrades had been banished to the inhospitable planet of Ceti Alpha V so his return in the film would not be against the series’ canon.

Mexican actor Ricardo Montalban agreed to reprise his role as Khan and the story sees him escaping exile and seeking revenge against Captain Kirk, whom he blames for the death of his wife. After commandeering the USS Reliant, Khan learns of the Genesis Device, a torpedo which is intended to reorganise matter to create a hospitable world but can also destroy planets if used in the wrong way. The crew of the Starship Enterprise sets out to stop Khan but their intervention will not be without sacrifice and the ending of the film sees Leonard Nimoy’s Spock seemingly dead after sacrificing himself to save his comrades. This story arc would continue for two more films, concluding with The Voyage Home in 1986. Among several memorable scenes is the moment when Khan taunts Kirk with a threat against his wife, leading to this infamous outburst. KHAAAAAAAAAN!

When Mondo, the incomparable limited-edition screen print outfit, announced they were opening a gallery in their hometown of Austin, anticipation quickly reached fever pitch, with fans desperate to see what artwork would be on the walls when the doors opened for the first time. The answer was kept secret until the evening of March the 10th, 2012 when the opening night was held and the theme of their first show was revealed to be that of classic sci-fi. Most of Mondo’s premier artists turned in some incredible pieces for the show, as can be seen on this recap blog post on their website and on this SlashFilm post.

One of the highlights of the show was fan-favourite artist Tyler Stout’s print for The Wrath of Khan. A brilliantly composed image featuring Ricardo Montalban‘s unforgettable, titular bad guy, the poster was printed in two flavours; a red and gold regular and a silver and gold variant. Whilst adding the regular version to the Film on Paper collection I wanted to interview the man himself about the creation of the poster and that article can be read here.

Star Trek V: The Final Frontier / quad / UK

18.05.11

Poster Poster

Convoy / B2 / style A / Japan

05.04.17

Poster Poster

Convoy was legendary American director Sam Peckinpah‘s penultimate film and his most commercially successful, despite it being critically mauled. It was made at the height of the craze for CB Radio/trucking films, which included the likes of Smokey and the Bandit and the TV series Movin’ On. The film’s title comes from the hit country and western novelty song of the same name by C.W. McCall and Chip Davis that was released in 1975. The song appears during the opening and intermittently during the film, with the latter version being reworked especially for the production.

It’s fair to say that the film is light on plot but Kris Kristofferson stars as long-distance trucker Martin ‘Rubber Duck’ Penwald who ends up leading the titular line of trucks across several states. Following an diner-based altercation with three police officers, including Duck’s long-term nemesis Sheriff “Dirty Lyle” Wallace (a great performance by Ernest Borgnine), a group of truckers head for the Arizona state line to escape prosecution. Lyle ups the stakes and pursues them into New Mexico whilst the convoy continues to grow. The authorities are determined to stop the truckers and Lyle uses the life of a fellow trucker to lure Duck into a trap from which it seems there’ll be no escape.

As had become standard for Peckinpah productions, the film finished over schedule and massively over budget, causing the director to be taken off post-production of the film. Studio staff worked with an editor to trim down a first cut that was over three hours long. It doesn’t particularly feel like a Peckinpah film (compared to the likes of The Wild Bunch, say) but there are certainly some well done scenes and the choices of location are excellent. Some of the editing choices aren’t great, however, with the slow-motion diner brawl being particularly excruciating to watch today. By this point in his career the director’s addiction to alcohol and drugs had become so profound that it would be another five years before he would work again.

This Japanese B2, one of two posters printed for the release in the country, features an image of the titular line of trucks, along with four head shots of what the distributors clearly decided were the key cast members.

Convoy / B1 / Poland

08.02.17

Poster Poster

Convoy was legendary American director Sam Peckinpah‘s penultimate film and his most commercially successful, despite it being critically mauled. It was made at the height of the craze for CB Radio/trucking films, which included the likes of Smokey and the Bandit and the TV series Movin’ On. The film’s title comes from the hit country and western novelty song of the same name by C.W. McCall and Chip Davis that was released in 1975. The song appears during the opening and intermittently during the film, with the latter version being reworked especially for the production.

It’s fair to say that the film is light on plot but Kris Kristofferson stars as long-distance trucker Martin ‘Rubber Duck’ Penwald who ends up leading the titular line of trucks across several states. Following an diner-based altercation with three police officers, including Duck’s long-term nemesis Sheriff “Dirty Lyle” Wallace (a great performance by Ernest Borgnine), a group of truckers head for the Arizona state line to escape prosecution. Lyle ups the stakes and pursues them into New Mexico whilst the convoy continues to grow. The authorities are determined to stop the truckers and Lyle uses the life of a fellow trucker to lure Duck into a trap from which it seems there’ll be no escape.

