You searched for: Samuel%2520Jackson

Black Snake Moan / one sheet / Ricci and Jackson style / USA

17.05.11

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The Incredibles / one sheet / wilding / Violet style / USA

17.05.11

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The Incredibles / one sheet / advance / unreleased / USA

17.05.11

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The Incredibles / one sheet / wilding / Incredibles style / USA

17.05.11

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The Incredibles / one sheet / wilding / Mr Incredible style / USA

17.05.11

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The Incredibles / one sheet / wilding / Elastigirl style / USA

17.05.11

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The Incredibles / one sheet / wilding / Jack Jack style / USA

17.05.11

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The Spirit / one sheet / advance / USA

17.05.11

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True Romance / B2 / Shotgun scream style / Japan

17.05.11

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Following the shocking death of British director Tony Scott in 2012 there was plenty of discussion amongst fans as to the film that defined his career, which included such films as the none-more-80s Top Gun and several excellent Denzel Washington-starring thrillers such as Crimson Tide. There was only one film that I reached for from my blu-ray collection when I wanted to pay tribute to Scott and that was True Romance, the 1993 crime thriller starring Christian SlaterPatricia Arquette and a whole host of acclaimed actors. Featuring a fantastic script by Quentin Tarantino, the film is arguably the apex of Tony Scott’s directing career and clearly benefits from his skill at injecting energy and verve into every scene. The film is also likely to be the defining role in the careers of both Slater and Arquette who were perfectly cast as Clarence and Alabama, the young lovers thrown together at the start of the film and who set off on a rollercoaster ride that leads them from Detroit to Los Angeles with murderous gangsters on their tail.

Clarence is a film-obsessed, lonely video store clerk who is at a cinema watching a triple-bill of Sonny Chiba films when he is approached by Alabama. The pair strike up a friendship and before the night is over are head over heels in love. The only issue is that Alabama is a hooker, hired by Clarence’s work colleagues as a birthday present, and her pimp Drexl (a memorable Gary Oldman) is a violent drug dealer who none too keen to let her leave his employ. After a violent confrontation which sees Drexl dead and Clarence escaping with a suitcase full of cocaine. The pair first head to see Clarence’s father (Dennis Hopper) and then travel across the country to Los Angeles to see Clarence’s friend Dick Ritchie (Michael Rapaport) who has a potential lead for selling the drugs. Hot on their heels are a bunch of mobsters, as well as a pair of police detectives.

This is one of two styles of Japanese B2 posters and I’ve called this one the shotgun scream style as it features Arquette clutching a shotgun in one of the more intense scenes of the film. The other style features photographs of the rest of the cast and can be seen here.

True Romance / B2 / cast style / Japan

07.04.14

Poster Poster

Following the shocking death of British director Tony Scott in 2012 there was plenty of discussion amongst fans as to the film that defined his career, which included such titles as the none-more-80s Top Gun and several excellent Denzel Washington-starring thrillers such as Crimson Tide. There was only one film that I reached for from my blu-ray collection when I wanted to pay tribute to Scott and that was True Romance, the 1993 crime thriller starring Christian SlaterPatricia Arquette and a whole host of acclaimed actors. Featuring a fantastic script by Quentin Tarantino, the film is arguably the apex of Tony Scott’s directing career and clearly benefits from his skill at injecting energy and verve into every scene. The film is also likely to be the defining role in the careers of both Slater and Arquette who were perfectly cast as Clarence and Alabama, the young lovers thrown together at the start of the film and who set off on a rollercoaster ride that leads them from Detroit to Los Angeles with murderous gangsters on their tail.

Clarence is a film-obsessed, lonely video store clerk who is at a cinema watching a triple-bill of Sonny Chiba films when he is approached by Alabama. The pair strike up a friendship and before the night is over are head over heels in love. The only issue is that Alabama is a hooker, hired by Clarence’s work colleagues as a birthday present, and her pimp Drexl (a memorable Gary Oldman) is a violent drug dealer who none too keen to let her leave his employ. After a violent confrontation which sees Drexl dead and Clarence escaping with a suitcase full of cocaine. The pair first head to see Clarence’s father (Dennis Hopper) and then travel across the country to Los Angeles to see Clarence’s friend Dick Ritchie (Michael Rapaport) who has a potential lead for selling the drugs. Hot on their heels are a bunch of mobsters, as well as a pair of police detectives.

This is one of two styles of Japanese B2 posters and I’ve called this one the cast style. The other features a photo of Arquette clutching a shotgun in one of the more intense scenes of the film. Note that one of the cast members shown at the top of the poster is not actually seen in the film and if you’ve watched it you’ll know which one!

