An excellent portrait of Clint Eastwood graces this A1 poster for the German re-release of For a Few Dollars More in 1978. The film was the second in legendary director Sergio Leone‘s unofficial ‘Dollars trilogy’, all three of which starred Clint Eastwood and helped put him and the sub-genre of the so-called Spaghetti Western firmly on the cinematic map. Although not conceived by Leone to be a series, The ‘Man with No Name’ concept was coined by the studio United Artists as an angle to sell the films, particularly since Eastwood plays the three different characters with similar mannerisms and dressed in the same attire. Despite the ‘n0 name’ label, Eastwood’s characters have a different nickname in each of the films.

In For a Few Dollars More he plays Manco (Spanish for ‘one-armed man’), a bounty hunter who is on the trail of the ruthless outlaw El Indio (Gian Maria Volonté) and his gang. Whilst on the hunt Manco meets Col. Douglas Mortimer (Lee Van Cleef, who would also appear in the next film in the trilogy) another bounty hunter who is also after the same man, and the two agree to team up and eventually split the reward. As the bullets begin to fly it soon becomes clear that the bounty hunters have different motivations for wanting to kill El Indio.

When I interviewed the artist Renato Casaro for this site earlier this year he talked about his friendship and collaborations with Leone and the following is an excerpt:

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You also got to know Sergio Leone?
Yes, I visited the set of ‘Il mio nome è Nessuno’ [My Name is Nobody, 1973] that Leone was co-directing because Terence Hill was starring in it and I was asked to work on the publicity. I later worked on the posters for Once Upon A Time in the West and his other Western films, not only for the Italian market, but also for other countries, including Germany and France. Some of the more established Italian artists worked on his posters in the 1960s because they were still working on the ‘big’ films at that time, as I mentioned.

What happened when it came to painting the re-release posters?
Sandro Symeoni had painted the original Italian poster for A Fistful of Dollars and at that time Clint Eastwood wasn’t the big name star he was a few years later so his face wasn’t painted accurately and the poster just depicts an action scene. When the film was re-released in Germany at the end of the 1970s, Leone asked me to make sure I focused the poster on Eastwood and make it a recognisable portrait of him.

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You can read the rest of the interview by clicking here. To see the other posters I’ve collected that were designed and painted by Renato Casaro click here. His official website can be found here.

This is the international re-release (1980) poster for Sergio Leone Duck, You Sucker which uses the same design as the original release poster (1971) with only a handful of changes to the credits block and a lack of NSS details.

The artwork is by Robert McGinnis, one of the all time great poster artists, who is perhaps best known for his work on some of the best James Bond posters, including Thunderball (with Frank McCarthy), Live and Let Die and Diamonds are Forever. This great gallery showcases many of his finest pieces.

If you look closely at some of the images of this poster you’ll see the fold lines from the original poster that United Artists must have copied in order to print this re-release (this version is rolled). I’m assuming this is because the original printing plates were lost and it would have been too expensive/impossible to recreate them.

Whilst not as beloved as the films that make up Sergio Leone’s ‘Dollars Trilogy’, this is still an excellent action adventure featuring many memorable scenes and I’m hoping that it will get released on blu-ray soon with both of the versions on the disc.

The original US trailer can be watched on YouTube.

A striking design on this poster for the 1987 Czechoslovakian re-release of Sergio Leone’s masterpiece Once Upon a Time in the West. The epic 1968 Western stars Charles Bronson as the mysterious Harmonica who arrives in a frontier town and is memorably attacked by a group of trench coat-wearing assassins. Meanwhile, the family of Jill McBain (the gorgeous Claudia Cardinale), who has arrived in the town looking for a fresh start, is brutally slaughtered by unknown perpetrators. The prime suspect Cheyenne (Jason Robards) befriends the widow and joins forces with Harmonica to go after Frank (Henry Fonda in an atypical role), the ruthless gang leader protecting the interests of a railroad company.

This re-release poster features a design by the celebrated Czech artist Zdenek Ziegler. Born in Prague in 1932, Ziegler studied at the Czech Technical University and graduated in 1961. He went on to design over 200 film posters during a 26-year period from 1963 to 1989. The website Terry Posters has a page with a biography of Ziegler and a gallery of his work (with some of them being available to purchase). Since 1990 Ziegler has been a teacher at Academy of Arts in Prague.

Some of his most celebrated designs include a 1970 poster for Hitchock’s Psycho and a great design for Truffaut’s Jules et Jim. His take on the poster for Ridley Scott’s Alien is also very unique.

