A striking design appears on this US one sheet for the release of the 1982 horror film The Sender (opens in a new tab). The film was the feature debut of Roger Christian (opens in a new tab), a British man who began his prolific career working as an assistant art decorator on productions for the likes of Hammer Studios. This eventually saw him to working as a set decorator on the UK-based sets of the first Star Wars, for which Roger would go on to win an Academy Award. He collaborated with Ridley Scott as a production designer on Alien (1979) and George Lucas again for Return of the Jedi. After completing a few shorts he helmed The Sender in 1982. His most infamous work is the ill-fated, John Travolta-starring Battlefield Earth, which is widely considered to be one of the worst films ever made.

The sender was written by Thomas Baum (opens in a new tab) (The Manhattan Project) and the plot is described on Wikipedia (opens in a new tab):

A young man (Zeljko Ivanek (opens in a new tab), in his motion-picture debut) is admitted to a state mental hospital after he attempts suicide at a public beach by filling the pockets of his clothes with rocks and walking into the water in hopes that he will drown. As he shows no signs of being able to remember even his own name, the doctors call him John Doe #83.

Soon after his arrival, Dr. Gail Farmer (Kathryn Harrold (opens in a new tab)) is assigned to him. But before long, she begins seeing and hearing things around her that have no explanation. Soon she begins to make the terrifying connection the things she has been seeing and hearing have to her amnesiac patient.

The film was apparently given a limited release in the US by Paramount pictures in 1982, but I don’t believe it was given a theatrical release anywhere else in the world. It did subsequently appear on home video in other countries, including the UK.

The poster was designed by Spiros Angelikas who was a prolific designer and artist of film posters during the 1970s and 1980s. He owned a design agency called Spiros Associates. Some of his most famous work includes the poster he designed for Friday the 13th, with artist Alex Ebel, and for his collaborations with the legendary artist Richard Amsel. They worked on Raiders of the Lost Ark and Nijinsky together and there’s a great article (opens in a new tab) on the late artist’s website about their efforts. He also worked on several of the posters for the original Star Trek films, including the gorgeous Bob Peak original. There’s an interesting article (opens in a new tab) by Angelikas’ son Harry on the Trek Core website which has photographs of concepts for the posters by Spiros that never made it to the print stage.

For this poster, not only did Spiros design the layout and type but he also put together the photo montage central image.

A detailed piece of art by Tom Jung features on this US one sheet for the release of the 1975 Western Bite the Bullet (opens in a new tab). The film was written and directed by the late American director Richard Brooks (opens in a new tab) who is best known for Blackboard Jungle (1955), Cat on a Hot Tin Roof (1958) and In Cold Blood (1967). The story was inspired by a 1908 horseback race that traveled 700 miles from Evanston, Wyoming to Denver, Colorado.

The nine contestants include a pair of former Rough Riders (opens in a new tab), Sam Clayton (Gene Hackman (opens in a new tab)) and Luke Matthews (James Coburn (opens in a new tab)) who are both out for the prize fund, despite their friendship. Also in the group is a former prostitute (Candice Bergen (opens in a new tab)), a cocky kid (Jan-Michael Vincent (opens in a new tab)) and an Englishman (Ian Bannen (opens in a new tab)). A train containing the people from the newspaper who created the competition sets off along the route and meets up with the group at various points. We watch as they all suffer from various perilous situations, including attacks from bandits, large wildlife (bear!) and a group of dangerous prisoners. 

The film is a fairly lightweight but enjoyable watch and the main cast are all decent. Hackman and Coburn are, as usual, convincing in their parts and bring needed gravitas to their roles. A speech by Hackman recalling his time during the Spanish-American war is a particular highlight. Reviews were mixed, however, and I don’t believe the film was a great success as the box-office.

