You searched for: Sean%2520S.%2520Cunningham

Friday the 13th / B2 / Japan

17.05.11

Poster Poster
Title
Friday The 13th
AKA
A Long Night at Camp Blood (USA - working title)
Year of Film
1980
Director
Sean S. Cunningham
Starring
Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Mark Nelson, Jeannine Taylor, Robbi Morgan, Kevin Bacon
Origin of Film
USA
Genre(s) of Film
Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Mark Nelson, Jeannine Taylor, Robbi Morgan, Kevin Bacon,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1980
Designer
Unknown
Artist
Joann Daley (central axe artwork)
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Friday The 13th / quad / UK

21.05.11

Poster Poster
Title
Friday The 13th
AKA
A Long Night at Camp Blood (USA - working title)
Year of Film
1980
Director
Sean S. Cunningham
Starring
Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Mark Nelson, Jeannine Taylor, Robbi Morgan, Kevin Bacon
Origin of Film
USA
Genre(s) of Film
Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Mark Nelson, Jeannine Taylor, Robbi Morgan, Kevin Bacon,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1980
Designer
Unknown
Artist
Unknown
Size (inches)
29 7/8" x 39 7/8"
SS or DS
SS
Tagline
On Friday the 13th, they began to die horribly, one......by one

Friday the 13th / one sheet / re-release / USA

17.05.11

Poster Poster
Title
Friday the 13th
AKA
A Long Night at Camp Blood (USA - working title)
Year of Film
1980
Director
Sean S. Cunningham
Starring
Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Mark Nelson, Jeannine Taylor, Robbi Morgan, Kevin Bacon
Origin of Film
USA
Genre(s) of Film
Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Mark Nelson, Jeannine Taylor, Robbi Morgan, Kevin Bacon,
Type of Poster
One sheet
Style of Poster
Re-release (GCIU version)
Origin of Poster
USA
Year of Poster
1980s
Designer
Spiros Angelikas
Artist
Alex Ebel
Size (inches)
27 1/8" x 41"
SS or DS
SS
NSS #
800073
Tagline
They were warned...They are doomed...And on Friday the 13th, nothing will save them

The Lord Of The Rings: The Return Of The King / one sheet / advance / montage style / USA

17.05.11

Poster Poster

The Lord Of The Rings Trilogy / one sheet / teaser / Frodo looking up / USA

17.05.11

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The Lord Of The Rings Trilogy / one sheet / teaser / Frodo looking down / USA

17.05.11

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The Lord Of The Rings: The Fellowship Of The Ring / one sheet / cast montage style / Canada

17.05.11

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The Lord Of The Rings: The Fellowship Of The Ring / one sheet / advance / Argonath style / USA

17.05.11

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The Lord of the Rings: the Fellowship of the Ring / quad / UK

18.05.11

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The Lord of the Rings: The Fellowship of the Ring / quad / teaser / UK

18.05.11

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The Lord Of The Rings: The Return Of The King / one sheet / teaser / Aragorn / Canada

17.05.11

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The Lord Of The Rings: The Return Of The King / one sheet / teaser / Gollum / Canada

17.05.11

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The Lord Of The Rings: The Return Of The King / one sheet / teaser / Gandalf / Canada

17.05.11

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The Lord Of The Rings: The Return Of The King / one sheet / teaser / Arwen / Canada

17.05.11

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The Lord Of The Rings: The Return Of The King / one sheet / teaser / Frodo / Canada

17.05.11

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The Lord Of The Rings: The Return Of The King / one sheet / teaser / Sam and Frodo / USA

