You Searched For: Australia%2B%257C%2BUSA

Tron / one sheet / ‘Play the game’ style / USA

17.05.11

Poster Poster
Title
Tron
AKA
Tron: The Electronic Gladiator (Australia)
Year of Film
1982
Director
Steven Lisberger
Starring
Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan, Barnard Hughes, Dan Shor, Peter Jurasik
Origin of Film
USA | Taiwan
Genre(s) of Film
Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan, Barnard Hughes, Dan Shor, Peter Jurasik,
Type of Poster
One sheet
Style of Poster
'Play the game' style
Origin of Poster
USA
Year of Poster
1982
Designer
Unknown
Artist
--
Size (inches)
27" x 41 1/16"
SS or DS
SS
NSS #
--
Tagline
A world inside the computer where man has never been. Never before now.

Tron / one sheet / USA

17.05.11

Poster Poster
Title
Tron
AKA
Tron: The Electronic Gladiator (Australia)
Year of Film
1982
Director
Steven Lisberger
Starring
Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan, Barnard Hughes, Dan Shor, Peter Jurasik
Origin of Film
USA | Taiwan
Genre(s) of Film
Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan, Barnard Hughes, Dan Shor, Peter Jurasik,
Type of Poster
One sheet
Style of Poster
Final
Origin of Poster
USA
Year of Poster
1982
Designer
Unknown
Artist
--
Size (inches)
27" x 41"
SS or DS
SS
NSS #
820081
Tagline
A world inside the computer where man has never been. Never before now.

The Matrix Revolutions / one sheet / teaser / Lightning Agent Smith style / USA

17.05.11

Poster Poster
Title
The Matrix Revolutions
AKA
--
Year of Film
2003
Director
The Wachowski brothers
Starring
Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, Clayton Watson, Nathaniel Lees, Jada Pinkett Smith, Harry J. Lennix, Harold Perrineau
Origin of Film
USA | Australia
Genre(s) of Film
Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, Clayton Watson, Nathaniel Lees, Jada Pinkett Smith, Harry J. Lennix, Harold Perrineau,
Type of Poster
One sheet
Style of Poster
Teaser - Lightning Agent Smith
Origin of Poster
USA
Year of Poster
2003
Designer
Concept Arts
Artist
--
Size (inches)
27" x 40"
SS or DS
DS
NSS #
--
Tagline
Everything that has a beginning has an end

The Matrix Revolutions / one sheet / teaser / Agents Smith style / USA

17.05.11

Poster Poster
Title
The Matrix Revolutions
AKA
--
Year of Film
2003
Director
The Wachowski brothers
Starring
Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, Clayton Watson, Nathaniel Lees, Jada Pinkett Smith, Harry J. Lennix, Harold Perrineau
Origin of Film
USA | Australia
Genre(s) of Film
Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, Clayton Watson, Nathaniel Lees, Jada Pinkett Smith, Harry J. Lennix, Harold Perrineau,
Type of Poster
One sheet
Style of Poster
Teaser - Agents Smith
Origin of Poster
USA
Year of Poster
2003
Designer
Concept Arts
Artist
--
Size (inches)
27" x 40"
SS or DS
DS
NSS #
--
Tagline
Everything that has a beginning has an end

The Matrix Revolutions / one sheet / teaser / Mech style / USA

17.05.11

Poster Poster
Title
The Matrix Revolutions
AKA
--
Year of Film
2003
Director
The Wachowski brothers
Starring
Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, Clayton Watson, Nathaniel Lees, Jada Pinkett Smith, Harry J. Lennix, Harold Perrineau
Origin of Film
USA | Australia
Genre(s) of Film
Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, Clayton Watson, Nathaniel Lees, Jada Pinkett Smith, Harry J. Lennix, Harold Perrineau,
Type of Poster
One sheet
Style of Poster
Teaser - Mech style
Origin of Poster
USA
Year of Poster
2003
Designer
Concept Arts
Artist
--
Size (inches)
27" x 40"
SS or DS
DS
NSS #
--
Tagline
Everything that has a beginning has an end

