The late Calvin Lockhart stars as the smooth-talking DJ Frankie J. Parker in this 1972 revenge drama, an early entry into the so-called blaxploitation genre. One night Parker meets the titular lady, played by Vonetta McGee (who also starred in Blacula and Hammer the same year), and takes her back to his place for a spot of the old horizontal mambo. The next morning Melinda is found dead and when Parker realises it’s the fault of the local mob he teams up with a few old friends, including Charles Atkins (Jim Kelly, star of Black Belt Jones in his first screen role), to seek revenge and clear his name.

Lockhart is perhaps best known for his role as the gangster ‘Biggie Smalls’ in the 1975 boxing film Let’s Do It Again, also starring Sidney Poitier and Bill Cosby. The character name would later be appropriated by the now deceased rapper Christopher Wallace (AKA The Notorious B.I.G.). He also starred as the memorable character King Willie in Predator 2 (“You can’t see the eyes of the demon, until him come callin’.”)

One can only surmise as to who the ‘Your’ in the tag-line was aimed at originally. I’m unsure who is responsible for the artwork on this poster, so if you have an idea please get in touch. Frustratingly, the film has not been released on an official DVD yet.

Gruesome artwork for this one sheet for Bloody Birthday, an early 80s horror featuring a trio of demonic kids. From IMDb:

In 1970, three children are born at the height of a total eclipse. Due to the sun and moon blocking Saturn, which controls emotions, they have become heartless killers ten years later, and are able to escape detection because of their youthful and innocent facades. A boy and his teenage sister become endangered when they stumble onto the bloody truth.

You can watch the trailer on YouTube.

A wild design on this one sheet for the 1981 horror featuring a trio of demonic kids. From IMDb:

In 1970, three children are born at the height of a total eclipse. Due to the sun and moon blocking Saturn, which controls emotions, they have become heartless killers ten years later, and are able to escape detection because of their youthful and innocent facades. A boy and his teenage sister become endangered when they stumble onto the bloody truth.

Director Ed Hunt would retire from filmmaking a few years after Bloody Birthday was released with a modest ten films to his name.

I also have the alternative style one sheet in the collection. You can watch the trailer on YouTube.

Anyone who’s seen Steven Spielberg‘s 1977 sci-fi classic Close Encounters of the Third Kind will know just how erroneous this painting by the Polish artist and designer Andrzej Pagowski is in representing the aliens seen in the film, but to me that’s part of its charm. It certainly wasn’t the first time that a Polish poster artist chose to reinterpret a creature from a film they were tasked with creating advertising material for, although Pagowski seems particularly fond of doing so as can be seen with his poster for Ridley Scott’s Alien, amongst others.

Spielberg had been developing Close Encounters for several years, with the origins stretching back to his youth and an early fascination with sci-fi and UFOs, but when Jaws became a critical and box-office behemoth in 1975, he was given creative carte blanche by the studio Columbia with whom he had negotiated a deal to develop a sci-fi film. The film’s Wikipedia page details the multiple iterations the screenplay went through, including a draft by Paul (Taxi Driver) Schrader, but the final script was written by Spielberg (with uncredited help from Jerry Belson). The director later revealed that he had been warned off making a film on the subject by both the US government as well as NASA, with the latter reportedly writing him a 20 page letter advising against it. This only served to fuel Spielberg’s passion for the project.

The film begins in the Sonoran desert with French scientist Claude Lacombe (legendary French director François Truffaut) and a group of US government scientists rushing to the site where a group of World War II-era planes that went missing mid-flight 30 years earlier appear overnight without explanation. They later find a ship that went missing in 1925 in the Gobi desert whilst an American air traffic control team overhears two airline pilots discussing a near-miss with an unidentified flying object, but decline to officially report it.

In Indiana, electrical technician Roy Neary (a memorable performance by Richard Dreyfuss) has a close encounter with a UFO whilst responding to a state-wide power outage. He soon becomes obsessed with an image he keeps seeing in his head and his erratic behaviour soon alienates his wife and kids. Neary and a group of others who have come into contact with the unidentified visitors, including single-mum Jillian (Melinda Dillon) whose young son was abducted one night, converge on Devils Tower in Wyoming. There the government have set up a site in preparation for the anticipated arrival of the alien’s mothership and no one is prepared for what happens next.

The film was another critical and commercial success for Spielberg, earning almost $340 million on a $18 million production budget. It would go on to win multiple awards and quickly entered the cultural zeitgeist, sparking the imagination of millions around the world who agreed it’s unlikely that we’re alone in the universe.

Andrzej Pagowski is a prolific film poster artist who was born in Warsaw in 1953 and studied at the celebrated University of Fine Arts in Poznań, graduating in 1978 under the tutorship of the noted artist Waldemar Świerzy. In 1990 he started his own graphic design studio called Studio P, which he developed into an advertising agency by 1993. According to the biography on his official site, Pagowski has illustrated over 1000 posters during his career and has also done work for books, magazines and music covers. In addition, he is also a TV and theatre stage designer and a screenwriter. Undoubtedly a man of many talents!

Pagowski’s official site features an extensive gallery of his work, including several of the posters. Polishposter.com also features multiple pages worth of his movie posters and this culture.pl article is well worth a read too.