You searched for: Dick%2520O%5C%27Neill

The Taking of Pelham 123 / quad / UK

23.11.12

Poster Poster
Title
The Taking of Pelham 123
AKA
The Taking of Pelham One Two Three (alternative title) | Il colpo della metropolitana - un ostaggio al minuto [The underground hit - one hostage a minute] (Italy)
Year of Film
1974
Director
Joseph Sargent
Starring
Walter Matthau, Robert Shaw, Martin Balsam, Jerry Stiller, Hector Elizondo, Dick O'Neill, Earl Hindman
Origin of Film
USA
Genre(s) of Film
Walter Matthau, Robert Shaw, Martin Balsam, Jerry Stiller, Hector Elizondo, Dick O'Neill, Earl Hindman,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1974
Designer
Unknown
Artist
Unknown
Size (inches)
29 14/16" x 39 14/16"
SS or DS
SS
Tagline
Before this train reaches the next station it will become the scene of the most spectacular hijack ever attempted

A really striking design on this British quad for the release of the original New York subway-based action thriller, The Taking of Pelham 123. Directed by Joseph Sargent, whose career seems to have consisted mostly of TV movies, the film stars the late Robert Shaw as the psychotic leader of a gang of criminals who board and hijack a subway train. The gang demand a ransom of $1million and threaten to execute a passenger for every minute over the deadline.

Walter Matthau plays a world-weary New York City Transit Authority police lieutenant who ends up being the chief negotiator between the gang, working to try and foil their plans. Famously the gang have colour-based nicknames, which they use instead of their real names (Robert Shaw is blue, for example). Director Quentin Tarantino would later use this idea for his film debut Reservoir Dogs. This film was remade by the late Tony Scott in 2009

This design is unique to the British quad and brilliantly uses the colourful lines of the real New York subway map designed by Massimo Vignelli as the background to the sweeping train made from the title of the film. The front element of the shadowy figure standing in the door is actually taken from the American advance one sheet, which can be seen here. I’m unsure who is responsible for the design of the quad so if you have any ideas please get in touch.

I had been hunting for a rolled copy of this quad for over a decade after seeing it in the book ‘Film Posters of the 1970s’ and I was thrilled to finally track down a copy as I consider it to be one of the best British posters ever printed.

The Taking of Pelham One Two Three / B2 / artwork style / Japan

17.05.11

Poster Poster
Title
The Taking of Pelham One Two Three
AKA
Il colpo della metropolitana - un ostaggio al minuto [The underground hit - one hostage a minute] (Italy)
Year of Film
1974
Director
Joseph Sargent
Starring
Walter Matthau, Robert Shaw, Martin Balsam, Jerry Stiller, Hector Elizondo, Dick O'Neill, Earl Hindman
Origin of Film
USA
Genre(s) of Film
Walter Matthau, Robert Shaw, Martin Balsam, Jerry Stiller, Hector Elizondo, Dick O'Neill, Earl Hindman,
Type of Poster
B2
Style of Poster
Artwork style
Origin of Poster
Japan
Year of Poster
1975
Designer
Unknown
Artist
Mort Kunstler
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

The Jerk / one sheet / USA

17.05.11

Poster Poster

Wolfen / one sheet / USA

17.05.11

Poster Poster
Title
Wolfen
AKA
--
Year of Film
1981
Director
Michael Wadleigh
Starring
Albert Finney, Diane Venora, Edward James Olmos, Gregory Hines, Tom Noonan, Dick O'Neill
Origin of Film
USA
Genre(s) of Film
Albert Finney, Diane Venora, Edward James Olmos, Gregory Hines, Tom Noonan, Dick O'Neill,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1981
Designer
B.D. Fox Independent
Artist
Unknown
Size (inches)
27" x 41"
SS or DS
SS
NSS #
810111
Tagline
They can hear a cloud pass overhead, the rhythm of your blood. They can track you by yesterday's shadow. They can tear the scream from your throat.

Scanners / B1 / Japan

03.05.13

Poster Poster

David Cronenberg‘s ‘future shock’ classic features a memorable turn by Michael Ironside as the superbly-monikered Daryl Revok, the evil leader of a renegade group of ‘Scanners’; mutant humans born with extreme telepathic and telekinetic powers who are capable of controlling machines and infiltrating the minds of others, often with head-popping consequences. The film is responsible for one of the best animated gifs on the internet.

This Japanese B1 features great artwork but I’ve been unable to identify the artist, so if you have any ideas please get in touch. The main figure is based on the one illustrated by Joann on the excellent British quad.

The film’s original British trailer is on YouTube (“You pray it will end…and it will!”).