Outback / one sheet / USA

03.06.15

Poster Poster
Title
Outback
AKA
Wake in Fright
Year of Film
1971
Director
Ted Kotcheff
Starring
Donald Pleasence, Gary Bond, Chips Rafferty, Sylvia Kay, Jack Thompson, Peter Whittle, Al Thomas, John Meillon, John Armstrong
Origin of Film
Australia | USA
Genre(s) of Film
Donald Pleasence, Gary Bond, Chips Rafferty, Sylvia Kay, Jack Thompson, Peter Whittle, Al Thomas, John Meillon, John Armstrong,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1971
Designer
Unknown
Artist
Unknown
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
71/278
Tagline
Have a drink, mate? Have a fight, mate? Have some dust and sweat, mate? There's nothing else out here.

Outback (AKA Wake in Fright) was originally released in 1971 to a strong critical reception and decent box-office figures in countries like the UK, but it was almost a lost film by turn of the century. Only released in a few markets during the early 1970s, the film was seemingly forgotten about by the end of the decade and when Anthony Buckley, the editor of the film began looking for the original materials in 1996 it would be six years before he finally tracked them down to a warehouse in Pittsburgh. He was just in time since they were due to be destroyed only a week later. A full restoration was instigated and the results were screened at the 2009 Cannes Film Festival to great acclaim. The film was given a worldwide release shortly after and was put out on the blu-ray format at the same time.

An Australian-American co-production, the film was based on Australian author Kenneth Cook‘s 1961 novel Wake in Fright, which was the title it would be released with in Australia (and re-christened for its recent release everywhere). The film’s rights were acquired soon after the book was released but it would be several years before producers from NLT and Group W got involved and invited the Canadian director Ted Kotcheff (First Blood) to helm the adaptation. Kotcheff had never been to Australia before then and now admits to having known little about the outback and the situations he would go on to portray, but he immersed himself in the culture whilst filming on location and the results are clear to see on screen.

The late British actor Gary Bond plays John Grant, a teacher from Sydney who has agreed to the terms of a financial bond with the Australian government that guarantees him a tertiary eduction but means he has to take a teaching job in a remote outback township called Tiboonda. At the start of the Christmas holidays he sets off on a journey back to Sydney to see his girlfriend, which takes him via the mining town of Bundanyabba, known as The Yabba. He visits a bar where he meets a friendly but eccentric policeman (played by Chips Rafferty in his final role) who introduces him to the local gambling obsession of two-up. After winning a few rounds John gets carried away and decides to bet all his winnings to try and escape from the government bond. Unfortunately, luck is not on his side and he’s soon stuck in The Yabba, relying on the kindness of strangers to keep him afloat.

At another bar he meets a local called Tim Hynes (Al Thomas) who invites John back to his home. There he meets Tim’s daughter Jeanette and a bunch of his friends. Things take a dark turn from there as John is drawn into sordid events and descends into a drunken stupor with the aid of the gang of local men, led by alcoholic doctor Doc Tydon (played by a memorably wild-eyed Donald Pleasence). John eventually takes part in a horrific night-time kangaroo hunt that sees the men drunkenly shooting at the poor beasts before John is forced to stab an injured young kangaroo to death. Despite attempting to escape The Yabba via hitch-hiking, he soon finds himself back in the town carrying only a loaded rifle.

The film has a distinctly menacing atmosphere and you can’t help but put yourself in the shoes of John Grant, a man out of place, trapped in an oppressively hot and sticky environment. At some points you can practically taste the dust and sweat. The film attracted controversy for the kangaroo hunting scene, which featured graphic footage shot by Kotcheff and a camera crew after they’d joined a real kangaroo hunt during which the men with the rifles got progressively drunker whilst the night wore on. It’s still deeply unsettling to watch to this day, much like similar footage of animal cruelty in films like Cannibal Holocaust.

This artwork was used for the American marketing campaign and I think it was an adaptation of the Australian art (the two are very similar but there are a few notable differences). I’ve been unable to determine the name of the artist so if anyone has an idea please get in touch.

