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Flash Gordon / quad / UK

18.11.11

Poster Poster
Title
Flash Gordon
AKA
Blixt Gordon (Sweden)
Year of Film
1980
Director
Mike Hodges
Starring
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed
Origin of Film
USA | UK
Genre(s) of Film
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1980
Designer
FEREF
Artist
Renato Casaro
Size (inches)
30" x 39 15/16"
SS or DS
SS
Tagline
--

There are few films quite like Flash Gordon and having re-watched it on blu-ray recently I was reminded how much of an impression it had on me when I first saw it as a child. I also listened to the excellent audio commentary with director Mike Hodges, who admits to being an unlikely choice to direct and confirms in no uncertain terms that they were making things up as they went along. It sounds like a typically chaotic Dino De Laurentiis production with scenes being written the night before filming and huge amounts of the budget going on the costume and set designs (though these are very impressive, even today).

There are several reasons the film remains one of my favourites of the 1980s:

Acting
Topol is insanely over the top as Dr Hans Zarkov with an accent that changes from scene to scene. It’s not hard to see why Sam J. Jones never hit the big time, although you can’t say he doesn’t give the role his all. Max Von Sydow is clearly having fun playing Ming and Brian Blessed is spectacular as Vultan the Hawksman; no one else could deliver the simple line ‘pass me the remote control’ with such unbridled gusto. A pre-Bond Timothy Dalton is also rather memorable, sporting a spectacular moustache.

The woodbeast
This infamous scene (featuring Peter Duncan) terrified me as a child, and not just ‘wow, that’s a bit weird’, I’m talking more like ‘I’m never going near a tree stump ever again’. Scarred. For. Life. There’s also an odd ‘black whoopee-cushion with tendrils’ creature that attacks Flash and is seared into my memory, even if it looks like a painted balloon when you watch it again today.

The costumes and set designs
As mentioned, a serious amount of budget was spent on costumes and sets by Danilo Donati and it shows. You only have to watch this brief clip to get an idea of the amount of work that went into them – very impressive stuff.

Ornella Muti
Just like Jane Seymour in Live and Let Die, Ornella (playing Princess Aura) was responsible for putting more than a few hairs on my chest. Her costumes are the very definition of figure-hugging. The infamous interrogation scene has to be seen to be believed.

The music
An awesome soundtrack by Brit rockers Queen that still sounds superb today. I almost tried to persuade my wife to walk down the aisle to the sound of Ming’s wedding march; it’s that good. The 2011 remaster is available on Spotify.

This British quad was illustrated by one of my favourite artists, Renato Casaro (check out the incredible amount of work here), and the design can be seen on several of the film’s international posters, including the slightly different Japanese ones. Interestingly the logo on the poster is also seen throughout the film (Flash has it on his t-shirt at one point for example), which is a crossover that very rarely happens.

You can see more of Casaro’s posters that I’ve collected here.

The great original trailer can be seen here.

Melancholia / one sheet / lightning style / USA

30.05.13

Poster Poster

Notorious Danish director Lars von Trier‘s apocalyptic drama Melancholia‘s 2011 release was somewhat overshadowed by the controversy surrounding his comments at the Cannes festival press conference for the film in which he expressed various (idiotic) thoughts, including ‘What can I say? I understand Hitler, but I think he did some wrong things, yes, absolutely. … He’s not what you would call a good guy, but I understand much about him, and I sympathise with him a little bit.’ This and various other comments saw the director being declared ‘persona non grata’ by the festival’s directors in an unprecedented move. Von Trier apologised for his remarks hours later and even held a press conference in Danish, but the damage was done.

Arguably the director’s most accessible film, certainly when compared to his earlier Dogme 95 features and 2009’s Antichrist, Melancholia opens with a stunning CGI sequence showing the destruction of Earth as the titular planet smashes straight into it. Claire (Charlotte Gainsbourg) and Justine (Kirsten Dunst) are sisters dealing with different forms of anxiety and depression during the latter’s wedding reception taking place on the family estate. Justine is shown to be almost catatonic with depression whilst Claire is dealing with her fears over a large blue planet which is revealed to be on a collision course with Earth. The film is split into two sections and follows the way each woman deals with the impending destruction and their relationships with the people around them.

According to this interview article with the director, ‘the idea for the film emerged while he was in treatment for the depression that has haunted him in recent years. A therapist told him a theory that depressives and melancholics act more calmly in violent situations, while “ordinary, happy” people are more apt to panic. Melancholics are ready for it. They already know everything is going to hell.’

This is the ‘static lightning’ style American one sheet for the film that, like the ‘water‘ style is pretty much a still shot from the film (with likely some minor adjustments). It was designed by the Los Angeles-based company Gravillis inc. who are responsible for some of my favourite recent one sheets, including Monsters and I Saw the Devil. IMPAwards features a gallery of a lot of their work. Melancholia was also given a set of teaser posters that can be seen on IMPAwards and features, bizarrely, a Lars von Trier version!

Flash Gordon / portrait / Thailand

08.12.14

Poster Poster
Title
Flash Gordon
AKA
Blixt Gordon (Sweden)
Year of Film
1980
Director
Mike Hodges
Starring
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed
Origin of Film
USA | UK
Genre(s) of Film
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed,
Type of Poster
Thai
Style of Poster
Portrait
Origin of Poster
Thailand
Year of Poster
1980
Designer
Tongdee Panumas
Artist
Tongdee Panumas
Size (inches)
21 6/16" x 30 14/16"
SS or DS
SS
Tagline
--

There are few films quite like Flash Gordon and having re-watched it on blu-ray recently I was reminded how much of an impression it had on me when I first saw it as a child. I also listened to the excellent audio commentary with director Mike Hodges, who admits to being an unlikely choice to direct and confirms in no uncertain terms that they were making things up as they went along. It sounds like a typically chaotic Dino De Laurentiis production with scenes being written the night before filming and huge amounts of the budget going on the costume and set designs (though these are very impressive, even today).