 

Dead Man’s Shoes / one sheet / USA

17.05.11

Poster Poster
Title
Dead Man's Shoes
AKA
Dead Man's Shoes - Cinque giorni di vendetta [Five days of revenge] (Italy)
Year of Film
2004
Director
Shane Meadows
Starring
Paddy Considine, Gary Stretch, Toby Kebbell, Jo Hartley, Seamus O'Neill, Stuart Wolfenden, Paul Sadot, Paul Hurstfield, Emily Aston
Origin of Film
UK
Genre(s) of Film
Paddy Considine, Gary Stretch, Toby Kebbell, Jo Hartley, Seamus O'Neill, Stuart Wolfenden, Paul Sadot, Paul Hurstfield, Emily Aston,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
2006
Designer
Unknown
Artist
--
Size (inches)
27" x 39 11/16"
SS or DS
SS
NSS #
--
Tagline
--

Possession / quad / UK

22.03.13

Poster Poster
Title
Possession
AKA
The Night the Screaming Stops (USA - reissue title)
Year of Film
1981
Director
Andrzej Zulawski
Starring
Isabelle Adjani, Sam Neill, Margit Carstensen, Heinz Bennent, Johanna Hofer, Carl Duering, Shaun Lawton, Michael Hogben
Origin of Film
France | West Germany
Genre(s) of Film
Isabelle Adjani, Sam Neill, Margit Carstensen, Heinz Bennent, Johanna Hofer, Carl Duering, Shaun Lawton, Michael Hogben,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1981
Designer
Tom Chantrell
Artist
Tom Chantrell | Barbara Baranowska AKA 'Basha' (original French artwork)
Size (inches)
30 2/16" x 40 1/16"
SS or DS
SS
Tagline
She created a monster... as her secret lover!

Polish director Andrzej Zulawski‘s Possession is a definite marmite film; you’ll either love it or totally detest it. I’m firmly in the former camp but it’s not hard to see why it might rankle with certain viewers. A multinational production, the film was shot in West Berlin (whilst The Wall was still standing), financed largely by French money and stars Kiwi actor Sam Neill alongside the stunning French actress Isabelle Adjani. Possession begins as what seems like a straightforward relationship drama, depicting the breakdown of the marriage between husband and wife Mark (Neill) and Anna (Adjani) as it gets increasingly fraught. The audience witnesses several scenes of extreme shrieking, hysteria and mental breakdown from both parties as Mark comes to terms with his wife’s infidelity.

It’s when Mark decides to investigate who his wife has been seeing that the film takes a turn for the surreal and horrific. At first he discovers that she had been having an affair with a new-age sleaze-ball called Heinrich (Heinz Bennent) but after confronting him at his house they both realise that Anna has also been meeting a mysterious third party. Mark then hires a private detective to try and discover where his wife disappears to when she’s not at their apartment. As alluded to with this poster’s tagline, the audience soon discovers that what Anna is tending to in a dingy apartment in the Turkish district of Berlin is not altogether human. When the detective (and later his lover) go missing, both Heinrich and Mark uncover the horrifying truth. I won’t spoil the reveal except to say that Italian special effects maestro Carlo Rambaldi (of ‘Close Encounters…’ and ‘E.T.’ fame) was involved in the creation of several versions of a slimy, tentacled creature.

Isabelle Adjani won the best actress prize at Cannes for her dual performance as the hysterical, unhinged Anna and the ‘is she real-or-not?’ Helen, a kind and gentle teacher who works at the school where the couple’s son Bob is a pupil. As Anna, the actress turns everything up to 11 and at times the shrieking is almost unbearable. In perhaps the most infamous sequence in the film, the so-called ‘miscarriage’ scene, she has a full-on orgiastic meltdown in a dingy German subway that culminates with her oozing blood and a white liquid from her face and neck. Neill also gives an over-the-top performance throughout and it’s the level of hysteria that likely sees many viewers heading for the remote (or cinema exit if they were in attendance back in 1981).

For reasons which aren’t really clear, the film was embroiled in the Video Nasties debacle here in the UK and was banned outright in 1983, but not before having it’s cinema debut thanks to New Realm distributors two years earlier. It’s inclusion on the DPPs list is a complete mystery as it’s nowhere near as gruesome or brutal as some of the other titles on there and is unquestionably one of the best titles to fall foul of the whole thing.

This very scarce original UK quad was created by the brilliant British designer and artist Tom Chantrell whose dynamic and colourful designs featured on hundreds of posters over a forty year period. His official website features a great biography written by Sim Branaghan, author of the must-own British Film Posters. The artwork is unquestionably based on the French poster artwork that was painted by the Polish artist Barbara Baranowska (AKA ‘Basha’). I’ve been unable to discover much about the artist, other than a short biography on the Horse Hospital website. It seems that her work for Possession is the poster for which she is most well-known.

