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A Man Called Dagger / B2 / Japan

28.07.14

Poster Poster
Title
A Man Called Dagger
AKA
--
Year of Film
1967
Director
Richard Rush
Starring
Paul Mantee, Terry Moore, Jan Murray, Sue Ane Langdon, Eileen O'Neill, Maureen Arthur, Leonard Stone, Richard Kiel
Origin of Film
USA
Genre(s) of Film
Paul Mantee, Terry Moore, Jan Murray, Sue Ane Langdon, Eileen O'Neill, Maureen Arthur, Leonard Stone, Richard Kiel,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1968
Designer
Unknown
Artist
Unknown
Size (inches)
20 4/16" x 28 13/16"
SS or DS
SS
Tagline
--

A relatively obscure spy thriller from 1967, A Man Called Dagger saw limited release around the globe and, as far as I can tell, this Japanese poster is one of the few examples of a theatrical release (I don’t believe the UK was treated to a cinema outing). Originally filmed in 1966, it fell victim to a collapse of relations between its original production company, Lew Horwitz’s Global Screen Associates (GSA), and distributors Cinema Distributors of America. It languished for almost a year before being picked up by MGM. The film is essentially a low-grade James Bond homage (the original title was ‘Why Spy?’) and it’s clear that the original producers wanted to cash in on the global popularity of Ian Fleming’s famous creation.

Richard Rush (most known for 1980’s The Stunt Man) was at the helm and Paul Mantee (a cult figure from his performance in Robinson Crusoe on Mars, 1964) plays the unfortunately monikered Dick Dagger (isn’t that a weapon from David Fincher’s Seven?), a crime-fighting spy who teams up with female agent Harper Davis (Terry Moore) in a bid to track down wheelchair bound Nazi war criminal Rudolph Koffman (Jan Murray). Koffman is holed up in a meat-packing plant and is using less than legal supplies in its production. With several damsels in distress, including Harper, Dagger must his ingenuity and gadgets, including a dodgy laser watch to save the day.

This B2 poster is a combination of the original US one sheet artwork (artist unknown) and a few photographic stills. If you have any idea who is responsible for the artwork please get in touch.

Check out the original trailer on YouTube.

Clue / one sheet / USA

17.05.11

Poster Poster
Title
Clue
AKA
Signori, il delitto è servito [Gentlemen, the crime is served] (Italy)
Year of Film
1985
Director
Jonathan Lynn
Starring
Tim Curry, Eileen Brennan, Lesley Ann Warren, Michael McKean, Christopher Lloyd, Madeline Kahn, Martin Mull
Origin of Film
USA
Genre(s) of Film
Tim Curry, Eileen Brennan, Lesley Ann Warren, Michael McKean, Christopher Lloyd, Madeline Kahn, Martin Mull,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1985
Designer
Spiros Angelikas
Artist
--
Size (inches)
27" x 41 1/16"
SS or DS
SS
NSS #
--
Tagline
It's not just a game anymore.

Heartbreak Ridge / one sheet / advance / USA

17.05.11

Poster Poster
Title
Heartbreak Ridge
AKA
Gunny (Italy) | El Guerrero Solitario (Argentina)
Year of Film
1986
Director
Clint Eastwood
Starring
Clint Eastwood, Marsha Mason, Everett McGill, Moses Gunn, Eileen Heckart, Bo Svenson, Boyd Gaines, Mario Van Peebles
Origin of Film
USA
Genre(s) of Film
Clint Eastwood, Marsha Mason, Everett McGill, Moses Gunn, Eileen Heckart, Bo Svenson, Boyd Gaines, Mario Van Peebles,
Type of Poster
One sheet
Style of Poster
Advance
Origin of Poster
USA
Year of Poster
1986
Designer
Bill Gold
Artist
--
Size (inches)
27" x 40.5"
SS or DS
SS
NSS #
--
Tagline
--

Sightseers / A0 / Germany

15.04.15

Poster Poster
Title
Sightseers
AKA
--
Year of Film
2012
Director
Ben Wheatley
Starring
Alice Lowe, Steve Oram, Eileen Davie, Tony Way, Monica Dolan, Jonathan Aris
Origin of Film
UK
Genre(s) of Film
Alice Lowe, Steve Oram, Eileen Davie, Tony Way, Monica Dolan, Jonathan Aris,
Type of Poster
A0
Style of Poster
--
Origin of Poster
Germany
Year of Poster
2012
Designer
Heike Jörss
Artist
Heike Jörss
Size (inches)
33 1/16" x 46.5"
SS or DS
SS
Tagline
--