There are several reasons the film remains one of my favourites of the 1980s:

Acting
Topol is insanely over the top as Dr Hans Zarkov with an accent that changes from scene to scene. It’s not hard to see why Sam J. Jones never hit the big time, although you can’t say he doesn’t give the role his all. Max Von Sydow is clearly having fun playing Ming and Brian Blessed is spectacular as Vultan the Hawksman; no one else could deliver the simple line ‘pass me the remote control’ with such unbridled gusto. A pre-Bond Timothy Dalton is also rather memorable, sporting a spectacular moustache.

The woodbeast
This infamous scene (featuring Peter Duncan) terrified me as a child, and not just ‘wow, that’s a bit weird’, I’m talking more like ‘I’m never going near a tree stump ever again’. Scarred. For. Life. There’s also an odd ‘black whoopee-cushion with tendrils’ creature that attacks Flash and is seared into my memory, even if it looks like a painted balloon when you watch it again today.

The costumes and set designs
As mentioned, a serious amount of budget was spent on costumes and sets by Danilo Donati and it shows. You only have to watch this brief clip to get an idea of the amount of work that went into them – very impressive stuff.

Ornella Muti
Just like Jane Seymour in Live and Let Die, Ornella (playing Princess Aura) was responsible for putting more than a few hairs on my chest. Her costumes are the very definition of figure-hugging. The infamous interrogation scene has to be seen to be believed.

The music
An awesome soundtrack by Brit rockers Queen that still sounds superb today. I almost tried to persuade my wife to walk down the aisle to the sound of Ming’s wedding march; it’s that good. The 2011 remaster is available on Spotify.

This Thai poster was painted by the artist Tongdee Panumas (he signs his posters with just his first name) who was an incredibly prolific Thai film poster artist during the 70s, 80s and 90s but I’ve been unable to find out much about him, other than that he was born in 1947. If anyone has any more information please get in touch. A knowledgeable collector of Thai posters told me that the artists would rarely if ever see the film they were creating the poster for and would instead paint images based on still photos or posters from other countries. This led to some wild designs and even some artwork with characters and elements that didn’t even appear in the actual film!

I believe elements of this poster were copied from the same stills that were used to make some of the other worldwide posters for Flash Gordon, so it’s likely that the film was actually released some time after 1980. If anyone knows the date please get in touch. I also have a landscape version of the poster in the collection.

Flash Gordon / landscape / Thailand

13.05.15

Poster Poster
Title
Flash Gordon
AKA
Blixt Gordon (Sweden)
Year of Film
1980
Director
Mike Hodges
Starring
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed
Origin of Film
USA | UK
Genre(s) of Film
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed,
Type of Poster
Thai
Style of Poster
Landscape
Origin of Poster
Thailand
Year of Poster
1980
Designer
Tongdee Panumas
Artist
Tongdee Panumas
Size (inches)
21 6/16" x 30 13/16"
SS or DS
SS
Tagline
--

There are few films quite like Flash Gordon and having re-watched it on blu-ray recently I was reminded how much of an impression it had on me when I first saw it as a child. I also listened to the excellent audio commentary with director Mike Hodges, who admits to being an unlikely choice to direct and confirms in no uncertain terms that they were making things up as they went along. It sounds like a typically chaotic Dino De Laurentiis production with scenes being written the night before filming and huge amounts of the budget going on the costume and set designs (though these are very impressive, even today).

There are several reasons the film remains one of my favourites of the 1980s:

Acting
Topol is insanely over the top as Dr Hans Zarkov with an accent that changes from scene to scene. It’s not hard to see why Sam J. Jones never hit the big time, although you can’t say he doesn’t give the role his all. Max Von Sydow is clearly having fun playing Ming and Brian Blessed is spectacular as Vultan the Hawksman; no one else could deliver the simple line ‘pass me the remote control’ with such unbridled gusto. A pre-Bond Timothy Dalton is also rather memorable, sporting a spectacular moustache.

The woodbeast
This infamous scene (featuring Peter Duncan) terrified me as a child, and not just ‘wow, that’s a bit weird’, I’m talking more like ‘I’m never going near a tree stump ever again’. Scarred. For. Life. There’s also an odd ‘black whoopee-cushion with tendrils’ creature that attacks Flash and is seared into my memory, even if it looks like a painted balloon when you watch it again today.

The costumes and set designs
As mentioned, a serious amount of budget was spent on costumes and sets by Danilo Donati and it shows. You only have to watch this brief clip to get an idea of the amount of work that went into them – very impressive stuff.

Ornella Muti
Just like Jane Seymour in Live and Let Die, Ornella (playing Princess Aura) was responsible for putting more than a few hairs on my chest. Her costumes are the very definition of figure-hugging. The infamous interrogation scene has to be seen to be believed.

The music
An awesome soundtrack by Brit rockers Queen that still sounds superb today. I almost tried to persuade my wife to walk down the aisle to the sound of Ming’s wedding march; it’s that good. The 2011 remaster is available on Spotify.

This landscape Thai poster was painted by the artist Tongdee Panumas (he signs his posters with just his first name) who was an incredibly prolific Thai film poster artist during the 70s, 80s and 90s but I’ve been unable to find out much about him, other than that he was born in 1947. If anyone has any more information please get in touch. A knowledgeable collector of Thai posters told me that the artists would rarely if ever see the film they were creating the poster for and would instead paint images based on still photos or posters from other countries. This led to some wild designs and even some artwork with characters and elements that didn’t even appear in the actual film!

