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For Your Eyes Only / quad / UK

08.10.12

Poster Poster

One of Roger Moore’s better outings as 007, For Your Eyes Only was intended to bring James Bond back down to earth with a more realistic and less sensational storyline following the lunacy of Moonraker. It marked the first time John Glen would helm a Bond film, having worked as an editor and second-unit director on three of the previous outings, and he would go on to direct the next four films in the series. The story sees the spy being sent to try and recover an ‘ATAC’ device capable of controlling the British Polaris submarine fleet, which is lost after a spy ship disguised as a trawler is sunk in neutral waters.

It becomes clear that the Soviets are also keen to get their hands on the device and Bond must discover who is aiding them, with suspicion falling on both Milos Columbo (Topol) and Aris Kristatos (Julian Glover). Bond also finds an ally in the form of Melina Havelock (the gorgeous Carole Bouquet) who is out for revenge after her parents are murdered by the same forces who retrieve the ATAC device. The film features several memorable chases and action sequences, including a climactic assault on a fortress on top of a sheer cliff. It also includes the infamous character of Bibi Dahl (Lynn-Holly Johnson) a gorgeous young ice-skating protégée who becomes infatuated with Bond, and in turn became the object of countless teenage boys’ fantasies, including yours truly.

This British quad features the ‘legs’ concept that was created by the American designer Bill Gold and was subsequently used for the film’s marketing campaign across the globe, including the US one sheet. Owing to the landscape format of the quad poster it was decided that a montage of scenes from the film should be added either side of the legs. The montage was designed by Eddie Paul at the British film marketing agency FEREF and the painting job was given to the talented illustrator Brian Bysouth, whose skill at accurately depicting vehicles, characters and dynamic action scenes was the perfect compliment for the design. The montage was also adapted (and somewhat crammed) onto an international one sheet used to market the film in countries such as Australia.

In 2012 I met and interviewed Brian Bysouth and this poster was discussed during our meeting:

One Bond poster you worked on is the quad for For Your Eyes Only. It had the Bill Gold designed element of the long legs, but you modified the montage when doing the finished illustration?
Eric Pulford created the U.K. poster design that was approved. The inclusion of the very iconic Bill Gold legs concept was a must in any design that was submitted, so I suppose the scope for fresh designs was limited. In my opinion Eric’s original montage was not his best work and, although I tried to re-arrange some of the elements, the reference material supplied was not very exciting and I think the surrounding montage looks rather ordinary.

A similar difficulty arose with the design Eric had done for The Bounty (1984). His atmospheric colour rough was exciting, but when I began to sketch out the finished painting I realised the perspective of the ship was flawed. Eric’s exciting random montage of characters had initially disguised the shortcoming. I spent a day redrawing the ship and rigging to ensure it was reasonably correct, and then moved the characters to try to improve the composition. I was pleased with the final painting but was never happy with the montage, which I really thought needed recomposing. I didn’t think a confrontation with Eric was in my best interest.

Some weeks later I asked for the return of my painting only to be told, ‘it could not be found’.  Obviously, a light-fingered person took a fancy to it. Much of my work has been lost to me in that way, including my teaser art for A View to a Kill. Presently I am engaged in monitoring Film Memorabilia auction sales in order to reclaim art being offered for sale that legally belongs to me. I am glad to have been successful in recovering quite a number of paintings.  One case involving poster art I did for 20th. Century Fox is still ongoing as I speak.
Note that the article also features an image of the original artwork that has differences in the layout and details in comparison to this final quad.

For Your Eyes Only / B2 / artwork style / Japan

18.10.13

Poster Poster

This is the artwork style B2 poster for the Japanese release of one of Roger Moore’s better outings as 007, For Your Eyes Only, which was intended to bring the legendary spy back down to earth with a more realistic and less sensational storyline following the lunacy of Moonraker. It marked the first time John Glen would helm a Bond film, having worked as an editor and second-unit director on three of the previous outings, and he would go on to direct the next four films in the series. The story sees the spy being sent to try and recover an ‘ATAC’ device capable of controlling the British Polaris submarine fleet, which is lost after a spy ship disguised as a trawler is sunk in neutral waters.