This is the original German poster that was printed for the release of British director Ben Wheatley‘s pitch-black (‘…des schwarzen humors’) comedy Sightseers. Conceived of and written by its two lead actors, Alice Lowe and Steve Oram, the film was developed by the pair over a number of years and eventually brought to the screen with the help of Edgar Wright, who is best known as a director but was on producer duties here. The pair play odd couple Tina and Chris who set off on a caravanning holiday around the north of the UK, much to the distress of Tina’s domineering mum Carol (Eileen Davies). The pair visit a number of uniquely English tourist destinations, including Kewick’s Pencil Museum and a tram museum (filmed at Crich’s Tramway Village). It’s at the latter attraction that things take a dark turn as Chris ‘accidentally’ reverses his caravan over a museum guest who had annoyed him earlier. More bodies begin to pile up as they carry on their journey and tensions between the pair continue to escalate.

Lowe and Oram are brilliant throughout, striking a perfect balance between affable and loony, and they really feel like the kinds of people you meet when visiting the UK’s more out of the way tourist attractions. It’s great to see parts of England that don’t normally appear on film and the locations are used in such a way that you don’t feel the film is ridiculing them. The film is certainly not for everyone and some of the violence is pretty brutal but I highly recommend it to anyone who’s looking for a British comedy with a unique twist.

The knitted design of this German poster references the jumpers that Chris wears as well as Tina’s knitting (crotchless knickers!) Adrian Curry of the excellent Movie Poster of the Week column on Mubi.com managed to track down the artist responsible for the poster, Heike Jörss, and contacted her after featuring this poster as his poster of the week in January 2013. Heike confirmed that the poster is a fully digital creation and no actual knitting took place:

“Well, I let the murder out: it’s a complete digital artwork. Made up of many many realistic knitting patterns/photographies – extreme close-ups, macros and details – composed, coloured, stretched and shaped in photoshop. A lot of work, I swear! Most of all because I wanted to have an absolute natural look with handmade blemishes. Finally it took more than a long time to finalize the work and often I wished I could knit in the analog way.”

The badge references the two German actors who voice Tina and Chris in the dubbed version of the film.

Battle Creek Brawl / B2 / style A / Japan

21.11.14

Poster Poster

Battle Creek Brawl (known in the US and elsewhere as The Big Brawl) was martial arts superstar Jackie Chan‘s first attempt at breaking into the American film industry. The film was directed by the late Robert Clouse who was behind Bruce Lee’s Enter the Dragon, the first martial arts film to be co-produced by a Hollywood studio (also sadly to be Lee’s last). Clouse went on to direct Jim Kelly’s Black Belt Jones (1974) and put together the posthumous Bruce Lee film The Game of Death (1978) so he was an obvious choice for Chan’s hopeful big break into the lucrative US market. The director chose to employ much of the crew from Enter the Dragon.

Set in 1930s Chicago, though filmed mostly in Texas, the film focuses on Chinese-American Jerry Kwan (Chan) whose father runs a restaurant. One day a gang of mobsters pays the restaurant a visit and tries to force Kwan’s father to pay part of his profits to them. When Jerry fights back the mob take notice of his martial arts skills and force him to take part in the illegal fighting tournament Battle Creek Brawl by kidnaping his brother’s fiancee.

Kwan must enlist the help of his martial arts master Herbert (played by Japanese-American actor Mako) in order to train to face his opponents, including the fearsome, brutal fighter Kiss (H.B. Haggerty), winner of the previous tournament whose nickname is due to the single kiss he gives his defeated opponents. Sadly for all involved the film was something of a flop and was nowhere near the Enter the Dragon success story that Chan was hoping for. After trying his hand at various supporting roles (including Cannonball Run) Chan eventually scored his first hit with the Hollywood production Rumble in the Bronx 15 years later.

