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Whodunit? / quad / UK

06.05.15

Poster Poster
Title
Whodunit?
AKA
Island of Blood (USA) | Scared Alive (USA - alt. title) | El asesino de los bloopers (Argentina)
Year of Film
1982
Director
William T. Naud (as Bill Naud)
Starring
Marie-Alise Recasner, Rick Dean, Ron Gardner, Terence Goodman, Richard Helm, Jeanine Marie, Jared McVay, G. Rockett Phillips, Jim Piper
Origin of Film
USA
Genre(s) of Film
Marie-Alise Recasner, Rick Dean, Ron Gardner, Terence Goodman, Richard Helm, Jeanine Marie, Jared McVay, G. Rockett Phillips, Jim Piper,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1982
Designer
FEREF-James The Partnership
Artist
Mike Vaughan
Size (inches)
30 1/16" x 39 15/16"
SS or DS
SS
Tagline
Seven people are dead - and you're next!

This is the UK quad for a rather obscure 1980s slasher flick that is known by various names around the globe, including Island of Blood and Scared Alive, but was released in the UK as Whodunit? Directed by William T. Naud (here credited as Bill Naud), whose IMDb profile shows him as not being very prolific, the film is apparently based unofficially on Agatha Christie’s mystery novel And Then There Were None. The Wikipedia page for the film describes the plot thusly:

A film crew and a motley collection of thespians set out for an island that will be the perfect location for their next feel good, light hearted, comedy picture. But unfortunately someone has other ideas and destroys their mode of transport before finishing off the surviving cast and crew (wearing a skull-like mask) with the aid of a chainsaw, machete, and nail gun, all to a sick sado-masochistic type song (that this homicidal psycho has a fetish for). This psychotic murderer also has an accomplice, a fellow crewman who is skilled in the art of booby traps, rigging a shower to rain battery acid and scalding swimming pool that boils alive anyone who falls in.

It appears only to have been released on VHS here and in the US and no DVD is forthcoming. Judging by the handful of reviews on IMDb it might be a while before we see this one appear on blu-ray.

This quad bears a line crediting the design to the British design agency FEREF-James The Partnership, who were (and still are) a London-based agency creating advertising for the film industry. The original line up featured five designers and artists who had worked together at other agencies and decided to form their own and the name FEREF derives from each co-founder’s first initial. They worked on hundreds of posters during the 1970s and 1980s and employed many of the most talented artists to work on the posters, including Brian Bysouth (who eventually joined the company full time). It is believed this artwork was by the FEREF regular Mike Vaughan, who painted plenty of posters during the 1970s and 1980s.

Mars Attacks! / one sheet / advance / USA

17.05.11

Poster Poster

Mars Attacks! / quad / UK

18.05.11

Poster Poster

I Am Curious (Yellow) / B2 / white title style / Japan

03.08.16

Poster Poster
Title
I Am Curious (Yellow)
AKA
Jag är nyfiken - en film i gult (Sweden - original title)
Year of Film
1967
Director
Vilgot Sjöman
Starring
Lena Nyman, Vilgot Sjöman, Börje Ahlstedt, Peter Lindgren, Chris Wahlström, Marie Göranzon, Magnus Nilsson, Ulla Lyttkens
Origin of Film
Sweden
Genre(s) of Film
Lena Nyman, Vilgot Sjöman, Börje Ahlstedt, Peter Lindgren, Chris Wahlström, Marie Göranzon, Magnus Nilsson, Ulla Lyttkens,
Type of Poster
B2
Style of Poster
White title style
Origin of Poster
Japan
Year of Poster
1971
Designer
Unknown
Artist
--
Size (inches)
20 4/16" x 28 12/16"
SS or DS
SS
Tagline
--

This is one of two Japanese B2 posters printed for the release (in 1971) of the landmark Swedish drama I Am Curious (Yellow) from the controversial director Vilgot Sjöman. Yellow is a companion film to I Am Curious (Blue) and the pair were originally meant to have been released as one 3.5 hour film. The colours in the titles refer to the Swedish flag. They were part of a series of left wing films that were made after the founding of the Swedish Film Institute in the early 1960s and the attempt, by prominent Swedish cultural figure Harry Schein, to start Sweden’s own flavour of New Wave cinema. 