It becomes clear that the Soviets are also keen to get their hands on the device and Bond must discover who is aiding them, with suspicion falling on both Milos Columbo (Topol) and Aris Kristatos (Julian Glover). Bond also finds an ally in the form of Melina Havelock (the gorgeous Carole Bouquet) who is out for revenge after her parents are murdered by the same forces who retrieve the ATAC device. The film features several memorable chases and action sequences, including a climactic assault on a fortress on top of a sheer cliff. It also includes the infamous character of Bibi Dahl (Lynn-Holly Johnson) a gorgeous young ice-skating protégée who becomes infatuated with Bond, and in turn became the object of countless teenage boys’ fantasies, including yours truly.

The artwork on this poster is unique to Japan and was painted by the artist Seito. I’ve not been able to discover much about Seito but he was fairly prolific and painted for a lot of US films that were released in Japan. If anyone has any information about him please get in touch.

The other posters I’ve collected by Seito can be seen here.

Flash Gordon / portrait / Thailand

08.12.14

Poster Poster
Title
Flash Gordon
AKA
Blixt Gordon (Sweden)
Year of Film
1980
Director
Mike Hodges
Starring
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed
Origin of Film
USA | UK
Genre(s) of Film
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed,
Type of Poster
Thai
Style of Poster
Portrait
Origin of Poster
Thailand
Year of Poster
1980
Designer
Tongdee Panumas
Artist
Tongdee Panumas
Size (inches)
21 6/16" x 30 14/16"
SS or DS
SS
Tagline
--

There are few films quite like Flash Gordon and having re-watched it on blu-ray recently I was reminded how much of an impression it had on me when I first saw it as a child. I also listened to the excellent audio commentary with director Mike Hodges, who admits to being an unlikely choice to direct and confirms in no uncertain terms that they were making things up as they went along. It sounds like a typically chaotic Dino De Laurentiis production with scenes being written the night before filming and huge amounts of the budget going on the costume and set designs (though these are very impressive, even today).

There are several reasons the film remains one of my favourites of the 1980s:

Acting
Topol is insanely over the top as Dr Hans Zarkov with an accent that changes from scene to scene. It’s not hard to see why Sam J. Jones never hit the big time, although you can’t say he doesn’t give the role his all. Max Von Sydow is clearly having fun playing Ming and Brian Blessed is spectacular as Vultan the Hawksman; no one else could deliver the simple line ‘pass me the remote control’ with such unbridled gusto. A pre-Bond Timothy Dalton is also rather memorable, sporting a spectacular moustache.

The woodbeast
This infamous scene (featuring Peter Duncan) terrified me as a child, and not just ‘wow, that’s a bit weird’, I’m talking more like ‘I’m never going near a tree stump ever again’. Scarred. For. Life. There’s also an odd ‘black whoopee-cushion with tendrils’ creature that attacks Flash and is seared into my memory, even if it looks like a painted balloon when you watch it again today.

The costumes and set designs
As mentioned, a serious amount of budget was spent on costumes and sets by Danilo Donati and it shows. You only have to watch this brief clip to get an idea of the amount of work that went into them – very impressive stuff.

Ornella Muti
Just like Jane Seymour in Live and Let Die, Ornella (playing Princess Aura) was responsible for putting more than a few hairs on my chest. Her costumes are the very definition of figure-hugging. The infamous interrogation scene has to be seen to be believed.

The music
An awesome soundtrack by Brit rockers Queen that still sounds superb today. I almost tried to persuade my wife to walk down the aisle to the sound of Ming’s wedding march; it’s that good. The 2011 remaster is available on Spotify.

This Thai poster was painted by the artist Tongdee Panumas (he signs his posters with just his first name) who was an incredibly prolific Thai film poster artist during the 70s, 80s and 90s but I’ve been unable to find out much about him, other than that he was born in 1947. If anyone has any more information please get in touch. A knowledgeable collector of Thai posters told me that the artists would rarely if ever see the film they were creating the poster for and would instead paint images based on still photos or posters from other countries. This led to some wild designs and even some artwork with characters and elements that didn’t even appear in the actual film!

I believe elements of this poster were copied from the same stills that were used to make some of the other worldwide posters for Flash Gordon, so it’s likely that the film was actually released some time after 1980. If anyone knows the date please get in touch. I also have a landscape version of the poster in the collection.

