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The Adventures Of Baron Munchausen / B1 / Japan

11.07.14

Poster Poster
Title
The Adventures Of Baron Munchausen
AKA
--
Year of Film
1988
Director
Terry Gilliam
Starring
John Neville, Sarah Polley, Eric Idle, Jonathan Pryce, Oliver Reed, Uma Thurman, Robin Williams, Peter Jeffrey
Origin of Film
UK | West Germany
Genre(s) of Film
John Neville, Sarah Polley, Eric Idle, Jonathan Pryce, Oliver Reed, Uma Thurman, Robin Williams, Peter Jeffrey,
Type of Poster
B1
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1988
Designer
Unknown
Artist
Unknown
Size (inches)
28 12/16" x 40.5
SS or DS
SS
Tagline
--

This is the scarce Japanese B1 for the release of the 1988 fantasy comedy The Adventures of Baron Munchausen, which was co-written and directed by Terry Gilliam. Based on the tall tales that the real-life 18th century German Baron Münchhausen allegedly told about his wartime dealings with the Ottoman Empire, the film is a riotous exploration of the power of storytelling and imagination. Gilliam plucked the veteran actor John Neville, in his early sixties at the time, from near obscurity to play the titular Baron who teams up with a young girl and a whole host of bizarre characters to save an unnamed European city from defeat by a besieging Turkish army. 

Actress (and recently director) Sarah Polley appears in her first screen role as Sally Salt, a member of a theatre troupe that has been touring the country showing farcical reconstructions of Munchausen’s supposed adventures. At one show the real Baron arrives into the theatre just as a Turkish army appears outside the city walls and begins to attack. What follows is a madcap mix of improbable, recollected tales and daring adventures as the Baron takes Sally on a journey to gather together his old gang of associates, including the fastest runner in the world (Eric Idle), a giant strongman and a dwarf able to expel powerful gusts of wind that can knock tens of people over. Their journey takes them to the moon where they encounter the eccentric King of the Moon (a memorable cameo from Robin Williams), into the crater of an active volcano where they meet the Roman God Vulcan (Oliver Reed) and his wife Venus (one of Uma Thurman‘s earliest film roles) and inside the belly of a giant sea monster, before they head back to the besieged city to rescue it from certain defeat.

Featuring a number of notable actors, often in dual roles that reflect the film’s clever play on the idea of fantasy and reality, the story is never anything less than entertaining and the action on screen completely belies the ridiculous behind the scenes travails that Gilliam went through to bring his vision to life. The film suffered a number of setbacks during its production, including a budget that more than doubled and a change of management at the studio that almost saw the film cancelled entirely (production was shut down for several weeks). The film was eventually practically dumped into cinemas in the States with a limited release that saw a corresponding lack of box office takings, and this was despite strong critical reception. It faired better in Europe but was unable to recoup its reported budget of over $45 million.

This psychedelic design is unique to this Japanese B1 and is markedly different to the equally trippy B2 poster.

 

The Adventures Of Baron Munchausen / A1 / Germany

03.11.14

Poster Poster
Title
The Adventures Of Baron Munchausen
AKA
--
Year of Film
1988
Director
Terry Gilliam
Starring
John Neville, Sarah Polley, Eric Idle, Jonathan Pryce, Oliver Reed, Uma Thurman, Robin Williams, Peter Jeffrey
Origin of Film
UK | West Germany
Genre(s) of Film
John Neville, Sarah Polley, Eric Idle, Jonathan Pryce, Oliver Reed, Uma Thurman, Robin Williams, Peter Jeffrey,
Type of Poster
A1
Style of Poster
--
Origin of Poster
Germany
Year of Poster
1988
Designer
Renato Casaro
Artist
Renato Casaro
Size (inches)
23 4/16" x 33"
SS or DS
SS
Tagline
Alles ist wahr!

This is the original German poster for the release of the 1988 fantasy comedy The Adventures of Baron Munchausen, which was co-written and directed by Terry Gilliam. Based on the tall tales that the real-life 18th century German Baron Münchhausen allegedly told about his wartime dealings with the Ottoman Empire, the film is a riotous exploration of the power of storytelling and imagination. Gilliam plucked the veteran actor John Neville, in his early sixties at the time, from near obscurity to play the titular Baron who teams up with a young girl and a whole host of bizarre characters to save an unnamed European city from defeat by a besieging Turkish army. 