Filmed in a pseudo-documentary, cinéma vérité style, the film sees Sjöman playing a version of himself, a director who decides to make a film starring his 22-year-old lover Lena Nyman (also playing herself) who is a theatre student interested in social issues. The film within the film is called ‘Lena on the Road’ and sees her leaving the flat she shares with her father and, when not getting involved in socio-political activism with a group of friends, she is shown traveling around Stockholm interviewing people she meets about issues including social classes and gender equality.

Later she meets another man called Börje who she begins a love-affair with but this becomes fraught when she discovers he has hidden the fact that he has another lover and a daughter. After traveling to a country retreat Lena begins meditating, practicing yoga and studying about non-violence, but her lover catches up with her and the pair continue their stormy relationship. Soon after the film within a film begins to break down as the ‘actors’ form a ‘real’ relationship that causes the ‘director’ to get jealous and wrap up shooting.

The film is most notable for its then ground-breaking use of full-frontal shots and scenes of (simulated) sexual intercourse that until then had been confined to sex films and not used in a dramatic context. The film was released in a cut form both in the US, UK and elsewhere but it was in the US that it attracted the most controversy with some states even going so far as banning the film outright on grounds of obscenity (Massachusetts in 1969, later overturned). As is the case with any censorship case brought against a film featuring sex and nudity, the box-office takings were helped greatly as punters flocked to see what the fuss was about. The film was the highest-grossing foreign film in the US for many years afterwards. This article on Vulture.com goes into more detail about the original release.

The other style of Japanese poster features a similarly colourful image but has black text down the side instead of white – see here.

Prince Of Darkness / Thailand

15.02.16

Poster Poster

This is the original Thai poster for the release of John Carpenter’s 1987 horror Prince of Darkness. As well as being in the director’s chair, Carpenter wrote the soundtrack and also the screenplay under the pseudonym Martin Quatermass, which is a direct homage to Bernard Quatermass, the lead character in Hammer’s film and TV series that started with The Quatermass Experiment and that features several elements in common with Carpenter’s story. The film is the second in what the director calls his ‘Apocalypse Trilogy’ that started with The Thing (1982) and ended with In the Mouth of Madness (1994) and is the result of Carpenter’s interest in theoretical physics and atomic theory as well as the idea of an ultimate evil or ‘anti-god’ combined with the physics-based concept of matter and anti-matter.

The plot sees Los Angeles priest Father Loomis (Donald Pleasence, his character name directly referencing Halloween) invite Professor Howard Birack (Victor Wong, returning from Big Trouble in Little China) and a group of his students from a local university to help him investigate a mysterious, liquid-filled canister in the basement of an abandoned church that was being guarded by an elderly priest who passed away leaving a diary and a key to the basement. Amongst the group  is Brian Marsh (Jameson Parker) a theoretical physics student and a sceptical science student called Walter (Dennis Dun, also from Big Trouble in Little China), plus several other scientist types – one of the film’s weak spots is that it fails to give any explanation or back story to characters we’re supposed to care about/have some interest in.

Something in the canister is stirring and is causing strange events such as insects swarming the church and the local homeless population, which includes rocker Alice Cooper as ‘street schizo’, behaving as a zombie-like group. One of the students, Susan (Anne Marie Howard) is possessed by a burst of liquid from the canister and begins to kill and spread the possession to other members of the group, which has clear echoes of the way The Thing moves through the Antarctic camp. Meanwhile, the rest of the group have been experiencing the same ‘tachyon transmission’ purportedly from the future and warning them of the danger they face. They soon come to realise that the container actually holds the son of an even greater evil and one that is determined to escape from the realm of anti-matter and into our world. Brian and the handful of non-possessed team members must battle to stop the anti-god from fulfilling its plans before it is too late.

