You searched for: 1971

Dirty Harry / one sheet / 1971 original / USA

17.05.11

Poster Poster
Title
Dirty Harry
AKA
Ispettore Callaghan: il caso Scorpio è tuo [Inspector Callaghan: The Scorpio case is yours] (Italy)
Year of Film
1971
Director
Don Siegel
Starring
Clint Eastwood, Andy Robinson, Harry Guardino, Reni Santoni, John Vernon
Origin of Film
USA
Genre(s) of Film
Clint Eastwood, Andy Robinson, Harry Guardino, Reni Santoni, John Vernon,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1971
Designer
Bill Gold
Artist
--
Size (inches)
27 >1/16" x 41"
SS or DS
SS
Tagline
Detective Harry Callahan. He doesn't break murder cases. He smashes them.

The Omega Man / 30×40 / USA

20.03.13

Poster Poster
Title
The Omega Man
AKA
1975: occhi bianchi sul pianeta Terra [White eyes on planet earth] (Italy)
Year of Film
1971
Director
Boris Sagal
Starring
Charlton Heston, Anthony Zerbe, Rosalind Cash, Paul Koslo, Eric Laneuville, Lincoln Kilpatrick, Jill Giraldi
Origin of Film
USA
Genre(s) of Film
Charlton Heston, Anthony Zerbe, Rosalind Cash, Paul Koslo, Eric Laneuville, Lincoln Kilpatrick, Jill Giraldi,
Type of Poster
30x40
Style of Poster
--
Origin of Poster
USA
Year of Poster
1971
Designer
Unknown
Artist
Unknown
Size (inches)
30 1/16" x 40"
SS or DS
SS
NSS #
71/208
Tagline
The last man alive... is not alone!

American author Richard Matheson‘s 1954 post-apocalyptic tale I Am Legend has been adapted for the screen three times, first in 1964 as the Vincent Price-starring The Last Man on Earth that was shot in Rome and co-directed by Italian Ubaldo Ragona and American Sidney Salkow. The rights to the story had originally been bought by Tony Hinds of the British Hammer Studios and Matheson was asked to write the screenplay, but worries about the gruesome content being too much for British censors saw the script being sold to the American producer Robert Lippert. Matheson was apparently so disappointed with his own screenplay and resultant film that he asked to be credited with the pseudonym Logan Swanson. The Last Man on Earth’s limited success at the box-office might explain why The Omega Man was put into production only seven years later.

Charlton Heston stars as Robert Neville, the Army scientist who manages to inject himself with an experimental vaccine just as the world’s population is obliterated by biological warfare between the Chinese and Russians. Two years later Neville believes himself to be the only surviving human and spends his days exploring a deserted Los Angeles and hunting down a group of infected mutants known as The Family. One day whilst exploring a shopping centre Neville has an encounter with another human survivor but quickly dismisses it as a hallucination, having been alone for so long. When he is captured by The Family and almost burned at the stake his rescue comes from a ragtag bunch of human survivors who ask for his help in saving a group of children that are infected and slowly succumbing to the disease. Neville decides to see if his blood can be used to create a serum to save them, but The Family are not done with him yet…

The Omega Man has several memorable scenes, particularly during the first half of the film as Neville explores a convincingly deserted Los Angeles, which was achieved with out any visual effects by shooting in the city’s business district early on Sunday mornings. The soundtrack is also excellent and Heston does a solid job in the lead role, supported by Rosalind Cash who’s memorable as one of the other survivors with whom Heston shares a controversial (for the time) interracial kiss. The make-up for the mutants has dated rather badly but it’s nowhere near as poor as the terrible CGI abominations that all but sank 2007’s I Am Legend, starring Will Smith in the lead role.

I’m unsure who is responsible for the design of this poster but the pencil drawing is similar to the one seen on the Dirty Harry one sheet that was designed by Bill Gold, so I suspect the same artist may be credited and that Gold was also behind the design. If anyone knows for sure please get in touch.

Diamonds are Forever / B2 / Japan

15.11.13

Poster Poster

Diamonds are Forever is the seventh film in the long-running James Bond franchise and was the last official (EON productions) film to star arguably the greatest actor who played the spy, Sean Connery. After appearing in On Her Majesty’s Secret Service actor George Lazenby decided to leave the franchise, apparently on the advice of his agent, and the producers considered a few other actors before the then head of United Artists (David Picker) declared that he wanted Connery back and money was no object. The Scottish actor, who had previously declared he would never return to the role, demanded an unprecedented fee of £1.25m (equivalent to £23 million in 2013) and was also granted backing to produce two other films of his choice. After both sides agreed to the deal the casting was announced and Connery then donated his fee to set up the Scottish International Education Trust, which allowed artists from the country to apply for funding without having to leave Scotland.