I believe elements of this poster were copied from the same stills that were used to make some of the other worldwide posters for Flash Gordon, so it’s likely that the film was actually released some time after 1980. If anyone knows the date please get in touch. I also have a portrait version of the poster in the collection.

Never Say Never Again / re-release / Thailand

16.03.16

Poster Poster

An excellent portrait of Sean Connery surrounded by an action montage features on this German poster for Never Say Never Again, a non-canon James Bond film. The existence and status of the film is due to a long-running legal issue involving Bond creator Ian Fleming and a film producer called Kevin McClory. The pair had worked together on an abandoned Bond project called Longitude 78 that Fleming later turned into the novel Thunderball without crediting the producer or another writer who worked on the project. The case went to the high court and McClory was then given the right to produce the resultant Thunderball film in 1965 as well as the ability to remake the novel turned film after 10 years had elapsed. It took a bit longer than that but eventually McClory brought the same story to the screen in 1983, which happened to be the year that Octopussy, an official entry into the series starring Roger Moore, was released.

Connery wasn’t always in the frame to return as Bond, but after he developed an initial draft of the script with novelist Len Deighton in the 1970s, his name became attached to the project and he was eventually persuaded to star thanks to a significant fee as well as a share of the profits and the ability to veto script and casting decisions. Irvin Kershner came onboard to direct and the rest of the cast was filled with the likes of Max von Sydow as the arch-villain Blofeld and Klaus Maria Brandauer as Maximilian Largo (key villain in Thunderball). A young Kim Basinger appears as Domino, the partner of Largo and later a love interest for Bond.

The film’s plot about the hunt for stolen nuclear warheads features a great deal of similarities with Thunderball, given that it is effectively a remake, but there are significant stylistic differences and also several references made to the fact that Connery is playing an older Bond (he was 52 at the time). The ending is hugely different from Thunderball and ditches the now embarrassing sequence on the out-of-control ship and replaces it with a bit of an anticlimactic showdown underwater. The rest of the film is entertaining enough with excellent use of locations and some thrilling action and stunt sequences, although it’s certainly no match for the best of the canonical series. It was favourably received critically at the time of release and supposedly went on to outperform Octopussy at the box office in 1983, which no doubt annoyed the folks at Eon Productions.

This Thai poster features excellent artwork by Tongdee Panumas (he signs his posters with just his first name) who was an incredibly prolific Thai film poster artist during the 70s, 80s and 90s. I’ve been unable to find out much about him, other than that he was born in 1947, so if anyone has any more details please get in touch.

Note that this is the re-release version of the poster. The first release version is larger in size and features a Pepsi logo and different printer credit in the bottom right. The re-release is missing the Pepsi logo and the painted image has a slight red tint to it. There’s also some noticeable damage that has been captured during printing. It’s possible that the original art was re-used and by that time it had been damaged, or a first release poster was scanned which had some damage on it. There are marks in various parts of the artwork but the most noticeable one is across Sean Connery’s forehead. Click here to see a picture of the two side by side. If anyone knows anything more about this please leave a comment below.

To see the other posters I’ve collected that were painted by Tongdee click here.

 

Melancholia / one sheet / water style / USA

30.05.13

Poster Poster

Notorious Danish director Lars von Trier‘s apocalyptic drama Melancholia‘s 2011 release was somewhat overshadowed by the controversy surrounding his comments at the Cannes festival press conference for the film in which he expressed various (idiotic) thoughts, including ‘What can I say? I understand Hitler, but I think he did some wrong things, yes, absolutely. … He’s not what you would call a good guy, but I understand much about him, and I sympathise with him a little bit.’ This and various other comments saw the director being declared ‘persona non grata’ by the festival’s directors in an unprecedented move. Von Trier apologised for his remarks hours later and even held a press conference in Danish, but the damage was done.

Arguably the director’s most accessible film, certainly when compared to his earlier Dogme 95 features and 2009’s Antichrist, Melancholia opens with a stunning CGI sequence showing the destruction of Earth as the titular planet smashes straight into it. Claire (Charlotte Gainsbourg) and Justine (Kirsten Dunst) are sisters dealing with different forms of anxiety and depression during the latter’s wedding reception taking place on the family estate. Justine is shown to be almost catatonic with depression whilst Claire is dealing with her fears over a large blue planet which is revealed to be on a collision course with Earth. The film is split into two sections and follows the way each woman deals with the impending destruction and their relationships with the people around them.

According to this interview article with the director, ‘the idea for the film emerged while he was in treatment for the depression that has haunted him in recent years. A therapist told him a theory that depressives and melancholics act more calmly in violent situations, while “ordinary, happy” people are more apt to panic. Melancholics are ready for it. They already know everything is going to hell.’

This is the ‘water’ style American one sheet for the film that, like the ‘lightning‘ style is pretty much a still shot from the film (with likely some minor adjustments). It was designed by the Los Angeles-based company Gravillis inc. who are responsible for some of my favourite recent one sheets, including Monsters and I Saw the Devil. IMPAwards features a gallery of a lot of their work. Melancholia was also given a set of teaser posters that can be seen on IMPAwards and features, bizarrely, a Lars von Trier version!