Flash Gordon / landscape / Thailand

13.05.15

Poster Poster
Title
Flash Gordon
AKA
Blixt Gordon (Sweden)
Year of Film
1980
Director
Mike Hodges
Starring
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed
Origin of Film
USA | UK
Genre(s) of Film
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed,
Type of Poster
Thai
Style of Poster
Landscape
Origin of Poster
Thailand
Year of Poster
1980
Designer
Tongdee Panumas
Artist
Tongdee Panumas
Size (inches)
21 6/16" x 30 13/16"
SS or DS
SS
Tagline
--

There are few films quite like Flash Gordon and having re-watched it on blu-ray recently I was reminded how much of an impression it had on me when I first saw it as a child. I also listened to the excellent audio commentary with director Mike Hodges, who admits to being an unlikely choice to direct and confirms in no uncertain terms that they were making things up as they went along. It sounds like a typically chaotic Dino De Laurentiis production with scenes being written the night before filming and huge amounts of the budget going on the costume and set designs (though these are very impressive, even today).

There are several reasons the film remains one of my favourites of the 1980s:

Acting
Topol is insanely over the top as Dr Hans Zarkov with an accent that changes from scene to scene. It’s not hard to see why Sam J. Jones never hit the big time, although you can’t say he doesn’t give the role his all. Max Von Sydow is clearly having fun playing Ming and Brian Blessed is spectacular as Vultan the Hawksman; no one else could deliver the simple line ‘pass me the remote control’ with such unbridled gusto. A pre-Bond Timothy Dalton is also rather memorable, sporting a spectacular moustache.

The woodbeast
This infamous scene (featuring Peter Duncan) terrified me as a child, and not just ‘wow, that’s a bit weird’, I’m talking more like ‘I’m never going near a tree stump ever again’. Scarred. For. Life. There’s also an odd ‘black whoopee-cushion with tendrils’ creature that attacks Flash and is seared into my memory, even if it looks like a painted balloon when you watch it again today.

The costumes and set designs
As mentioned, a serious amount of budget was spent on costumes and sets by Danilo Donati and it shows. You only have to watch this brief clip to get an idea of the amount of work that went into them – very impressive stuff.

Ornella Muti
Just like Jane Seymour in Live and Let Die, Ornella (playing Princess Aura) was responsible for putting more than a few hairs on my chest. Her costumes are the very definition of figure-hugging. The infamous interrogation scene has to be seen to be believed.

The music
An awesome soundtrack by Brit rockers Queen that still sounds superb today. I almost tried to persuade my wife to walk down the aisle to the sound of Ming’s wedding march; it’s that good. The 2011 remaster is available on Spotify.

This landscape Thai poster was painted by the artist Tongdee Panumas (he signs his posters with just his first name) who was an incredibly prolific Thai film poster artist during the 70s, 80s and 90s but I’ve been unable to find out much about him, other than that he was born in 1947. If anyone has any more information please get in touch. A knowledgeable collector of Thai posters told me that the artists would rarely if ever see the film they were creating the poster for and would instead paint images based on still photos or posters from other countries. This led to some wild designs and even some artwork with characters and elements that didn’t even appear in the actual film!

I believe elements of this poster were copied from the same stills that were used to make some of the other worldwide posters for Flash Gordon, so it’s likely that the film was actually released some time after 1980. If anyone knows the date please get in touch. I also have a portrait version of the poster in the collection.

Flash Gordon / quad / UK

18.11.11

Poster Poster
Title
Flash Gordon
AKA
Blixt Gordon (Sweden)
Year of Film
1980
Director
Mike Hodges
Starring
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed
Origin of Film
USA | UK
Genre(s) of Film
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1980
Designer
Unknown
Artist
Renato Casaro
Size (inches)
30" x 39 15/16"
SS or DS
SS
Tagline
--

There are few films quite like Flash Gordon and having re-watched it on blu-ray recently I was reminded how much of an impression it had on me when I first saw it as a child. I also listened to the excellent audio commentary with director Mike Hodges, who admits to being an unlikely choice to direct and confirms in no uncertain terms that they were making things up as they went along. It sounds like a typically chaotic Dino De Laurentiis production with scenes being written the night before filming and huge amounts of the budget going on the costume and set designs (though these are very impressive, even today).

There are several reasons the film remains one of my favourites of the 1980s:

Acting
Topol is insanely over the top as Dr Hans Zarkov with an accent that changes from scene to scene. It’s not hard to see why Sam J. Jones never hit the big time, although you can’t say he doesn’t give the role his all. Max Von Sydow is clearly having fun playing Ming and Brian Blessed is spectacular as Vultan the Hawksman; no one else could deliver the simple line ‘pass me the remote control’ with such unbridled gusto. A pre-Bond Timothy Dalton is also rather memorable, sporting a spectacular moustache.