Predator 2 / daybill / Australia

17.05.11

Poster Poster
Title
Predator 2
AKA
--
Year of Film
1990
Director
Stephen Hopkins
Starring
Danny Glover, Gary Busey, María Conchita Alonso, Ruben Blades, Bill Paxton, Calvin Lockhart, Kevin Peter Hall
Origin of Film
USA
Genre(s) of Film
Danny Glover, Gary Busey, María Conchita Alonso, Ruben Blades, Bill Paxton, Calvin Lockhart, Kevin Peter Hall,
Type of Poster
Daybill
Style of Poster
--
Origin of Poster
Australia
Year of Poster
1991
Designer
Unknown
Artist
--
Size (inches)
13 3/16" x 25 6/8"
SS or DS
SS
Tagline
Silent. Invisible. Invincible. He's in town with a few days to kill.

The Living Daylights / one sheet / Australia

17.05.11

Poster Poster
Title
The Living Daylights
AKA
007 zona pericolo [Dangerous area] (Italy)
Year of Film
1987
Director
John Glen
Starring
Timothy Dalton, Maryam d'Abo, Joe Don Baker, Art Malik, John Rhys-Davies, Jeroen Krabbé
Origin of Film
UK | USA
Genre(s) of Film
Timothy Dalton, Maryam d'Abo, Joe Don Baker, Art Malik, John Rhys-Davies, Jeroen Krabbé,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
Australia
Year of Poster
1987
Designer
Brian Bysouth | Bernie Goddard | Mike Bell | Stephen Laws
Artist
Brian Bysouth
Size (inches)
27" x 40 1/16"
SS or DS
SS
NSS #
--
Tagline
The new James Bond... living on the edge.

Unquestionably the last truly great James Bond poster was painted by the British artist Brian Bysouth and the design was discussed during my 2012 interview with him:

“The last painting I did was for The Living Daylights. There were a number of us involved with the initial design ideas for that poster, including Bernie Goddard, a freelance designer who often worked with FEREF. Mike Bell and Stephen Laws also produced some concept roughs. Using the original Bond spiral gun barrel idea was a concept that featured on some of the designs and Bernie submitted one using it. The final concept was an amalgamation of ideas and I was tasked with composing the montage that became the poster. I produced the final colour rough that was sent to the client and we were all very glad when it was approved and I was able to start the finished painting.

I came across the rough a little while ago and it’s in reasonable condition considering it’s age.

That design ended up being used around the world and, as Sim Branaghan disclosed in his book, you were paid the highest fee ever given to a British film poster artist for that.
[Laughs] I probably shouldn’t have told Sim that! I don’t know if it was the highest fee ever paid, as I have no idea what other artists in Britain were getting for their work. But later I read somewhere that Bob Peak was being paid up to $50,000 for one poster at the beginning of the 1980s, and other artists such as Drew Struzan were perceived as being extremely well rewarded. I used to charge a day rate and always felt there was a downward pressure on the fees I charged. I was aware that as a director of the company I felt obliged not to inflate my prices, always making allowance for the company mark-up.  With the wisdom of hindsight, maybe I was wrong and I should have charged more. Anyway, I remember being content at the time.

I never knew how much FEREF were charging the client and I never thought to enquire. I decided that I was going to charge £3000 for my work on The Living Daylights because I had been working on the campaign for weeks. The fee was agreed and that was fine. Looking back in retrospect at an illustration that was used around the world to market a James Bond film do you really think that was a lot of money? It’s peanuts! Especially in comparison to the enormous budget the studio would have allotted to the marketing in total. Finally, I hope I am right in believing the client thought well of FEREF because we didn’t ridiculously inflate the price of the work we did for them. We sincerely believed we were the best at what we did, and it was upmost in our minds that we had to be competitive with our charges.”
The article also features pictures of the original artwork and initial sketches for this poster.