Never Say Never Again / A1 / Germany

25.02.15

Poster Poster

An excellent portrait of Sean Connery surrounded by an action montage features on this German poster for Never Say Never Again, a non-canon James Bond film. The existence and status of the film is due to a long-running legal issue involving Bond creator Ian Fleming and a film producer called Kevin McClory. The pair had worked together on an abandoned Bond project called Longitude 78 that Fleming later turned into the novel Thunderball without crediting the producer or another writer who worked on the project. The case went to the high court and McClory was then given the right to produce the resultant Thunderball film in 1965 as well as the ability to remake the novel turned film after 10 years had elapsed. It took a bit longer than that but eventually McClory brought the same story to the screen in 1983, which happened to be the year that Octopussy, an official entry into the series starring Roger Moore, was released.

Connery wasn’t always in the frame to return as Bond, but after he developed an initial draft of the script with novelist Len Deighton in the 1970s, his name became attached to the project and he was eventually persuaded to star thanks to a significant fee as well as a share of the profits and the ability to veto script and casting decisions. Irvin Kershner came onboard to direct and the rest of the cast was filled with the likes of Max von Sydow as the arch-villain Blofeld and Klaus Maria Brandauer as Maximilian Largo (key villain in Thunderball). A young Kim Basinger appears as Domino, the partner of Largo and later a love interest for Bond.

The film’s plot about the hunt for stolen nuclear warheads features a great deal of similarities with Thunderball, given that it is effectively a remake, but there are significant stylistic differences and also several references made to the fact that Connery is playing an older Bond (he was 52 at the time). The ending is hugely different from Thunderball and ditches the now embarrassing sequence on the out-of-control ship and replaces it with a bit of an anticlimactic showdown underwater. The rest of the film is entertaining enough with excellent use of locations and some thrilling action and stunt sequences, although it’s certainly no match for the best of the canonical series. It was favourably received critically at the time of release and supposedly went on to outperform Octopussy at the box office in 1983, which no doubt annoyed the folks at Eon Productions

The poster was designed and painted by one of my favourite artists, Renato Casaro, an Italian with a prolific movie poster output that lasted over 35 years. He began his career in 1953, aged 19, at the famous Studio Favalli in Rome and would go on to design and paint posters for many of the biggest directors in the world. His skill at accurately portraying actors and his brilliant use of colour and composition saw him much in demand from studios and actors alike. His artwork has featured on posters used in multiple countries, including Japan, Germany, USA as well as in his native Italy.

Check out the incredible amount of work on his official website here, which also features a biography of the artist. In March 2014 I published an exclusive interview with Renato and it can be read by clicking here. In it he mentions working on this poster and he showed me the original art for the version of the poster where it’s just Connery alone (the advance poster).

The other posters I’ve collected by Renato Casaro are here.

Dreamscape / one sheet / USA

28.02.12

Poster Poster
Title
Dreamscape
AKA
--
Year of Film
1984
Director
Joseph Ruben
Starring
Dennis Quaid, Max von Sydow, Christopher Plummer, Eddie Albert, Kate Capshaw, David Patrick Kelly, George Wendt, Larry Gelman
Origin of Film
USA
Genre(s) of Film
Dennis Quaid, Max von Sydow, Christopher Plummer, Eddie Albert, Kate Capshaw, David Patrick Kelly, George Wendt, Larry Gelman,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1984
Designer
Unknown
Artist
Drew Struzan
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
840071
Tagline
Enter a world beyond your wildest imagination where anything can happen | Close your eyes and the adventure begins

Drew Struzan artwork on this poster for the 1984 sci-fi thriller Dreamscape, starring a young and fresh-faced Dennis Quaid, alongside the lovely Kate Capshaw. It also features veteran actors Christopher Plummer and Max von Sydow who were, coincidentally, up against each other for the ‘Best Supporting Actor’ prize at the 2012 Academy Awards. Plummer went on to win for the first time in his long career.

Quaid plays psychic Alex Gardner who has been using his skills for personal gain after disappearing from a research project run by Dr. Paul Novotny (Von Sydow). Novotny tracks down Alex and coaxes him into joining his new experiment, which sees psychics’ abilities being used to infiltrate the dreams and nightmares of others. Whilst inside the dreams the psychics are able to influence events with the intention of ridding them of any sleep disorders they’re suffering. Although intended for benevolent purposes, a shadowy government agent (Plummer) clearly has other plans and an ally in the form of deranged psychic (David Patrick Kelly). It’s not long before the life of the President of the USA is in danger and only Alex can save him.

If the idea of infiltrating dreams sounds familiar it’s probably because Christopher Nolan’s 2010 sci-fi masterpiece, Inception, uses a similar conceipt of dream infiltration, although for different purposes and without the use of psychic powers. Despite some notably dodgy effects, Dreamscape is a fun watch and is definitely one of Quaid’s better lead roles. David Patrick Kelly plays a typically excellent bad guy and this was one of several memorable roles for him during the 1980s.

Some of the dreams situations are pretty creepy and well executed, particularly those involving the apocalyptic visions of the President.

Struzan’s artwork features several images taken from dream sequences as well as a couple of the ‘real world’ action scenes in the film. My only criticism of it is that it does make the film look like something of an action-adventure, which is definitely not the case, and the kid depicted as one of the main characters only features for a few brief minutes.

The original trailer is on YouTube.