Actress (and recently director) Sarah Polley appears in her first screen role as Sally Salt, a member of a theatre troupe that has been touring the country showing farcical reconstructions of Munchausen’s supposed adventures. At one show the real Baron arrives into the theatre just as a Turkish army appears outside the city walls and begins to attack. What follows is a madcap mix of improbable, recollected tales and daring adventures as the Baron takes Sally on a journey to gather together his old gang of associates, including the fastest runner in the world (Eric Idle), a giant strongman and a dwarf able to expel powerful gusts of wind that can knock tens of people over. Their journey takes them to the moon where they encounter the eccentric King of the Moon (a memorable cameo from Robin Williams), into the crater of an active volcano where they meet the Roman God Vulcan (Oliver Reed) and his wife Venus (one of Uma Thurman‘s earliest film roles) and inside the belly of a giant sea monster, before they head back to the besieged city to rescue it from certain defeat.

Featuring a number of notable actors, often in dual roles that reflect the film’s clever play on the idea of fantasy and reality, the story is never anything less than entertaining and the action on screen completely belies the ridiculous behind the scenes travails that Gilliam went through to bring his vision to life. The film suffered a number of setbacks during its production, including a budget that more than doubled and a change of management at the studio that almost saw the film cancelled entirely (production was shut down for several weeks). The film was eventually practically dumped into cinemas in the States with a limited release that saw a corresponding lack of box office takings, and this was despite strong critical reception. It faired better in Europe but was unable to recoup its reported budget of over $45 million.

The poster was designed and painted by one of my favourite artists, Renato Casaro, an Italian with a prolific movie poster output that lasted over 35 years. He began his career in 1953, aged 19, at the famous Studio Favalli in Rome and would go on to design and paint posters for many of the biggest directors in the world. His skill at accurately portraying actors and his brilliant use of colour and composition saw him much in demand from studios and actors alike. His artwork has featured on posters used in multiple countries, including Japan, Germany, USA as well as in his native Italy.

Check out the incredible amount of work on his official website here, which also features a biography of the artist. In March 2014 I published an exclusive interview with Renato and it can be read by clicking here. The other posters I’ve collected by Renato Casaro are here.

Casaro also worked on the international one sheet for Munchausen in collaboration with the British designer Vic Fair and that can be viewed here.

The Adventures Of Baron Munchausen / one sheet / international

25.04.14

Poster Poster
Title
The Adventures Of Baron Munchausen
AKA
--
Year of Film
1988
Director
Terry Gilliam
Starring
John Neville, Sarah Polley, Eric Idle, Jonathan Pryce, Oliver Reed, Uma Thurman, Robin Williams, Peter Jeffrey
Origin of Film
UK | West Germany
Genre(s) of Film
John Neville, Sarah Polley, Eric Idle, Jonathan Pryce, Oliver Reed, Uma Thurman, Robin Williams, Peter Jeffrey,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
International
Year of Poster
1988
Designer
Vic Fair
Artist
Renato Casaro | Vic Fair (main figure)
Size (inches)
27 1/16" x 41"
SS or DS
SS
NSS #
--
Tagline
Remarkable. Unbelievable. Impossible. And true.

This is the international one sheet for the release of the 1988 fantasy comedy The Adventures of Baron Munchausen, which was co-written and directed by Terry Gilliam. Based on the tall tales that the real-life 18th century German Baron Münchhausen allegedly told about his wartime dealings with the Ottoman Empire, the film is a riotous exploration of the power of storytelling and imagination. Gilliam plucked the veteran actor John Neville, in his early sixties at the time, from near obscurity to play the titular Baron who teams up with a young girl and a whole host of bizarre characters to save an unnamed European city from defeat by a besieging Turkish army. 

Actress (and recently director) Sarah Polley appears in her first screen role as Sally Salt, a member of a theatre troupe that has been touring the country showing farcical reconstructions of Munchausen’s supposed adventures. At one show the real Baron arrives into the theatre just as a Turkish army appears outside the city walls and begins to attack. What follows is a madcap mix of improbable, recollected tales and daring adventures as the Baron takes Sally on a journey to gather together his old gang of associates, including the fastest runner in the world (Eric Idle), a giant strongman and a dwarf able to expel powerful gusts of wind that can knock tens of people over. Their journey takes them to the moon where they encounter the eccentric King of the Moon (a memorable cameo from Robin Williams), into the crater of an active volcano where they meet the Roman God Vulcan (Oliver Reed) and his wife Venus (one of Uma Thurman‘s earliest film roles) and inside the belly of a giant sea monster, before they head back to the besieged city to rescue it from certain defeat.