The Incredibles / one sheet / wilding / Dash style / USA

17.05.11

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Star Wars Episode III: Revenge of the Sith / one sheet / style D / USA

17.05.11

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The Incredibles / quad / UK

18.05.11

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Pulp Fiction / quad / UK

08.01.14

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It’s hard to believe but Quentin Tarantino’s masterpiece Pulp Fiction celebrates its 20th anniversary this year and it’s easy to forget just what an impact it has had on cinema since its release. Whilst certainly not the first film to use a nonlinear, fractured narrative, Pulp Fiction arguably introduced the idea to a wide audience and did it with incredible bravado. Few films (pre-Reservoir Dogs) had characters speaking in such rapid-fire, pop culture-aware dialogue as Tarantino’s creations and few had mixed humour and violence as casually (and cleverly) as this. Blessed with deft editing and a killer soundtrack, all the ingredients combined together to make for a worldwide critical and commercial success, and cemented Tarantino’s reputation as an auteur filmmaker.

The film marked a watershed moment for independent cinema, particularly in the way it was financed and distributed. After Tarantino and screenwriting partner Roger Avary agreed a deal with Jersey Films (the production company part-owned by Danny DeVito) which was beneficial for all parties, the team initially attempted to produce the film with Columbia Tristar. After the script was eventually rejected by them for a litany of reasons, Harvey Weinstein’s Miramax, newly acquired by Disney, stepped in and agreed to finance it. Tarantino’s producing partner Lawrence Bender had the canny idea of paying each of the main actors the same amount per week, no matter their status. Part of the film’s success was in its superb casting of familiar faces playing against type, including Bruce Willis as an amoral boxer, John Travolta as an ageing hitman (Travolta’s career saw a huge boost on the back of this film) and Uma Thurman as a drug-taking wife of a mob boss.

It was an image of a sultry, raven-haired Uma Thurman that was used in (virtually) every market around the world and made for one of the most iconic one sheets of the 1990s (in both teaser and final style formats). For its hugely successful release in the UK, Miramax decided to use the same image of Thurman but adapted it to the landscape format, created a unique title design and also incorporated the dictionary definitions of Pulp and Fiction seen at the start of the film. Note that the packet of Lucky Strikes which had caused the teaser one sheet to be infamously withdrawn (after the cigarette manufacturer complained about its inclusion) has been digitally manipulated to obscure the logo as it was on the final one sheet.

The Avengers / screen print / regular / Tyler Stout / USA

31.07.14

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2012 was an important year for several of cinema’s biggest franchises with the latest James Bond film, Skyfall, appearing four years after the last, plus Christopher Nolan bringing his Dark Knight trilogy to a spectacular close with The Dark Knight Rises. However, unquestionably the cinematic event of the year was the much anticipated release of Marvel’s superhero team-up The Avengers.

Even before the successful release of Iron Man in 2008, the production team in charge of what is known as the Marvel Cinematic Universe, had planned to release a series of films focusing on individual superheroes based on Marvel comic characters, with the intention of establishing their backstories, and popularity, with fans before uniting them together in a ‘crossover’ film. The original Avengers comic, which brought together previously stand-alone characters including Thor, Captain America, Hulk and Iron Man, was first released in 1963 and has been in print since then so it was no surprise that it was chosen to the be the crossover film following the first five standalone stories.

The film was helmed by cult screenwriter/director Joss Whedon who saw worldwide success with TV shows like Buffy, Angel and cult favourite Firefly, but this was his first major studio film and his appointment in 2010 was seen as a surprise, but welcome, choice by many fans. Whedon pushed the studio allow him to begin a new script after reading a screenplay by Zak Penn that they had been tinkering with since 2007 and the studio eventually agreed, with production beginning in July 2010.

Marvel’s faith in Whedon paid off in spectacular style when the film was released in 2012 and broke multiple worldwide box-office records, including highest-grossing opening in the US, the highest opening week earnings and fewest number of days to reach half a billion dollars (23). It was the highest grossing film of 2012 and currently stands at third in the all-time rankings.

To celebrate the release of the film, Marvel once again worked with Austin-based Mondo to release a series of screen prints based on characters from the film. The incomparable Austin-based geek culture outfit has worked on prints for all of the standalone Marvel releases, starting with Iron Man in 2008 and only skipping the same year’s The Incredible Hulk.

The team at Mondo assembled a roster of its most celebrated artists to turn in designs for each of the main characters and these were released over the period of a week in April 2012, beginning with Olly Moss‘ portrait of Black Widow and ending with Thor by Martin Ansin and Iron Man by Kevin Tong. A few weeks later, on the eve of the film’s release, Mondo then revealed a print featuring all of the characters that was designed and illustrated by arguably their most popular artist, Tyler Stout.