Flash Gordon / one sheet / teaser / portrait / USA

21.11.12

Poster Poster
Title
Flash Gordon
AKA
Blixt Gordon (Sweden)
Year of Film
1980
Director
Mike Hodges
Starring
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed
Origin of Film
USA | UK
Genre(s) of Film
Sam J. Jones, Melody Anderson, Chaim Topol, Timothy Dalton, Max von Sydow, Ornella Muti, Brian Blessed,
Type of Poster
One sheet
Style of Poster
Teaser - portrait
Origin of Poster
USA
Year of Poster
1980
Designer
Unknown
Artist
Philip Castle
Size (inches)
25 4/16" x 28 2/16"
SS or DS
SS
NSS #
--
Tagline
--

There are few films quite like Flash Gordon and having re-watched it on blu-ray recently I was reminded how much of an impression it had on me when I first saw it as a child. I also listened to the excellent audio commentary with director Mike Hodges, who admits to being an unlikely choice to direct and confirms in no uncertain terms that they were making things up as they went along. It sounds like a typically chaotic Dino De Laurentiis production with scenes being written the night before filming and huge amounts of the budget going on the costume and set designs (though these are very impressive, even today).

This is an unusual teaser one sheet printed on paper that is thicker than normal paper with a metallic-ink finish. It was used in North America to promote the film months ahead of its release and there was also a landscape format version printed.  The renowned British artist Philip Castle is responsible for the artwork, which depicts the scene towards the end of the film where Flash Gordon and the Hawkmen attack and capture the rocket fortress Ajax.

Born in London in 1943, Castle’s design career has seen him working on album covers for some of the biggest names in British music, including Wings, Mott the Hoople and Pulp. His skills were utilised for the famous cover for David Bowie’s Aladdin Sane, which saw him airbrushing over a photograph by Celia Philo. He also worked on the cover for the legendary computer game Elite.

Perhaps his most famous film poster work was the result of his collaboration with director Stanley Kubrick and the airbrushed images used to promote A Clockwork Orange are utterly fantastic. The final one sheet for the film is one of the most iconic posters of all time, with the same painting being used to promote the film all over the world, and it continues to be used to this day. In 1987 the pair would collaborate once more on the poster for Full Metal Jacket, which again proved to be a seminal piece of work. There’s an interesting interview with Castle available to watch on YouTube in which he discusses his work with Kubrick.

This page features several examples of his brilliant work and there are multiple images tagged on Tumblr. The posters I’ve collected by him can be seen here.

Dune / one sheet / advance / suns style / USA

17.05.11

Poster Poster
Title
Dune
AKA
Der Wüstenplanet (West Germany)
Year of Film
1984
Director
David Lynch
Starring
Francesca Annis, Kyle MacLachlan, Sting, Max von Sydow, Jose Ferrer
Origin of Film
USA
Genre(s) of Film
Francesca Annis, Kyle MacLachlan, Sting, Max von Sydow, Jose Ferrer,
Type of Poster
One sheet
Style of Poster
Advance - suns style
Origin of Poster
USA
Year of Poster
1984
Designer
Unknown
Artist
--
Size (inches)
27 1/8" x 41"
SS or DS
SS
NSS #
--
Tagline
A place beyond your dreams, A movie beyond your imagination.

Dead Ringers / one sheet / USA

15.12.14

Poster Poster
Title
Dead Ringers
AKA
Inseparables (Spain)
Year of Film
1988
Director
David Cronenberg
Starring
Jeremy Irons, Geneviève Bujold, Heidi von Palleske, Barbara Gordon, Shirley Douglas, Stephen Lack, Nick Nichols, Lynne Cormack, Damir Andrei, Miriam Newhouse
Origin of Film
Canada | USA
Genre(s) of Film
Jeremy Irons, Geneviève Bujold, Heidi von Palleske, Barbara Gordon, Shirley Douglas, Stephen Lack, Nick Nichols, Lynne Cormack, Damir Andrei, Miriam Newhouse,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1988
Designer
Spiros Angelikas
Artist
Spiros Angelikas
Size (inches)
27 2/16" x 40 15/16"
SS or DS
SS
NSS #
880119
Tagline
From the director of "The Fly" comes a new kind of thriller. | Two bodies. Two minds. One soul.

Upon its release in 1988, Dead Ringers was arguably Canadian director David Cronenberg‘s most mainstream release to date (as close as he’d come at least) and it was his first psychological thriller following a slew of horrors, including Scanners (1981) and The Fly (1986). Based on the novel ‘Twins’ by Bari Wood and Jack Geasland, the film was also influenced by the real life case of Stewart and Cyril Marcus and focuses on twin gynaecologists Beverly and Elliot Mantle (both played by Jeremy Irons) who practice in a Toronto clinic dealing with fertility problems. For years they have operated a system where the more confident Elliot seduces women who visit the clinic and then passes them onto the shy Beverly when he’s bored of them, with the women usually not noticing the deception.

One day troubled actress Claire Niveau (Geneviève Bujold) visits the clinic and Elliot does his usual seduction trick. Beverly then becomes infatuated with her, leading to a destabilising of the relationship between the brothers and, after Beverly begins taking the prescription drugs that Claire is addicted to, things take a turn for the worse. Soon paranoid delusions of ‘mutant women’ lead Beverly to purchasing a series of bizarre tools from a metallurgical artist. When he later attacks a patient at the clinic the twins are suspended from practice and set in motion a chain of events with a deadly conclusion.

Although more drama focused, the film still gave Cronenberg plenty of scope for his usual body horror tricks and although it’s not as bloody as previous efforts the film is no less disturbing. Irons impresses with his performance and the actor would win a few awards during the year of release.

The poster was designed by Spiros Angelikas who was a prolific designer and artist of film posters during the 1970s and 1980s. He owned a design agency called Spiros Associates. Some of his most famous work includes the poster he designed for Friday the 13th, with artist Alex Ebel, and for his collaborations with the legendary artist Richard Amsel. They worked on Raiders of the Lost Ark and Nijinsky together and there’s a great article on the late artist’s website about their efforts. He also worked on several of the posters for the original Star Trek films, including the gorgeous Bob Peak original. There’s an interesting article by Angelikas’ son Harry on the Trek Core website which has photographs of concepts for the posters by Spiros that never made it to the print stage.