The film features a creepy atmosphere helped no-end by Carpenter’s superb score – one of his very best in my opinion. Despite the aforementioned underdeveloped characters there are still several decent performances, including that of the ever-reliable Pleasence and Lisa Blount, one of the students who is instrumental in stopping the anti-god at the end of the film. The make-up and special effects still stand up well and the set and production design are also worth a mention. It might not be up there with Halloween or The Thing, but it’s still one of Carpenter’s better films and one that definitely deserves its cult reputation.

This Thai poster features a montage of unique artwork painted by the Thai artist who signs his work ‘Jinda’. I’ve struggled to find out much about him so if anyone has any ideas please get in touch. The artist has painted some of the more memorable gore sequences from the film, although the main image of the woman crashing through the broken mirror isn’t exactly accurate, as anyone who’s seen the film can attest.

The section featuring the church and the oozing green liquid featured on several international posters, including the US one sheet and (partially) on the Japanese B2.

I Am Curious (Yellow) / B2 / black title style / Japan

21.01.16

Poster Poster
Title
I Am Curious (Yellow)
AKA
Jag är nyfiken - en film i gult (Sweden - original title)
Year of Film
1967
Director
Vilgot Sjöman
Starring
Lena Nyman, Vilgot Sjöman, Börje Ahlstedt, Peter Lindgren, Chris Wahlström, Marie Göranzon, Magnus Nilsson, Ulla Lyttkens
Origin of Film
Sweden
Genre(s) of Film
Lena Nyman, Vilgot Sjöman, Börje Ahlstedt, Peter Lindgren, Chris Wahlström, Marie Göranzon, Magnus Nilsson, Ulla Lyttkens,
Type of Poster
B2
Style of Poster
Black title style
Origin of Poster
Japan
Year of Poster
1971
Designer
Unknown
Artist
--
Size (inches)
20 3/16" x 28 11/16"
SS or DS
SS
Tagline
--

This is one of two Japanese B2 posters printed for the release (in 1971) of the landmark Swedish drama I Am Curious (Yellow) from the controversial director Vilgot Sjöman. Yellow is a companion film to I Am Curious (Blue) and the pair were originally meant to have been released as one 3.5 hour film. The colours in the titles refer to the Swedish flag. They were part of a series of left wing films that were made after the founding of the Swedish Film Institute in the early 1960s and the attempt, by prominent Swedish cultural figure Harry Schein, to start Sweden’s own flavour of New Wave cinema. 

Filmed in a pseudo-documentary, cinéma vérité style, the film sees Sjöman playing a version of himself, a director who decides to make a film starring his 22-year-old lover Lena Nyman (also playing herself) who is a theatre student interested in social issues. The film within the film is called ‘Lena on the Road’ and sees her leaving the flat she shares with her father and, when not getting involved in socio-political activism with a group of friends, she is shown traveling around Stockholm interviewing people she meets about issues including social classes and gender equality.

Later she meets another man called Börje who she begins a love-affair with but this becomes fraught when she discovers he has hidden the fact that he has another lover and a daughter. After traveling to a country retreat Lena begins meditating, practicing yoga and studying about non-violence, but her lover catches up with her and the pair continue their stormy relationship. Soon after the film within a film begins to break down as the ‘actors’ form a ‘real’ relationship that causes the ‘director’ to get jealous and wrap up shooting.

The film is most notable for its then ground-breaking use of full-frontal shots and scenes of (simulated) sexual intercourse that until then had been confined to sex films and not used in a dramatic context. The film was released in a cut form both in the US, UK and elsewhere but it was in the US that it attracted the most controversy with some states even going so far as banning the film outright on grounds of obscenity (Massachusetts in 1969, later overturned). As is the case with any censorship case brought against a film featuring sex and nudity, the box-office takings were helped greatly as punters flocked to see what the fuss was about. The film was the highest-grossing foreign film in the US for many years afterwards. This article on Vulture.com goes into more detail about the original release.

The other style of Japanese poster features a similarly colourful image but has white text down the side instead of black.

