You searched for: David%2520Cronenberg

Scanners / B1 / Japan

03.05.13

Poster Poster

David Cronenberg‘s ‘future shock’ classic features a memorable turn by Michael Ironside as the superbly-monikered Daryl Revok, the evil leader of a renegade group of ‘Scanners’; mutant humans born with extreme telepathic and telekinetic powers who are capable of controlling machines and infiltrating the minds of others, often with head-popping consequences. The film is responsible for one of the best animated gifs on the internet.

This Japanese B1 features great artwork but I’ve been unable to identify the artist, so if you have any ideas please get in touch. The main figure is based on the one illustrated by Joann on the excellent British quad.

The film’s original British trailer is on YouTube (“You pray it will end…and it will!”).

 

Scanners / quad / UK

26.10.11

Poster Poster
Title
Scanners
AKA
Telekinesis (Mexico)
Year of Film
1981
Director
David Cronenberg
Starring
Stephen Lack, Michael Ironside, Patrick McGoohan, Jennifer O'Neill, Lawrence Dane, Robert A. Silverman, Jock Brandis, Lee Broker, Mavor Moore
Origin of Film
Canada
Genre(s) of Film
Stephen Lack, Michael Ironside, Patrick McGoohan, Jennifer O'Neill, Lawrence Dane, Robert A. Silverman, Jock Brandis, Lee Broker, Mavor Moore,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1981
Designer
Unknown
Artist
Joann Daley
Size (inches)
30 1/16" x 39 6/16"
SS or DS
SS
Tagline
10 SECONDS: The Pain Begins. 15 SECONDS: You Can't Breathe. 20 SECONDS: You Explode. | ...Their Thoughts Can Kill!

David Cronenberg‘s ‘future shock’ classic Scanners features a memorable turn by Michael Ironside as the superbly-monikered Daryl Revok, the evil leader of a renegade group of ‘Scanners’; mutant humans born with extreme telepathic and telekinetic powers who are capable of controlling machines and infiltrating the minds of others, often with head-popping consequences. The film is responsible for one of the best animated gifs on the internet.

This British quad features great artwork by Joann Daley and a great tagline. It loses the headline seen on the US one sheet but retains the ’10 seconds…’ section.

Check out the equally great Japanese poster.

The film’s original British trailer is on YouTube (“You pray it will end…and it will!”).

 

 

Videodrome / B2 / Japan

27.02.13

Poster Poster
Title
Videodrome
AKA
--
Year of Film
1982
Director
David Cronenberg
Starring
James Woods, Deborah Harry, Sonja Smits, Peter Dvorsky, Leslie Carlson, Jack Creley
Origin of Film
Canada
Genre(s) of Film
James Woods, Deborah Harry, Sonja Smits, Peter Dvorsky, Leslie Carlson, Jack Creley,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1985
Designer
Unknown
Artist
Unknown
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

Cult Canadian director David Cronenberg’s Videodrome was released with this unique poster design when it hit Japanese cinemas in 1985. Like much of the director’s output, Videodrome is definitely not for the faint of heart and contains some utterly unforgettable moments of Cronenberg’s patented body-horror mutations. James Woods stars as Max Renn the sleazy CEO of a minor cable TV station who is constantly on the lookout for cheap exploitation fare to broadcast. Renn is told about Videodrome, a new and mysterious signal apparently being broadcast out of Malaysia which purports to depict real ‘snuff’ movies of victims being tortured and killed.

Renn decides to start pirating the show and broadcasting it to his audience. This soon attracts widespread attention that puts him into contact with sadomasochistic psychiatrist Nicki Brand (Debby Harry) and Professor Brian O’Blivion (Jack Creley). When he discovers that the signal is actually being broadcast out of Pittsburgh, Renn decides to investigate further and he plunges into a nightmarish conspiracy that goes deeper than he ever imagined. As the American tagline says ‘First it controls your mind. Then it destroys your body’. Fans of Cronenberg’s proclivity for unnatural cavities and the melding of flesh with inorganic substances are not left disappointed, and the gun on this poster hints towards the finale.

In addition to this Japanese poster I also have the American one sheet and the British quad.