As usual, the print came in both regular and variant versions and, despite each having relatively high print runs, the poster sold out within seconds of going on sale on Mondo’s webshop. I was lucky to snag a copy of the print via Tyler’s ‘lottery’, which he now holds on his own site shortly after each print release sells out via Mondo.

Whilst adding the regular version to the Film on Paper collection I wanted to interview the man himself about the creation of the poster as I’ve done previously with his work on the prints for AkiraKill Bill and Star Trek II: The Wrath of Khan. The interview can be read in full by clicking here.

Note that the final image of Iron Man is stamped on the back of the print.

Jackie Brown / one sheet / teaser / Jackie / USA

17.05.11

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Coming To America / one sheet / USA

17.05.11

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Title
Coming To America
AKA
Il principe cerca moglie [The prince is searching for a wife] (Italy) | Un prince à New-York (France)
Year of Film
1988
Director
John Landis
Starring
Eddie Murphy, Arsenio Hall, James Earl Jones, John Amos, Madge Sinclair, Shari Headley, Eriq La Salle, Samuel L. Jackson
Origin of Film
USA
Genre(s) of Film
Eddie Murphy, Arsenio Hall, James Earl Jones, John Amos, Madge Sinclair, Shari Headley, Eriq La Salle, Samuel L. Jackson,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1988
Designer
Unknown
Artist
Drew Struzan
Size (inches)
27" x 41 1/8"
SS or DS
SS
NSS #
--
Tagline
This summer, Prince Akeem discovers America.

Coming To America / one sheet / international

17.05.11

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Title
Coming To America
AKA
Il principe cerca moglie [The prince is searching for a wife] (Italy) | Un prince à New-York (France)
Year of Film
1988
Director
John Landis
Starring
Eddie Murphy, Arsenio Hall, James Earl Jones, John Amos, Madge Sinclair, Shari Headley, Eriq La Salle, Samuel L. Jackson
Origin of Film
USA
Genre(s) of Film
Eddie Murphy, Arsenio Hall, James Earl Jones, John Amos, Madge Sinclair, Shari Headley, Eriq La Salle, Samuel L. Jackson,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
International
Year of Poster
1988
Designer
Unknown
Artist
Chris Dellorco
Size (inches)
27" x 39 12/16"
SS or DS
SS
NSS #
--
Tagline
This summer, Prince Akeem of Zamunda discovers America

Hard Eight / one sheet / USA

17.05.11

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Title
Hard Eight
AKA
Sydney (USA - original title) | Last Exit Reno (Germany - video title)
Year of Film
1996
Director
Paul Thomas Anderson
Starring
Philip Baker Hall, John C. Reilly, Gwyneth Paltrow, Samuel Jackson, Phillip Seymour Hoffman, Robert Ridgely, Melora Walters
Origin of Film
USA
Genre(s) of Film
Philip Baker Hall, John C. Reilly, Gwyneth Paltrow, Samuel Jackson, Phillip Seymour Hoffman, Robert Ridgely, Melora Walters,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1996
Designer
Unknown
Artist
--
Size (inches)
27" x 40"
SS or DS
DS
NSS #
--
Tagline
If you stay in this game long enough, you'll see everything, win everything, and lose everything.

Iron Man 2 / screen print / Tyler Stout / regular / USA

17.05.11

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Iron Man 2 / screen print / Tyler Stout / variant / USA

17.05.11

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Jackie Brown / quad / teaser / UK

18.05.11

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Black Snake Moan / one sheet / Ricci style / USA

17.05.11

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Jackie Brown / one sheet / advance / USA

17.05.11

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Title
Jackie Brown
AKA
Triple traición (Argentina)
Year of Film
1997
Director
Quentin Tarantino
Starring
Pam Grier, Samuel L. Jackson, Robert Forster, Robert De Niro, Michael Keaton, Bridget Fonda, Michael Bowen
Origin of Film
USA
Genre(s) of Film
Pam Grier, Samuel L. Jackson, Robert Forster, Robert De Niro, Michael Keaton, Bridget Fonda, Michael Bowen,
Type of Poster
One sheet
Style of Poster
Advance
Origin of Poster
USA
Year of Poster
1997
Designer
Pulse Advertising
Artist
--
Size (inches)
27 1/16" x 40"
SS or DS
SS
NSS #
--
Tagline
Six players on the trail of half a million in cash. The only question... Who's playing who? | This Christmas, Santa's got a new bag

Jurassic Park / one sheet / USA

17.05.11

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