Full Metal Jacket / Daybill / Australia

17.05.11

Poster Poster
Title
Full Metal Jacket
AKA
--
Year of Film
1987
Director
Stanley Kubrick
Starring
Matthew Modine, Adam Baldwin, Vincent D'Onofrio, R. Lee Ermey, Dorian Harewood, Kevyn Major Howard, Arliss Howard, Ed O'Ross, John Terry
Origin of Film
UK | USA
Genre(s) of Film
Matthew Modine, Adam Baldwin, Vincent D'Onofrio, R. Lee Ermey, Dorian Harewood, Kevyn Major Howard, Arliss Howard, Ed O'Ross, John Terry,
Type of Poster
Daybill
Style of Poster
--
Origin of Poster
Australia
Year of Poster
1987
Designer
Unknown
Artist
--
Size (inches)
13 3/16" x 26 6/8"
SS or DS
SS
Tagline
An epic story of the Vietnam war

Die Hard / daybill / Australia

17.05.11

Poster Poster
Title
Die Hard
AKA
Jungla de cristal (Spain) | Die hard: Operasjon skyskraper (Norway)
Year of Film
1988
Director
John McTiernan
Starring
Bruce Willis, Alan Rickman, Bonnie Bedelia, Reginald VelJohnson, Alexander Godunov, Paul Gleason
Origin of Film
USA
Genre(s) of Film
Bruce Willis, Alan Rickman, Bonnie Bedelia, Reginald VelJohnson, Alexander Godunov, Paul Gleason,
Type of Poster
Daybill
Style of Poster
--
Origin of Poster
Australia
Year of Poster
1988
Designer
Unknown
Artist
--
Size (inches)
13 11/16" x 26 11/16"
SS or DS
SS
Tagline
High above the city of L.A. a team of terrorists has seized a building, taken hostages, and declared war. One man has managed to escape... An off-duty cop hiding somewhere inside. He's alone, tired... and the only chance anyone has got.

Mad Max / one sheet / 1983 re-release / USA

17.05.11

Poster Poster
Title
Mad Max
AKA
Interceptor (Italy)
Year of Film
1979
Director
George Miller
Starring
Mel Gibson, Steve Bisley, Joanne Samuel, Hugh Keays-Byrne, Tim Burns, Geoff Parry
Origin of Film
Australia
Genre(s) of Film
Mel Gibson, Steve Bisley, Joanne Samuel, Hugh Keays-Byrne, Tim Burns, Geoff Parry,
Type of Poster
One sheet
Style of Poster
Re-release
Origin of Poster
USA
Year of Poster
1983
Designer
Concept Arts
Artist
Bill Garland
Size (inches)
27" x 40 15/16"
SS or DS
SS
NSS #
80029
Tagline
The Maximum Force of the Future.

Road Games / 30×40 / USA

07.06.13

Poster Poster
Title
Road Games
AKA
Roadgames (Alt. spelling)
Year of Film
1981
Director
Richard Franklin
Starring
Stacy Keach, Jamie Lee Curtis, Marion Edward, Grant Page, Thaddeus Smith, Steve Millichamp, Alan Hopgood, John Murphy, Bill Stacey
Origin of Film
Australia
Genre(s) of Film
Stacy Keach, Jamie Lee Curtis, Marion Edward, Grant Page, Thaddeus Smith, Steve Millichamp, Alan Hopgood, John Murphy, Bill Stacey,
Type of Poster
30x40
Style of Poster
--
Origin of Poster
USA
Year of Poster
1981
Designer
Unknown
Artist
Unknown
Size (inches)
30" x 40"
SS or DS
SS
NSS #
810058
Tagline
The truck driver plays games... The hitchhiker plays games. And the killer is playing the deadliest game of all!

