FEREF: film poster designs

9 posters in the archive designed by FEREF: British quads and international one sheets. Every poster is from my own collection.

British quad poster for A Nightmare on Elm Street 4: The Dream Master (1988). Artwork by Graham Humphreys, design by Graham Humphreys and FEREF

A Nightmare on Elm Street 4: The Dream Master / quad / UK

International one sheet poster (1993) for Army of Darkness (1992). Artwork by Renato Casaro, design by FEREF

Army Of Darkness / one sheet / international

British quad poster for Black Joy (1977). Artwork by Arnaldo Putzu, design by FEREF

Black Joy / quad / UK

British quad poster for Blue Velvet (1986). Designed by FEREF

Blue Velvet / quad / UK

British quad poster for Die Hard (1988). Designed by FEREF

Die Hard / quad / UK

British quad poster for Escape From New York (1981). Artwork by René Ferracci, design by FEREF

Escape From New York / quad / UK

British quad poster for Flash Gordon (1980). Artwork by Renato Casaro, design by FEREF

Flash Gordon / quad / UK

British quad poster (1977) for Raid on Entebbe (1976). Artwork by Mike Vaughan, design by FEREF

Raid on Entebbe / quad / UK

British quad poster for Razorback (1984). Artwork by Boris Vallejo, design by FEREF

Razorback / quad / UK

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Copyright

The original artwork and poster designs featured are copyright of the relevant studios or artists, including: Paramount, Disney, 20th Century Fox, Universal, Columbia Tristar, Mondo, Danjaq Ltd and more. See photos for individual copyright notices.

The photographs and text content are the copyright of Film on Paper and may not be used for any commercial purposes. Credit is appreciated if the photos are used in a non-commercial capacity.

Sim's Corner articles are the copyright of Sim Branaghan and are reproduced with his permission.

About Film on Paper

Film on Paper is an archive of original film posters featuring the collection of me, Eddie Shannon, an interaction designer, film fan and slave to three cats, currently living in York, UK.

The site came into being because I wanted a way to view my collection without having to continually handle the posters and risk damaging them. I also hoped it might become something of a reference site for fellow collectors as well as designers, illustrators and film fans.