Dead Man’s Shoes / one sheet / USA

17.05.11

Poster Poster
Title
Dead Man's Shoes
AKA
Dead Man's Shoes - Cinque giorni di vendetta [Five days of revenge] (Italy)
Year of Film
2004
Director
Shane Meadows
Starring
Paddy Considine, Gary Stretch, Toby Kebbell, Jo Hartley, Seamus O'Neill, Stuart Wolfenden, Paul Sadot, Paul Hurstfield, Emily Aston
Origin of Film
UK
Genre(s) of Film
Paddy Considine, Gary Stretch, Toby Kebbell, Jo Hartley, Seamus O'Neill, Stuart Wolfenden, Paul Sadot, Paul Hurstfield, Emily Aston,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
2006
Designer
Unknown
Artist
--
Size (inches)
27" x 39 11/16"
SS or DS
SS
NSS #
--
Tagline
--

Jurassic Park / one sheet / USA

17.05.11

Poster Poster

Omen III: The Final Conflict / B2 / Japan

17.05.11

Poster Poster

Scanners / B2 / Japan

17.05.11

Poster Poster
Title
Scanners
AKA
Telekinesis (Mexico)
Year of Film
1981
Director
David Cronenberg
Starring
Stephen Lack, Michael Ironside, Patrick McGoohan, Jennifer O'Neill, Lawrence Dane, Robert A. Silverman, Jock Brandis, Lee Broker, Mavor Moore
Origin of Film
Canada
Genre(s) of Film
Stephen Lack, Michael Ironside, Patrick McGoohan, Jennifer O'Neill, Lawrence Dane, Robert A. Silverman, Jock Brandis, Lee Broker, Mavor Moore,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1981
Designer
Unknown
Artist
Unknown
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

David Cronenberg‘s ‘future shock’ classic features a memorable turn by Michael Ironside as the superbly-monikered Daryl Revok, the evil leader of a renegade group of ‘Scanners’; mutant humans born with extreme telepathic and telekinetic powers who are capable of controlling machines and infiltrating the minds of others, often with head-popping consequences. The film is responsible for one of the best animated gifs on the internet.

This Japanese B2 features great artwork but I’ve been unable to identify the artist, so if you have any ideas please get in touch. The main figure is based on the one illustrated by Joann on the excellent British quad.

The film’s original British trailer is on YouTube (“You pray it will end…and it will!”).

 

Scanners / quad / UK

26.10.11

Poster Poster
Title
Scanners
AKA
Telekinesis (Mexico)
Year of Film
1981
Director
David Cronenberg
Starring
Stephen Lack, Michael Ironside, Patrick McGoohan, Jennifer O'Neill, Lawrence Dane, Robert A. Silverman, Jock Brandis, Lee Broker, Mavor Moore
Origin of Film
Canada
Genre(s) of Film
Stephen Lack, Michael Ironside, Patrick McGoohan, Jennifer O'Neill, Lawrence Dane, Robert A. Silverman, Jock Brandis, Lee Broker, Mavor Moore,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1981
Designer
Unknown
Artist
Joann Daley
Size (inches)
30 1/16" x 39 6/16"
SS or DS
SS
Tagline
10 SECONDS: The Pain Begins. 15 SECONDS: You Can't Breathe. 20 SECONDS: You Explode. | ...Their Thoughts Can Kill!

David Cronenberg‘s ‘future shock’ classic Scanners features a memorable turn by Michael Ironside as the superbly-monikered Daryl Revok, the evil leader of a renegade group of ‘Scanners’; mutant humans born with extreme telepathic and telekinetic powers who are capable of controlling machines and infiltrating the minds of others, often with head-popping consequences. The film is responsible for one of the best animated gifs on the internet.

This British quad features great artwork by Joann Daley and a great tagline. It loses the headline seen on the US one sheet but retains the ’10 seconds…’ section.

Check out the equally great Japanese poster.

The film’s original British trailer is on YouTube (“You pray it will end…and it will!”).

 

 

The Jerk / one sheet / USA

17.05.11

Poster Poster

The Taking of Pelham One Two Three / B2 / artwork style / Japan

17.05.11

Poster Poster
Title
The Taking of Pelham One Two Three
AKA
Il colpo della metropolitana - un ostaggio al minuto [The underground hit - one hostage a minute] (Italy)
Year of Film
1974
Director
Joseph Sargent
Starring
Walter Matthau, Robert Shaw, Martin Balsam, Jerry Stiller, Hector Elizondo, Dick O'Neill, Earl Hindman
Origin of Film
USA
Genre(s) of Film
Walter Matthau, Robert Shaw, Martin Balsam, Jerry Stiller, Hector Elizondo, Dick O'Neill, Earl Hindman,
Type of Poster
B2
Style of Poster
Artwork style
Origin of Poster
Japan
Year of Poster
1975
Designer
Unknown
Artist
Mort Kunstler
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