Featuring a number of notable actors, often in dual roles that reflect the film’s clever play on the idea of fantasy and reality, the story is never anything less than entertaining and the action on screen completely belies the ridiculous behind the scenes travails that Gilliam went through to bring his vision to life. The film suffered a number of setbacks during its production, including a budget that more than doubled and a change of management at the studio that almost saw the film cancelled entirely (production was shut down for several weeks). The film was eventually practically dumped into cinemas in the States with a limited release that saw a corresponding lack of box office takings, and this was despite strong critical reception. It faired better in Europe but was unable to recoup its reported budget of over $45 million.

This poster’s creation saw the pairing of two not inconsiderable talents in the shape of the British designer and artist Vic Fair and the prolific designer/artist Renato Casaro. More details of each of them can be found in the two exclusive interviews I carried out with each for the website: Vic Fair interview and Renato Casaro interview.

In his interview Vic talks about working with Gilliam (and the interview also features a concept illustration by the artist):

———————–

What was it like working with Terry Gilliam?
‘It could be quite frustrating sometimes as he’d get me to do loads of work and then at the very last minute he’d change his mind and ask someone else to do it. He had this team of artists and designers always on call and often they’d end up taking over, so it often felt like a waste of time.

He was really good at making you feel like you’d solved all his marketing problems though. He used to say things like ‘That’s it! You’ve done it! It’s perfect!’ and he’d kick the bloke off the chair sitting next to him and usher you to take his place at the table. You’d have all these other chaps on his team looking enviously at you, but you knew that it wasn’t over and that there’d be more designs to come. A couple of days later you’d discover that he’d changed his mind and wanted to see some more ideas for the design.’

———————–

In his interview, Renato recalls working with Vic on this poster:

————————

‘One other thing that’s important to say is that I was generally not beholden to an art director and usually I was the designer and the artist on every film poster I worked on. One exception was a pleasant collaboration that I had with the British designer Vic Fair for a poster for The Adventures of Baron Munchausen. He had designed a one sheet intended for international use and I worked on the painting for it. I would always make sure to watch the film first, or if that wasn’t possible receive stills from the production, or in some cases even visit the set whilst they were filming, as I mentioned. But I was never working to someone else’s design direction – at Studio Casaro I always made sure I had complete creative control on movie jobs.’

———————–

eXistenZ / B2 / Japan

01.03.12

Poster Poster

David Cronenberg‘s 1999 sci-fi thriller eXistenZ is not one of the director’s best, in my opinion, but it does contain typically excellent future-thinking concepts and his trademark body horror. The film is set in the near future and is focused on the idea of virtual reality gaming, far in advance of the ridiculous headgear and black plastic stands that briefly appeared in gaming arcades towards the end of the 1980s.

Jennifer Jason Leigh plays a revered game designer called Allegra Geller who is forced to flee an exhibition of her latest product when an assassin attempts to kill her using a bizarre organic gun that fires human teeth. Ted Pikul (Jude Law) works for the games company and is instructed to accompany Allegra as she escapes with her damaged product. The software is stored on a living organic pod and a connection between players is made by plugging into the system via a ‘bioport’ at the bottom of the spine (hello creepy body invasion!). Allegra and Ted must start a new game in order to determine how badly damaged the pod is and it’s not long before the line between reality and the game world blurs completely. Who is responsible for the failed assassination attempt and who can Allegra trust to save the game, and ultimately her life?

The ideas that Cronenberg explores are unquestionably interesting but the low budget nature of the film doesn’t always support them very well, particularly when it comes to the sets and environments, which are mostly all drab and uninteresting. Jude Law and Christopher Eccleston both have painfully bad American accents and some of the actors playing minor parts are terrible. You could argue that this is intentional and part of the ‘game world’ but I’m not sure they can be forgiven. The ending is also pretty cliched and frustrating. Some hail the film as a masterpiece but I’m hard-pressed to understand why.

This Japanese poster features a unique image and is significantly more interesting than the drab and misleading US one sheet (lick the light!) or the ugly UK quad. The flesh coloured shapes around the edge are organic and include human hands and other body parts. The little pink lizard in the credit area is featured in the film as a stop-motion creature.