A superb design on this 30×40 poster for the US release of the excellent Australian thriller Road Games. The film’s director Richard Franklin was born in Melbourne but went on to study at the acclaimed film school at the University of Southern California, alongside future filmmakers such as George Lucas, Robert Zemeckis and John Carpenter. Franklin returned to Australia at the beginning of the 1970s when the country’s film industry was in resurgence and began directing, first on the TV police drama ‘Homicide’ and then helming a pair of soft-core porn features. In 1978 he directed Patrick, a horror film featuring a man in a coma wreaking havoc using telekinetic powers, which was a pivotal moment in Franklin’s career as it ultimately led to him being entrusted with the budget for Road Games, at the time Australia’s most expensive feature film.

Scripted by Everett De Roche, an Australian screenwriter who was a frequent collaborator with Franklin, the film was funded in part by Avco Embassy, the American independent studio and distributor, who paid $500k for all rights outside of Australia. Franklin apparently originally wanted to hire Sean Connery in the lead role but when salary demands ruled this out the production went with the prolific American character actor Stacy Keach, who is excellent in the role of Quid, a cross-country truck driver who features in practically every scene in the film. Whilst driving his cargo of meat across the country Quid becomes convinced that a man driving a green panelvan is a serial killer who has been butchering young women in various towns across Australia. Jamie Lee Curtis features, in what is essentially an extended cameo, as a hitchhiker who Quid picks up and quickly becomes embroiled in his plans to apprehend the suspect. The film is well paced and features several tense sequences and a moments of Mad Max-esque automobile carnage (the boat!).

In this 2002 interview with Franklin the director complains that the US distributors sold the film as a Psycho-esque slasher, which he feels hurt its box-office performance. This artwork certainly backs up that claim, despite the early guitar string murder happening almost exactly as its depicted on this poster. The film is certainly more of a paranoid thriller than a true horror but it’s easy to see why the distributors wished to sell it as as such.

Despite extensive searches I’ve been unable to identify the artist behind this painting so if anyone has any ideas please get in touch and I’ll update the credit. The same image has been used several times since the original cinema release on VHS and DVD covers. The Australian poster is markedly different.

A Decent Factory / special size / USA

17.05.11

Poster Poster
Title
A Decent Factory
AKA
Säädyllinen tehdas (Finland)
Year of Film
2005
Director
Thomas Balmes
Starring
Louise Jamison, Hanna Kaskinen
Origin of Film
UK | Finland | France | Denmark | Australia
Genre(s) of Film
Louise Jamison, Hanna Kaskinen,
Type of Poster
special
Style of Poster
--
Origin of Poster
USA
Year of Poster
2005
Designer
Unknown
Artist
Unknown
Size (inches)
23 3/8" x 33 1/8"
SS or DS
SS
NSS #
--
Tagline
--

Crocodile Dundee / one sheet / USA

17.05.11

Poster Poster
Title
Crocodile Dundee
AKA
--
Year of Film
1986
Director
Peter Faiman
Starring
Paul Hogan, Linda Kozlowski, John Meillon, David Gulpilil, Ritchie Singer, Maggie Blinco, Steve Rackman, Gerry Skilton
Origin of Film
Australia
Genre(s) of Film
Paul Hogan, Linda Kozlowski, John Meillon, David Gulpilil, Ritchie Singer, Maggie Blinco, Steve Rackman, Gerry Skilton,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1986
Designer
Spiros Angelikas
Artist
Dan Goozee
Size (inches)
27" x 40 15/16"
SS or DS
SS
NSS #
860099
Tagline
He's survived the most hostile and primitive land known to man. Now all he's got to do is make it through a week in New York. | There's a little of him in all of us.

Mad Max / screen print / Billy Perkins / regular / USA

17.05.11

Poster Poster
Title
Mad Max
AKA
Interceptor (Italy)
Year of Film
1979
Director
George Miller
Starring
Mel Gibson, Steve Bisley, Joanne Samuel, Hugh Keays-Byrne, Tim Burns, Geoff Parry
Origin of Film
Australia
Genre(s) of Film
Mel Gibson, Steve Bisley, Joanne Samuel, Hugh Keays-Byrne, Tim Burns, Geoff Parry,
Type of Poster
Screen print
Style of Poster
Regular
Origin of Poster
USA
Year of Poster
2008
Designer
Billy Perkins
Artist
Billy Perkins
Size (inches)
23 10/16" x 35"
SS or DS
SS
Tagline
--