Dead Ringers / one sheet / USA

15.12.14

Poster Poster
Title
Dead Ringers
AKA
Inseparables (Spain)
Year of Film
1988
Director
David Cronenberg
Starring
Jeremy Irons, Geneviève Bujold, Heidi von Palleske, Barbara Gordon, Shirley Douglas, Stephen Lack, Nick Nichols, Lynne Cormack, Damir Andrei, Miriam Newhouse
Origin of Film
Canada | USA
Genre(s) of Film
Jeremy Irons, Geneviève Bujold, Heidi von Palleske, Barbara Gordon, Shirley Douglas, Stephen Lack, Nick Nichols, Lynne Cormack, Damir Andrei, Miriam Newhouse,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1988
Designer
Spiros Angelikas
Artist
Spiros Angelikas
Size (inches)
27 2/16" x 40 15/16"
SS or DS
SS
NSS #
880119
Tagline
From the director of "The Fly" comes a new kind of thriller. | Two bodies. Two minds. One soul.

Upon its release in 1988, Dead Ringers was arguably Canadian director David Cronenberg‘s most mainstream release to date (as close as he’d come at least) and it was his first psychological thriller following a slew of horrors, including Scanners (1981) and The Fly (1986). Based on the novel ‘Twins’ by Bari Wood and Jack Geasland, the film was also influenced by the real life case of Stewart and Cyril Marcus and focuses on twin gynaecologists Beverly and Elliot Mantle (both played by Jeremy Irons) who practice in a Toronto clinic dealing with fertility problems. For years they have operated a system where the more confident Elliot seduces women who visit the clinic and then passes them onto the shy Beverly when he’s bored of them, with the women usually not noticing the deception.

One day troubled actress Claire Niveau (Geneviève Bujold) visits the clinic and Elliot does his usual seduction trick. Beverly then becomes infatuated with her, leading to a destabilising of the relationship between the brothers and, after Beverly begins taking the prescription drugs that Claire is addicted to, things take a turn for the worse. Soon paranoid delusions of ‘mutant women’ lead Beverly to purchasing a series of bizarre tools from a metallurgical artist. When he later attacks a patient at the clinic the twins are suspended from practice and set in motion a chain of events with a deadly conclusion.

Although more drama focused, the film still gave Cronenberg plenty of scope for his usual body horror tricks and although it’s not as bloody as previous efforts the film is no less disturbing. Irons impresses with his performance and the actor would win a few awards during the year of release.

The poster was designed by Spiros Angelikas who was a prolific designer and artist of film posters during the 1970s and 1980s. He owned a design agency called Spiros Associates. Some of his most famous work includes the poster he designed for Friday the 13th, with artist Alex Ebel, and for his collaborations with the legendary artist Richard Amsel. They worked on Raiders of the Lost Ark and Nijinsky together and there’s a great article on the late artist’s website about their efforts. He also worked on several of the posters for the original Star Trek films, including the gorgeous Bob Peak original. There’s an interesting article by Angelikas’ son Harry on the Trek Core website which has photographs of concepts for the posters by Spiros that never made it to the print stage.

For this poster, not only did Spiros design the layout and type but he also put together the photo montage used for the central image of the melded faces.

Naked Lunch / quad / UK

22.06.17

Poster Poster
Title
Naked Lunch
AKA
Hadaka no lunch (Japan)
Year of Film
1991
Director
David Cronenberg
Starring
Peter Weller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider, Monique Mercure, Nicholas Campbell, Michael Zelniker
Origin of Film
Canada | UK | Japan
Genre(s) of Film
Peter Weller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider, Monique Mercure, Nicholas Campbell, Michael Zelniker,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1991
Designer
Unknown
Artist
--
Size (inches)
30 1/16" x 40"
SS or DS
SS
NSS #
--
Tagline
Exterminate all rational thought

Naked Lunch is cult Canadian director David Cronenberg‘s semi-adaptation of the celebrated American writer William S. Burroughsnovel of the same name. The book, which is a collection of vignettes with little in the way of connecting narrative, was written in 1959 and several attempts had been made over the years to try and adapt it for the screen. The structure of the book meant crafting a coherent plot was a tall order for any screenwriter, so Cronenberg decided to try a slightly different approach. The resultant film features scenes and characters from the vignettes but blends them with a semi-biographical look at the process Burroughs went through to write the original book, and includes incidents and characters (albeit renamed) from his experiences during the Beat Generation literary movement of the 1950s.