17.05.11

Poster Poster

The Lord Of The Rings trilogy / quad / teaser / UK

18.05.11

Poster Poster

Frankenstein and the Monster From Hell / quad / UK

03.06.13

Poster Poster

Frankenstein and the Monster From Hell (1973) marked the end of an era for British film in more ways than one. It was the last gothic horror to be produced by the original incarnation of the British Hammer Films studio and followed on from a series of six feature films based around the character of Baron Frankenstein portrayed by the late, great British actor Peter Cushing (the less said about 1970s Horror of Frankenstein, with Ralph Bates in the lead role, the better). Director Terence Fisher had worked on many of Hammer’s best-loved horrors, including their first gothic feature, 1957s The Curse of Frankenstein (starring Cushing and Christopher Lee as the monster) as well as the original Dracula (1958), The Mummy (1959) and two other Frankenstein features for the studio. He was to effectively retire from film-making at the end of production on FATMFH, and he wasn’t the only one of the Hammer alumni to do so. This was also the last Hammer feature film that screenwriter Tony Hinds, who had worked on many of the studio’s most successful horrors, would supply a script for. Other crew members who had been instrumental in the production of dozens of Hammer horrors also called it a day once this film was released.

Originally produced and shot in 1972, it eventually limped into cinemas in 1974 well after the appeal of British gothic horror films had dissipated. Cinema-goers were keen to experience the visceral thrills of the new wave of films coming out of Hollywood, including William Friedkin’s 1973 masterpiece The Exorcist, which made British efforts like FATMFH seem positively antiquated. Because of the fall in demand from distribution companies who were previously happy to bankroll Hammer’s productions, the budget for this film was a tiny fraction of many of their previous horrors. It would be a lie to say that the lack of money doesn’t show on screen – most of the film takes place on what is clearly a single soundstage – but the skilled craftsmen at Hammer were still able to create a wonderful sense of atmosphere with the modest amount of funds at their disposal. The film is in many ways the perfect swan-song for Cushing’s Baron Frankenstein and his performance absolutely steals the show, from his brilliant crash-zoom entrance to the quiet madness of the denouement.

On the 29th of May, 2013 I was lucky enough to see the film at London’s British Film Institute in a special showing to both celebrate the centenary of Cushing’s birth and also preview a newly restored print of FATMFH. The reformed version of Hammer films have undertaken a series of restoration projects on many of the studio’s classic films, including the original Dracula and the original Curse of Frankenstein. I believe that the new print of FATMFH will see release on blu-ray at some point this year, as well as a new restoration of The Mummy. It was a real treat to see the film on the big screen and be able to revel in a classic Peter Cushing performance.

This British quad was created at the London-based Downtons Advertising agency by one of the principal designers, Eddie Paul, and painted by an artist named Bill Wiggins. Both men are featured in Sim Branaghan’s must-own book British Film Posters: An Illustrated History and are each responsible for several iconic British posters. The designer Eddie Paul was born in Hackney in 1920 and attended Southend School of Art, later beginning his career at Temple Art Studios before moving on to Star Illustrations on Shoe Lane, where he gained a good reputation as a scrapboard artist. After serving in the RAF during the war, Paul joined Pulford Publicity in 1946 and started designing film posters using crayons and coloured pencils. He worked on several successful poster campaigns during the 1960s, including El Cid (1961), The Fall of the Roman Empire (1964) and the famous quad for From Russia with Love (painted by Renato Fratini). He later joined four ex-Downton colleagues and formed the successful agency FEREF in 1968. As Sim notes in his book, ‘He was well liked and respected within the business as a gentleman’. Eddie Paul passed away from a heart attack whilst on his way to work in 1984, just shy of his retirement from FEREF.

Bill Wiggins was born in 1915 and worked installing large cinema displays (on the front of the buildings) during the 1930s and was a special constable during the second world war. He arrived at Downton’s Advertising agency at the same time as another principal designer, Fred Atkins (later a partner in FEREF), in 1951. Wiggins worked in the film department of the studio for 25 years, painting dozens of posters alongside the likes of Vic Fair and Brian Bysouth. Wiggins is mentioned several times during my interview with the latter. He worked on several of the early Hammer films, including Dracula (1958), The Mummy (1959), Curse of the Werewolf, as well as the sci-fi films The Lost World (1960) and Day of the Triffids (1962). He initially retired in 1975 ‘but rapidly found himself so bored that he returned within a couple of months and continued full time for another three years, eventually leaving to paint commissioned oil portraits for an art/photographic business in Bromley’. He passed away, aged 73, in 1988. Sim believes that this poster for FATMFH is likely to be one of, if not the, final cinema poster that Wiggins worked on.