For this poster, not only did Spiros design the layout and type but he also put together the photo montage used for the central image of the melded faces.

Conan The Barbarian / one sheet / advance / USA

17.05.11

Poster Poster
Title
Conan The Barbarian
AKA
--
Year of Film
1982
Director
John Milius
Starring
Arnold Schwarzenegger, James Earl Jones, Sandahl Bergman, Mako, Gerry Lopez, Max von Sydow
Origin of Film
USA
Genre(s) of Film
Arnold Schwarzenegger, James Earl Jones, Sandahl Bergman, Mako, Gerry Lopez, Max von Sydow,
Type of Poster
One sheet
Style of Poster
Advance
Origin of Poster
USA
Year of Poster
1982
Designer
Unknown
Artist
Renato Casaro
Size (inches)
27" x 41 1/16"
SS or DS
SS
NSS #
--
Tagline
Thief Warrior Gladiator King

Dune / one sheet / advance / photo style / USA

17.05.11

Poster Poster
Title
Dune
AKA
Der Wüstenplanet (West Germany)
Year of Film
1984
Director
David Lynch
Starring
Francesca Annis, Kyle MacLachlan, Sting, Max von Sydow, Jose Ferrer
Origin of Film
USA
Genre(s) of Film
Francesca Annis, Kyle MacLachlan, Sting, Max von Sydow, Jose Ferrer,
Type of Poster
One sheet
Style of Poster
Advance - photo style
Origin of Poster
USA
Year of Poster
1984
Designer
Unknown
Artist
--
Size (inches)
27" x 40 15/16"
SS or DS
SS
NSS #
--
Tagline
A world beyond your experience, beyond your imagination.

Conan the Barbarian / teaser / USA

02.11.15

Poster Poster
Title
Conan The Barbarian
AKA
--
Year of Film
1982
Director
John Milius
Starring
Arnold Schwarzenegger, James Earl Jones, Sandahl Bergman, Mako, Gerry Lopez, Max von Sydow
Origin of Film
USA
Genre(s) of Film
Arnold Schwarzenegger, James Earl Jones, Sandahl Bergman, Mako, Gerry Lopez, Max von Sydow,
Type of Poster
Special
Style of Poster
Teaser
Origin of Poster
USA
Year of Poster
1982
Designer
Unknown
Artist
Frank Frazetta
Size (inches)
22 1/16" x 35 13/16"
SS or DS
SS
Tagline
--

This is a special teaser poster that was created in advance of the release of John Milius‘ swords and sorcery classic Conan the Barbarian. It was an important film in the career of actor Arnold Schwarzenegger since it effectively launched his Hollywood career. The producers had seen Arnie in his documentary Pumping Iron and both felt he had the right quality for the role of the eponymous warrior. Based on the pulp novels of the 1930s by Robert E. Howard, the film sees the young barbarian Conan seek revenge for the death of his parents at the hands of Thulsa Doom (James Earl Jones), the leader of a snake cult. 

This poster was commissioned by producer Dino De Laurentiis in 1980, ahead of the film going into production, and the artwork was taken from a cover of a Conan paperback that was painted in 1974 by the late, great Frank Frazetta. As mentioned on this emovieposter.com auction page, it’s likely that Schwarzenegger had not yet been cast so the art was perfect as a tease for the forthcoming film.

Frazetta is much admired for his unique style and was a strong influence on many other illustrators over the years. He worked on illustrations for comics, as well as album and book covers and a handful of film posters. Some galleries of Frazetta’s work can be seen here. A selection of comic covers and other film posters can be seen on this site. Frazetta sadly passed away in 2010 but there is no question that his legacy lives on through his wonderful artwork.

Note that there is a version of this poster with a dark yellow background and I’ve never been sure why there are two versions that exist.

Ghostbusters II / one sheet / teaser / USA

17.05.11

Poster Poster
Title
Ghostbusters II
AKA
Ghostbusters II: River of Slime (USA - working title)
Year of Film
1989
Director
Ivan Reitman
Starring
Bill Murray, Dan Aykroyd, Sigourney Weaver, Harold Ramis, Rick Moranis, Ernie Hudson, Annie Potts, Peter MacNicol, Wilhelm von Homburg
Origin of Film
USA
Genre(s) of Film
Bill Murray, Dan Aykroyd, Sigourney Weaver, Harold Ramis, Rick Moranis, Ernie Hudson, Annie Potts, Peter MacNicol, Wilhelm von Homburg,
Type of Poster
One sheet
Style of Poster
Teaser
Origin of Poster
USA
Year of Poster
1989
Designer
Unknown
Artist
--
Size (inches)
27" x 41"
SS or DS
SS
NSS #
890001
Tagline
Guess who's coming to save the world again?

Dune / one sheet / international

15.11.12

Poster Poster
Title
Dune
AKA
Der Wüstenplanet (West Germany)
Year of Film
1984
Director
David Lynch
Starring
Francesca Annis, Kyle MacLachlan, Sting, Max von Sydow, Jose Ferrer
Origin of Film
USA
Genre(s) of Film
Francesca Annis, Kyle MacLachlan, Sting, Max von Sydow, Jose Ferrer,
Type of Poster
One sheet
Style of Poster
International
Origin of Poster
International
Year of Poster
1984
Designer
Unknown
Artist
Renato Casaro
Size (inches)
27 1/16" x 39 15/16"
SS or DS
SS
NSS #
--
Tagline
A world beyond your experience, beyond your imagination.