The resultant film, despite having more of a connecting narrative, is no less batshit crazy for it. Peter Weller plays Burroughs as William Lee (a sometime pen name of the author) who is working as a bug exterminator and whose wife Joan Lee (Judy Davis) has become addicted to the powder he uses to kill the critters. He is also a heroin addict and is arrested by the police for possession. Whilst in custody he begins to hallucinate and sees a giant bug who tells him he is being recruited as a secret agent and that his mission is to kill Joan who may or not be a shape-shifting agent working for a shady organisation. Disbelieving, he smashes the bug and escapes from custody, returning home to find Joan having sex with one of his friends. Soon afterwards he accidentally kills Joan by shooting her in the head after attempting to shoot a glass off her head, William Tell-style (this mirrors a real incident in which Burroughs killed his then partner Joan Vollmer in Mexico).

On the run from the police, he’s introduced to a bipedal alien called a Mugwump in a bar who gives him a travel ticket to get to Interzone (an area of a North African country) where he can lie low and carry out missions for his ‘handlers’. There he meets a whole host of odd characters, including Tom Frost (Ian Holm) and his wife Joan who bears a striking relation to his deceased wife. He continues to write reports for his imaginary handlers, with his typewriter soon morphing into another talking bug. Things continue to get progressively weirder as he is told to search out the mysterious Dr Benway, the source of a drug that is swamping the Interzone.

The above description makes the film sound vaguely conventional when it is anything but and there’s no doubt that it’s a marmite film for many who watch it. The film had a botched release in North America which saw it only recouping a small percentage of its original budget due to a limited number of screenings. Nevertheless it was largely lauded by critics and has since garnered something of a cult following.

This British quad features a unique design that includes a close-up photograph of Weller’s William Lee above a centipede. The film had a range of poster designs across the globe, with little repetition in the designs. The US one sheet is memorable but by far my favourite is the incredible Japanese ‘bug’-style poster that features a freaky illustration by H Sorayama.

The Fly / A1 / Hungary

13.01.16

Poster Poster
Title
The Fly
AKA
--
Year of Film
1986
Director
David Cronenberg
Starring
Jeff Goldblum, Geena Davis, John Getz
Origin of Film
USA
Genre(s) of Film
Jeff Goldblum, Geena Davis, John Getz,
Type of Poster
A1
Style of Poster
--
Origin of Poster
Hungary
Year of Poster
1986
Designer
Unknown
Artist
Unknown
Size (inches)
22 2/16" x 32 2/16"
SS or DS
SS
Tagline
--

Unique artwork features on this poster for the Hungarian release of David Cronenberg‘s sci-fi classic, The Fly. Loosely based on a 1957 short story of the same name by George Langelaan, which was first adapted for the big screen in 1958, the screenplay was written by Cronenberg himself and based on an initial draft by Charles Edward Pogue. The director rewrote most of the characters and dialogue and added themes of identity, sexuality and body horror with which he’d become synonymous.

Cronenberg cast Jeff Goldblum as the gifted but eccentric scientist Seth Brundle who has secretly been working on teleportation of objects from one place to another instantly. He works for Bartok Science Industries but has been working on a pair of ‘telepods’ at his home laboratory. When he’s introduced to the journalist Veronica Quaife (Geena Davis) at a ‘meet the press’ event he decides to risk taking her to see his work, which he demonstrates by teleporting inanimate objects. Impressed, Veronica agrees to keep quiet in return for exclusive rights to the story.

Soon afterwards the pair start a romantic relationship as Brundle continues to work on the pods. He decides that he wants to have the pods teleport living tissue and eventually manages to do so successfully with a baboon he’s borrowed from his company. Flushed with success Brundle begins drinking and starts to get paranoid that Veronica has rekindled her relationship with her editor and former lover Stathis Borans John Getz. He decides to try teleporting himself but unbeknownst to him a housefly gets inside the pod with him.

He emerges in the other pod seemingly fine and initially feels he’s come out of the pod an ‘improved’ human with higher strength and stamina. However over the following weeks Brundle’s mood becomes highly erratic and he begins a bodily transformation that starts out with unwanted hairs and fingernails falling out but begins to progress into something much more destructive as he realises his pod had been contaminated. The transformation into ‘Brundlefly’ sees the scientist scrambling for a cure before it’s too late, desperately imploring a pregnant Veronica to help him.

Goldblum’s performance was rightly celebrated and it remains one of his most memorable roles to date. The special effects depicting Brundle’s deterioration were executed by Chris Walas‘ company and ended up rightfully winning an Academy Award. The film is as impressive as it was 30 years ago and is definitely one of Cronenberg’s best.