In addition to this single feature quad, there is also a double-bill quad for when the film was released in a pairing with the long-forgotten kung-fu film The Fists of Vengeance. The artwork for FATMFH is actually coloured on the double-bill poster and is therefore arguably superior to this quad. Sim confirmed to me that there was a policy around this time that the single feature quad would usually be monochrome whilst the double-bill was typically printed in full colour.

Finally, this particular copy is rolled and in great condition, which is somewhat unusual for a poster from this era. I recall reading that it may have been one poster that Hammer printed in greater numbers to give away to fans who wrote in to the studio, as was the case with the quads for ‘Dracula Has Risen from the Grave’ and the ‘She/One Million Years BC’ quads (see the bottom of this page for more detail). I’m not certain that this is case though and I’d appreciate more details about it if anyone has them.

This Sporting Life / one sheet / UK

15.08.12

Poster Poster

This Sporting Life was the first full-length film by the late British director Lindsay Anderson (best known for ‘If….‘ and ‘O Lucky Man!‘) and starred Richard Harris in what is now acknowledged as his breakout role. The story follows the exploits of Frank Machin (Harris) a tough, young miner in a Northern England town who finds success as a Rugby League player and must deal with his violent tendencies as he copes with his new found fame. The film also featured Rachel Roberts in a memorable turn as the widower landlady of Machin with whom he has been having a strained relationship.

This UK one sheet features artwork by Renato Fratini, an Italian painter who came over to England to work in film publicity at the end of the 1950s and is regularly cited by many of his contemporaries as one of the greatest artists ever to have worked in the business. Fratini was born in Rome in 1932 and went on to study at the city’s Academy of Fine Art before landing a job at Studio Favalli, which was part of the legendary Cinecittà studios and handled film publicity for many Italian productions. Eric Pulford, who was head of Downton Advertising in London, began to enlist the help of the Italian artists in the mid-1950s once it became clear how much talent studio head Augusto Favalli had enlisted, and, perhaps crucially, how relatively cheap the work was.

Fratini was brought over to London by Pulford and put on a retainer for Downtons in 1958. He quickly impressed with his technical ability and skilful draughtsmanship, which was often marvelled upon by other artists working at the time. Ace British designer Vic Fair recalls the speed with which Fratini was able to work – ‘He was incredible. He was like a machine – he could just bash things out overnight’. Fratini very much enjoyed his life in London and was infamous for his love of a good party, quickly gaining a reputation as a man who enjoyed the finer things in life. Despite this he was still able to turn out stunning pieces of artwork with relatively little notice.

Perhaps Fratini’s most famous work is the quad he painted for From Russia With Love (in 1963 – the same year as this poster), which is probably the best of all the James Bond quads. Later he would work on a number of posters for the Carry On series of films, known for their colourful and brilliantly stylised designs, as well as some incredibly detailed artwork on posters such as the quad for Waterloo (1970), for which he was paid a then record fee of £2000. In 1969 Fratini had a broken marriage behind him and was losing money through tax bills, so he made the decision to leave London and head for Mexico from where he continued to paint for advertising firms in America and the odd assignment for Downtons. Sadly, in 1973 Fratini collapsed whilst at a beach party and died from massive heart attack, his years of excess finally catching up with him.

He was only 40 years old at the time and, as Sim Branaghan (author of the brilliant ‘British Film Posters‘ book) described in my interview with him, his tragic end perfectly embodies the stereotypical profile of a ‘doomed bohemian genius’. Sim’s book contains a lot more information on Fratini and is an absolute must-buy if you have even a passing interest in the artists behind these great posters.

It’s worth noting that this is one of the few pieces of artwork that prominently features Fratini’s signature.

The trailer for the film is on YouTube.