The Road Warrior / one sheet / USA

17.05.11

Poster Poster
Title
The Road Warrior
AKA
Mad Max 2 (International) | Interceptor, il guerriero della strada [Interceptor, the warrior of the road] (Italy)
Year of Film
1981
Director
George Miller
Starring
Mel Gibson, Michael Preston, Bruce Spence, Vernon Wells, Kjell Nilsson, Virginia Hey, Emil Minty
Origin of Film
Australia
Genre(s) of Film
Mel Gibson, Michael Preston, Bruce Spence, Vernon Wells, Kjell Nilsson, Virginia Hey, Emil Minty,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1982
Designer
Unknown
Artist
Commander
Size (inches)
27" x 41"
SS or DS
SS
NSS #
820083
Tagline
In the future, cities will become deserts, roads will become battlefields and the hope of mankind will appear as a stranger.

The Proposition / one sheet / USA

17.05.11

Poster Poster
Title
The Proposition
AKA
--
Year of Film
2005
Director
John Hillcoat
Starring
Guy Pearce, Ray Winstone, Emily Watson, Danny Huston, David Wenham, John Hurt
Origin of Film
Australia | UK
Genre(s) of Film
Guy Pearce, Ray Winstone, Emily Watson, Danny Huston, David Wenham, John Hurt,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
2005
Designer
Art Machine
Artist
--
Size (inches)
27" x 40"
SS or DS
SS
NSS #
--
Tagline
--

The Matrix Reloaded / B1 / Neo / Japan

17.05.11

Poster Poster

The Matrix Reloaded / B1 / Neo and Trinity / Japan

17.05.11

Poster Poster

Poppies Are Also Flowers / A1 / Germany

21.09.15

Poster Poster

Five great portraits painted by Renato Casaro feature on this German re-release poster for Poppies Are Also Flowers (AKA Danger Grows Wild and several other titles). Made as an anti-drug trafficking film with the help of the United Nations, it was sponsored by corporate entities, including Xerox.  As this poster attests, it was based on a screenplay by James Bond creator Ian Fleming, was directed by Bond director Terence Young and had a seriously star-studded cast. The likes of Yul BrynnerAngie DickinsonTrevor Howard and Marcello Mastroianni all signed up and, so the story goes, worked for $1 each. Some serious favours must have been called in as I find it hard to believe they were all passionately anti-narcotics!

The story is described thusly on the film’s Wikipedia page:

In an attempt to stem the heroin trade at the Afghanistan–Iran border, a group of narcotics agents working for the United Nations inject a radioactive compound into a seized shipment of opium, in the hopes that it will lead them to the main heroin distributor in Europe.

Now largely forgotten, the film is apparently in the public domain and is available to watch on YouTube and elsewhere (although the quality of all copies out there is atrocious). Although originally intended for TV, the film was given a cinema release in several countries, including Japan, UK (as Danger Grows Wild) and Germany. This poster is apparently for a 1973 re-release (for what reason I’m not certain) and the original German release poster can be seen here. Casaro was clearly tasked with making the film appear as exciting as possible and added the action scenes in the bottom half of the poster. It’s safe to say that for all the effort that went it to making the film it wasn’t exactly successful in curtailing the activities of the international drug trade!

One of my favourite artists, Renato Casaro is an Italian with a prolific movie poster output that lasted over 35 years. He began his career in 1953, aged 19, at the famous Studio Favalli in Rome and would go on to design and paint posters for many of the biggest directors in the world. His skill at accurately portraying actors and his brilliant use of colour and composition saw him much in demand from studios and actors alike. His artwork has featured on posters used in multiple countries, including Japan, Germany, USA as well as in his native Italy.

Check out the incredible amount of work on his official website here, which also features a biography of the artist. In March 2014 I published an exclusive interview with Renato and it can be read by clicking here. The other posters I’ve collected by Renato Casaro are here.