The woodbeast
This infamous scene (featuring Peter Duncan) terrified me as a child, and not just ‘wow, that’s a bit weird’, I’m talking more like ‘I’m never going near a tree stump ever again’. Scarred. For. Life. There’s also an odd ‘black whoopee-cushion with tendrils’ creature that attacks Flash and is seared into my memory, even if it looks like a painted balloon when you watch it again today.

The costumes and set designs
As mentioned, a serious amount of budget was spent on costumes and sets by Danilo Donati and it shows. You only have to watch this brief clip to get an idea of the amount of work that went into them – very impressive stuff.

Ornella Muti
Just like Jane Seymour in Live and Let Die, Ornella (playing Princess Aura) was responsible for putting more than a few hairs on my chest. Her costumes are the very definition of figure-hugging. The infamous interrogation scene has to be seen to be believed.

The music
An awesome soundtrack by Brit rockers Queen that still sounds superb today. I almost tried to persuade my wife to walk down the aisle to the sound of Ming’s wedding march; it’s that good. The 2011 remaster is available on Spotify.

This British quad was illustrated by one of my favourite artists, Renato Casaro (check out the incredible amount of work here), and the design can be seen on several of the film’s international posters, including the slightly different Japanese ones. Interestingly the logo on the poster is also seen throughout the film (Flash has it on his t-shirt at one point for example), which is a crossover that very rarely happens.

You can see more of Casaro’s posters that I’ve collected here.

The great original trailer can be seen here.

For Your Eyes Only / one sheet / USA

17.05.11

Poster Poster
Title
For Your Eyes Only
AKA
007 - Missão Ultra-Secreta (Portugal)
Year of Film
1981
Director
John Glen
Starring
Roger Moore, Carole Bouquet, Topol, Lynn-Holly Johnson, Julian Glover, Cassandra Harris, Jill Bennett, Michael Gothard, John Wyman, Jack Hedley, Lois Maxwell, Desmond Llewelyn
Origin of Film
UK | USA
Genre(s) of Film
Roger Moore, Carole Bouquet, Topol, Lynn-Holly Johnson, Julian Glover, Cassandra Harris, Jill Bennett, Michael Gothard, John Wyman, Jack Hedley, Lois Maxwell, Desmond Llewelyn,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1981
Designer
Bill Gold
Artist
Morgan Kane
Size (inches)
27 1/16" x 41 1/8"
SS or DS
SS
NSS #
810014
Tagline
No one comes close to JAMES BOND 007

For Your Eyes Only / one sheet / advance / USA

17.05.11

Poster Poster
Title
For Your Eyes Only
AKA
007 - Missão Ultra-Secreta (Portugal)
Year of Film
1981
Director
John Glen
Starring
Roger Moore, Carole Bouquet, Topol, Lynn-Holly Johnson, Julian Glover, Cassandra Harris, Jill Bennett, Michael Gothard, John Wyman, Jack Hedley, Lois Maxwell, Desmond Llewelyn
Origin of Film
UK | USA
Genre(s) of Film
Roger Moore, Carole Bouquet, Topol, Lynn-Holly Johnson, Julian Glover, Cassandra Harris, Jill Bennett, Michael Gothard, John Wyman, Jack Hedley, Lois Maxwell, Desmond Llewelyn,
Type of Poster
One sheet
Style of Poster
Advance
Origin of Poster
USA
Year of Poster
1981
Designer
Bill Gold
Artist
Morgan Kane (photography)
Size (inches)
27 1/16" x 41"
SS or DS
SS
NSS #
810014
Tagline
No one comes close to JAMES BOND 007

Flash Gordon / one sheet / USA

25.05.11

Poster Poster
Title
Flash Gordon
AKA
Blixt Gordon (Sweden)
Year of Film
1980
Director
Mike Hodges
Starring
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed
Origin of Film
USA | UK
Genre(s) of Film
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1980
Designer
Unknown
Artist
Richard Amsel
Size (inches)
27" x 41"
SS or DS
SS
NSS #
--
Tagline
Pathetic Earthlings... Who Can Save You Now?