The story starts out with Bond apparently killing his arch-enemy Ernst Stavro Blofeld in revenge for the death of his new bride at the end of the previous film. The spy is then sent to investigate the mysterious murders of diamond smugglers and the theft of thousands of the precious stones. After following the trail from Amsterdam to Las Vegas, picking up a partner in smuggler Tiffany Case (Jill St. John) along the way, Bond discovers that two quirky assassins called Mr Wint and Mr Kidd (played memorably by Bruce Glover and Putter Smith) have been killing other smugglers across the world and are stockpiling diamonds for a mysterious benefactor. When Bond tracks the diamonds to their destination in a remote desert facility, he discovers that his arch enemy Blofeld is still alive and is using the diamonds to create a space laser capable of destroying targets on earth. The super spy sets out to stop the maniac’s plans and prevent him from holding the world to ransom with his new weapon.

This Japanese B2 features a montage that is unique to the poster and it includes images of Tiffany Case (on the left) and Trina Parks as the inept assassin Thumper (partnered in the film with ‘Bambi’) who is notable as being the first African-American actress to appear in a Bond film. There is also a small part of the artwork from the American one sheet that was painted by Robert McGinnis.

The Andromeda Strain / B2 / Japan

23.02.12

Poster Poster
Title
The Andromeda Strain
AKA
--
Year of Film
1971
Director
Robert Wise
Starring
Arthur Hill, David Wayne, James Olson, Kate Reid, Paula Kelly, George Mitchell, Ramon Bieri, Peter Hobbs, Kermit Murdock, Richard O'Brien
Origin of Film
USA
Genre(s) of Film
Arthur Hill, David Wayne, James Olson, Kate Reid, Paula Kelly, George Mitchell, Ramon Bieri, Peter Hobbs, Kermit Murdock, Richard O'Brien,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1971
Designer
Unknown
Artist
--
Size (inches)
20 4/16" x 28 13/16"
SS or DS
SS
Tagline
--

A unique design on this Japanese poster for the classic sci-fi thriller The Andromeda Strain, which was based on Michael Crichton’s book of the same name. Despite clearly being a product of the early 1970s the film still stands up today and the events depicted are no less terrifying than they were 41 years ago; the threat of an unknown and deadly disease hangs over us all.

The story focuses on the mysterious deaths of the inhabitants of a small town in Arizona after a satellite crashes back to earth nearby. It’s suspected that the satellite was carrying an unknown extraterrestrial organism and a specialist team of scientists is despatched to investigate. They recover the satellite and also discover there are two survivors in the town; a delirious elderly man and a baby.  The team then heads to the specially constructed ‘Wildfire’ underground bunker where they must race against time (and the threat of nuclear destruction) to neutralise the alien threat with the help of the two survivors.

The visual effects were designed by Douglas Trumbull who has worked his magic on multiple classic films over the years, including 2001, Blade Runner and recently on The Tree of Life. Using techniques he’d honed on 2001, Trumbull was able to create realistic looking (for the time) screen displays without the need for an actual computer. The production design by Boris Leven is also fantastic with the bunker interior being particularly notable.

The US one sheet features the same shot of James Olson in the hermetically sealed suit with the uninfected baby.

The original trailer is available on YouTube.

 

$ / one sheet / style A / USA

15.09.17

Poster Poster
Title
$
AKA
Dollars (Alt. USA title) | The Heist (UK)
Year of Film
1971
Director
Richard Brooks
Starring
Warren Beatty, Goldie Hawn, Gert Fröbe, Robert Webber, Scott Brady, Arthur Brauss, Robert Stiles, Wolfgang Kieling, Bob Herron, Christiane Maybach
Origin of Film
USA
Genre(s) of Film
Warren Beatty, Goldie Hawn, Gert Fröbe, Robert Webber, Scott Brady, Arthur Brauss, Robert Stiles, Wolfgang Kieling, Bob Herron, Christiane Maybach,
Type of Poster
One sheet
Style of Poster
Style A
Origin of Poster
USA
Year of Poster
1971
Designer
Unknown
Artist
--
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
71/355
Tagline
This is a moving picture!

A simple design features on this one sheet for the US release of the 1971 crime-caper $ (AKA Dollars AKA The Heist). The film was written and directed by the late American director Richard Brooks who is best known for Blackboard Jungle (1955), Cat on a Hot Tin Roof (1958) and In Cold Blood (1967). It stars Warren Beatty who was arguably at the height of his career following his appearance in Bonnie and Clyde a few years earlier. He had just finished work on Robert Altman’s McCabe and Mrs Miller which was released the same year as $. The film also marked the third screen appearance of Goldie Hawn and features Goldfinger himself Gert Fröbe. $ is notable for being filmed on location, including in Hamburg, Germany (where it is largely set) as well as in Sweden and San Diego, California.

The film’s plot is described on IMDb:

[$ is a] caper film about crooks robbing crooks, set in Germany where American bank security expert Joe Collins (Beatty) plots with call-girl Dawn Divine (Hawn) to rob three safety deposit boxes from three criminals; a local drug dealer known as the Candy Man, a Las Vegas mobster, and a crooked U.S. Army sergeant. The heist goes off with few complications. But when Candy Man and the Sarge find their money gone and figure out that Dawn (whom they all have gotten to know) is behind it, they team up to try to get their money back.

Despite receiving solid critical notices $ failed to set the box-office alight and was considered something of a flop on release.