The original trailer is on YouTube.

Amityville 3-D / one sheet / USA

05.12.16

Poster Poster
Title
Amityville 3-D
AKA
Amityville: The Demon
Year of Film
1983
Director
Richard Fleischer
Starring
Tony Roberts, Tess Harper, Robert Joy, Candy Clark, John Beal, Leora Dana, John Harkins, Lori Loughlin, Meg Ryan, Neill Barry
Origin of Film
USA
Genre(s) of Film
Tony Roberts, Tess Harper, Robert Joy, Candy Clark, John Beal, Leora Dana, John Harkins, Lori Loughlin, Meg Ryan, Neill Barry,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1983
Designer
Unknown
Artist
Unknown
Size (inches)
27 4/16" x 41"
SS or DS
SS
NSS #
830163
Tagline
WARNING: in this movie you are the victim.

This is the one sheet for the release of the third film in the Amityville series of horror films, known as Amityville 3-D (or Amityville: The Demon). In an unusual step, the producers of the film were forced to add a line of text to the bottom of the poster asserting that it’s not a sequel to the Amityville and Amityville II. This was because legendary Italian producer Dino De Laurentiis was in the middle of a lawsuit with the Lutz family that were part of the original hauntings that inspired the first films. In the film the original story is referenced, as is the murdered family at the centre of the story, the DeFeos.

Amityville 3-D was one of three big horror releases of 1983 that were presented in 3D (the others being Jaws 3 and Friday the 13th part 3). It’s fair to say that the results were hardly spectacular and audiences and critics alike complained about the blurriness of the 3D content, particularly in this film. Notably, this is the only film released by the now defunct Orion Pictures to be given the 3D treatment.

The plot focuses on the journalist John Baxter (Tony Roberts) who, along with his partner Melanie (Candy Clark), has recently exposed a pair of conmen that were living in the infamous house on 112 Ocean Avenue. He is persuaded to buy the house by a local estate agent and after he agrees to do so a series of events occur that all point to a supernatural presence in the home. John is unconvinced and ignores the pleas of Melanie who is convinced that something lurks inside the house. After his daughter Susan (Lori Loughlin) dies in the lake near the house he is finally convinced to allow his friend, the paranormal investigator Doctor Elliot West (Robert Joy) to check out the house. 

This one sheet features artwork of a demonic claw bursting out of the famous house, presumably giving potential ticket buyers an idea of what they’d be in for with the 3D. I’m unsure who designed or painted it (I believe the hand to be an illustration but may be wrong) so if anyone has an idea, please get in touch.

A Man Called Dagger / B2 / Japan

28.07.14

Poster Poster
Title
A Man Called Dagger
AKA
--
Year of Film
1967
Director
Richard Rush
Starring
Paul Mantee, Terry Moore, Jan Murray, Sue Ane Langdon, Eileen O'Neill, Maureen Arthur, Leonard Stone, Richard Kiel
Origin of Film
USA
Genre(s) of Film
Paul Mantee, Terry Moore, Jan Murray, Sue Ane Langdon, Eileen O'Neill, Maureen Arthur, Leonard Stone, Richard Kiel,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1968
Designer
Unknown
Artist
Unknown
Size (inches)
20 4/16" x 28 13/16"
SS or DS
SS
Tagline
--

A relatively obscure spy thriller from 1967, A Man Called Dagger saw limited release around the globe and, as far as I can tell, this Japanese poster is one of the few examples of a theatrical release (I don’t believe the UK was treated to a cinema outing). Originally filmed in 1966, it fell victim to a collapse of relations between its original production company, Lew Horwitz’s Global Screen Associates (GSA), and distributors Cinema Distributors of America. It languished for almost a year before being picked up by MGM. The film is essentially a low-grade James Bond homage (the original title was ‘Why Spy?’) and it’s clear that the original producers wanted to cash in on the global popularity of Ian Fleming’s famous creation.

Richard Rush (most known for 1980’s The Stunt Man) was at the helm and Paul Mantee (a cult figure from his performance in Robinson Crusoe on Mars, 1964) plays the unfortunately monikered Dick Dagger (isn’t that a weapon from David Fincher’s Seven?), a crime-fighting spy who teams up with female agent Harper Davis (Terry Moore) in a bid to track down wheelchair bound Nazi war criminal Rudolph Koffman (Jan Murray). Koffman is holed up in a meat-packing plant and is using less than legal supplies in its production. With several damsels in distress, including Harper, Dagger must his ingenuity and gadgets, including a dodgy laser watch to save the day.