This is the final release one sheet for Flash Gordon with artwork by the great Richard Amsel, who is responsible for probably my favourite Indiana Jones poster, the Raiders of the Lost Ark 1982 re-release one sheet. The advance was illustrated by Lawrence Noble and features a similarly menacing Ming the Merciless at the top of the poster.

It took me a long time to find a rolled version of the poster and even though this particular one is not in mint condition I’m still happy to add it to the collection.

The tagline and logo are notably great.

Flash Gordon / one sheet / advance / USA

17.05.11

Poster Poster
Title
Flash Gordon
AKA
Blixt Gordon (Sweden)
Year of Film
1980
Director
Mike Hodges
Starring
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed
Origin of Film
USA | UK
Genre(s) of Film
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed,
Type of Poster
One sheet
Style of Poster
Advance
Origin of Poster
USA
Year of Poster
1980
Designer
Unknown
Artist
Lawrence Noble
Size (inches)
27" x 41"
SS or DS
SS
NSS #
--
Tagline
Pathetic Earthlings... Who Can Save You Now?

Flash Gordon / B2 / photo style / Japan

17.05.11

Poster Poster
Title
Flash Gordon
AKA
Blixt Gordon (Sweden)
Year of Film
1980
Director
Mike Hodges
Starring
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed
Origin of Film
USA | UK
Genre(s) of Film
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed,
Type of Poster
B2
Style of Poster
Photo
Origin of Poster
Japan
Year of Poster
1980
Designer
Unknown
Artist
Renato Casaro
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Flash Gordon / B2 / artwork style / Japan

17.05.11

Poster Poster
Title
Flash Gordon
AKA
Blixt Gordon (Sweden)
Year of Film
1980
Director
Mike Hodges
Starring
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed
Origin of Film
USA | UK
Genre(s) of Film
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed,
Type of Poster
B2
Style of Poster
Artwork
Origin of Poster
Japan
Year of Poster
1980
Designer
Unknown
Artist
Renato Casaro
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Flash Gordon / one sheet / teaser / portrait / USA

21.11.12

Poster Poster
Title
Flash Gordon
AKA
Blixt Gordon (Sweden)
Year of Film
1980
Director
Mike Hodges
Starring
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed
Origin of Film
USA | UK
Genre(s) of Film
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed,
Type of Poster
One sheet
Style of Poster
Teaser - portrait
Origin of Poster
USA
Year of Poster
1980
Designer
Unknown
Artist
Philip Castle
Size (inches)
25 4/16" x 28 2/16"
SS or DS
SS
NSS #
--
Tagline
--

There are few films quite like Flash Gordon and having re-watched it on blu-ray recently I was reminded how much of an impression it had on me when I first saw it as a child. I also listened to the excellent audio commentary with director Mike Hodges, who admits to being an unlikely choice to direct and confirms in no uncertain terms that they were making things up as they went along. It sounds like a typically chaotic Dino De Laurentiis production with scenes being written the night before filming and huge amounts of the budget going on the costume and set designs (though these are very impressive, even today).

This is an unusual teaser one sheet printed on paper that is thicker than normal paper with a metallic-ink finish. It was used in North America to promote the film months ahead of its release and there was also a landscape format version printed.  The renowned British artist Philip Castle is responsible for the artwork, which depicts the scene towards the end of the film where Flash Gordon and the Hawkmen attack and capture the rocket fortress Ajax.

Born in London in 1943, Castle’s design career has seen him working on album covers for some of the biggest names in British music, including Wings, Mott the Hoople and Pulp. His skills were utilised for the famous cover for David Bowie’s Aladdin Sane, which saw him airbrushing over a photograph by Celia Philo. He also worked on the cover for the legendary computer game Elite.

Perhaps his most famous film poster work was the result of his collaboration with director Stanley Kubrick and the airbrushed images used to promote A Clockwork Orange are utterly fantastic. The final one sheet for the film is one of the most iconic posters of all time, with the same painting being used to promote the film all over the world, and it continues to be used to this day. In 1987 the pair would collaborate once more on the poster for Full Metal Jacket, which again proved to be a seminal piece of work. There’s an interesting interview with Castle available to watch on YouTube in which he discusses his work with Kubrick.

This page features several examples of his brilliant work and there are multiple images tagged on Tumblr. The posters I’ve collected by him can be seen here.