Wolfen / one sheet / USA

17.05.11

Poster Poster
Title
Wolfen
AKA
--
Year of Film
1981
Director
Michael Wadleigh
Starring
Albert Finney, Diane Venora, Edward James Olmos, Gregory Hines, Tom Noonan, Dick O'Neill
Origin of Film
USA
Genre(s) of Film
Albert Finney, Diane Venora, Edward James Olmos, Gregory Hines, Tom Noonan, Dick O'Neill,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1981
Designer
B.D. Fox Independent
Artist
Unknown
Size (inches)
27" x 41"
SS or DS
SS
NSS #
810111
Tagline
They can hear a cloud pass overhead, the rhythm of your blood. They can track you by yesterday's shadow. They can tear the scream from your throat.

The Stuff / one sheet / USA

13.07.12

Poster Poster

You only have to look through my poster archive to know that I love schlocky horror films as much as the next person, but I really struggled to make it through The Stuff when I rewatched it again recently. Sadly, that wasn’t because it was too gory or scary but because it’s such a terrible mess of a film, with clunky pacing, a complete lack of suspense and painfully bad acting across the board. Lead Michael Moriarty gives one of the strangest performances I’ve ever seen featuring baffling line deliveries and the general air of someone who thinks he’s acting in another film entirely.

The premise is okay with a mysterious white goo being discovered in the desert by a miner who then samples it, declares it to be tasty, and before long it’s the nation’s favourite dessert and is being marketed as an alternative to ice cream. The only downside is that it turns people into brain-washed zombies who infect anyone else they come into contact with. The leaders of several ice cream companies hire Mo Rutherford (Moriarty), a former FBI agent, to investigate what the secret of The Stuff really is.

I’m unsure who painted the artwork on this US one sheet so please get in touch if you have any ideas.

The original trailer is on YouTube.

The Taking of Pelham 123 / quad / UK

23.11.12

Poster Poster
Title
The Taking of Pelham 123
AKA
The Taking of Pelham One Two Three (alternative title) | Il colpo della metropolitana - un ostaggio al minuto [The underground hit - one hostage a minute] (Italy)
Year of Film
1974
Director
Joseph Sargent
Starring
Walter Matthau, Robert Shaw, Martin Balsam, Jerry Stiller, Hector Elizondo, Dick O'Neill, Earl Hindman
Origin of Film
USA
Genre(s) of Film
Walter Matthau, Robert Shaw, Martin Balsam, Jerry Stiller, Hector Elizondo, Dick O'Neill, Earl Hindman,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1974
Designer
Unknown
Artist
Unknown
Size (inches)
29 14/16" x 39 14/16"
SS or DS
SS
Tagline
Before this train reaches the next station it will become the scene of the most spectacular hijack ever attempted

A really striking design on this British quad for the release of the original New York subway-based action thriller, The Taking of Pelham 123. Directed by Joseph Sargent, whose career seems to have consisted mostly of TV movies, the film stars the late Robert Shaw as the psychotic leader of a gang of criminals who board and hijack a subway train. The gang demand a ransom of $1million and threaten to execute a passenger for every minute over the deadline.

Walter Matthau plays a world-weary New York City Transit Authority police lieutenant who ends up being the chief negotiator between the gang, working to try and foil their plans. Famously the gang have colour-based nicknames, which they use instead of their real names (Robert Shaw is blue, for example). Director Quentin Tarantino would later use this idea for his film debut Reservoir Dogs. This film was remade by the late Tony Scott in 2009

This design is unique to the British quad and brilliantly uses the colourful lines of the real New York subway map designed by Massimo Vignelli as the background to the sweeping train made from the title of the film. The front element of the shadowy figure standing in the door is actually taken from the American advance one sheet, which can be seen here. I’m unsure who is responsible for the design of the quad so if you have any ideas please get in touch.

I had been hunting for a rolled copy of this quad for over a decade after seeing it in the book ‘Film Posters of the 1970s’ and I was thrilled to finally track down a copy as I consider it to be one of the best British posters ever printed.