Frank Herbert’s sci-fi classic Dune was always going to be a difficult novel to turn into a sub three-hour film, particularly because of the complex universe, intricate lore and multiple characters it features. The initial novel went onto spawn a Dune franchise, comprising of five more books written by Herbert as well as board games, video games and a series of prequels written after Herbert’s death.

The film that was eventually released in 1984 went through a long gestation, attracting multiple production teams and several directors over a thirteen year period from when the rights were first optioned. Wikipedia has a nice explanation of the various versions (see ‘Production’). In 1975 it looked like legendary director Alejandro Jodorowsky would realise his version of the film with an incredible selection of actors:

In 1975, Jodorowsky planned to film the story as a ten-hour feature, in collaboration with Salvador DalíOrson WellesGloria SwansonDavid CarradineGeraldine ChaplinAlain DelonHervé Villechaize and Mick Jagger.

Even more exciting, in my opinion, was the roster of talent he had assembled behind the camera:

Jodorowsky set up a pre-production unit in Paris consisting of Chris Foss, a British artist who designed covers for science fiction periodicals, Jean Giraud (Moebius), a French illustrator who created and also wrote and drew for Metal Hurlant magazine, and H. R. GigerDan O’Bannon was to head the special effects department.

After a couple of years the project stalled and the financial backing dried up. Frank Herbert traveled to Europe to meet with Jodorowsky and discovered that his script would have resulted in a 14-hour movie.

This website has a great account of Jodorowsky’s version written by the man himself. Earlier this year it was announced that a film was being made that documents this failed version. More info and a trailer can be found here.

The rights were sold to Italian producer Dino de Laurentiis who spent several years trying to get his version of the project off the ground. At one point it looked like Ridley Scott would direct but he eventually left to work on Blade Runner after realising how long Dune would take to bring to screen.

In 1981 De Laurentiis approached director David Lynch after his daughter had seen The Elephant Man and recommended it to her father. Lynch went on to write six drafts of the screenplay before filming commenced in March, 1983. The first cut of the film ran over four hours and, although Lynch was aiming for a preferred length of three hours, the backers (including Universal Pictures) insisted on a two hour film. This meant many scenes were completely excised, new scenes were shot to simplify others and a voice over was added.

All of this resulted in a film that is widely considered as something of a mess, with poor critical reception and box office takings meaning plans for possible sequels were shelved indefinitely. Today, Lynch doesn’t like to talk about the film in interviews and has turned down offers from Universal to reassemble a longer ‘director’s cut’.

The poster
This rarely seen international one sheet was illustrated by one of my favourite artists, Renato Casaro, an Italian with a prolific movie poster output that lasted over 35 years. He began his career in 1953, aged 19, at the famous Studio Favalli in Rome, which was part of the legendary Cinecittà studios and handled film publicity for many Italian productions. Casaro would go on to design and paint posters for many of the biggest directors in the world and his skill at accurately portraying actors and his brilliant use of colour and composition saw him much in demand from studios and actors alike.

His artwork has featured on posters in multiple countries, including Japan, Germany, USA as well as in his native Italy. Check out the incredible amount of work on his official website here, which also features a biography of the artist. The other posters I’ve collected by Casaro can be seen by clicking here.

This artwork was used on the Italian poster for the film and Casaro’s signature can be seen in the middle right of the poster. This international one sheet was likely printed in America for use in English-speaking international markets.

Conan The Barbarian / B2 / Seito style / Japan

17.05.11

Poster Poster
Title
Conan The Barbarian
AKA
--
Year of Film
1982
Director
John Milius
Starring
Arnold Schwarzenegger, James Earl Jones, Sandahl Bergman, Mako, Gerry Lopez, Max von Sydow
Origin of Film
USA
Genre(s) of Film
Arnold Schwarzenegger, James Earl Jones, Sandahl Bergman, Mako, Gerry Lopez, Max von Sydow,
Type of Poster
B2
Style of Poster
Seito
Origin of Poster
Japan
Year of Poster
1982
Designer
Unknown
Artist
Seito
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Conan The Barbarian / B2 / Casaro style / Japan

17.05.11

Poster Poster
Title
Conan The Barbarian
AKA
--
Year of Film
1982
Director
John Milius
Starring
Arnold Schwarzenegger, James Earl Jones, Sandahl Bergman, Mako, Gerry Lopez, Max von Sydow
Origin of Film
USA
Genre(s) of Film
Arnold Schwarzenegger, James Earl Jones, Sandahl Bergman, Mako, Gerry Lopez, Max von Sydow,
Type of Poster
B2
Style of Poster
Casaro style
Origin of Poster
Japan
Year of Poster
1982
Designer
Unknown
Artist
Renato Casaro
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

Dancer In The Dark / one sheet / advance / USA

17.05.11

Poster Poster
Title
Dancer In The Dark
AKA
Taps (Denmark - working title)
Year of Film
2000
Director
Lars von Trier
Starring
Björk, Catherine Deneuve, Vladica Kostic, David Morse, Cara Seymour, Peter Stormare
Origin of Film
Denmark | Germany | Netherlands | Italy | USA | UK | France | Sweden | Finland | Iceland | Norway
Genre(s) of Film
Björk, Catherine Deneuve, Vladica Kostic, David Morse, Cara Seymour, Peter Stormare,
Type of Poster
One sheet
Style of Poster
Advance
Origin of Poster
USA
Year of Poster
2000
Designer
POV
Artist
--
Size (inches)
27" x 39 15/16"
SS or DS
DS
NSS #
--
Tagline
--