The artwork on this poster depicting a malevolent creature with fly eyes was painted by an unknown artist and also features the telepod that appeared on the US one sheet (though minus the fly’s leg). If anyone has any ideas who was responsible for it please send me an email.

Here’s the film’s original trailer.

Scanners / B2 / Japan

17.05.11

Poster Poster
Title
Scanners
AKA
Telekinesis (Mexico)
Year of Film
1981
Director
David Cronenberg
Starring
Stephen Lack, Michael Ironside, Patrick McGoohan, Jennifer O'Neill, Lawrence Dane, Robert A. Silverman, Jock Brandis, Lee Broker, Mavor Moore
Origin of Film
Canada
Genre(s) of Film
Stephen Lack, Michael Ironside, Patrick McGoohan, Jennifer O'Neill, Lawrence Dane, Robert A. Silverman, Jock Brandis, Lee Broker, Mavor Moore,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1981
Designer
Unknown
Artist
Unknown
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

David Cronenberg‘s ‘future shock’ classic features a memorable turn by Michael Ironside as the superbly-monikered Daryl Revok, the evil leader of a renegade group of ‘Scanners’; mutant humans born with extreme telepathic and telekinetic powers who are capable of controlling machines and infiltrating the minds of others, often with head-popping consequences. The film is responsible for one of the best animated gifs on the internet.

This Japanese B2 features great artwork but I’ve been unable to identify the artist, so if you have any ideas please get in touch. The main figure is based on the one illustrated by Joann on the excellent British quad.

The film’s original British trailer is on YouTube (“You pray it will end…and it will!”).

 

The Fly / video / UK

14.08.17

Poster Poster
Title
The Fly
AKA
--
Year of Film
1986
Director
David Cronenberg
Starring
Jeff Goldblum, Geena Davis, John Getz
Origin of Film
USA
Genre(s) of Film
Jeff Goldblum, Geena Davis, John Getz,
Type of Poster
Video
Style of Poster
--
Origin of Poster
UK
Year of Poster
1986
Designer
Unknown
Artist
Richard Mahon (pod artwork)
Size (inches)
23 7/16" x 33"
SS or DS
SS
Tagline
--

A unique design features on this UK poster for the video release of David Cronenberg‘s sci-fi classic, The Fly. Loosely based on a 1957 short story of the same name by George Langelaan, which was first adapted for the big screen in 1958, the screenplay was written by Cronenberg himself and based on an initial draft by Charles Edward Pogue. The director rewrote most of the characters and dialogue and added themes of identity, sexuality and body horror with which he’d become synonymous.

Cronenberg cast Jeff Goldblum as the gifted but eccentric scientist Seth Brundle who has secretly been working on teleportation of objects from one place to another instantly. He works for Bartok Science Industries but has been working on a pair of ‘telepods’ at his home laboratory. When he’s introduced to the journalist Veronica Quaife (Geena Davis) at a ‘meet the press’ event he decides to risk taking her to see his work, which he demonstrates by teleporting inanimate objects. Impressed, Veronica agrees to keep quiet in return for exclusive rights to the story.

Soon afterwards the pair start a romantic relationship as Brundle continues to work on the pods. He decides that he wants to have the pods teleport living tissue and eventually manages to do so successfully with a baboon he’s borrowed from his company. Flushed with success Brundle begins drinking and starts to get paranoid that Veronica has rekindled her relationship with her editor and former lover Stathis Borans John Getz. He decides to try teleporting himself but unbeknownst to him a housefly gets inside the pod with him.

He emerges in the other pod seemingly fine and initially feels he’s come out of the pod an ‘improved’ human with higher strength and stamina. However over the following weeks Brundle’s mood becomes highly erratic and he begins a bodily transformation that starts out with unwanted hairs and fingernails falling out but begins to progress into something much more destructive as he realises his pod had been contaminated. The transformation into ‘Brundlefly’ sees the scientist scrambling for a cure before it’s too late, desperately imploring a pregnant Veronica to help him.

Goldblum’s performance was rightly celebrated and it remains one of his most memorable roles to date. The special effects depicting Brundle’s deterioration were executed by Chris Walas‘ company and ended up rightfully winning an Academy Award. The film is as impressive as it was 30 years ago and is definitely one of Cronenberg’s best.