As well as the iconic one sheet for Star Wars, Tom Jung is also known for the style B one sheet for The Empire Strikes Back. He was a prolific designer and illustrator for film campaigns from the 1950s through to the 1980s. IMPAwards features a gallery (opens in a new tab) of his work and his Wikipedia article (opens in a new tab) has a selected list of the many posters he worked on. Rather unusually, at least in comparison to other film poster artists, Jung was also a designer of his posters as well as the artist. See the other posters I’ve collected by him.

This is the US one sheet for the release of the feature debut of British director Guy Ritchie (opens in a new tab), 1998’s crime comedy Lock, Stock and Two Smoking Barrels (opens in a new tab). In addition to it being Ritchie’s first, it also introduced audiences to Jason Statham (opens in a new tab), best known for the Transporter films and recently the Fast and Furious franchise. It also marked the first appearance of British ex-footballer Vinnie Jones (opens in a new tab). Ritchie had come to attention with his short film The (opens in a new tab) Hard Case (opens in a new tab) which was seen by Trudie Styler and her husband Sting, leading to Styler executive producing Lock, Stock and Sting appearing in the film. Matthew Vaughan, a friend of Ritchie and now a successful director in his own right produced the film.

The film focuses on four lifelong friends who are small-time criminals, Eddy (Nick Moran (opens in a new tab)), Tom (Jason Flemyng (opens in a new tab)), Soap (Dexter Fletcher (opens in a new tab)) and Bacon (Statham). At the start of the film Eddy has entered a high-stakes underground card game after the four put together the £100,000 entry fee. The game has been organised by local gangster Hatchet Harry (P.H. Moriarty (opens in a new tab)) and the quartet soon discover that the odds are rigged in Harry’s favour. Before they know it they are half a million pounds in debt and under pressure from one of Harry’s enforcers, Big Chris (Jones).

A desperate Eddy overhears his next door neighbours, a gang of robbers, discussing plans to hold-up a local cannabis farm which also has cash and valuables. Eddy relays the information to his friends and they decide to rob the gang once the heist has taken place. So begins a madcap caper that continues to spiral into violence and an increasing body count. The two barrels in the title refers to a pair of antique shotguns that also feature in the story.

The film was given only a limited release in the US in March of 1999 and this one sheet was designed by the Hollywood marketing agency New Wave Creative (opens in a new tab). The company has been working on campaigns for major studios for over 25 years and, as well as posters, they also work on trailers and other aspects of film and TV campaigns. Their page on IMPAwards (opens in a new tab) indicates how prolific they were at creating posters and it appears their first one was for a 1998 re-release of Gone with the Wind. It also looks like they stopped working on posters around a decade later and presumably now only focus on other aspects of marketing campaigns. See the other posters I have collected by New Wave.

A simple design features on this one sheet for the US release of the 1971 crime-caper $ (opens in a new tab) (AKA Dollars AKA The Heist). The film was written and directed by the late American director Richard Brooks (opens in a new tab) who is best known for Blackboard Jungle (1955), Cat on a Hot Tin Roof (1958) and In Cold Blood (1967). It stars Warren Beatty (opens in a new tab) who was arguably at the height of his career following his appearance in Bonnie and Clyde a few years earlier. He had just finished work on Robert Altman’s McCabe and Mrs Miller which was released the same year as $. The film also marked the third screen appearance of Goldie Hawn (opens in a new tab) and features Goldfinger himself Gert Fröbe (opens in a new tab). $ is notable for being filmed on location, including in Hamburg, Germany (where it is largely set) as well as in Sweden and San Diego, California.

The film’s plot is described on IMDb (opens in a new tab):

[$ is a] caper film about crooks robbing crooks, set in Germany where American bank security expert Joe Collins (Beatty) plots with call-girl Dawn Divine (Hawn) to rob three safety deposit boxes from three criminals; a local drug dealer known as the Candy Man, a Las Vegas mobster, and a crooked U.S. Army sergeant. The heist goes off with few complications. But when Candy Man and the Sarge find their money gone and figure out that Dawn (whom they all have gotten to know) is behind it, they team up to try to get their money back.