This is one of several one sheets printed for the release of the film and some of the others can be seen by checking out this page on emovieposter.com. I’m unsure who was responsible for the design of this particular poster (known as ‘style A’) so if anyone has any ideas please get in touch.

Outback / one sheet / USA

03.06.15

Poster Poster
Title
Outback
AKA
Wake in Fright
Year of Film
1971
Director
Ted Kotcheff
Starring
Donald Pleasence, Gary Bond, Chips Rafferty, Sylvia Kay, Jack Thompson, Peter Whittle, Al Thomas, John Meillon, John Armstrong
Origin of Film
Australia | USA
Genre(s) of Film
Donald Pleasence, Gary Bond, Chips Rafferty, Sylvia Kay, Jack Thompson, Peter Whittle, Al Thomas, John Meillon, John Armstrong,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1971
Designer
Unknown
Artist
Unknown
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
71/278
Tagline
Have a drink, mate? Have a fight, mate? Have some dust and sweat, mate? There's nothing else out here.

Outback (AKA Wake in Fright) was originally released in 1971 to a strong critical reception and decent box-office figures in countries like the UK, but it was almost a lost film by turn of the century. Only released in a few markets during the early 1970s, the film was seemingly forgotten about by the end of the decade and when Anthony Buckley, the editor of the film began looking for the original materials in 1996 it would be six years before he finally tracked them down to a warehouse in Pittsburgh. He was just in time since they were due to be destroyed only a week later. A full restoration was instigated and the results were screened at the 2009 Cannes Film Festival to great acclaim. The film was given a worldwide release shortly after and was put out on the blu-ray format at the same time.

An Australian-American co-production, the film was based on Australian author Kenneth Cook‘s 1961 novel Wake in Fright, which was the title it would be released with in Australia (and re-christened for its recent release everywhere). The film’s rights were acquired soon after the book was released but it would be several years before producers from NLT and Group W got involved and invited the Canadian director Ted Kotcheff (First Blood) to helm the adaptation. Kotcheff had never been to Australia before then and now admits to having known little about the outback and the situations he would go on to portray, but he immersed himself in the culture whilst filming on location and the results are clear to see on screen.

The late British actor Gary Bond plays John Grant, a teacher from Sydney who has agreed to the terms of a financial bond with the Australian government that guarantees him a tertiary eduction but means he has to take a teaching job in a remote outback township called Tiboonda. At the start of the Christmas holidays he sets off on a journey back to Sydney to see his girlfriend, which takes him via the mining town of Bundanyabba, known as The Yabba. He visits a bar where he meets a friendly but eccentric policeman (played by Chips Rafferty in his final role) who introduces him to the local gambling obsession of two-up. After winning a few rounds John gets carried away and decides to bet all his winnings to try and escape from the government bond. Unfortunately, luck is not on his side and he’s soon stuck in The Yabba, relying on the kindness of strangers to keep him afloat.

At another bar he meets a local called Tim Hynes (Al Thomas) who invites John back to his home. There he meets Tim’s daughter Jeanette and a bunch of his friends. Things take a dark turn from there as John is drawn into sordid events and descends into a drunken stupor with the aid of the gang of local men, led by alcoholic doctor Doc Tydon (played by a memorably wild-eyed Donald Pleasence). John eventually takes part in a horrific night-time kangaroo hunt that sees the men drunkenly shooting at the poor beasts before John is forced to stab an injured young kangaroo to death. Despite attempting to escape The Yabba via hitch-hiking, he soon finds himself back in the town carrying only a loaded rifle.

The film has a distinctly menacing atmosphere and you can’t help but put yourself in the shoes of John Grant, a man out of place, trapped in an oppressively hot and sticky environment. At some points you can practically taste the dust and sweat. The film attracted controversy for the kangaroo hunting scene, which featured graphic footage shot by Kotcheff and a camera crew after they’d joined a real kangaroo hunt during which the men with the rifles got progressively drunker whilst the night wore on. It’s still deeply unsettling to watch to this day, much like similar footage of animal cruelty in films like Cannibal Holocaust.

This artwork was used for the American marketing campaign and I think it was an adaptation of the Australian art (the two are very similar but there are a few notable differences). I’ve been unable to determine the name of the artist so if anyone has an idea please get in touch.

The Anderson Tapes / B2 / Japan

18.04.16

Poster Poster
Title
The Anderson Tapes
AKA
--
Year of Film
1971
Director
Sidney Lumet
Starring
Sean Connery, Dyan Cannon, Martin Balsam, Ralph Meeker, Alan King, Christopher Walken, Val Avery, Dick Anthony Williams, Garrett Morris
Origin of Film
USA
Genre(s) of Film
Sean Connery, Dyan Cannon, Martin Balsam, Ralph Meeker, Alan King, Christopher Walken, Val Avery, Dick Anthony Williams, Garrett Morris,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1971
Designer
Unknown
Artist
Unknown
Size (inches)
20 4/16" x 28 14/16"
SS or DS
SS
Tagline
--

This is the Japanese poster for the release of The Anderson Tapes, a 1971 crime film from director Sidney Lumet. It stars Sean Connery and was released the same year as Diamonds are Forever, the film that marked the final time he would officially play James Bond (for Eon Productions). It’s based on a novel of the same name by Lawrence Sanders and had a screenplay written by Frank Pierson who was a producer as well as a screenwriter. Lumet and Pierson would later collaborate on the classic Dog Day Afternoon in 1975.