The close-up image of a fly’s eyes is, I believe, unique to this poster but note that it also features the illustrated telepod that appeared on the US one sheet, which was painted by Richard Mahon. The logo is also the same one seen on the American poster and British quad.

Here’s the film’s original trailer.

Videodrome / quad / UK

18.05.11

Poster Poster
Title
Videodrome
AKA
--
Year of Film
1982
Director
David Cronenberg
Starring
James Woods, Deborah Harry, Sonja Smits, Peter Dvorsky, Leslie Carlson, Jack Creley
Origin of Film
Canada
Genre(s) of Film
James Woods, Deborah Harry, Sonja Smits, Peter Dvorsky, Leslie Carlson, Jack Creley,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1983
Designer
Red Square
Artist
Harry Wilson
Size (inches)
30 1/16" x 39 15/16"
SS or DS
SS
Tagline
First it controlled her mind, then it destroyed her body

This is the British quad for the release of cult Canadian director David Cronenberg’s Videodrome. Like much of the director’s output, Videodrome is definitely not for the faint of heart and contains some utterly unforgettable moments of Cronenberg’s patented body-horror mutations. James Woods stars as Max Renn the sleazy CEO of a minor cable TV station who is constantly on the lookout for cheap exploitation fare to broadcast. Renn is told about Videodrome, a new and mysterious signal apparently being broadcast out of Malaysia which purports to depict real ‘snuff’ movies of victims being tortured and killed.

Renn decides to start pirating the show and broadcasting it to his audience. This soon attracts widespread attention that puts him into contact with sadomasochistic psychiatrist Nicki Brand (Debby Harry) and Professor Brian O’Blivion (Jack Creley). When he discovers that the signal is actually being broadcast out of Pittsburgh, Renn decides to investigate further and he plunges into a nightmarish conspiracy that goes deeper than he ever imagined. As the American tagline says ‘First it controls your mind. Then it destroys your body’. Fans of Cronenberg’s proclivity for unnatural cavities and the melding of flesh with inorganic substances are not left disappointed, and the gun on this poster hints towards the finale.

This British quad features artwork unique to this poster by Harry Wilson, about whom I’ve been able to discover very little. The designer is credited as Red Square, again something of a mystery so if you have any further details about either party please get in touch.

In addition to the quad I also have the American one sheet and the Japanese B2.

Videodrome / one sheet / USA

17.05.11

Poster Poster
Title
Videodrome
AKA
--
Year of Film
1982
Director
David Cronenberg
Starring
James Woods, Deborah Harry, Sonja Smits, Peter Dvorsky, Leslie Carlson, Jack Creley
Origin of Film
Canada
Genre(s) of Film
James Woods, Deborah Harry, Sonja Smits, Peter Dvorsky, Leslie Carlson, Jack Creley,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1982
Designer
Unknown
Artist
Unknown
Size (inches)
27" x 41"
SS or DS
SS
NSS #
830004
Tagline
First it controls your mind...then it destroys your body

Cult Canadian director David Cronenberg’s Videodrome was released with this unique poster design when it hit Japanese cinemas in 1985. Like much of the director’s output, Videodrome is definitely not for the faint of heart and contains some utterly unforgettable moments of Cronenberg’s patented body-horror mutations. James Woods stars as Max Renn the sleazy CEO of a minor cable TV station who is constantly on the lookout for cheap exploitation fare to broadcast. Renn is told about Videodrome, a new and mysterious signal apparently being broadcast out of Malaysia which purports to depict real ‘snuff’ movies of victims being tortured and killed.

Renn decides to start pirating the show and broadcasting it to his audience. This soon attracts widespread attention that puts him into contact with sadomasochistic psychiatrist Nicki Brand (Debby Harry) and Professor Brian O’Blivion (Jack Creley). When he discovers that the signal is actually being broadcast out of Pittsburgh, Renn decides to investigate further and he plunges into a nightmarish conspiracy that goes deeper than he ever imagined. As the American tagline says ‘First it controls your mind. Then it destroys your body’. Fans of Cronenberg’s proclivity for unnatural cavities and the melding of flesh with inorganic substances are not left disappointed, and the gun on this poster hints towards the finale.

This American one sheet features a great illustration of Woods being torn apart in front of a giant image of Debby Harry’s face. I’ve been unable to discover who is responsible for the art so if you have any ideas please get in touch.