As had become standard for Peckinpah productions, the film finished over schedule and massively over budget, causing the director to be taken off post-production of the film. Studio staff worked with an editor to trim down a first cut that was over three hours long. It doesn’t particularly feel like a Peckinpah film (compared to the likes of The Wild Bunch, say) but there are certainly some well done scenes and the choices of location are excellent. Some of the editing choices aren’t great, however, with the slow-motion diner brawl being particularly excruciating to watch today. By this point in his career the director’s addiction to alcohol and drugs had become so profound that it would be another five years before he would work again.

 

This Polish poster was designed and illustrated by Andrzej Pagowski, a prolific film poster artist who was born in Warsaw in 1953 and studied at the celebrated University of Fine Arts in Poznań, graduating in 1978 under the tutorship of the noted artist Waldemar Świerzy. In 1990 he started his own graphic design studio called Studio P, which he developed into an advertising agency by 1993. According to the biography on his official site, Pagowski has illustrated over 1000 posters during his career and has also done work for books, magazines and music covers. In addition, he is also a TV and theatre stage designer and a screenwriter. Undoubtedly a man of many talents!

Pagowski’s official site features an extensive gallery of his work, including several of the posters. Polishposter.com also features multiple pages worth of his movie posters and this culture.pl article is well worth a read too.

To see the other Pagowski-designed posters I’ve collected click here.

The Stone Killer / quad / UK

29.11.16

Poster Poster
Title
The Stone Killer
AKA
Le cercle noir [The black circle] (France) | América violenta [Violent America] (Spain)
Year of Film
1973
Director
Michael Winner
Starring
Charles Bronson, Martin Balsam, Jack Colvin, Paul Koslo, Norman Fell, David Sheiner, Stuart Margolin, Ralph Waite, Alfred Ryder, Walter Burke, Kelley Miles
Origin of Film
Italy | USA
Genre(s) of Film
Charles Bronson, Martin Balsam, Jack Colvin, Paul Koslo, Norman Fell, David Sheiner, Stuart Margolin, Ralph Waite, Alfred Ryder, Walter Burke, Kelley Miles,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1973
Designer
Unknown
Artist
--
Size (inches)
30" x 39 13/16"
SS or DS
SS
Tagline
This cop plays dirty! | Take away his badge and he'd top the Ten Most Wanted list!

This is the British quad poster for the release of the 1973 crime drama The Stone Killer. The film was one of a number that starred action legend Charles Bronson and was directed by Michael Winner. Their most successful collaboration (in box-office terms), Death Wish, was released a year later. The film features a cop who bends the rules to crack a case and was made in the wake of the hugely successful Clint Eastwood film, Dirty Harry (1971). That film also focused on a detective willing to play dirty, as this poster’s tagline shouts.

Bronson plays detective Lou Torrey who has recently been transferred to a Los Angeles beat. After the murder of a former hitman, he uncovers a plot involving the local mafia. The don, Al Vescari (Martin Balsam) has instigated a number of murders in revenge for killings that took place in 1931. This spree saw Sicilian capos executed across the US (a real-life crime dubbed the Night of the Sicilian Vespers). Vescari has decided to use Vietnam vets to carry out the killings and Torrey must race against time to stop the hitmen before the revenge plot is complete.

The stark imagery on this quad also featured on the US one sheet (see here) and the title block and main tagline have also been recycled by the British designer.

Star Trek III: The Search for Spock / one sheet / international

20.02.12

Poster Poster

Great Bob Peak artwork on this poster for the third in the original series of Star Trek films, The Search For Spock. For some reason, despite Peak having done the poster for the first film, his artwork wasn’t used for the USA one sheets of the sequel or this film, but it did appear on the international posters for The Wrath of Khan and this film. The studio then went back to using Peak artwork on the US posters for the fourth and fifth films.

The Search For Spock picks up where the second film left off and sees the surviving crew of the Enterprise returning to Earth after their fight against the superhuman Khan. Before long Captain Kirk and the rest of the crew are hijacking the decommissioned Enterprise and racing to save the spirit of Spock, who was previously feared dead, from the clutches of a Klingon commander near an unstable planet created by the Genesis device from the second film.

Seen by many as the start of the ‘all odd-numbered Star Trek films are bad’ rule, the film was fairly well received by critics, but many fans reacted negatively to its talky script and poor production values, particularly the effects used to realise the Genesis.

The original trailer for the film is on YouTube.

Star Trek IV: The Voyage Home / one sheet / USA

20.02.12

Poster Poster
Title
Star Trek IV: The Voyage Home
AKA
--
Year of Film
1986
Director
Leonard Nimoy
Starring
William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Walter Koenig, Nichelle Nichols, Jane Wyatt, Catherine Hicks
Origin of Film
USA
Genre(s) of Film
William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Walter Koenig, Nichelle Nichols, Jane Wyatt, Catherine Hicks,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1986
Designer
Spiros Angelikas
Artist
Bob Peak
Size (inches)
27" x 40"
SS or DS
SS
NSS #
860103
Tagline
Star date: 1986 - How on Earth can they save the future?