The original trailer is on YouTube.

The Adventures Of Baron Munchausen / B2 / Japan

17.05.11

Poster Poster
Title
The Adventures Of Baron Munchausen
AKA
--
Year of Film
1988
Director
Terry Gilliam
Starring
John Neville, Sarah Polley, Eric Idle, Jonathan Pryce, Oliver Reed, Uma Thurman, Robin Williams, Peter Jeffrey
Origin of Film
UK | West Germany
Genre(s) of Film
John Neville, Sarah Polley, Eric Idle, Jonathan Pryce, Oliver Reed, Uma Thurman, Robin Williams, Peter Jeffrey,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1989
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

The Adventures Of Baron Munchausen / one sheet / USA

17.05.11

Poster Poster
Title
The Adventures Of Baron Munchausen
AKA
--
Year of Film
1988
Director
Terry Gilliam
Starring
John Neville, Sarah Polley, Eric Idle, Jonathan Pryce, Oliver Reed, Uma Thurman, Robin Williams, Peter Jeffrey
Origin of Film
UK | West Germany
Genre(s) of Film
John Neville, Sarah Polley, Eric Idle, Jonathan Pryce, Oliver Reed, Uma Thurman, Robin Williams, Peter Jeffrey,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1988
Designer
Bemis Balkind, Concept Arts
Artist
Lucinda Cowell
Size (inches)
27" x 40"
SS or DS
SS
NSS #
890028
Tagline
Remarkable. Unbelievable. Impossible. And true.

Dawn Of The Dead / 2004 / quad / UK

18.05.11

Poster Poster
Title
Dawn Of The Dead
AKA
--
Year of Film
2004
Director
Zack Snyder
Starring
Sarah Polley, Ving Rhames, Jake Weber, Michael Kelly, Kevin Zegers, Lindy Booth
Origin of Film
USA | Canada | Japan | France
Genre(s) of Film
Sarah Polley, Ving Rhames, Jake Weber, Michael Kelly, Kevin Zegers, Lindy Booth,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
2004
Designer
Unknown
Artist
--
Size (inches)
30 1/16" x 40"
SS or DS
DS
Tagline
When there's no more room in hell, the dead will walk the earth.

Dawn Of The Dead / 2004 / B2 / Japan

17.05.11

Poster Poster
Title
Dawn Of The Dead
AKA
--
Year of Film
2004
Director
Zack Snyder
Starring
Sarah Polley, Ving Rhames, Jake Weber, Michael Kelly, Kevin Zegers, Lindy Booth
Origin of Film
USA | Canada | Japan | France
Genre(s) of Film
Sarah Polley, Ving Rhames, Jake Weber, Michael Kelly, Kevin Zegers, Lindy Booth,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
2004
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Dawn Of The Dead / 2004 / one sheet / advance / USA

17.05.11

Poster Poster
Title
Dawn Of The Dead
AKA
--
Year of Film
2004
Director
Zack Snyder
Starring
Sarah Polley, Ving Rhames, Jake Weber, Michael Kelly, Kevin Zegers, Lindy Booth
Origin of Film
USA | Canada | Japan | France
Genre(s) of Film
Sarah Polley, Ving Rhames, Jake Weber, Michael Kelly, Kevin Zegers, Lindy Booth,
Type of Poster
One sheet
Style of Poster
Advance
Origin of Poster
USA
Year of Poster
2004
Designer
BLT & Associates
Artist
--
Size (inches)
27" x 40"
SS or DS
DS
NSS #
--
Tagline
When there's no more room in hell, the dead will walk the earth.

Go / quad / UK

18.05.11

Poster Poster
Title
Go
AKA
Go! - Sex, Drugs & Rave'n'Roll (Germany - video box title)
Year of Film
1999
Director
Doug Liman
Starring
William Fichtner, Katie Holmes, Jay Mohr, Sarah Polley, Scott Wolf
Origin of Film
USA
Genre(s) of Film
William Fichtner, Katie Holmes, Jay Mohr, Sarah Polley, Scott Wolf,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
USA
Year of Poster
1999
Designer
Unknown
Artist
--
Size (inches)
30 1/16" x 40"
SS or DS
DS
Tagline
A weekend wasted is never a wasted weekend.