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Mausoleum / one sheet / USA

17.05.11

Poster Poster
Title
Mausoleum
AKA
--
Year of Film
1983
Director
Michael Dugan
Starring
Bobbie Bresee, Marjoe Gortner, Norman Burton, Maurice Sherbanee, LaWanda Page, Laura Hippe, Sheri Mann, Julie Christy Murray, Chu Chu Malave, Ron Cannon
Origin of Film
USA
Genre(s) of Film
Bobbie Bresee, Marjoe Gortner, Norman Burton, Maurice Sherbanee, LaWanda Page, Laura Hippe, Sheri Mann, Julie Christy Murray, Chu Chu Malave, Ron Cannon,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1983
Designer
Unknown
Artist
Dean Thompson
Size (inches)
27" x 41 1/16"
SS or DS
SS
NSS #
--
Tagline
Centuries of evil have just awakened

The Terminal Man / 30×40 / USA

21.09.11

Poster Poster
Title
The Terminal Man
AKA
--
Year of Film
1974
Director
Mike Hodges
Starring
George Segal, Joan Hackett, Richard Dysart, Donald Moffat, Michael C. Gwynne, William Hansen, Jill Clayburgh, Norman Burton, James Sikking
Origin of Film
USA
Genre(s) of Film
George Segal, Joan Hackett, Richard Dysart, Donald Moffat, Michael C. Gwynne, William Hansen, Jill Clayburgh, Norman Burton, James Sikking,
Type of Poster
30x40
Style of Poster
--
Origin of Poster
USA
Year of Poster
1974
Designer
Unknown
Artist
Ken Barr
Size (inches)
30" x 40"
SS or DS
SS
NSS #
74/2
Tagline
Harry Benson is a brilliant computer scientist. For three minutes a day, he is violently homicidal.

Great artwork by Ken Barr for this 1972 sci-fi film from Mike Hodges, the director of Get Carter and Flash Gordon, based on the Michael Crichton novel of the same name. The Terminal Man wasn’t particularly well received and was never given a UK cinema release. It was only released on DVD in 2009 as a part of the on demand Warner Archive program.

There’s a strange bit of trivia on the Wikipedia page for the film: 

Terrence Malick, the director of Badlands, reportedly has written to Hodges expressing how much he loved watching The Terminal Man.

The original trailer is on YouTube.

Fade To Black / one sheet / USA

02.08.11

Poster Poster
Title
Fade To Black
AKA
--
Year of Film
1980
Director
Vernon Zimmerman
Starring
Dennis Christopher, Tim Thomerson, Gwynne Gilford, Norman Burton, Linda Kerridge, Morgan Paull, James Luisi, Eve Brent, John Steadman, Marcie Barkin, Mickey Rourke
Origin of Film
USA | UK
Genre(s) of Film
Dennis Christopher, Tim Thomerson, Gwynne Gilford, Norman Burton, Linda Kerridge, Morgan Paull, James Luisi, Eve Brent, John Steadman, Marcie Barkin, Mickey Rourke,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1980
Designer
Unknown
Artist
Unknown
Size (inches)
27" x 41"
SS or DS
SS
NSS #
--
Tagline
Eric Binford lives for the movies...Sometimes he kills for them too!

Fade to Black, a 1980 slasher film, focuses on a shy film geek who goes on a killing spree against those who bully him using reenactments of his favourite film scenes.

You can watch the trailer on YouTube – keep an eye out for a young Mickey Rourke.

The Gumball Rally / B2 / Japan

17.05.11

Poster Poster
Title
The Gumball Rally
AKA
Chewing Gum Rallye (France) | La corsa più pazza del mondo [The craziest race in the world] (Italy)
Year of Film
1976
Director
Charles Bail
Starring
Michael Sarrazin, Norman Burton, Raúl Juliá, Gary Busey, Susan Flannery, Steven Keats, Tim McIntire, Joanne Nail, J. Pat O'Malley, Nicholas Pryor
Origin of Film
USA
Genre(s) of Film
Michael Sarrazin, Norman Burton, Raúl Juliá, Gary Busey, Susan Flannery, Steven Keats, Tim McIntire, Joanne Nail, J. Pat O'Malley, Nicholas Pryor,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1976
Designer
Unknown
Artist
--
Size (inches)
20 4/16" x 28 15/16"
SS or DS
SS
Tagline
--

The Terminal Man / B2 / Japan

04.02.14

Poster Poster
Title
The Terminal Man
AKA
--
Year of Film
1974
Director
Mike Hodges
Starring
George Segal, Joan Hackett, Richard Dysart, Donald Moffat, Michael C. Gwynne, William Hansen, Jill Clayburgh, Norman Burton, James Sikking
Origin of Film
USA
Genre(s) of Film
George Segal, Joan Hackett, Richard Dysart, Donald Moffat, Michael C. Gwynne, William Hansen, Jill Clayburgh, Norman Burton, James Sikking,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1974
Designer
Unknown
Artist
--
Size (inches)
20 5/16" x 28 12/16"
SS or DS
SS
Tagline
--

This is the Japanese B2 poster for the release of The Terminal Man, a 1972 sci-fi film from Mike Hodges, the director of Get Carter and Flash Gordon, and based on the Michael Crichton novel of the same name. George Segal stars as a computer scientist who, after suffering a series of seizures and violent episodes, agrees to have a microcomputer inserted into his brain. Unfortunately the operation has some unwanted side effects and triggers his brain into craving more violent stimuli, sending him over the edge.