Friday the 13th Part 2 / Turkey

24.11.15

Poster Poster
Title
Friday the 13th Part 2
AKA
L'assassino ti siede accanto [You're sitting next to the killer] (Italy)
Year of Film
1981
Director
Steve Miner
Starring
Amy Steel, John Furey, Adrienne King, Kirsten Baker, Stuart Charno, Warrington Gillette, Walt Gorney, Marta Kober, Tom McBride, Bill Randolph, Lauren-Marie Taylor, Russell Todd
Origin of Film
USA
Genre(s) of Film
Amy Steel, John Furey, Adrienne King, Kirsten Baker, Stuart Charno, Warrington Gillette, Walt Gorney, Marta Kober, Tom McBride, Bill Randolph, Lauren-Marie Taylor, Russell Todd,
Type of Poster
Turkish
Style of Poster
--
Origin of Poster
Turkey
Year of Poster
1981
Designer
Unknown
Artist
Ömer Muz
Size (inches)
27" x 39.5"
SS or DS
SS
Tagline
--

Following only a year after the release of the original film, Friday the 13th Part 2 stuck very close to the formula that had made the first film such a surprising box office hit. The film’s original director and producer Sean S. Cunningham decided not to return for the sequel after disagreements with studio Paramount over the direction it should take. Despite the fact that the film’s original killer had been decapitated at the end, the studio wanted to continue the same storyline, whereas Cunningham and others (including make-up maestro Tom Savini) had wanted to make the series more of an anthology with different unique storylines for each instalment. 

Steve Miner, an associate-producer on the original, was tapped to direct the sequel (he would also helm part 3) and the story was set in the same area as the first film with the action taking place at another camp on Crystal Lake along from where the original set of murders happened. The producers realised they could use the character of Jason Voorhees, the supposedly drowned son of the original killer Pamela Voorhees, as the antagonist and it’s revealed that his body was never found.

As a new set of teenagers arrive at the summer camp ahead of the influx of kids, a killer stalks and murders them one by one, in much the same fashion as the original film. The film has a similar jump-scare ending to the first but it’s fudged slightly as it’s not clear whether it was another dream or not. The character of Jason was nevertheless established as the main bad guy and the series would continue successfully for the next 25-plus years. Part 2 was a victim of the original’s success in that the MPAA were a lot more strict in terms of the gore content this time around and several scenes were cut or truncated to appease the sensors.

This poster features the signature of Ömer Muz, a prolific artist who worked on many painted film posters their release. I’ve been unable to find out much about him so if anyone has any details please get in touch.

Freaky Friday / quad / UK

15.10.14

Poster Poster
Title
Freaky Friday
AKA
--
Year of Film
1976
Director
Gary Nelson
Starring
Barbara Harris, Jodie Foster, John Astin, Patsy Kelly, Dick Van Patten, Vicki Schreck, Sorrell Booke, Alan Oppenheimer, Ruth Buzzi, Kaye Ballard, Marc McClure, Marie Windsor
Origin of Film
USA
Genre(s) of Film
Barbara Harris, Jodie Foster, John Astin, Patsy Kelly, Dick Van Patten, Vicki Schreck, Sorrell Booke, Alan Oppenheimer, Ruth Buzzi, Kaye Ballard, Marc McClure, Marie Windsor,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1976
Designer
Brian Bysouth
Artist
Brian Bysouth
Size (inches)
30" x 40 2/16"
SS or DS
SS
Tagline
Annabel and her mother are not quite themselves today - in fact, they're each other!

Unique artwork features on this UK quad for the release of the 1976 version of the Disney comedy Freaky Friday. Based on the novel of the same name by Mary Rodgers (who also wrote the screenplay), the film focuses on the Andrews family in which the mother and daughter (played memorably by Barbara Harris and Jodie Foster) are constantly at odds with each other and struggle to understand why they behave the way they do to each other. On Friday the 13th they both happen to say “I wish I could switch places with her for just one day” at the same time and their wishes come true as their minds swap places. The pair then must cope with being in each other’s bodies as they realise the pressures and expectations they both have on them.