In addition to the one sheet I also have the British quad and the Japanese B2.

eXistenZ / B2 / Japan

01.03.12

Poster Poster

David Cronenberg‘s 1999 sci-fi thriller eXistenZ is not one of the director’s best, in my opinion, but it does contain typically excellent future-thinking concepts and his trademark body horror. The film is set in the near future and is focused on the idea of virtual reality gaming, far in advance of the ridiculous headgear and black plastic stands that briefly appeared in gaming arcades towards the end of the 1980s.

Jennifer Jason Leigh plays a revered game designer called Allegra Geller who is forced to flee an exhibition of her latest product when an assassin attempts to kill her using a bizarre organic gun that fires human teeth. Ted Pikul (Jude Law) works for the games company and is instructed to accompany Allegra as she escapes with her damaged product. The software is stored on a living organic pod and a connection between players is made by plugging into the system via a ‘bioport’ at the bottom of the spine (hello creepy body invasion!). Allegra and Ted must start a new game in order to determine how badly damaged the pod is and it’s not long before the line between reality and the game world blurs completely. Who is responsible for the failed assassination attempt and who can Allegra trust to save the game, and ultimately her life?

The ideas that Cronenberg explores are unquestionably interesting but the low budget nature of the film doesn’t always support them very well, particularly when it comes to the sets and environments, which are mostly all drab and uninteresting. Jude Law and Christopher Eccleston both have painfully bad American accents and some of the actors playing minor parts are terrible. You could argue that this is intentional and part of the ‘game world’ but I’m not sure they can be forgiven. The ending is also pretty cliched and frustrating. Some hail the film as a masterpiece but I’m hard-pressed to understand why.

This Japanese poster features a unique image and is significantly more interesting than the drab and misleading US one sheet (lick the light!) or the ugly UK quad. The flesh coloured shapes around the edge are organic and include human hands and other body parts. The little pink lizard in the credit area is featured in the film as a stop-motion creature.

The original trailer is on YouTube.

The Fly / B1 / Poland

19.10.11

Poster Poster
Title
The Fly
AKA
--
Year of Film
1986
Director
David Cronenberg
Starring
Jeff Goldblum, Geena Davis, John Getz
Origin of Film
USA
Genre(s) of Film
Jeff Goldblum, Geena Davis, John Getz,
Type of Poster
B1
Style of Poster
--
Origin of Poster
Poland
Year of Poster
1987
Designer
Eugeniusz Skorwider
Artist
Eugeniusz Skorwider
Size (inches)
26 6/16" x 37 4/16"
SS or DS
SS
Tagline
--

Unique artwork for the Polish release (in 1987) of David Cronenberg‘s body horror classic. The design is by an artist called Eugeniusz Skorwider. Here are some details about him (found on this site):

Eugeniusz Skorwider obtained his diploma in 1981 in the studio of professor Waldemar Swierzy. From 1983 to 1997 he was Swierzy’s assistant. Currently he is a professor at the Academy of Fine Art in Poznan, where he leads the poster studio. During that time he had a series of lectures and presentations at Dutch academies (Breda, Utrecht, Groningen, Den Bosch 1990, 1991) as well as outdoor classes with polish students in Paderborn (1997 Germany). He also conducted classes at the Summer University in Paderborn (1998, 2002). He deals with design graphics, mostly posters. Skorwider takes part in competitions and poster presentations worldwide.

A list of the other film posters he worked on is on this site.

Here’s the original trailer.

Nightbreed / quad / UK

22.02.17

Poster Poster
Title
Nightbreed
AKA
Cabal (France, Italy)
Year of Film
1990
Director
Clive Barker
Starring
Craig Sheffer, Anne Bobby, David Cronenberg, Charles Haid, Hugh Quarshie, Hugh Ross, Doug Bradley, Catherine Chevalier, Malcolm Smith, Bob Sessions, Oliver Parker
Origin of Film
USA
Genre(s) of Film
Craig Sheffer, Anne Bobby, David Cronenberg, Charles Haid, Hugh Quarshie, Hugh Ross, Doug Bradley, Catherine Chevalier, Malcolm Smith, Bob Sessions, Oliver Parker,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1990
Designer
Unknown
Artist
--
Size (inches)
30 3/16" x 40 1/16"
SS or DS
SS
Tagline
The masters of the macabre join forces... with the Nightbreed

This is the UK quad for the original release of ace British writer/director Clive Barker‘s 1990 film Nightbreed. Based on Barker’s own 1988 novel Cabal, which was the sixth and final entry in his celebrated series ‘Books of Blood‘, the film was notoriously a flop upon its original release. The director has been candid in the years following its release and maintains that studio interference and a lack of understanding of how to market the film ultimately hampered its release. Having scored a hit with Hellraiser (1986) on a budget of just under $1m, 20th Century Fox gave Barker over 10 times that for Nightbreed, but with it they took away the freedom he had on the previous film. Ultimately the studio made extensive cuts to the film just before release without Barker’s input and marketed it as a slasher film, which was far from accurate.