Despite receiving solid critical notices $ failed to set the box-office alight and was considered something of a flop on release.

This is one of several one sheets printed for the release of the film and some of the others can be seen by checking out this page (opens in a new tab) on IMPAwards. I’m unsure who was responsible for the design of this particular poster (known as ‘style A’) so if anyone has any ideas please get in touch.

This is the Japanese B1 poster for the release of Hal Ashby (opens in a new tab)‘s 1979 comedy-drama Being There (opens in a new tab). The film is based on the novel of the same name (opens in a new tab) by Jerzy Kosiński (opens in a new tab), who was also involved in the initial effort to craft the screenplay, with an uncredited Robert C. Jones (opens in a new tab). Being There was the penultimate film for the legendary British comedy actor Peter Sellers (opens in a new tab) who would pass away only a year after its release at the untimely age of 54.

Sellers plays Chance, a simple-minded gardener who has lived and worked in the same Washington DC house since he was a young boy. He has never left the house, is unable to read or write and everything he has learnt has come from the TV set in his bedroom. When the owner of the house passes away, Chance is forced to wander the streets wearing the tailored suit of his old employer, unsure what to do next. An accidental encounter with the Eve Rand (Shirley MacLaine (opens in a new tab)), the wife of the elderly billionaire business mogul Ben Rand (Melvyn Douglas (opens in a new tab)), sees him transported in a limousine to the sprawling residence of the Rands. There he meets Ben who mistakenly assumes him to be Chauncey Gardener, a cultured and wise gentleman, who endears himself to the mogul. Rand mistakes his simple proclamations about gardening to be deep metaphors about the state of the economy. Chance even meets the President (Jack Warden (opens in a new tab)), a friend of Rand’s, and influences a major speech he makes. Eventually people around Rand and the President begin to investigate Chauncey Gardener’s background, whilst Ben Rand’s health begins to fail and Eve becomes smitten with Chance.

The film was a critical success and was award-winning, with Sellers being given the Golden Globe for Best Actor (Musical or Comedy) and Melvyn Douglas snagging the Best Supporting Actor at the 1980 Academy Awards. The Rand’s home was the incredible Biltmore Estate (opens in a new tab) in North Carolina.

The artwork on this Japanese B1 also featured on an international one sheet (opens in a new tab) and the the German poster. I’m unsure who is responsible for the art so if anyone has any ideas please get in touch.

The Wicked Lady (opens in a new tab) is a period drama that was directed by the late Michael Winner (opens in a new tab) and was based on the 1945 film (opens in a new tab) of the same name. Faye Dunaway (opens in a new tab) stars as Barbara whose sister Caroline (Glynis Barber (opens in a new tab)) is due to marry wealthy landowner, Sir Ralph Skelton (Denholm Elliott (opens in a new tab)). Seemingly devoid of any scruples, Barbara seduces Ralph and takes her sister’s place at the wedding. She soon grows bored of just being the wife of a wealthy man and decides to take up highway robbery, depriving wealthy coach travelers of their jewels and other trinkets. Eventually she meets and falls in with a real highway robber, Jerry Jackson (the late Alan Bates (opens in a new tab)), and the pair step up their game by robbing gold bullion-filled stage coaches. Eventually their sloppiness catches up with them and people around Barbara begin to suspect she has some involvement in the robberies. 

The film was a critical and commercial failure and was compared unfavourably with the original film. Dunaway’s character is totally unlikeable and her performance is nothing short of bizarre. Perhaps the worst aspect of the film is the pointless nudity, including one really cringeworthy sex scene by a fire, with a stockings removal setup that’s tortuously long. You can practically hear the sleazy Winner rubbing his knees at the back of the set. Despite a strong cast on paper this is a squandered opportunity.

I’m unsure who is responsible for the art on this American one sheet so if you have an idea please get in touch. It’s not to be confused with the artwork that was used elsewhere around the globe, including the British quad, that was painted by Brian Bysouth.