The Salute of the Jugger / B2 / Japan

17.05.11

Poster Poster
Title
The Salute Of The Jugger
AKA
The Blood Of Heroes (USA)
Year of Film
1989
Director
David Webb Peoples
Starring
Rutger Hauer, Joan Chen, Delroy Lindo, Anna Katarina, Vincent D'Onofrio, Gandhi MacIntyre, Justin Monjo, Aaron Martin
Origin of Film
Australia | USA
Genre(s) of Film
Rutger Hauer, Joan Chen, Delroy Lindo, Anna Katarina, Vincent D'Onofrio, Gandhi MacIntyre, Justin Monjo, Aaron Martin,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1990
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

Duck, You Sucker / one sheet / 1980 re-release / international

13.08.11

Poster Poster
Title
Duck, You Sucker
AKA
Giù la testa ['duck', literally 'down the head'] (Italy - original title) | A Fistful of Dynamite (UK, Australia, USA alt.)
Year of Film
1971
Director
Sergio Leone
Starring
Rod Steiger, James Coburn, Romolo Valli, Maria Monti, Rik Battaglia, Franco Graziosi, Antoine Saint-John, Giulio Battiferri
Origin of Film
Italy
Genre(s) of Film
Rod Steiger, James Coburn, Romolo Valli, Maria Monti, Rik Battaglia, Franco Graziosi, Antoine Saint-John, Giulio Battiferri,
Type of Poster
One sheet
Style of Poster
Re-release
Origin of Poster
International (USA)
Year of Poster
1980
Designer
Unknown
Artist
Robert McGinnis
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
--
Tagline
--

This is the international re-release (1980) poster for Sergio Leone Duck, You Sucker which uses the same design as the original release poster (1971) with only a handful of changes to the credits block and a lack of NSS details.

The artwork is by Robert McGinnis, one of the all time great poster artists, who is perhaps best known for his work on some of the best James Bond posters, including Thunderball (with Frank McCarthy), Live and Let Die and Diamonds are Forever. This great gallery showcases many of his finest pieces.

If you look closely at some of the images of this poster you’ll see the fold lines from the original poster that United Artists must have copied in order to print this re-release (this version is rolled). I’m assuming this is because the original printing plates were lost and it would have been too expensive/impossible to recreate them.

Whilst not as beloved as the films that make up Sergio Leone’s ‘Dollars Trilogy’, this is still an excellent action adventure featuring many memorable scenes and I’m hoping that it will get released on blu-ray soon with both of the versions on the disc.

The original US trailer can be watched on YouTube.

Mad Max 2 / program / Japan

20.11.17

Poster Poster
Title
Mad Max 2
AKA
The Road Warrior (USA) | Interceptor, il guerriero della strada (Italy)
Year of Film
1981
Director
George Miller
Starring
Mel Gibson, Michael Preston, Bruce Spence, Vernon Wells, Kjell Nilsson, Virginia Hey, Emil Minty
Origin of Film
Australia
Genre(s) of Film
Mel Gibson, Michael Preston, Bruce Spence, Vernon Wells, Kjell Nilsson, Virginia Hey, Emil Minty,
Type of Poster
Program
Style of Poster
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Origin of Poster
Japan
Year of Poster
1982
Designer
Unknown
Artist
Noriyoshi Ohrai
Size (inches)
8 4/16" x 11 12/16"
SS or DS
--
Tagline
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This is the original cinema program that was sold at Japanese screenings of George Miller’s unforgettable Mad Max 2 (AKA The Road Warrior). The first film in the post-apocalyptic franchise was released in Australia in 1979 and worldwide the following year, where it went on to gross over $100m. The original budget was around $400k so for decades it held the record for the most profitable film ever made. The US release had been relatively small in terms of the number of cinemas so the decision was taken to rename the sequel as The Road Warrior there. The UK, Japan and other countries received it as Mad Max 2.