Connery plays the role of John “Duke” Anderson, a serial burglar who has just been released from prison and reunites with his girlfriend Ingrid (Dyan Cannon) who lives in a high-class apartment block in Manhattan. Far from being reformed, Duke decides he will target all of the flats in the block in one big heist with the help of his mafia connections and a crew of assorted criminals. Things have changed since he was put away and Duke must contend with the electronic surveillance throughout the building as well as various forms of snooping that are covering his entire crew. The film was one of several released at the start of the 1970s that dealt with the issue of surveillance, including the brilliant The Conversation.

This Japanese poster features artwork originally found on the US one sheet, although it appears to have been colour-tinted somewhat, particularly the masked men at the top. If anyone has any ideas who the artist is please get in touch.

Vanishing Point / B2 / Japan

30.05.12

Poster Poster
Title
Vanishing Point
AKA
--
Year of Film
1971
Director
Richard C. Sarafian
Starring
Barry Newman, Cleavon Little, Dean Jagger, Victoria Medlin, Paul Koslo, Robert Donner, Timothy Scott, Charlotte Rampling, Gilda Texter
Origin of Film
USA | UK
Genre(s) of Film
Barry Newman, Cleavon Little, Dean Jagger, Victoria Medlin, Paul Koslo, Robert Donner, Timothy Scott, Charlotte Rampling, Gilda Texter,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1971
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 12/16"
SS or DS
SS
NSS #
--
Tagline
--

The car’s the star on this Japanese poster for the classic 1971 road movie, Vanishing Point, starring the then unknown actor Barry Newman as the legendary delivery driver Kowalski. Tasked with driving a 1970 Dodge Challenger (R/T 440 Magnum) from Colorado to San Francisco, Kowalski accepts a bet that he can’t get the car to its destination in less than 15 hours.

After a run in with two motorcycle cops a pursuit commences and the driver does his best to stay on target and evade arrest, helped along the way by an enigmatic DJ named Super Soul (Cleavon Little). During the pursuit Kowalski meets an array of characters, including a snake-catching prospector (Dean Jagger), gun-toting gay hitchhikers and a hippie biker with a girlfriend who rides stark-naked (as featured on this poster).

There are actually two versions of the film and the one that was shown in the cinema in the UK is actually longer than the US cut, featuring an extra scene of a drug-taking hitchhiker played by British actor Charlotte Rampling. Both versions are available on the recently released blu-ray.

The film has had an undeniable cultural impact, influencing multiple other films and even musicians, with Brit group Primal Scream naming their 1997 album after the film and lead singer  Bobby Gillespie saying that, “The music in the film is hippy music, so we thought, ‘Why not record some music that really reflects the mood of the film?’ It’s always been a favourite of the band, we love the air of paranoia and speed-freak righteousness … It’s a pure underground film, rammed with claustrophobia”

Quentin Tarantino‘s half of Grindhouse, Death Proof, continually references the film and features an almost identical Dodge Charger in one of its key car chases. I hadn’t realised but there was actually a TV remake of the film made in 1997 and starring Viggo Mortensen as Kowalski.

The original trailer is on YouTube.

Clockwork Orange / program / UK

23.01.13

Poster Poster
Title
Clockwork Orange
AKA
Stanley Kubrick's A Clockwork Orange (USA - poster title) | Arancia meccanica (Italy)
Year of Film
1971
Director
Stanley Kubrick
Starring
Malcolm McDowell, Warren Clarke, Michael Bates, James Marcus, Michael Tarn, Patrick Magee
Origin of Film
USA | UK
Genre(s) of Film
Malcolm McDowell, Warren Clarke, Michael Bates, James Marcus, Michael Tarn, Patrick Magee,
Type of Poster
Program
Style of Poster
--
Origin of Poster
UK
Year of Poster
1971
Designer
Unknown
Artist
Philip Castle (cover and other elements)
Size (inches)
N/A
SS or DS
SS
Tagline
--

The next non-poster addition to the site is this original program (brochure) for Stanley Kubrick’s legendary 1971 film Clockwork Orange. I believe that it is from the film’s original release, although (frustratingly) it is not dated to confirm this. It would likely have been given away, or perhaps sold, at particular performances or cinemas and features a short write-up on the film, a cast-list and then a series of quotes alongside imagery from the film.

The cover displays British artist Philip Castle‘s iconic illustration of Alex (Malcolm McDowell) that was used to promote the film around the world, and the brochure also features images of other illustrations that Castle painted for the film (the illustration of the glass and teeth, for example) that were not printed as posters. The lurid pink colours make some of the text hard to read and it’s an odd design choice, although I expect it was intended to convey the ‘shocking’ nature of the film itself.

If anyone has any definitive information as to when this program would have originally been used to promote the film please get in touch.