Considered by many to be Sergio Leone’s masterpiece – certainly not an easy choice to make when there are films like The Good, the Bad and the Ugly and Once Upon a Time in the West to choose from – ‘…America’ was to be the Italian director’s last film. Infamously, it had almost 90 minutes removed for its US cinematic release (in 1984), apparently after receiving terrible notice from American critics at the Cannes Film Festival – the re-cut version was also given a slating when it appeared.

Eventually the full 229 minute version was made available on home video in America. In 2012 it was announced that the film was to be restored to an even longer cut with over 40 minutes of newly discovered material that was thought lost. An extended cut of the film was released on blu-ray in 2014.

This one sheet was designed by the American designer and artist Tom Jung, who is probably best known for the Star Wars style A one sheet. A reader of the site got in touch to confirm that Jung used this still photograph by the on-set photographer Angelo Novi as the main image on the poster.

In 2012 I visited the same street in Brooklyn that leads down to the Manhattan Bridge and is featured in the film and on this poster. I took this picture, which gives you an idea of how the street looks today.

The original trailer is on YouTube.

Considered by many to be Sergio Leone’s masterpiece – certainly not an easy choice to make when there are films like The Good, the Bad and the Ugly and Once Upon a Time in the West to choose from – ‘…America’ was to be the Italian director’s last film. Infamously, it had almost 90 minutes removed for its US cinematic release (in 1984), apparently after receiving terrible notice from American critics at the Cannes Film Festival – the re-cut version was also given a slating when it appeared.

Eventually the full 229 minute version was made available on home video in America. In 2012 it was announced that the film was to be restored to an even longer cut with over 40 minutes of newly discovered material that was thought lost. An extended cut of the film was released on blu-ray in 2014.

I recently visited the same street in Brooklyn that leads down to the Manhattan Bridge and is featured in the film and on this poster. I took this picture, which gives you an idea of how the street looks today.

This is the German poster (style A) that was designed and painted by one of my favourite artists, Renato Casaro, an Italian with a prolific movie poster output that lasted over 35 years. He began his career in 1953, aged 19, at the famous Studio Favalli in Rome and would go on to design and paint posters for many of the biggest directors in the world. His skill at accurately portraying actors and his brilliant use of colour and composition saw him much in demand from studios and actors alike.

His artwork has featured on posters used in multiple countries, including Japan, Germany, USA as well as in his native Italy. Check out the incredible amount of work on his official website here, which also features a biography of the artist. The other posters I have collected by Casaro can be seen by clicking here.

The original trailer is on YouTube.

A striking design on this poster printed for the Japanese release of For a Few Dollars More, the second in legendary director Sergio Leone‘s unofficial ‘Dollars trilogy’, all three of which starred Clint Eastwood and helped put him and the sub-genre of the so-called Spaghetti Western firmly on the cinematic map. Although not conceived by Leone to be a series, The ‘Man with No Name’ concept was coined by the studio United Artists as an angle to sell the films, particularly since Eastwood plays the three different characters with similar mannerisms and dressed in the same attire. Despite the ‘n0 name’ label, Eastwood’s characters have a different nickname in each of the films.

In For a Few Dollars More he plays Manco (Spanish for ‘one-armed man’), a bounty hunter who is on the trail of the ruthless outlaw El Indio (Gian Maria Volonté) and his gang. Whilst on the hunt Manco meets Col. Douglas Mortimer (Lee Van Cleef, who would also appear in the next film in the trilogy) another bounty hunter who is also after the same man, and the two agree to team up and eventually split the reward. As the bullets begin to fly it soon becomes clear that the bounty hunters have different motivations for wanting to kill El Indio.

This Japanese poster is actually for the 1972 re-release, although it’s almost identical to the one printed for the original 1967 Japanese release, which can be seen here. The only really notable difference is the alternate studio logo in the bottom right corner and a different number on the Eirin stamp.

Considered by many to be Sergio Leone’s masterpiece – certainly not an easy choice to make when there are films like The Good, the Bad and the Ugly and Once Upon a Time in the West to choose from – Once Upon a Time in America was to be the Italian director’s last film. Infamously, it had almost 90 minutes removed for its American cinematic release (in 1984), apparently after receiving terrible notice from American critics at the Cannes Film Festival – the re-cut version was also given a slating upon release. Eventually the full 229 minute version was  made available on home video in America. Earlier this year it was announced that the film is currently being restored to an even longer ‘director’s cut’ with over 40 minutes of new material, due for release in 2012.

This Japanese poster features the famous shot of Manhattan bridge from Brooklyn street level, along with the four leads with bandanna face masks and a few other scenes from the film.

Here’s the original trailer on YouTube.