Goldfinger / screen print / Todd Slater / USA

17.05.11

Poster Poster
Title
Goldfinger
AKA
--
Year of Film
1964
Director
Guy Hamilton
Starring
Sean Connery, Shirley Eaton, Gert Fröbe, Honor Blackman,Harold Sakata, Bernard Lee, Tania Mallet
Origin of Film
UK
Genre(s) of Film
Sean Connery, Shirley Eaton, Gert Fröbe, Honor Blackman,Harold Sakata, Bernard Lee, Tania Mallet,
Type of Poster
Screen print
Style of Poster
--
Origin of Poster
USA
Year of Poster
2007
Designer
Todd Slater
Artist
Todd Slater
Size (inches)
17 11/16" x 33 6/8"
SS or DS
SS
Tagline
--

Fast Times At Ridgemont High / one sheet / USA

17.05.11

Poster Poster
Title
Fast Times
AKA
Fast Times (UK) | Viver Depressa [Live fast] (Portugal)
Year of Film
1982
Director
Amy Heckerling
Starring
Sean Penn, Jennifer Jason Leigh, Judge Reinhold, Phoebe Cates, Brian Backer, Robert Romanus, Lana Clarkson, Ray Walston, Forest Whitaker, Nicolas Cage
Origin of Film
USA
Genre(s) of Film
Sean Penn, Jennifer Jason Leigh, Judge Reinhold, Phoebe Cates, Brian Backer, Robert Romanus, Lana Clarkson, Ray Walston, Forest Whitaker, Nicolas Cage,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1982
Designer
Unknown
Artist
--
Size (inches)
27" x 40 15/16"
SS or DS
SS
NSS #
820109
Tagline
It's Awesome! Totally Awesome! | At Ridgemont High Only the Rules get Busted!

Fast Times / quad / UK

18.05.11

Poster Poster
Title
Fast Times
AKA
Fast Times At Ridgemont High (USA) | Viver Depressa [Live fast] (Portugal)
Year of Film
1982
Director
Amy Heckerling
Starring
Sean Penn, Jennifer Jason Leigh, Judge Reinhold, Phoebe Cates, Brian Backer, Robert Romanus, Lana Clarkson, Ray Walston, Forest Whitaker, Nicolas Cage
Origin of Film
USA
Genre(s) of Film
Sean Penn, Jennifer Jason Leigh, Judge Reinhold, Phoebe Cates, Brian Backer, Robert Romanus, Lana Clarkson, Ray Walston, Forest Whitaker, Nicolas Cage,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1983
Designer
Unknown
Artist
Unknown
Size (inches)
30" x 39 15/16"
SS or DS
SS
Tagline
Fast girls, Fast cars, Fast carrots.... Fast carrots?

Family Business / B2 / Japan

17.05.11

Poster Poster
Title
Family Business
AKA
--
Year of Film
1989
Director
Sidney Lumet
Starring
Sean Connery, Dustin Hoffman, Matthew Broderick, Rosanna DeSoto, Janet Carroll, Victoria Jackson, Bill McCutcheon, Deborah Rush
Origin of Film
USA
Genre(s) of Film
Sean Connery, Dustin Hoffman, Matthew Broderick, Rosanna DeSoto, Janet Carroll, Victoria Jackson, Bill McCutcheon, Deborah Rush,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1990
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 15/16"
SS or DS
SS
NSS #
--
Tagline
--

Blade Runner: The Final Cut / B2 / DVD release / Japan

17.05.11

Poster Poster
Title
Blade Runner: The Final Cut
AKA
--
Year of Film
2007
Director
Ridley Scott
Starring
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah
Origin of Film
USA | Hong Kong
Genre(s) of Film
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah,
Type of Poster
B2
Style of Poster
DVD release
Origin of Poster
Japan
Year of Poster
2007
Designer
Unknown
Artist
Drew Struzan
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

Blade Runner: The Final Cut / one sheet / USA

17.05.11

Poster Poster
Title
Blade Runner: The Final Cut
AKA
--
Year of Film
2007
Director
Ridley Scott
Starring
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah
Origin of Film
USA | Hong Kong
Genre(s) of Film
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
2007
Designer
Unknown
Artist
Drew Struzan
Size (inches)
27 1/16" x 39 15/16"
SS or DS
DS
NSS #
--
Tagline
--