Fright / 30×40 / USA

03.08.12

Poster Poster
Title
Fright
AKA
L'allucinante notte di una baby sitter [The terrifying night of a baby sitter] (Italy) | I'm Alone and I'm Scared (USA - reissue title)
Year of Film
1971
Director
Peter Collinson
Starring
Honor Blackman, Susan George, Ian Bannen, John Gregson, George Cole, Dennis Waterman, Tara Collinson, Maurice Kaufmann, Roger Lloyd-Pack, Michael Brennan
Origin of Film
UK
Genre(s) of Film
Honor Blackman, Susan George, Ian Bannen, John Gregson, George Cole, Dennis Waterman, Tara Collinson, Maurice Kaufmann, Roger Lloyd-Pack, Michael Brennan,
Type of Poster
30x40
Style of Poster
--
Origin of Poster
USA
Year of Poster
1972
Designer
Unknown
Artist
--
Size (inches)
30" x 40"
SS or DS
SS
NSS #
72/157
Tagline
Now the screen has a new definition of TERROR!

A strong contender for one of the earliest entries into the ‘slasher’ sub-genre of horror, Fright was filmed in the UK by Peter Collinson, perhaps best known as the director of the original The Italian Job. The film focuses on the plight of a babysitter, played by Susan George, who suffers a series of frightening occurrences after the parents (Honor Blackman and George Cole) leave for the evening, but before long the real terror arrives in the shape of the child’s biological father (Ian Bannen), a recent escapee from a mental asylum.

Fright is notorious for its brutal scenes of violence and is one of several films that raised the bar in terms of the depiction of on-screen horror following the relaxation of censorship rules at the start of the 1970s. This was the second film released in 1971 to feature Susan George being subjected to domestic terror, the other being Sam Peckinpah’s brilliant Straw Dogs.

The original trailer is on YouTube.

McCabe & Mrs Miller / B2 / Japan

17.05.11

Poster Poster

Duck, You Sucker / one sheet / 1980 re-release / international

13.08.11

Poster Poster
Title
Duck, You Sucker
AKA
Giù la testa ['duck', literally 'down the head'] (Italy - original title) | A Fistful of Dynamite (UK, Australia, USA alt.)
Year of Film
1971
Director
Sergio Leone
Starring
Rod Steiger, James Coburn, Romolo Valli, Maria Monti, Rik Battaglia, Franco Graziosi, Antoine Saint-John, Giulio Battiferri
Origin of Film
Italy
Genre(s) of Film
Rod Steiger, James Coburn, Romolo Valli, Maria Monti, Rik Battaglia, Franco Graziosi, Antoine Saint-John, Giulio Battiferri,
Type of Poster
One sheet
Style of Poster
Re-release
Origin of Poster
International (USA)
Year of Poster
1980
Designer
Unknown
Artist
Robert McGinnis
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
--
Tagline
--

This is the international re-release (1980) poster for Sergio Leone Duck, You Sucker which uses the same design as the original release poster (1971) with only a handful of changes to the credits block and a lack of NSS details.

The artwork is by Robert McGinnis, one of the all time great poster artists, who is perhaps best known for his work on some of the best James Bond posters, including Thunderball (with Frank McCarthy), Live and Let Die and Diamonds are Forever. This great gallery showcases many of his finest pieces.

If you look closely at some of the images of this poster you’ll see the fold lines from the original poster that United Artists must have copied in order to print this re-release (this version is rolled). I’m assuming this is because the original printing plates were lost and it would have been too expensive/impossible to recreate them.

Whilst not as beloved as the films that make up Sergio Leone’s ‘Dollars Trilogy’, this is still an excellent action adventure featuring many memorable scenes and I’m hoping that it will get released on blu-ray soon with both of the versions on the disc.

The original US trailer can be watched on YouTube.

I Am Curious (Yellow) / B2 / white title style / Japan

03.08.16

Poster Poster
Title
I Am Curious (Yellow)
AKA
Jag är nyfiken - en film i gult (Sweden - original title)
Year of Film
1967
Director
Vilgot Sjöman
Starring
Lena Nyman, Vilgot Sjöman, Börje Ahlstedt, Peter Lindgren, Chris Wahlström, Marie Göranzon, Magnus Nilsson, Ulla Lyttkens
Origin of Film
Sweden
Genre(s) of Film
Lena Nyman, Vilgot Sjöman, Börje Ahlstedt, Peter Lindgren, Chris Wahlström, Marie Göranzon, Magnus Nilsson, Ulla Lyttkens,
Type of Poster
B2
Style of Poster
White title style
Origin of Poster
Japan
Year of Poster
1971
Designer
Unknown
Artist
--
Size (inches)
20 4/16" x 28 12/16"
SS or DS
SS
Tagline
--

This is one of two Japanese B2 posters printed for the release (in 1971) of the landmark Swedish drama I Am Curious (Yellow) from the controversial director Vilgot Sjöman. Yellow is a companion film to I Am Curious (Blue) and the pair were originally meant to have been released as one 3.5 hour film. The colours in the titles refer to the Swedish flag. They were part of a series of left wing films that were made after the founding of the Swedish Film Institute in the early 1960s and the attempt, by prominent Swedish cultural figure Harry Schein, to start Sweden’s own flavour of New Wave cinema. 