This B2 poster is a combination of the original US one sheet artwork (artist unknown) and a few photographic stills. If you have any idea who is responsible for the artwork please get in touch.

Check out the original trailer on YouTube.

Battle Creek Brawl / B2 / style A / Japan

21.11.14

Poster Poster

Battle Creek Brawl (known in the US and elsewhere as The Big Brawl) was martial arts superstar Jackie Chan‘s first attempt at breaking into the American film industry. The film was directed by the late Robert Clouse who was behind Bruce Lee’s Enter the Dragon, the first martial arts film to be co-produced by a Hollywood studio (also sadly to be Lee’s last). Clouse went on to direct Jim Kelly’s Black Belt Jones (1974) and put together the posthumous Bruce Lee film The Game of Death (1978) so he was an obvious choice for Chan’s hopeful big break into the lucrative US market. The director chose to employ much of the crew from Enter the Dragon.

Set in 1930s Chicago, though filmed mostly in Texas, the film focuses on Chinese-American Jerry Kwan (Chan) whose father runs a restaurant. One day a gang of mobsters pays the restaurant a visit and tries to force Kwan’s father to pay part of his profits to them. When Jerry fights back the mob take notice of his martial arts skills and force him to take part in the illegal fighting tournament Battle Creek Brawl by kidnaping his brother’s fiancee.

Kwan must enlist the help of his martial arts master Herbert (played by Japanese-American actor Mako) in order to train to face his opponents, including the fearsome, brutal fighter Kiss (H.B. Haggerty), winner of the previous tournament whose nickname is due to the single kiss he gives his defeated opponents. Sadly for all involved the film was something of a flop and was nowhere near the Enter the Dragon success story that Chan was hoping for. After trying his hand at various supporting roles (including Cannonball Run) Chan eventually scored his first hit with the Hollywood production Rumble in the Bronx 15 years later.

Jurassic Park / one sheet / USA

17.05.11

Poster Poster

Lady Ice / 30×40 / USA

22.02.12

Poster Poster
Title
Lady Ice
AKA
I diamanti dell'ispettore Klute [The diamonds of inspector Klute] (Italy)
Year of Film
1973
Director
Tom Gries
Starring
Donald Sutherland, Jennifer O'Neill, Robert Duvall, Patrick Magee, Jon Cypher, Eric Braeden, Buffy Dee, Perry Lopez
Origin of Film
USA
Genre(s) of Film
Donald Sutherland, Jennifer O'Neill, Robert Duvall, Patrick Magee, Jon Cypher, Eric Braeden, Buffy Dee, Perry Lopez,
Type of Poster
30x40
Style of Poster
--
Origin of Poster
USA
Year of Poster
1973
Designer
Unknown
Artist
Ron Lesser
Size (inches)
30 2/16" x 39 15/16"
SS or DS
SS
NSS #
73/199
Tagline
That "Klute" guy and that "Summer of '42" girl pull of the coolest caper of the year.

Ron Lesser artwork on this 30×40 for the American release of this 1973 crime thriller starring Donald Sutherland and the gorgeous Jennifer O’Neill. Sutherland plays an insurance investigator who begins romancing O’Neill’s character when he suspects her of being a diamond thief. It was apparently made following the success of other ‘romance and thievery’ films such as The Thomas Crown Affair.

Lesser studied as a fine artist and much of his output appears to have been in the area of Western and military paintings, with particular focus on the American Civil War. He also worked on a number of book covers and multiple film posters during the 1970s, including the fantastic one sheet for High Plain’s Drifter. This website features galleries of his work as well as a mini biography.

The other posters I’ve collected by him can be seen here.

I’m a big fan of the none-more-1970s typeface used for the title and top-billed names, and it can be seen on a number of posters from the era. You’ll notice an Aston Martin DB5 is featured inside the diamond, along with several other scenes from the film.

The tagline references the previous hits of the two stars and for some reason the Italian title of the film even has Klute in the title, despite Sutherland playing a completely different character.