Possession / quad / UK

22.03.13

Poster Poster
Title
Possession
AKA
The Night the Screaming Stops (USA - reissue title)
Year of Film
1981
Director
Andrzej Zulawski
Starring
Isabelle Adjani, Sam Neill, Margit Carstensen, Heinz Bennent, Johanna Hofer, Carl Duering, Shaun Lawton, Michael Hogben
Origin of Film
France | West Germany
Genre(s) of Film
Isabelle Adjani, Sam Neill, Margit Carstensen, Heinz Bennent, Johanna Hofer, Carl Duering, Shaun Lawton, Michael Hogben,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1981
Designer
Tom Chantrell
Artist
Tom Chantrell | Barbara Baranowska AKA 'Basha' (original French artwork)
Size (inches)
30 2/16" x 40 1/16"
SS or DS
SS
Tagline
She created a monster... as her secret lover!

Polish director Andrzej Zulawski‘s Possession is a definite marmite film; you’ll either love it or totally detest it. I’m firmly in the former camp but it’s not hard to see why it might rankle with certain viewers. A multinational production, the film was shot in West Berlin (whilst The Wall was still standing), financed largely by French money and stars Kiwi actor Sam Neill alongside the stunning French actress Isabelle Adjani. Possession begins as what seems like a straightforward relationship drama, depicting the breakdown of the marriage between husband and wife Mark (Neill) and Anna (Adjani) as it gets increasingly fraught. The audience witnesses several scenes of extreme shrieking, hysteria and mental breakdown from both parties as Mark comes to terms with his wife’s infidelity.

It’s when Mark decides to investigate who his wife has been seeing that the film takes a turn for the surreal and horrific. At first he discovers that she had been having an affair with a new-age sleaze-ball called Heinrich (Heinz Bennent) but after confronting him at his house they both realise that Anna has also been meeting a mysterious third party. Mark then hires a private detective to try and discover where his wife disappears to when she’s not at their apartment. As alluded to with this poster’s tagline, the audience soon discovers that what Anna is tending to in a dingy apartment in the Turkish district of Berlin is not altogether human. When the detective (and later his lover) go missing, both Heinrich and Mark uncover the horrifying truth. I won’t spoil the reveal except to say that Italian special effects maestro Carlo Rambaldi (of ‘Close Encounters…’ and ‘E.T.’ fame) was involved in the creation of several versions of a slimy, tentacled creature.

Isabelle Adjani won the best actress prize at Cannes for her dual performance as the hysterical, unhinged Anna and the ‘is she real-or-not?’ Helen, a kind and gentle teacher who works at the school where the couple’s son Bob is a pupil. As Anna, the actress turns everything up to 11 and at times the shrieking is almost unbearable. In perhaps the most infamous sequence in the film, the so-called ‘miscarriage’ scene, she has a full-on orgiastic meltdown in a dingy German subway that culminates with her oozing blood and a white liquid from her face and neck. Neill also gives an over-the-top performance throughout and it’s the level of hysteria that likely sees many viewers heading for the remote (or cinema exit if they were in attendance back in 1981).

For reasons which aren’t really clear, the film was embroiled in the Video Nasties debacle here in the UK and was banned outright in 1983, but not before having it’s cinema debut thanks to New Realm distributors two years earlier. It’s inclusion on the DPPs list is a complete mystery as it’s nowhere near as gruesome or brutal as some of the other titles on there and is unquestionably one of the best titles to fall foul of the whole thing.

This very scarce original UK quad was created by the brilliant British designer and artist Tom Chantrell whose dynamic and colourful designs featured on hundreds of posters over a forty year period. His official website features a great biography written by Sim Branaghan, author of the must-own British Film Posters. The artwork is unquestionably based on the French poster artwork that was painted by the Polish artist Barbara Baranowska (AKA ‘Basha’). I’ve been unable to discover much about the artist, other than a short biography on the Horse Hospital website. It seems that her work for Possession is the poster for which she is most well-known.

The original trailer is on YouTube.

Scanners / B1 / Japan

03.05.13

Poster Poster

David Cronenberg‘s ‘future shock’ classic features a memorable turn by Michael Ironside as the superbly-monikered Daryl Revok, the evil leader of a renegade group of ‘Scanners’; mutant humans born with extreme telepathic and telekinetic powers who are capable of controlling machines and infiltrating the minds of others, often with head-popping consequences. The film is responsible for one of the best animated gifs on the internet.

This Japanese B1 features great artwork but I’ve been unable to identify the artist, so if you have any ideas please get in touch. The main figure is based on the one illustrated by Joann on the excellent British quad.

The film’s original British trailer is on YouTube (“You pray it will end…and it will!”).