Mr Andrews (John Astin) is a real-estate developer preparing for an important launch in which mother and daughter are meant to be playing their different parts and hilarity ensues as the pair attempt to cope with the situation. The film is classic Disney family entertainment and definitely harkens back to a more innocent time. Both Harris and Foster bring a great energy to their parts and it’s easy to see why the latter would go on to catch the eye of many a Hollywood casting director.

This quad was created by the British designer and artist Brian Bysouth who I interviewed for this site in 2012. He is one of my favourite artists and worked on multiple classic posters from the 1960s to the 1980s, including the final painted poster for a James Bond film, The Living Daylights. The other posters I’ve collected by Brian can be seen by clicking here.

Commando Squad / one sheet / USA

17.05.11

Poster Poster
Title
Commando Squad
AKA
--
Year of Film
1987
Director
Fred Olen Ray
Starring
Kathy Shower, Brian Thompson, William Smith, Robert Quarry, Sid Haig, Mel Welles, Marie Windsor, Benita Martinez, Toni Nero, Dawn Wildsmith
Origin of Film
USA
Genre(s) of Film
Kathy Shower, Brian Thompson, William Smith, Robert Quarry, Sid Haig, Mel Welles, Marie Windsor, Benita Martinez, Toni Nero, Dawn Wildsmith,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1987
Designer
Unknown
Artist
--
Size (inches)
25.5" x 38"
SS or DS
SS
NSS #
--
Tagline
They take no prisoners, they show no mercy.

Creature / B2 / Japan

17.05.11

Poster Poster
Title
Creature
AKA
The Titan Find (UK - video title)
Year of Film
1985
Director
William Malone
Starring
Stan Ivar, Wendy Schaal, Lyman Ward, Robert Jaffe, Diane Salinger, Annette McCarthy, Marie Laurin
Origin of Film
USA
Genre(s) of Film
Stan Ivar, Wendy Schaal, Lyman Ward, Robert Jaffe, Diane Salinger, Annette McCarthy, Marie Laurin,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1986
Designer
Unknown
Artist
Unknown
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Innocent Blood / quad / UK

18.05.11

Poster Poster

Prince Of Darkness / quad / UK

06.11.13

Poster Poster
Title
Prince of Darkness
AKA
--
Year of Film
1987
Director
John Carpenter
Starring
Donald Pleasence, Jameson Parker, Victor Wong, Lisa Blount, Dennis Dun, Susan Blanchard, Anne Marie Howard, Ann Yen, Ken Wright, Dirk Blocker, Jessie Lawrence Ferguson, Peter Jason
Origin of Film
USA
Genre(s) of Film
Donald Pleasence, Jameson Parker, Victor Wong, Lisa Blount, Dennis Dun, Susan Blanchard, Anne Marie Howard, Ann Yen, Ken Wright, Dirk Blocker, Jessie Lawrence Ferguson, Peter Jason,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1987
Designer
Unknown
Artist
--
Size (inches)
30 1/16" x 39 15/16"
SS or DS
SS
NSS #
--
Tagline
A new film from John Carpenter, master of terror and suspense. | Before man walked the earth...it slept for centuries. It is evil. It is real. It is awakening.

This is the British quad for the release of John Carpenter’s 1987 horror Prince of Darkness. As well as being in the director’s chair, Carpenter wrote the soundtrack and also the screenplay under the pseudonym Martin Quatermass, which is a direct homage to Bernard Quatermass, the lead character in Hammer’s film and TV series that started with The Quatermass Experiment and that features several elements in common with Carpenter’s story. The film is the second in what the director calls his ‘Apocalypse Trilogy’ that started with The Thing (1982) and ended with In the Mouth of Madness (1994) and is the result of Carpenter’s interest in theoretical physics and atomic theory as well as the idea of an ultimate evil or ‘anti-god’ combined with the physics-based concept of matter and anti-matter.