Omen III: The Final Conflict / B2 / Japan

17.05.11

Poster Poster

Scanners / B2 / Japan

17.05.11

Poster Poster
Title
Scanners
AKA
Telekinesis (Mexico)
Year of Film
1981
Director
David Cronenberg
Starring
Stephen Lack, Michael Ironside, Patrick McGoohan, Jennifer O'Neill, Lawrence Dane, Robert A. Silverman, Jock Brandis, Lee Broker, Mavor Moore
Origin of Film
Canada
Genre(s) of Film
Stephen Lack, Michael Ironside, Patrick McGoohan, Jennifer O'Neill, Lawrence Dane, Robert A. Silverman, Jock Brandis, Lee Broker, Mavor Moore,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1981
Designer
Unknown
Artist
Unknown
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

David Cronenberg‘s ‘future shock’ classic features a memorable turn by Michael Ironside as the superbly-monikered Daryl Revok, the evil leader of a renegade group of ‘Scanners’; mutant humans born with extreme telepathic and telekinetic powers who are capable of controlling machines and infiltrating the minds of others, often with head-popping consequences. The film is responsible for one of the best animated gifs on the internet.

This Japanese B2 features great artwork but I’ve been unable to identify the artist, so if you have any ideas please get in touch. The main figure is based on the one illustrated by Joann on the excellent British quad.

The film’s original British trailer is on YouTube (“You pray it will end…and it will!”).

 

Scanners / quad / UK

26.10.11

Poster Poster
Title
Scanners
AKA
Telekinesis (Mexico)
Year of Film
1981
Director
David Cronenberg
Starring
Stephen Lack, Michael Ironside, Patrick McGoohan, Jennifer O'Neill, Lawrence Dane, Robert A. Silverman, Jock Brandis, Lee Broker, Mavor Moore
Origin of Film
Canada
Genre(s) of Film
Stephen Lack, Michael Ironside, Patrick McGoohan, Jennifer O'Neill, Lawrence Dane, Robert A. Silverman, Jock Brandis, Lee Broker, Mavor Moore,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1981
Designer
Unknown
Artist
Joann Daley
Size (inches)
30 1/16" x 39 6/16"
SS or DS
SS
Tagline
10 SECONDS: The Pain Begins. 15 SECONDS: You Can't Breathe. 20 SECONDS: You Explode. | ...Their Thoughts Can Kill!

David Cronenberg‘s ‘future shock’ classic Scanners features a memorable turn by Michael Ironside as the superbly-monikered Daryl Revok, the evil leader of a renegade group of ‘Scanners’; mutant humans born with extreme telepathic and telekinetic powers who are capable of controlling machines and infiltrating the minds of others, often with head-popping consequences. The film is responsible for one of the best animated gifs on the internet.

This British quad features great artwork by Joann Daley and a great tagline. It loses the headline seen on the US one sheet but retains the ’10 seconds…’ section.

Check out the equally great Japanese poster.

The film’s original British trailer is on YouTube (“You pray it will end…and it will!”).

 

 

The Stuff / one sheet / USA

13.07.12

Poster Poster

You only have to look through my poster archive to know that I love schlocky horror films as much as the next person, but I really struggled to make it through The Stuff when I rewatched it again recently. Sadly, that wasn’t because it was too gory or scary but because it’s such a terrible mess of a film, with clunky pacing, a complete lack of suspense and painfully bad acting across the board. Lead Michael Moriarty gives one of the strangest performances I’ve ever seen featuring baffling line deliveries and the general air of someone who thinks he’s acting in another film entirely.

The premise is okay with a mysterious white goo being discovered in the desert by a miner who then samples it, declares it to be tasty, and before long it’s the nation’s favourite dessert and is being marketed as an alternative to ice cream. The only downside is that it turns people into brain-washed zombies who infect anyone else they come into contact with. The leaders of several ice cream companies hire Mo Rutherford (Moriarty), a former FBI agent, to investigate what the secret of The Stuff really is.

I’m unsure who painted the artwork on this US one sheet so please get in touch if you have any ideas.

The original trailer is on YouTube.

The Howling / one sheet / USA

27.07.15

Poster Poster
Title
The Howling
AKA
--
Year of Film
1981
Director
Joe Dante
Starring
Dee Wallace, Patrick Macnee, Dennis Dugan, Christopher Stone, Belinda Balaski, Kevin McCarthy, John Carradine, Slim Pickens, Elisabeth Brooks, Robert Picardo, Dick Miller
Origin of Film
USA
Genre(s) of Film
Dee Wallace, Patrick Macnee, Dennis Dugan, Christopher Stone, Belinda Balaski, Kevin McCarthy, John Carradine, Slim Pickens, Elisabeth Brooks, Robert Picardo, Dick Miller,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1981
Designer
Unknown
Artist
Unknown
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
810045
Tagline
Imagine your worst fear a reality.