The film wasn’t particularly well received at the box office and was never given a UK cinema release. It was only released on DVD in 2009 as a part of the on demand Warner Archive program.

There’s a strange bit of trivia on the Wikipedia page for the film:  Terrence Malick, the director of Badlands, reportedly has written to Hodges expressing how much he loved watching The Terminal Man.

The original trailer is on YouTube.

The Towering Inferno / B2 / style A / Japan

17.05.11

Poster Poster

Diamonds are Forever / B2 / Japan

15.11.13

Poster Poster

Diamonds are Forever is the seventh film in the long-running James Bond franchise and was the last official (EON productions) film to star arguably the greatest actor who played the spy, Sean Connery. After appearing in On Her Majesty’s Secret Service actor George Lazenby decided to leave the franchise, apparently on the advice of his agent, and the producers considered a few other actors before the then head of United Artists (David Picker) declared that he wanted Connery back and money was no object. The Scottish actor, who had previously declared he would never return to the role, demanded an unprecedented fee of £1.25m (equivalent to £23 million in 2013) and was also granted backing to produce two other films of his choice. After both sides agreed to the deal the casting was announced and Connery then donated his fee to set up the Scottish International Education Trust, which allowed artists from the country to apply for funding without having to leave Scotland.

The story starts out with Bond apparently killing his arch-enemy Ernst Stavro Blofeld in revenge for the death of his new bride at the end of the previous film. The spy is then sent to investigate the mysterious murders of diamond smugglers and the theft of thousands of the precious stones. After following the trail from Amsterdam to Las Vegas, picking up a partner in smuggler Tiffany Case (Jill St. John) along the way, Bond discovers that two quirky assassins called Mr Wint and Mr Kidd (played memorably by Bruce Glover and Putter Smith) have been killing other smugglers across the world and are stockpiling diamonds for a mysterious benefactor. When Bond tracks the diamonds to their destination in a remote desert facility, he discovers that his arch enemy Blofeld is still alive and is using the diamonds to create a space laser capable of destroying targets on earth. The super spy sets out to stop the maniac’s plans and prevent him from holding the world to ransom with his new weapon.

This Japanese B2 features a montage that is unique to the poster and it includes images of Tiffany Case (on the left) and Trina Parks as the inept assassin Thumper (partnered in the film with ‘Bambi’) who is notable as being the first African-American actress to appear in a Bond film. There is also a small part of the artwork from the American one sheet that was painted by Robert McGinnis.

Deep Space / quad / UK

25.07.13

Poster Poster
Title
Deep Space
AKA
L'invasion des cocons (France)
Year of Film
1988
Director
Fred Olen Ray
Starring
Charles Napier, Ann Turkel, Bo Svenson, Ron Glass, Julie Newmar, James Booth, Norman Burton, Jesse Dabson, Elisabeth Brooks
Origin of Film
USA
Genre(s) of Film
Charles Napier, Ann Turkel, Bo Svenson, Ron Glass, Julie Newmar, James Booth, Norman Burton, Jesse Dabson, Elisabeth Brooks,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1988
Designer
Graham Humphreys
Artist
Graham Humphreys
Size (inches)
29 15/16" x 39 15/16"
SS or DS
SS
Tagline
They created a monster over lunch. Now it's back for dinner... | The slime just hit the fan.

A classic piece of Graham Humphreys artwork for the British release of the forgettable 1988 sci-fi clunker Deep Space, It’s something of a miracle that the film even saw the inside of a cinema and there’s no question that it would be straight to video if it were to be released today. The film was directed, written and produced by the prolific schlockmeister Fred Olen Ray (check out the profile pic), who was also responsible for the likes of ScalpsHollywood Chainsaw Hookers (released the same year) and recent TV movies including Super Ninja Bikini Babes.

A homage rip-off of films like Alien, Terminator and even elements of the original Evil Dead, the story sees a top secret military satellite containing a biological weapon crashing to earth and unleashing the deadly cargo on a Los Angles suburb. To the rescue comes a pair of unlikely cops (Charles Napier and Ron Glass) who have to try to stop the monster. The cribbing from other better films is so blatant that there’s even a scene directly mirroring the death of Harry Dean Stanton in Alien, plus a moment where a lead character chainsaws the alien’s head, covering his face in blood ala Ash from Evil Dead.

This British quad, which is unquestionably better than the film it’s selling, was designed and painted by Humphreys for the British distributor Entertainment in Video and was briefly discussed during the interview I conducted with the artist in 2011:

————-

The quad for Kindred, which is also from 1987, is pretty outrageous.
You’re left in no doubt as to what kind of film it’s going to be!

It was one of those VHS covers that stood out as soon as you went in the rental shop. This was for Entertainment?
This was through a design company and they’d been instructed to use me because of the work I’d done on Evil Dead. They gave me the layout and design and just told me to illustrate it. I remember at the time I’d showed somebody my portfolio and they’d said “well it’s interesting, but there are lots of screaming faces with dribbly bits!”

Talking of dribbly bits there’s Deep Space, which is 1988.
Yeah, the big scary vagina with teeth. I think that was for the same client as Kindred, hence the similar design.

————–

To see the other posters I’ve collected by Graham click here. The full film can be found on YouTube if you want to subject yourself to it.