The plot sees Los Angeles priest Father Loomis (Donald Pleasence, his character name directly referencing Halloween) invite Professor Howard Birack (Victor Wong, returning from Big Trouble in Little China) and a group of his students from a local university to help him investigate a mysterious, liquid-filled canister in the basement of an abandoned church that was being guarded by an elderly priest who passed away leaving a diary and a key to the basement. Amongst the group  is Brian Marsh (Jameson Parker) a theoretical physics student and a sceptical science student called Walter (Dennis Dun, also from Big Trouble in Little China), plus several other scientist types – one of the film’s weak spots is that it fails to give any explanation or back story to characters we’re supposed to care about/have some interest in.

Something in the canister is stirring and is causing strange events such as insects swarming the church and the local homeless population, which includes rocker Alice Cooper as ‘street schizo’, behaving as a zombie-like group. One of the students, Susan (Anne Marie Howard) is possessed by a burst of liquid from the canister and begins to kill and spread the possession to other members of the group, which has clear echoes of the way The Thing moves through the Antarctic camp. Meanwhile, the rest of the group have been experiencing the same ‘tachyon transmission’ purportedly from the future and warning them of the danger they face. They soon come to realise that the container actually holds the son of an even greater evil and one that is determined to escape from the realm of anti-matter and into our world. Brian and the handful of non-possessed team members must battle to stop the anti-god from fulfilling its plans before it is too late.

The film features a creepy atmosphere helped no-end by Carpenter’s superb score – one of his very best in my opinion. Despite the aforementioned underdeveloped characters there are still several decent performances, including that of the ever-reliable Pleasence and Lisa Blount, one of the students who is instrumental in stopping the anti-god at the end of the film. The make-up and special effects still stand up well and the set and production design are also worth a mention. It might not be up there with Halloween or The Thing, but it’s still one of Carpenter’s better films and one that definitely deserves its cult reputation.

This image of the screaming, disfigured face with the bug in its mouth, as well as the church and the oozing green liquid was used around the world, including the US one sheet and (partially) on the Japanese B2.

Deep End / quad / UK

09.12.11

Poster Poster

Polish director Jerzy Skolimowski’s Deep End is one of those films that leaves a lasting impression on anyone who sees it, but it was sadly considered to be a ‘lost’ film for many years and was practically impossible to see after its initial cinema opening in a handful of countries. The film was briefly available on VHS in the UK but was never released on DVD. In 2011 the BFI restored and re-released it at the cinema and also issued a blu-ray version complete with several extras, which is utterly superb and well worth picking up.

The film focuses on Mike (John Moulder-Brown) a teenager who leaves school and gets his first job working at a local swimming baths. There he meets Susan (Jane Asher) an older woman with whom he quickly becomes infatuated. Without spoiling things too much, the film builds to a fairly shocking climax which has been known to polarize viewers. Jane Asher looks absolutely stunning and really plays the seductive, care-free Susan perfectly – it’s not hard to understand the reasons behind Mike’s infatuation!

Skolimowski was a contemporary of Roman Polanski and was mentored by the great Polish director Andrzej Wajda. He completed several films in Poland throughout the 1960s before moving to the UK where he made Deep End and a couple of other features. He then left to Los Angeles where he took up painting and occasionally acted in films, notably in White Knights and more recently in David Cronenberg’s Eastern Promises. His 17 year hiatus from directing ended in 2008 with the release of Four Nights with Anna and he made the spartan thriller Essential Killing with Vincent Gallo in 2010.

This poster by an unknown graphic designer is the quad that was printed when the film was given a wider UK release. The premiere showing had actually been at the Academy Cinema One on London’s Oxford Street and the poster for this was done by the legendary designer Peter Strausfeld (his Seven Samurai poster is on this site here).

The original trailer is on YouTube.