One of two werewolf themed horrors to be released in 1981, Joe Dante‘s The Howling beat John Landis’ An American Werewolf in London to cinemas by a few months, but both would go on to be cult classics of the genre, even if the latter film won more critical plaudits at the time of its release. Despite hugely different storylines each film features a memorable werewolf transformation scene and The Howling’s one was created by noted practical effects specialist Rob Bottin (The Thing, Robocop), which was his first solo effort away from his mentor Rick Baker. Although he had initially started work on The Howling, Baker had decided to leave the production to work on Landis’ film and handed the reigns over to Bottin. The results are definitely impressive and were certainly groundbreaking for the time, however Baker’s handiwork on AWIL is unforgettable and impressed the judges of the Academy Awards so much that he won the Outstanding Achievement in Makeup in its inaugural year.

Very loosely based on the novel of the same name by Gary Brandner, The Howling’s script was worked on by two screenwriters before Dante brought in John Sayles, with whom he collaborated on 1978’s Piranha to write a third draft. The film begins as the investigative TV report Karen White (Dee Wallace) is on her way to meet the serial murderer Eddie Quist (Robert Picardo) at a sleazy LA porn store as part of a police sting operation. After entering a booth, Karen is surprised by Eddie who is standing behind her and forces her to watch a porno of a young woman being attacked. Karen turns to look at Eddie and her screams attract nearby police officers who shoot and apparently kill him. Severely traumatised by the event and suffering from hallucinatory flashbacks, Karen’s therapist Dr Waggner (Patrick Macnee) refers her to a secluded retreat on the Californian coast called The Colony.

Karen travels there with her boyfriend Bill played by the late Christopher Stone, who was Dee Wallace’s boyfriend at the time and later married her (Stone sadly passed away from a heart attack in 1995), and the pair are welcomed by the residents of the camp, which is made up of several log cabins in a forest near the coast. One night Bill is out for a walk and is attacked and bitten by a werewolf, which is actually Marsha Quist (Elisabeth Brooks) a sultry nymphomaniac who has been at the Colony for months. Later she accosts Bill and the pair make love in the forest as they transform into werewolves together. Karen suspects all is not right and invites her friend Teri (Belinda Balaski), another reporter who is looking into Eddie Quist and has discovered that his body is missing from the morgue, out to visit her. Soon after arriving Teri is attacked and killed by Eddie whom she watches transform into a wolf (with Rob Bottin’s help) and before long Karen discovers the true secret of the Colony. Teri’s partner Chris (Dennis Dugan) comes to Karen’s rescue clutching a rifle loaded with silver bullets.

The film was made on a low budget (circa $1m) and was a commercial success around the globe, making tens of millions of dollars. It inevitably spawned a number of significantly less interesting sequels, starting with 1985’s ‘Howling II: Your Sister is a Werewolf’. Joe Dante believes that Steven Spielberg saw the film at the cinema and subsequently offered him the directorial job on the cult classic Gremlins (1984).

Despite The Howling’s relatively high profile I’ve been unable to identify the artist responsible for the artwork on this US one sheet, which was also used as the marketing art in several other countries. If anyone has any ideas please get in touch. Note that this particular poster is discoloured somewhat as it is meant to be more orange/yellow in tone, and I believe it’s the result of an error during printing. It’s not the first one sheet for the Howling that I’ve seen with this discolouration and at least three can be seen in emovieposter’s past sales history of the poster. I suspect that a batch of the posters fell victim to an issue with blue/green inks at the time of printing.

Gremlins / one sheet / 1985 re-release / USA

17.05.11

Poster Poster

Gremlins / one sheet / advance / USA

17.05.11

Poster Poster

Freaky Friday / quad / UK

15.10.14

Poster Poster
Title
Freaky Friday
AKA
--
Year of Film
1976
Director
Gary Nelson
Starring
Barbara Harris, Jodie Foster, John Astin, Patsy Kelly, Dick Van Patten, Vicki Schreck, Sorrell Booke, Alan Oppenheimer, Ruth Buzzi, Kaye Ballard, Marc McClure, Marie Windsor
Origin of Film
USA
Genre(s) of Film
Barbara Harris, Jodie Foster, John Astin, Patsy Kelly, Dick Van Patten, Vicki Schreck, Sorrell Booke, Alan Oppenheimer, Ruth Buzzi, Kaye Ballard, Marc McClure, Marie Windsor,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1976
Designer
Brian Bysouth
Artist
Brian Bysouth
Size (inches)
30" x 40 2/16"
SS or DS
SS
Tagline
Annabel and her mother are not quite themselves today - in fact, they're each other!