Filmed in a pseudo-documentary, cinéma vérité style, the film sees Sjöman playing a version of himself, a director who decides to make a film starring his 22-year-old lover Lena Nyman (also playing herself) who is a theatre student interested in social issues. The film within the film is called ‘Lena on the Road’ and sees her leaving the flat she shares with her father and, when not getting involved in socio-political activism with a group of friends, she is shown traveling around Stockholm interviewing people she meets about issues including social classes and gender equality.

Later she meets another man called Börje who she begins a love-affair with but this becomes fraught when she discovers he has hidden the fact that he has another lover and a daughter. After traveling to a country retreat Lena begins meditating, practicing yoga and studying about non-violence, but her lover catches up with her and the pair continue their stormy relationship. Soon after the film within a film begins to break down as the ‘actors’ form a ‘real’ relationship that causes the ‘director’ to get jealous and wrap up shooting.

The film is most notable for its then ground-breaking use of full-frontal shots and scenes of (simulated) sexual intercourse that until then had been confined to sex films and not used in a dramatic context. The film was released in a cut form both in the US, UK and elsewhere but it was in the US that it attracted the most controversy with some states even going so far as banning the film outright on grounds of obscenity (Massachusetts in 1969, later overturned). As is the case with any censorship case brought against a film featuring sex and nudity, the box-office takings were helped greatly as punters flocked to see what the fuss was about. The film was the highest-grossing foreign film in the US for many years afterwards. This article on Vulture.com goes into more detail about the original release.

The other style of Japanese poster features a similarly colourful image but has black text down the side instead of white – see here.

I Am Curious (Yellow) / B2 / black title style / Japan

21.01.16

Poster Poster
Title
I Am Curious (Yellow)
AKA
Jag är nyfiken - en film i gult (Sweden - original title)
Year of Film
1967
Director
Vilgot Sjöman
Starring
Lena Nyman, Vilgot Sjöman, Börje Ahlstedt, Peter Lindgren, Chris Wahlström, Marie Göranzon, Magnus Nilsson, Ulla Lyttkens
Origin of Film
Sweden
Genre(s) of Film
Lena Nyman, Vilgot Sjöman, Börje Ahlstedt, Peter Lindgren, Chris Wahlström, Marie Göranzon, Magnus Nilsson, Ulla Lyttkens,
Type of Poster
B2
Style of Poster
Black title style
Origin of Poster
Japan
Year of Poster
1971
Designer
Unknown
Artist
--
Size (inches)
20 3/16" x 28 11/16"
SS or DS
SS
Tagline
--

This is one of two Japanese B2 posters printed for the release (in 1971) of the landmark Swedish drama I Am Curious (Yellow) from the controversial director Vilgot Sjöman. Yellow is a companion film to I Am Curious (Blue) and the pair were originally meant to have been released as one 3.5 hour film. The colours in the titles refer to the Swedish flag. They were part of a series of left wing films that were made after the founding of the Swedish Film Institute in the early 1960s and the attempt, by prominent Swedish cultural figure Harry Schein, to start Sweden’s own flavour of New Wave cinema. 

Filmed in a pseudo-documentary, cinéma vérité style, the film sees Sjöman playing a version of himself, a director who decides to make a film starring his 22-year-old lover Lena Nyman (also playing herself) who is a theatre student interested in social issues. The film within the film is called ‘Lena on the Road’ and sees her leaving the flat she shares with her father and, when not getting involved in socio-political activism with a group of friends, she is shown traveling around Stockholm interviewing people she meets about issues including social classes and gender equality.

Later she meets another man called Börje who she begins a love-affair with but this becomes fraught when she discovers he has hidden the fact that he has another lover and a daughter. After traveling to a country retreat Lena begins meditating, practicing yoga and studying about non-violence, but her lover catches up with her and the pair continue their stormy relationship. Soon after the film within a film begins to break down as the ‘actors’ form a ‘real’ relationship that causes the ‘director’ to get jealous and wrap up shooting.

The film is most notable for its then ground-breaking use of full-frontal shots and scenes of (simulated) sexual intercourse that until then had been confined to sex films and not used in a dramatic context. The film was released in a cut form both in the US, UK and elsewhere but it was in the US that it attracted the most controversy with some states even going so far as banning the film outright on grounds of obscenity (Massachusetts in 1969, later overturned). As is the case with any censorship case brought against a film featuring sex and nudity, the box-office takings were helped greatly as punters flocked to see what the fuss was about. The film was the highest-grossing foreign film in the US for many years afterwards. This article on Vulture.com goes into more detail about the original release.

The other style of Japanese poster features a similarly colourful image but has white text down the side instead of black.

Blood and Lace / 30×40 / USA

06.02.12

Poster Poster
Title
Blood and Lace
AKA
Il Martello Macchiato di Sangue [The Hammer Stained with Blood] (Italy)
Year of Film
1971
Director
Philip S. Gilbert
Starring
Gloria Grahame, Melody Patterson, Milton Selzer, Len Lesser, Vic Tayback, Terri Messina, Ronald Taft, Dennis Christopher
Origin of Film
USA
Genre(s) of Film
Gloria Grahame, Melody Patterson, Milton Selzer, Len Lesser, Vic Tayback, Terri Messina, Ronald Taft, Dennis Christopher,
Type of Poster
30x40
Style of Poster
--
Origin of Poster
USA
Year of Poster
1971
Designer
Unknown
Artist
Unknown
Size (inches)
30 2/16" x 40"
SS or DS
SS
NSS #
71/69
Tagline
SHOCK after SHOCK after SHOCK as Desire drives a bargain with DEATH!