 

Amityville 3-D / one sheet / USA

05.12.16

Poster Poster
Title
Amityville 3-D
AKA
Amityville: The Demon
Year of Film
1983
Director
Richard Fleischer
Starring
Tony Roberts, Tess Harper, Robert Joy, Candy Clark, John Beal, Leora Dana, John Harkins, Lori Loughlin, Meg Ryan, Neill Barry
Origin of Film
USA
Genre(s) of Film
Tony Roberts, Tess Harper, Robert Joy, Candy Clark, John Beal, Leora Dana, John Harkins, Lori Loughlin, Meg Ryan, Neill Barry,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1983
Designer
Unknown
Artist
Unknown
Size (inches)
27 4/16" x 41"
SS or DS
SS
NSS #
830163
Tagline
WARNING: in this movie you are the victim.

This is the one sheet for the release of the third film in the Amityville series of horror films, known as Amityville 3-D (or Amityville: The Demon). In an unusual step, the producers of the film were forced to add a line of text to the bottom of the poster asserting that it’s not a sequel to the Amityville and Amityville II. This was because legendary Italian producer Dino De Laurentiis was in the middle of a lawsuit with the Lutz family that were part of the original hauntings that inspired the first films. In the film the original story is referenced, as is the murdered family at the centre of the story, the DeFeos.

Amityville 3-D was one of three big horror releases of 1983 that were presented in 3D (the others being Jaws 3 and Friday the 13th part 3). It’s fair to say that the results were hardly spectacular and audiences and critics alike complained about the blurriness of the 3D content, particularly in this film. Notably, this is the only film released by the now defunct Orion Pictures to be given the 3D treatment.

The plot focuses on the journalist John Baxter (Tony Roberts) who, along with his partner Melanie (Candy Clark), has recently exposed a pair of conmen that were living in the infamous house on 112 Ocean Avenue. He is persuaded to buy the house by a local estate agent and after he agrees to do so a series of events occur that all point to a supernatural presence in the home. John is unconvinced and ignores the pleas of Melanie who is convinced that something lurks inside the house. After his daughter Susan (Lori Loughlin) dies in the lake near the house he is finally convinced to allow his friend, the paranormal investigator Doctor Elliot West (Robert Joy) to check out the house. 

This one sheet features artwork of a demonic claw bursting out of the famous house, presumably giving potential ticket buyers an idea of what they’d be in for with the 3D. I’m unsure who designed or painted it (I believe the hand to be an illustration but may be wrong) so if anyone has an idea, please get in touch.

Lady Ice / 30×40 / USA

22.02.12

Poster Poster
Title
Lady Ice
AKA
I diamanti dell'ispettore Klute [The diamonds of inspector Klute] (Italy)
Year of Film
1973
Director
Tom Gries
Starring
Donald Sutherland, Jennifer O'Neill, Robert Duvall, Patrick Magee, Jon Cypher, Eric Braeden, Buffy Dee, Perry Lopez
Origin of Film
USA
Genre(s) of Film
Donald Sutherland, Jennifer O'Neill, Robert Duvall, Patrick Magee, Jon Cypher, Eric Braeden, Buffy Dee, Perry Lopez,
Type of Poster
30x40
Style of Poster
--
Origin of Poster
USA
Year of Poster
1973
Designer
Unknown
Artist
Ron Lesser
Size (inches)
30 2/16" x 39 15/16"
SS or DS
SS
NSS #
73/199
Tagline
That "Klute" guy and that "Summer of '42" girl pull of the coolest caper of the year.

Ron Lesser artwork on this 30×40 for the American release of this 1973 crime thriller starring Donald Sutherland and the gorgeous Jennifer O’Neill. Sutherland plays an insurance investigator who begins romancing O’Neill’s character when he suspects her of being a diamond thief. It was apparently made following the success of other ‘romance and thievery’ films such as The Thomas Crown Affair.

Lesser studied as a fine artist and much of his output appears to have been in the area of Western and military paintings, with particular focus on the American Civil War. He also worked on a number of book covers and multiple film posters during the 1970s, including the fantastic one sheet for High Plain’s Drifter. This website features galleries of his work as well as a mini biography.

The other posters I’ve collected by him can be seen here.

I’m a big fan of the none-more-1970s typeface used for the title and top-billed names, and it can be seen on a number of posters from the era. You’ll notice an Aston Martin DB5 is featured inside the diamond, along with several other scenes from the film.

The tagline references the previous hits of the two stars and for some reason the Italian title of the film even has Klute in the title, despite Sutherland playing a completely different character.