The story focuses on a man named Aaron Boone (Craig Sheffer) who has been having vivid dreams about a city called Midian where monsters are accepted and live peacefully with each other. We learn that his girlfriend Lori (Anne Bobby) has encouraged him to see a psychologist named Dr. Phillip Decker (the cult Canadian director David Cronenberg). Decker tells Boone that he’s been suffering from a type of psychosis, is responsible for multiple murders and that he should turn himself into the police. In reality, it’s Decker who is a serial killer and he’s attempting to use Boone as a shill to cover his crimes. After being hit by a truck on his way home, Boone wakes in hospital where he meets a man named Narcisse who talks about accessing Midian before mutilating himself with a pair of blades. 

Boone follows Narcisse’s instructions and makes his way to an old cemetery in the middle of nowhere (the film is set in Canada). Once there he is confronted by a pair of monsters, Peloquin (Oliver Parker) and Kinski (Nicholas Vince), who block his request to enter Midian. Peloquin attempts to eat Boone, biting his shoulder before the latter breaks free and escapes the cemetery. Outside he is confronted by Decker and a squad of police officers and when Decker falsely shouts that Boone has a gun, he is gunned down by the squad. After Lori visits the morgue to identify Boone’s body, the bite given by Peloquin causes him to reanimate. He returns to Midian where he meets a whole host of monsters who call the city home. This time he is accepted into the city after being touched by the blood of their deity Baphomet. Meanwhile, Lori wants to understand why Boone traveled to Midian. She is eventually allowed into the city and discovers that it is a refuge for monsters after centuries of them being hunted to near extinction by humans. Unfortunately Decker has tracked her down and he plans to destroy the city and the monsters within.

One of the things that the studio struggled with is that the monsters are ultimately depicted as being the ‘good guys’ and this was obviously something of a departure from standard horror film tropes. The film has incredible production design and make-up effects, particularly the look of the various monsters in Midian. Despite critical and commercial failure in 1990, Nightbreed quickly garnered a cult following and for many years fans had been calling for the release of the longer cut that Barker had promised existed. An unofficial ‘Cabal cut’ was compiled using VHS-quality material a few years ago but in 2015 the original film elements were found and a special director’s cut released by the American video label Scream Factory, much to the delight of horror fans around the world.

This British quad differs greatly from the disappointing American one sheet and includes several photographs of the Nightbreed and is dominated by an image of David Cronenberg. The minor spoiler (for those that were yet to view the film) that he is the masked killer obviously didn’t bother the distributors! The tagline also makes a deal of the fact that Cronenberg and Barker were working together, perhaps understandably.

Naked Lunch / one sheet / USA

17.05.11

Poster Poster
Title
Naked Lunch
AKA
Hadaka no lunch (Japan)
Year of Film
1991
Director
David Cronenberg
Starring
Peter Weller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider, Monique Mercure, Nicholas Campbell, Michael Zelniker
Origin of Film
Canada | UK | Japan
Genre(s) of Film
Peter Weller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider, Monique Mercure, Nicholas Campbell, Michael Zelniker,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1991
Designer
Unknown
Artist
--
Size (inches)
26 6/8" x 39 11/16"
SS or DS
DS
NSS #
--
Tagline
Exterminate all rational thought

A History Of Violence / one sheet / USA

17.05.11

Poster Poster
Title
A History Of Violence
AKA
--
Year of Film
2005
Director
David Cronenberg
Starring
Viggo Mortensen, Maria Bello, Ed Harris, William Hurt
Origin of Film
USA
Genre(s) of Film
Viggo Mortensen, Maria Bello, Ed Harris, William Hurt,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
2005
Designer
Intralink Film Graphic Design
Artist
--
Size (inches)
27" x 40"
SS or DS
DS
NSS #
--
Tagline
Tom Stall had the perfect life... Until he became a hero.