Another largely forgotten horror from the early 1970s, Blood and Lace sounds a very interesting film, particularly since it was apparently released with a PG rating (actually ‘GP’, but equivalent) despite featuring brutal murders and torture of children. This website also shows how many similarities there are between this and several other horrors that came after it (including the killer’s striking resemblance to Freddy Krueger).

Notably, this was director Philip S. Gilbert’s only film. It seems that it has never been released on DVD but was briefly available to stream on US Netflix so there’s a chance that it may be given a release soon.

This US 30×40 features photographs that have been hand-tinted using brilliantly lurid colours and note the poorly-drawn blood-splatters on the hammer. I’m a big fan of what the designer of the poster did with the title.

The use of large, repeating type is a common them with horror film posters from this period.

The original trailer can be found on YouTube.

Evel Knievel / B2 / Japan

28.01.15

Poster Poster
Title
Evel Knievel
AKA
--
Year of Film
1971
Director
Marvin J. Chomsky
Starring
George Hamilton, Sue Lyon, Bert Freed, Rod Cameron, Dub Taylor, Ron Masak, Hal Baylor, Judith Baldwin, Kathrine Baumann
Origin of Film
USA
Genre(s) of Film
George Hamilton, Sue Lyon, Bert Freed, Rod Cameron, Dub Taylor, Ron Masak, Hal Baylor, Judith Baldwin, Kathrine Baumann,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1972
Designer
Unknown
Artist
--
Size (inches)
20 4/16" x 28 12/16"
SS or DS
SS
Tagline
--

This is the Japanese B2 for the release of the 1971 biography of the legendary stuntman Evel Knievel that was made whilst he was only 32 years old and still at the height of his fame. It was also before his infamous attempted jumping of Snake River Canyon in 1974 that ended in a near fatal crash. The film was shot in Evel’s home town of Butte, Montana and starred the prolific actor George Hamilton as the man himself.

The film is told in a series of flashbacks with Evel narrating various incidents that happen throughout the film, including events regarding his relationship with his wife. It features actual footage of Knievel on his bike and completing various stunts, including one on the Ontario Motor Speedway. The film ends with Evel at the edge of the Grand Canyon because the real stuntman was planning a jump of the famous landmark that never came to pass.

The film is now out of copyright and is in the public domain, freely available to watch online should you wish to do so.

 

A Boss with the Samurai Spirit / B2 / Japan

30.06.11

Poster Poster
Title
A Boss with the Samurai Spirit
AKA
Kapone no shatei, yamato damashi (Japan - original title)
Year of Film
1971
Director
Takashi Harada
Starring
Tomisaburo Wakayama, Minoru Oki, Willy Dorcey, Seizaburô Kawazu, Ryôsuke Kagawa, Kikue Môri
Origin of Film
Japan
Genre(s) of Film
Tomisaburo Wakayama, Minoru Oki, Willy Dorcey, Seizaburô Kawazu, Ryôsuke Kagawa, Kikue Môri,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1971
Designer
Unknown
Artist
--
Size (inches)
20 5/16" x 28 11/16"
SS or DS
SS
Tagline
--

I’ve been unable to find out much about this film, other than this profile on IMDb, but it’s a really striking poster. It has a USA title so it must have been released outside of Japan at some point.

McCabe & Mrs Miller / special / USA

17.05.11

Poster Poster

This particular poster is a bit of a mystery as it’s not the regular one sheet size and is missing all the credits that can be seen on the standard poster. I’m 99% certain it’s from the year of release as the paper is right, the printing detail is spot on and I purchased it from a trusted source.

There are a few markings that might help to shed some light on what it is. If you have any ideas or information please get in touch.

Escape From The Planet Of The Apes / B2 / Japan

17.05.11

Poster Poster

Someone Behind The Door / B2 / hair and gun style / Japan

17.05.11

Poster Poster
Title
Someone Behind The Door
AKA
Two Minds for Murder (UK)
Year of Film
1971
Director
Nicolas Gessner
Starring
Charles Bronson, Anthony Perkins, Frances Jeffries, Henri Garcin, Adriano Magistretti, Agathe Natanson
Origin of Film
France
Genre(s) of Film
Charles Bronson, Anthony Perkins, Frances Jeffries, Henri Garcin, Adriano Magistretti, Agathe Natanson,
Type of Poster
B2
Style of Poster
Hair and gun style
Origin of Poster
Japan
Year of Poster
1971
Designer
Unknown
Artist
--
Size (inches)
20 5/16" x 28 12/16"
SS or DS
SS
Tagline
--