North By Northwest / screen print / Jeff Kleinsmith / USA

17.05.11

Poster Poster
Title
North By Northwest
AKA
Intrigo internazionale [International intrigue] (Italy) | The Man in Lincoln's Nose (USA - working title)
Year of Film
1959
Director
Alfred Hitchcock
Starring
Cary Grant, Eva Marie Saint, James Mason, Leo G. Carroll, Jessie Royce Landis, Martin Landau, Philip Ober, Josephine Hutchinson, Adam Williams, Patrick McVey, Ed Platt
Origin of Film
USA
Genre(s) of Film
Cary Grant, Eva Marie Saint, James Mason, Leo G. Carroll, Jessie Royce Landis, Martin Landau, Philip Ober, Josephine Hutchinson, Adam Williams, Patrick McVey, Ed Platt,
Type of Poster
Screen print
Style of Poster
--
Origin of Poster
USA
Year of Poster
2007
Designer
Jeff Kleinsmith
Artist
Jeff Kleinsmith
Size (inches)
23 5/16" x 32 10/16"
SS or DS
SS
Tagline
--

Prince Of Darkness / one sheet / USA

17.05.11

Poster Poster
Title
Prince Of Darkness
AKA
--
Year of Film
1987
Director
John Carpenter
Starring
Donald Pleasence, Jameson Parker, Victor Wong, Lisa Blount, Dennis Dun, Susan Blanchard, Anne Marie Howard, Ann Yen, Ken Wright, Dirk Blocker, Jessie Lawrence Ferguson, Peter Jason
Origin of Film
USA
Genre(s) of Film
Donald Pleasence, Jameson Parker, Victor Wong, Lisa Blount, Dennis Dun, Susan Blanchard, Anne Marie Howard, Ann Yen, Ken Wright, Dirk Blocker, Jessie Lawrence Ferguson, Peter Jason,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1987
Designer
Unknown
Artist
--
Size (inches)
26 7/8" x 41 1/8"
SS or DS
SS
NSS #
--
Tagline
Before man walked the earth...it slept for centuries. It is evil. It is real. It is awakening.

Prince Of Darkness / B2 / Japan

17.05.11

Poster Poster

Prom Night / one sheet / USA

17.05.11

Poster Poster
Title
Prom Night
AKA
Non entrate in quella casa [Don't go in that house] (Italy)
Year of Film
1980
Director
Paul Lynch
Starring
Leslie Nielsen, Jamie Lee Curtis, Casey Stevens, Anne-Marie Martin, Michael Tough, Robert A. Silverman
Origin of Film
Canada
Genre(s) of Film
Leslie Nielsen, Jamie Lee Curtis, Casey Stevens, Anne-Marie Martin, Michael Tough, Robert A. Silverman,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1980
Designer
Unknown
Artist
Macario "Mac" Gomez Quibus
Size (inches)
27 1/16" x 41 1/16"
SS or DS
SS
NSS #
800110
Tagline
If you're not back by midnight... you won't be coming home.

Prom Night / B2 / Japan

17.05.11

Poster Poster
Title
Prom Night
AKA
Non entrate in quella casa [Don't go in that house] (Italy)
Year of Film
1980
Director
Paul Lynch
Starring
Leslie Nielsen, Jamie Lee Curtis, Casey Stevens, Anne-Marie Martin, Michael Tough, Robert A. Silverman
Origin of Film
Canada
Genre(s) of Film
Leslie Nielsen, Jamie Lee Curtis, Casey Stevens, Anne-Marie Martin, Michael Tough, Robert A. Silverman,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1980
Designer
Unknown
Artist
Unknown
Size (inches)
20 6/16" x 29"
SS or DS
SS
Tagline
--

Ryan’s Daughter / one sheet / style B / USA

17.05.11

Poster Poster

Shallow Grave / B2 / Japan

17.05.11

Poster Poster

Stuntman / B2 / Japan

17.05.11

Poster Poster

Swimming Pool / one sheet / USA

17.05.11

Poster Poster
Title
Swimming Pool
AKA
--
Year of Film
2003
Director
François Ozon
Starring
Charlotte Rampling, Ludivine Sagnier, Charles Dance, Jean-Marie Lamour, Marc Fayolle, Mireille Mossé, Lauren Farrow, Sebastian Harcombe, Frances Cuka
Origin of Film
France | UK
Genre(s) of Film
Charlotte Rampling, Ludivine Sagnier, Charles Dance, Jean-Marie Lamour, Marc Fayolle, Mireille Mossé, Lauren Farrow, Sebastian Harcombe, Frances Cuka,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
2003
Designer
Pulse Advertising
Artist
--
Size (inches)
27" x 39 15/16"
SS or DS
SS
NSS #
--
Tagline
On the surface, all is calm.