The film ups the ante considerably from the first film and sees Max (Mel Gibson) roaming the desert in his black supercharged V8 special, mourning the death of his family and searching for fuel and food. After a chance encounter on the road he ends up at a compound full of fuel which is under siege by a gang of marauders, led by the masked madman Lord Humungus. Eventually Max is tasked with leading the group to safety via an armoured convoy, which includes armoured tankers. The chase is incredibly thrilling and one of the most memorable action sequences ever filmed. The 2015 quasi-sequel Fury Road dials up the action even more and was a welcome return to the world of Mad Max.

Note that this program features details about the production, the director and several of the actors. It also contains a poster with artwork by the late, great Noriyoshi Ohrai (see last picture). This is the only place that the artwork was available – no actual cinema-used poster was printed featuring the art. The regular Japanese B2 poster is a photographic montage, which is near enough the same as this program, that can be seen on this site here.

I visited an exhibition of Ohrai’s work in Japan in 2014 and a report can be seen here. Other posters I have by him can be seen here.

Airplane! / B1 / Japan

05.07.17

Poster Poster

Featuring the same artwork from the US one sheet, this is the Japanese B1 poster for one of the funniest films of all time, Airplane! The film was the creation of the celebrated writers Jerry ZuckerJim Abrahams, and David Zucker (collectively known as ZAZ) who had garnered critical acclaim for their small theatre productions as the Kentucky Fried Theatre, which they formed in 1971. The idea for the film was arrived at after the trio saw the 1957 disaster movie Zero Hour! and realised it had the perfect structure to be adapted into a comedy film. A script was written and completed in 1975 but the trio had little experience in filmmaking so it was shelved for a while as they pulled together a script based on their theatre sketches. This was filmed and released as The Kentucky Fried Movie in 1978, directed by John Landis. Ultimately it gave them the necessary experience to feel confident enough to direct Airplane!

As well as riffing on Zero Hour!, the film is a send-up of disaster movies of the seventies such as Airplane (1975) and takes place on board a stricken passenger jet. Robert Hays stars as Ted Striker, an ex-Navy pilot who was traumatised during the War and has a pathological fear of flying. Desperate to win back his ex-girlfriend Elaine Dickinson (Julie Hagerty) Striker follows her onto a Trans American flight from Los Angeles to Chicago on which she is working as a flight attendant. Determined to speak to Elaine, he makes several attempts to get her attention but nothing works until food poisoning strikes both passengers and crew. Attention falls on Striker as the aircrafts best hope for survival and he must overcome his psychological aversion to sitting behind the controls.

In Airplane! the jokes come thick and fast and are both spoken and visual (sight gags). Several actors were playing against type, notably Lloyd Bridges, Robert Stack and Leslie Nielsen. The latter’s career was to skyrocket following this film with starring roles in the ZAZ TV show Police Squad! as well as the trilogy of films based on the series, Naked Gun. Airplane! was both a critical and commercial success and would go on to earn over $83m on a $3.5m budget. It cemented ZAZ’s reputation as reliable comedy writers and directors and, as well as Police Squad! and Naked Gun, the 1980s and early 1990s saw the release of Top Secret!, Ruthless People and Hot Shots! (1 & Deux). Airplane! was also both multi-award winning and hugely influential on budding comedy performers and directors.

The artwork of the twisted plane featured on posters for the film across the world and was painted by the celebrated artist, filmmaker and author Robert Grossman. Born in New York City in 1940, he received his earliest training from his father who was a display painter. He would go on to study at Yale University and graduated with a BA in Fine Arts in 1961. Two years later Grossman began a freelance career that would see him working for the next 50 years. His work has appeared over 500 times on the covers of various national publications such as Time, Newsweek, Rolling Stone and Esquire. In addition to magazine and newspapers, his illustrations have also graced children’s books and record sleeves for the likes of Columbia and Warner Bros. The Airplane! illustration is one of his most famous pieces of work. As far as I can tell Grossman only worked on a painting for two other film posters during his career, both of which can be seen here. His official website is here and a gallery of his work can be seen here.