Unique artwork features on this UK quad for the release of the 1976 version of the Disney comedy Freaky Friday. Based on the novel of the same name by Mary Rodgers (who also wrote the screenplay), the film focuses on the Andrews family in which the mother and daughter (played memorably by Barbara Harris and Jodie Foster) are constantly at odds with each other and struggle to understand why they behave the way they do to each other. On Friday the 13th they both happen to say “I wish I could switch places with her for just one day” at the same time and their wishes come true as their minds swap places. The pair then must cope with being in each other’s bodies as they realise the pressures and expectations they both have on them.

Mr Andrews (John Astin) is a real-estate developer preparing for an important launch in which mother and daughter are meant to be playing their different parts and hilarity ensues as the pair attempt to cope with the situation. The film is classic Disney family entertainment and definitely harkens back to a more innocent time. Both Harris and Foster bring a great energy to their parts and it’s easy to see why the latter would go on to catch the eye of many a Hollywood casting director.

This quad was created by the British designer and artist Brian Bysouth who I interviewed for this site in 2012. He is one of my favourite artists and worked on multiple classic posters from the 1960s to the 1980s, including the final painted poster for a James Bond film, The Living Daylights. The other posters I’ve collected by Brian can be seen by clicking here.

The Terminator / A1 / Czechoslovakia

20.10.14

Poster Poster

James Cameron’s seminal sci-fi classic The Terminator celebrates its 30th anniversary this year and it cannot be overstated how much of an impact the film has had on cinema and culture in general. The careers of Cameron and star Arnold Schwarzenegger were given stratospheric boosts (not so much poor Michael Biehn) and the concepts of time-travel, and killer cyborgs will forever be tied to what would go on to become the Terminator franchise. The film is also arguably the original 80s action blockbuster and would be followed by a slew of increasingly more muscular, explosive flicks starring the likes of Sylvester Stallone, Bruce Wills and, of course, Arnie.

The US poster features an iconic photograph of Arnie alongside a lengthy tagline, whilst the UK quad went for an illustration depicting a battle-damaged Terminator showing the endoskeleton underneath. This poster for the Czechoslovakian release of the film in 1990 (two years before the sequel) features a fantastic illustration depicting the cold steel of the endoskeleton with Arnie’s face above and an exposed cranium with what are clearly intended to be electronic pulses in place of a human brain.

The poster was designed and printed by the Czech artist Milan Pecák. A celebrated designer and artist, Pecák was born in 1962 and studied at the Vaclav Hollar School of Fine Arts in Prague before working as an architect and later as a set designer for several films. It was whilst working on the 1986′ ‘Zastihla Me Noc’ that he was first given the opportunity to work on the film’s poster and from then onwards he was in demand as an artist for posters advertising Czech releases, as well as several American films, including Gorillas in the Mist, Mississippi Burning and Indiana Jones and the Temple of Doom. In addition to film posters, Pecák is also an accomplished book and magazine cover illustrator and in his spare time works on fine art painting as well as digital graphics.

Milan Pecák’s official website can be viewed here and features several galleries of his work as well as a biography.

Piranha / B2 / style A / Japan

22.02.15

Poster Poster
Title
Piranha
AKA
--
Year of Film
1978
Director
Joe Dante
Starring
Bradford Dillman, Heather Menzies, Kevin McCarthy, Keenan Wynn, Barbara Steele, Dick Miller, Belinda Balaski, Richard Deacon
Origin of Film
USA
Genre(s) of Film
Bradford Dillman, Heather Menzies, Kevin McCarthy, Keenan Wynn, Barbara Steele, Dick Miller, Belinda Balaski, Richard Deacon,
Type of Poster
B2
Style of Poster
Style A
Origin of Poster
Japan
Year of Poster
1978
Designer
Unknown
Artist
Bob Larkin
Size (inches)
20 5/16" x 28 13/16"
SS or DS
SS
Tagline
--

Director Joe Dante‘s Piranha was one of several killer nature films that followed in the wake of the runaway success of Spielberg’s Jaws. Executive produced by legendary schlockmeister Roger Corman and co-written by John Sayles (his first credit and before he began his directing career) the film was also one of the first jobs for special effects maestros Rob Bottin and Phil Tippett. The film begins as a young couple hiking enter an apparently abandoned military complex and jump into what looks like a swimming pool, but something deadly lurks below the water and the pair soon disappear screaming under the surface. Maggie McKeown (Heather Menzies), an insurance investigator, is dispatched to try and track down the teenagers and hires local drunkard Paul Grogan (Bradford Dillman) to help her.

The pair stumble across the complex and end up draining the pool to see if there’s anything at the bottom. When they do a bedraggled man appears from somewhere in the complex and attacks them to try and stop the pool being emptied. Grogan subdues him and the man proceeds to tell them that the water contained genetically-modified oversized killer piranha fish that were intended to be used against the enemy in the Vietnam war. The drainage pipe leads to a river and Lost River Lake, which is home to a children’s summer camp and a holiday resort. The trio set off to try and warn the camp and resort inhabitants but the fish have already made good progress and evidence of their deadly nature is discovered on the journey to Lost River Lake.