Friday the 13th Part 2 / B2 / Japan

02.02.15

Poster Poster
Title
Friday the 13th Part 2
AKA
L'assassino ti siede accanto [You're sitting next to the killer] (Italy)
Year of Film
1981
Director
Steve Miner
Starring
Amy Steel, John Furey, Adrienne King, Kirsten Baker, Stuart Charno, Warrington Gillette, Walt Gorney, Marta Kober, Tom McBride, Bill Randolph, Lauren-Marie Taylor, Russell Todd
Origin of Film
USA
Genre(s) of Film
Amy Steel, John Furey, Adrienne King, Kirsten Baker, Stuart Charno, Warrington Gillette, Walt Gorney, Marta Kober, Tom McBride, Bill Randolph, Lauren-Marie Taylor, Russell Todd,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1981
Designer
Unknown
Artist
Unknown
Size (inches)
20 5/16" x 28 13/16"
SS or DS
SS
Tagline
--

Following only a year after the release of the original film, Friday the 13th Part 2 stuck very close to the formula that had made the first film such a surprising box office hit. The film’s original director and producer Sean S. Cunningham decided not to return for the sequel after disagreements with studio Paramount over the direction it should take. Despite the fact that the film’s original killer had been decapitated at the end, the studio wanted to continue the same storyline, whereas Cunningham and others (including make-up maestro Tom Savini) had wanted to make the series more of an anthology with different unique storylines for each instalment. 

Steve Miner, an associate-producer on the original, was tapped to direct the sequel (he would also helm part 3) and the story was set in the same area as the first film with the action taking place at another camp on Crystal Lake along from where the original set of murders happened. The producers realised they could use the character of Jason Voorhees, the supposedly drowned son of the original killer Pamela Voorhees, as the antagonist and it’s revealed that his body was never found.

As a new set of teenagers arrive at the summer camp ahead of the influx of kids, a killer stalks and murders them one by one, in much the same fashion as the original film. The film has a similar jump-scare ending to the first but it’s fudged slightly as it’s not clear whether it was another dream or not. The character of Jason was nevertheless established as the main bad guy and the series would continue successfully for the next 25-plus years. Part 2 was a victim of the original’s success in that the MPAA were a lot more strict in terms of the gore content this time around and several scenes were cut or truncated to appease the sensors.

This Japanese B2 is a lot more interesting than the US one sheet and I’m unsure who is responsible for the art of the axe. If anyone has any ideas please get in touch.

North By Northwest / quad / 2009 BFI re-release / UK

18.05.11

Poster Poster
Title
North By Northwest
AKA
Intrigo internazionale [International intrigue] (Italy) | The Man in Lincoln's Nose (USA - working title)
Year of Film
1959
Director
Alfred Hitchcock
Starring
Cary Grant, Eva Marie Saint, James Mason, Leo G. Carroll, Jessie Royce Landis, Martin Landau, Philip Ober, Josephine Hutchinson, Adam Williams, Patrick McVey, Ed Platt
Origin of Film
USA
Genre(s) of Film
Cary Grant, Eva Marie Saint, James Mason, Leo G. Carroll, Jessie Royce Landis, Martin Landau, Philip Ober, Josephine Hutchinson, Adam Williams, Patrick McVey, Ed Platt,
Type of Poster
Quad
Style of Poster
BFI re-release
Origin of Poster
UK
Year of Poster
2009
Designer
Unknown
Artist
--
Size (inches)
30" x 40"
SS or DS
DS
Tagline
--