Straw Dogs / B2 / Japan

13.11.12

Poster Poster
Title
Straw Dogs
AKA
--
Year of Film
1971
Director
Sam Peckinpah
Starring
Dustin Hoffman, Susan George, Peter Vaughan, T.P. McKenna, Del Henney, Jim Norton, Donald Webster, Ken Hutchison
Origin of Film
UK | USA
Genre(s) of Film
Dustin Hoffman, Susan George, Peter Vaughan, T.P. McKenna, Del Henney, Jim Norton, Donald Webster, Ken Hutchison,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1972
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

Legendary American director Sam Peckinpah‘s contract with Warner Bros had come to an acrimonious end after the The Ballad of Cable Hogue (1970) ended up $3 million over budget and 19 days late. The notoriously prickly director found further opportunities very limited in Hollywood and decided to travel to England to film Straw Dogs, a thriller based on the novel The Siege of Trencher’s Farm by Scottish author Gordon Williams.

Starring Dustin Hoffman in arguably one of his greatest screen roles, the film sees timid mathematician David Sumner (Hoffman) leaving America to live with his English wife Amy (Susan George), in a fictional Cornish village. Before long David’s patience and resolve is tested by a gang of local men who harass the couple and, in a particularly controversial sequence, two of the men take it in turns to rape Amy. As the title of the source novel suggests, the film ends with a violent confrontation, which sees David pushed beyond the limits. Like many of Peckinpah’s films, Straw Dogs was heavily criticised for its violence, although the director defended the film as an exploration of the subject and claimed Hoffman’s character showed his true side during the climax.

This Japanese poster chose to focus on Hoffman as the film’s main draw, likely due to the successes of The Graduate and Midnight Cowboy in Japan at the end of the 1960s. The film seems to have been given unique advertising campaigns in most of the countries it was released in and there were a few US one sheets, including this classic image of Hoffman and a rather strange alternative style featuring a literal straw dog!

The original trailer is on YouTube.

Red Sun / B2 / cast style / Japan

14.08.13

Poster Poster
Title
Red Sun
AKA
Soleil rouge (France - original title)
Year of Film
1971
Director
Terence Young
Starring
Charles Bronson, Ursula Andress, Toshirô Mifune, Alain Delon, Capucine, Barta Barri, Guido Lollobrigida, Anthony Dawson
Origin of Film
France | Italy | Spain
Genre(s) of Film
Charles Bronson, Ursula Andress, Toshirô Mifune, Alain Delon, Capucine, Barta Barri, Guido Lollobrigida, Anthony Dawson,
Type of Poster
B2
Style of Poster
Cast style
Origin of Poster
Japan
Year of Poster
1971
Designer
Unknown
Artist
--
Size (inches)
20 5/16" x 28 13/16"
SS or DS
SS
NSS #
--
Tagline
--

A truly international production, Red Sun was filmed in Spain by the British director Terence Young and starring American action legend Charles Bronson,the Japanese actor Toshirô Mifune (best known for Kurosawa’s Seven Samurai), French superstar Alain Delon and the gorgeous Swiss actress Ursula Andress. Terence Young had previously achieved great commercial success directing Sean Connery in three of his outings as James Bond. Bronson had previously starred in The Magnificent Seven, an American remake of Seven Samurai.

The film sees two ruthless robbers, Link (Bronson) and Gauche (Delon) attack a train bound for Washington carrying the Japanese ambassador. During the raid Gauche steals a very valuable sword and then betrays Link, trying to kill him before escaping with the loot. Link must team up with the only surviving Samurai escort of the ambassador (Mifune) and track down Gauche before it’s too late.

This Japanese B2 features photographic portraits of the main actors and is markedly different to the US poster.

 

Zacariah / B2 / Japanese text version / Japan

17.05.11

Poster Poster
Title
Zacariah
AKA
--
Year of Film
1971
Director
George Englund
Starring
John Rubinstein, Patricia Quinn, Don Johnson, Country Joe and the Fish, Elvin Jones, Doug Kershaw, William Challee, Robert Ball, Dick Van Patten
Origin of Film
USA
Genre(s) of Film
John Rubinstein, Patricia Quinn, Don Johnson, Country Joe and the Fish, Elvin Jones, Doug Kershaw, William Challee, Robert Ball, Dick Van Patten,
Type of Poster
B2
Style of Poster
Japanese text version
Origin of Poster
Japan
Year of Poster
1971
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 12/16"
SS or DS
SS
Tagline
--

Zacariah / B2 / English text version / Japan

17.05.11

Poster Poster
Title
Zacariah
AKA
--
Year of Film
1971
Director
George Englund
Starring
John Rubinstein, Patricia Quinn, Don Johnson, Country Joe and the Fish, Elvin Jones, Doug Kershaw, William Challee, Robert Ball, Dick Van Patten
Origin of Film
USA
Genre(s) of Film
John Rubinstein, Patricia Quinn, Don Johnson, Country Joe and the Fish, Elvin Jones, Doug Kershaw, William Challee, Robert Ball, Dick Van Patten,
Type of Poster
B2
Style of Poster
English text version
Origin of Poster
Japan
Year of Poster
1971
Designer
Unknown
Artist
--
Size (inches)
20 5/16" x 28 12/16"
SS or DS
SS
Tagline
--