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Day Of The Dead / B2 / wall of skulls style / Japan

17.05.11

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Death Race 2000 / B2 / photo style / Japan

17.05.11

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Death Race 2000 / B2 / Seito style / Japan

17.05.11

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Death Wish / B2 / Japan

17.05.11

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Death Wish II / B2 / Japan

17.05.11

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Death Wish 3 / B2 / Japan

17.05.11

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Deathtrap / B2 / Japan

17.05.11

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Deliverance / B2 / Japan

21.11.11

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Title
Deliverance
AKA
Un tranquillo week-end di paura [A calm weekend of fear] (Italy)
Year of Film
1972
Director
John Boorman
Starring
Jon Voight, Burt Reynolds, Ned Beatty, Ronny Cox, Ed Ramey, Billy Redden, Seamon Glass, Randall Deal, Bill McKinney
Origin of Film
USA
Genre(s) of Film
Jon Voight, Burt Reynolds, Ned Beatty, Ronny Cox, Ed Ramey, Billy Redden, Seamon Glass, Randall Deal, Bill McKinney,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1972
Designer
Unknown
Artist
Unknown
Size (inches)
20 4/16" x 28 13/16"
SS or DS
SS
Tagline
--

John Boorman‘s classic survival tale will celebrate its 40th anniversary next year and it remains a powerful and unique film, with no remake or imitations muddying its legacy. Deliverance has firmly entered the public consciousness and is almost guaranteed to be referenced when film and TV characters leave the city to head into the wild.

It also introduced the idea of mountain men (hillbillies) to folks who’d never visited the kind of country seen in the film. Finally, there’s the famous ‘Duelling Banjos’ music and the oft-quoted ‘squeal like piggy!’ line taken from the infamous rape scene.

This Japanese poster features a mixture of photography and artwork. It appears that the canoes are photographic whilst the river has been enhanced with illustration. The shotgun rising from the water is featured on a handful of other posters for the film, including the British quad and the style B US one sheet.

The original trailer is on YouTube.

Diary Of The Dead / B1 / Japan

17.05.11

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Diary Of The Dead / B2 / Japan

17.05.11

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Die Hard / B2 / Willis style / Japan

17.05.11

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Die Hard / B2 / cast style / Japan

17.05.11

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Dillinger / B1 / Japan

17.05.11

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Dirty Harry / B2 / Japan

17.05.11

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Title
Dirty Harry
AKA
Ispettore Callaghan: il caso Scorpio è tuo [Inspector Callaghan: The Scorpio case is yours] (Italy)
Year of Film
1971
Director
Don Siegel
Starring
Clint Eastwood, Andy Robinson, Harry Guardino, Reni Santoni, John Vernon
Origin of Film
USA
Genre(s) of Film
Clint Eastwood, Andy Robinson, Harry Guardino, Reni Santoni, John Vernon,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1972
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

Dressed To Kill / B2 / black style / Japan

17.05.11

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Duel / B2 / Japan

17.05.11

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Dune / B2 / kiss style / Japan

17.05.11

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Dune / B2 / artwork style / Japan

07.12.11

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Title
Dune
AKA
Der Wüstenplanet (West Germany)
Year of Film
1984
Director
David Lynch
Starring
Francesca Annis, Kyle MacLachlan, Sting, Max von Sydow, Jose Ferrer
Origin of Film
USA
Genre(s) of Film
Francesca Annis, Kyle MacLachlan, Sting, Max von Sydow, Jose Ferrer,
Type of Poster
B2
Style of Poster
Artwork
Origin of Poster
Japan
Year of Poster
1985
Designer
Unknown
Artist
Unknown
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Frank Herbert’s sci-fi classic Dune was always going to be a difficult novel to turn into a sub three-hour film, particularly because of the complex universe, intricate lore and multiple characters it features. The initial novel went onto spawn a Dune franchise, comprising of five more books written by Herbert as well as board games, video games and a series of prequels written after Herbert’s death.

The film that was eventually released in 1984 went through a long gestation, attracting multiple production teams and several directors over a thirteen year period from when the rights were first optioned. Wikipedia has a nice explanation of the various versions (see ‘Production’). In 1975 it looked like legendary director Alejandro Jodorowsky would realise his version of the film with an incredible selection of actors:

In 1975, Jodorowsky planned to film the story as a ten-hour feature, in collaboration with Salvador Dalí, Orson Welles, Gloria Swanson, David Carradine, Geraldine Chaplin, Alain Delon, Hervé Villechaize and Mick Jagger.

Even more exciting, in my opinion, was the roster of talent he had assembled behind the camera:

Jodorowsky set up a pre-production unit in Paris consisting of Chris Foss, a British artist who designed covers for science fiction periodicals, Jean Giraud (Moebius), a French illustrator who created and also wrote and drew for Metal Hurlant magazine, and H. R. Giger. Dan O’Bannon was to head the special effects department.

After a couple of years the project stalled and the financial backing dried up. Frank Herbert traveled to Europe to meet with Jodorowsky and discovered that his script would have resulted in a 14 hour movie.

This website has a great account of Jodorowsky’s version written by the man himself. Earlier this year it was announced that a film was being made that documents this failed version. More info and a trailer can be found here.

The rights were sold to Italian producer Dino de Laurentiis who spent several years trying to get his version of the project off the ground. At one point it looked like Ridley Scott would direct but he eventually left to work on Blade Runner after realising how long Dune would take to bring to screen.

In 1981 De Laurentiis approached director David Lynch after his daughter had seen The Elephant Man and recommended it to her father. Lynch went on to write six drafts of the screenplay before filming commenced in March, 1983. The first cut of the film ran over four hours and, although Lynch was aiming for a preferred length of three hours, the backers (including Universal Pictures) insisted on a two hour film. This meant many scenes were completely excised, new scenes were shot to simplify others and a voice over was added.

All of this resulted in a film that is widely considered as something of a mess, with poor critical reception and box office takings meaning plans for possible sequels were shelved indefinitely. Today, Lynch doesn’t like to talk about the film in interviews and has turned down offers from Universal to reassemble a longer ‘director’s cut’.

This Japanese poster features unique artwork but is clearly based on some of the images featured on the US advance one sheet that can be seen here. I’m unsure of the artist so please get in touch if you have any ideas.

 

 

Ed Wood / B2 / Japan

17.05.11

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Elephant / B2 / Japan

17.05.11

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Empire Of The Sun / B2 / artwork style / Japan

17.05.11

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Empire Of The Sun / B2 / photo style / Japan

17.05.11

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Enemy Mine / B1 / Japan

17.05.11

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Enemy Mine / B2 / red title style / Japan

17.05.11

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Enemy Mine / B2 / blue title style / Japan

17.05.11

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