A classic piece of Bob Peak artwork on this poster for the fourth in the original series of Star Trek films, The Voyage Home. For some reason, despite Peak having done the poster for the first film, his artwork wasn’t used for the USA posters of the second and third in the series, but did appear on international posters for The Wrath of Khan and The Search For Spock. The studio then went back to using Peak artwork on the US posters for the fourth and fifth films.

The Voyage Home is memorable for its extensive use of location-filming, which took place in around the city of San Francisco, as well as for its humorous, knowing script and barmy plot in which the crew must travel back in time to 1986, find two humpback whales, and transport them into the future so their calls can be used to save Earth in 2286. The film marked the culmination of a storyline that began in The Wrath of Khan.

The rather odd international one sheet for the film can be seen here.

The original trailer for the film is on YouTube.

Convoy / one sheet / USA

17.05.11

Poster Poster
Title
Convoy
AKA
--
Year of Film
1978
Director
Sam Peckinpah
Starring
Kris Kristofferson, Ali MacGraw, Ernest Borgnine, Burt Young, Madge Sinclair, Franklyn Ajaye, Brian Davies, Seymour Cassel, Cassie Yates, Walter Kelley
Origin of Film
USA
Genre(s) of Film
Kris Kristofferson, Ali MacGraw, Ernest Borgnine, Burt Young, Madge Sinclair, Franklyn Ajaye, Brian Davies, Seymour Cassel, Cassie Yates, Walter Kelley,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1978
Designer
Bill Gold
Artist
Victor Gadino
Size (inches)
27 1/8" x 41"
SS or DS
SS
NSS #
780096
Tagline
Kristofferson and MacGraw... Ain't nothin' gonna get in their way!

Star Trek: The Motion Picture / one sheet / advance / USA

17.05.11

Poster Poster

Star Trek The Motion Picture / B2 / Japan

17.05.11

Poster Poster

Star Trek: The Motion Picture / one sheet / USA

17.05.11

Poster Poster

The Killer Elite / B2 / photo style / Japan

17.05.11

Poster Poster
Title
The Killer Elite
AKA
--
Year of Film
1975
Director
Sam Peckinpah
Starring
James Caan, Robert Duvall, Arthur Hill, Bo Hopkins, Mako, Burt Young, Gig Young, Tom Clancy, Tiana Alexandra, Walter Kelley
Origin of Film
USA
Genre(s) of Film
James Caan, Robert Duvall, Arthur Hill, Bo Hopkins, Mako, Burt Young, Gig Young, Tom Clancy, Tiana Alexandra, Walter Kelley,
Type of Poster
B2
Style of Poster
Photo
Origin of Poster
Japan
Year of Poster
1976
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

The Killer Elite / B2 / artwork style / Japan

17.05.11

Poster Poster
Title
The Killer Elite
AKA
--
Year of Film
1975
Director
Sam Peckinpah
Starring
James Caan, Robert Duvall, Arthur Hill, Bo Hopkins, Mako, Burt Young, Gig Young, Tom Clancy, Tiana Alexandra, Walter Kelley
Origin of Film
USA
Genre(s) of Film
James Caan, Robert Duvall, Arthur Hill, Bo Hopkins, Mako, Burt Young, Gig Young, Tom Clancy, Tiana Alexandra, Walter Kelley,
Type of Poster
B2
Style of Poster
Artwork
Origin of Poster
Japan
Year of Poster
1976
Designer
Unknown
Artist
--
Size (inches)
20 5/16" x 28 >12/16"
SS or DS
SS
Tagline
--

Star Trek: The Motion Picture / quad / UK

18.05.11

Poster Poster

The Stone Killer / B2 / Japan

17.05.11

Poster Poster
Title
The Stone Killer
AKA
Le cercle noir [The black circle] (France) | América violenta [Violent America] (Spain)
Year of Film
1973
Director
Michael Winner
Starring
Charles Bronson, Martin Balsam, Jack Colvin, Paul Koslo, Norman Fell, David Sheiner, Stuart Margolin, Ralph Waite, Alfred Ryder, Walter Burke, Kelley Miles
Origin of Film
Italy | USA
Genre(s) of Film
Charles Bronson, Martin Balsam, Jack Colvin, Paul Koslo, Norman Fell, David Sheiner, Stuart Margolin, Ralph Waite, Alfred Ryder, Walter Burke, Kelley Miles,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1973
Designer
Unknown
Artist
--
Size (inches)
20 5/16" x 28 13/16"
SS or DS
SS
Tagline
--