Naked Lunch / B1 / Japan

17.05.11

Poster Poster
Title
Naked Lunch
AKA
Hadaka no lunch (Japan)
Year of Film
1991
Director
David Cronenberg
Starring
Peter Weller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider, Monique Mercure, Nicholas Campbell, Michael Zelniker
Origin of Film
Canada | UK | Japan
Genre(s) of Film
Peter Weller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider, Monique Mercure, Nicholas Campbell, Michael Zelniker,
Type of Poster
B1
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1992
Designer
Unknown
Artist
Hajime Sorayama
Size (inches)
28 9/16" x 40.5"
SS or DS
SS
Tagline
--

Naked Lunch / B2 / bug style / Japan

17.05.11

Poster Poster
Title
Naked Lunch
AKA
Hadaka no lunch (Japan)
Year of Film
1991
Director
David Cronenberg
Starring
Peter Weller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider, Monique Mercure, Nicholas Campbell, Michael Zelniker
Origin of Film
Canada | UK | Japan
Genre(s) of Film
Peter Weller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider, Monique Mercure, Nicholas Campbell, Michael Zelniker,
Type of Poster
B2
Style of Poster
Bug style
Origin of Poster
Japan
Year of Poster
1992
Designer
Unknown
Artist
H Sorayama
Size (inches)
20 6/16" x 28 15/16"
SS or DS
SS
Tagline
--

Naked Lunch / B2 / red style / Japan

17.05.11

Poster Poster
Title
Naked Lunch
AKA
Hadaka no lunch (Japan)
Year of Film
1991
Director
David Cronenberg
Starring
Peter Weller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider, Monique Mercure, Nicholas Campbell, Michael Zelniker
Origin of Film
Canada | UK | Japan
Genre(s) of Film
Peter Weller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider, Monique Mercure, Nicholas Campbell, Michael Zelniker,
Type of Poster
B2
Style of Poster
Red style
Origin of Poster
Japan
Year of Poster
1992
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Nightbreed / B2 / wall of skulls style / Japan

17.05.11

Poster Poster
Title
Nightbreed
AKA
Cabal (France / Italy)
Year of Film
1990
Director
Clive Barker
Starring
Craig Sheffer, Anne Bobby, David Cronenberg, Charles Haid, Hugh Ross, Doug Bradley
Origin of Film
USA
Genre(s) of Film
Craig Sheffer, Anne Bobby, David Cronenberg, Charles Haid, Hugh Ross, Doug Bradley,
Type of Poster
B2
Style of Poster
Wall of skulls style
Origin of Poster
Japan
Year of Poster
1990
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

The Fly / quad / teaser / UK

18.05.11

Poster Poster
Title
The Fly
AKA
--
Year of Film
1986
Director
David Cronenberg
Starring
Jeff Goldblum, Geena Davis, John Getz
Origin of Film
USA
Genre(s) of Film
Jeff Goldblum, Geena Davis, John Getz,
Type of Poster
Quad
Style of Poster
Teaser
Origin of Poster
UK
Year of Poster
1987
Designer
FEREF associates
Artist
--
Size (inches)
29 3/8" x 39 7/8"
SS or DS
SS
Tagline
Be afraid... Be very afraid...

Nightbreed / B2 / character style / Japan

17.05.11

Poster Poster
Title
Nightbreed
AKA
Cabal (France / Italy)
Year of Film
1990
Director
Clive Barker
Starring
Craig Sheffer, Anne Bobby, David Cronenberg, Charles Haid, Hugh Ross, Doug Bradley
Origin of Film
USA
Genre(s) of Film
Craig Sheffer, Anne Bobby, David Cronenberg, Charles Haid, Hugh Ross, Doug Bradley,
Type of Poster
B2
Style of Poster
Character
Origin of Poster
Japan
Year of Poster
1990
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

The Fly / one sheet / studio version / USA

17.05.11

Poster Poster
Title
The Fly
AKA
--
Year of Film
1986
Director
David Cronenberg
Starring
Jeff Goldblum, Geena Davis, John Getz
Origin of Film
USA
Genre(s) of Film
Jeff Goldblum, Geena Davis, John Getz,
Type of Poster
One sheet
Style of Poster
Studio version
Origin of Poster
USA
Year of Poster
1986
Designer
B.D. Fox Independent
Artist
Richard Mahon
Size (inches)
27" x 40 15/16
SS or DS
SS
NSS #
--
Tagline
Be afraid. Be very afraid.