Produced on a reported budget of $600k, the film is certainly no classic but is entertaining enough, featured plenty of shocks to keep audiences happy and rake in a significant profit for Corman’s New World Pictures. Universal Studios, the Jaws production company, were all set to sue New World until Spielberg saw the film and gave it his blessing.

This Japanese B2 features artwork by the American artist Bob Larkin (born 1949) who is primarily known for his work on Marvel comics covers, including Savage Sword of Conan and Planet of the Apes. He also worked on covers for other comics distributors, magazines and packaging for toys. Larkin painted a handful of other film posters, including Monster (AKA Humanoids from the Deep) and Piranha II: The Spawning. The Bob Larkin: Illustrated Man site features a load of examples of his work, including many original paintings.

Cannonball / B2 / Japan

13.07.15

Poster Poster
Title
Cannonball
AKA
Carquake (UK) | Cannonball! (alt. title)
Year of Film
1976
Director
Paul Bartel
Starring
David Carradine, Bill McKinney, Veronica Hamel, Gerrit Graham, Robert Carradine, Belinda Balaski, Judy Canova, Archie Hahn, Carl Gottlieb, Dick Miller
Origin of Film
USA | Hong Kong
Genre(s) of Film
David Carradine, Bill McKinney, Veronica Hamel, Gerrit Graham, Robert Carradine, Belinda Balaski, Judy Canova, Archie Hahn, Carl Gottlieb, Dick Miller,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1977
Designer
Unknown
Artist
--
Size (inches)
20 4/16" x 28 13/16"
SS or DS
SS
Tagline
--

Paul Bartel, the late actor/director who was at the helm of the cult b-movie Death Race 2000 (released a year earlier), stuck with the cross-country car chase theme with this 1976 flick Cannonball, though he removed most of the gore that gave the former film its notoriety. The film and title are based on the exploits of Erwin G. “Cannon Ball” Baker, a legendary bike and car racer who made over 140 cross-country speed runs during his career and put his name to the Sea to Shining Sea Memorial Trophy Dash, an illegal cross-country race that was run five times during the 1970s. This was the first in a series of films that was based on the idea of illegal long-distance races, with The Gumball Rally seeing release the same year, and the more successful Cannonball Run and its sequel being released at the start of the 1980s.

Whilst perhaps not as star-studded as the later films, Cannonball still has a large ensemble cast with several cameos that are both credited and un-credited, including Martin Scorsese, Sylvester Stallone, Don Simpson and Roger Corman. David Carradine appears as Coy ‘Cannonball’ Buckman, a race driver who has recently been released from jail where he was sent for killing someone whilst driving drunk. He decides to enter the Trans-America Grand Prix, an illegal road race that travels between Los Angeles and New York City. The racing team Modern Motors has promised a contract to either Coy or his arch-rival Cade Redman (Bill McKinney) so he is determined to win.

Because the race crosses state lines Coy will be in violation of his parole conditions, his parole officer (Veronica Hamel) attempts to stop him and ends up being forced to come along for the ride. Two people who have offered to pay his race expenses are also passengers in his Dodge Charger and there are several other racers in the competition, including a surfer dude played by David’s brother Robert and his girlfriend (played by Belinda Balaski). The race soon descends into a violent destruction derby with many of the competitors meeting grizzly ends. Coy will be challenged in more ways than one and the first to cross the finish line isn’t who you might think. Later films in the genre would tone down the violence and deaths considerably.

This Japanese B2 poster features a unique montage design and was printed for the film’s first release in the country in 1977. Note the miss-spelling of the title as ‘Canonnball’.

 

Swamp Thing / one sheet / USA

17.05.11

Poster Poster
Title
Swamp Thing
AKA
Das Ding aus dem Sumpf (West Germany)
Year of Film
1982
Director
Wes Craven
Starring
Louis Jourdan, Adrienne Barbeau, Ray Wise, David Hess, Mimi Craven, Dick Durock, Nicholas Worth
Origin of Film
USA
Genre(s) of Film
Louis Jourdan, Adrienne Barbeau, Ray Wise, David Hess, Mimi Craven, Dick Durock, Nicholas Worth,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1982
Designer
Unknown
Artist
Richard Hescox
Size (inches)
27 1/16" x 41 1/16"
SS or DS
SS
NSS #
820035
Tagline
Science transformed him into a monster. Love changed him even more!