Dune / one sheet / advance / artwork style / USA

17.05.11

Poster Poster
Title
Dune
AKA
Der Wüstenplanet (West Germany)
Year of Film
1984
Director
David Lynch
Starring
Francesca Annis, Kyle MacLachlan, Sting, Max von Sydow, Jose Ferrer
Origin of Film
USA
Genre(s) of Film
Francesca Annis, Kyle MacLachlan, Sting, Max von Sydow, Jose Ferrer,
Type of Poster
One sheet
Style of Poster
Advance - artwork style
Origin of Poster
USA
Year of Poster
1984
Designer
Unknown
Artist
--
Size (inches)
27" x 41"
SS or DS
SS
NSS #
--
Tagline
It is a world where sandworms 1,000 feet long guard creation's greatest treasure - the spice that prolongs life. And enables the mind to fold space and slow time. Where a prophecy will be fulfilled. And a young leader with incredible powers will emerge to command an army of five million warriors in the final battle for control of a universe and its source of ultimate power. The planet called Dune.

Dune / one sheet / USA

17.05.11

Poster Poster
Title
Dune
AKA
Der Wüstenplanet (West Germany)
Year of Film
1984
Director
David Lynch
Starring
Francesca Annis, Kyle MacLachlan, Sting, Max von Sydow, Jose Ferrer
Origin of Film
USA
Genre(s) of Film
Francesca Annis, Kyle MacLachlan, Sting, Max von Sydow, Jose Ferrer,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1984
Designer
Unknown
Artist
--
Size (inches)
27" x 41"
SS or DS
SS
NSS #
8401268
Tagline
It is a world where sandworms 1,000 feet long guard creation's greatest treasure - the spice that prolongs life. And enables the mind to fold space and slow time. Where a prophecy will be fulfilled. And a young leader with incredible powers will emerge to command an army of five million warriors in the final battle for control of a universe and its source of ultimate power. The planet called Dune.

Dune / B2 / artwork style / Japan

07.12.11

Poster Poster
Title
Dune
AKA
Der Wüstenplanet (West Germany)
Year of Film
1984
Director
David Lynch
Starring
Francesca Annis, Kyle MacLachlan, Sting, Max von Sydow, Jose Ferrer
Origin of Film
USA
Genre(s) of Film
Francesca Annis, Kyle MacLachlan, Sting, Max von Sydow, Jose Ferrer,
Type of Poster
B2
Style of Poster
Artwork
Origin of Poster
Japan
Year of Poster
1985
Designer
Unknown
Artist
Unknown
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Frank Herbert’s sci-fi classic Dune was always going to be a difficult novel to turn into a sub three-hour film, particularly because of the complex universe, intricate lore and multiple characters it features. The initial novel went onto spawn a Dune franchise, comprising of five more books written by Herbert as well as board games, video games and a series of prequels written after Herbert’s death.

The film that was eventually released in 1984 went through a long gestation, attracting multiple production teams and several directors over a thirteen year period from when the rights were first optioned. Wikipedia has a nice explanation of the various versions (see ‘Production’). In 1975 it looked like legendary director Alejandro Jodorowsky would realise his version of the film with an incredible selection of actors:

In 1975, Jodorowsky planned to film the story as a ten-hour feature, in collaboration with Salvador DalíOrson WellesGloria SwansonDavid CarradineGeraldine ChaplinAlain DelonHervé Villechaize and Mick Jagger.

Even more exciting, in my opinion, was the roster of talent he had assembled behind the camera:

Jodorowsky set up a pre-production unit in Paris consisting of Chris Foss, a British artist who designed covers for science fiction periodicals, Jean Giraud (Moebius), a French illustrator who created and also wrote and drew for Metal Hurlant magazine, and H. R. GigerDan O’Bannon was to head the special effects department.

After a couple of years the project stalled and the financial backing dried up. Frank Herbert traveled to Europe to meet with Jodorowsky and discovered that his script would have resulted in a 14 hour movie.

This website has a great account of Jodorowsky’s version written by the man himself. Earlier this year it was announced that a film was being made that documents this failed version. More info and a trailer can be found here.

The rights were sold to Italian producer Dino de Laurentiis who spent several years trying to get his version of the project off the ground. At one point it looked like Ridley Scott would direct but he eventually left to work on Blade Runner after realising how long Dune would take to bring to screen.

In 1981 De Laurentiis approached director David Lynch after his daughter had seen The Elephant Man and recommended it to her father. Lynch went on to write six drafts of the screenplay before filming commenced in March, 1983. The first cut of the film ran over four hours and, although Lynch was aiming for a preferred length of three hours, the backers (including Universal Pictures) insisted on a two hour film. This meant many scenes were completely excised, new scenes were shot to simplify others and a voice over was added.

All of this resulted in a film that is widely considered as something of a mess, with poor critical reception and box office takings meaning plans for possible sequels were shelved indefinitely. Today, Lynch doesn’t like to talk about the film in interviews and has turned down offers from Universal to reassemble a longer ‘director’s cut’.

This Japanese poster features unique artwork but is clearly based on some of the images featured on the US advance one sheet that can be seen here. I’m unsure of the artist so please get in touch if you have any ideas.

 

 

Escape to Victory / quad / UK

13.06.14

Poster Poster

Something of a cult classic, Escape to Victory is arguably the most famous film to revolve around The Beautiful Game. Based on 1962 Hungarian film called Két félidő a pokolban by director Zoltán Fábri the film, which is set during WWII, tells the story of a football match played in Paris by a team of Prisoners of War against a German side, seen as a propaganda event. The team is led by John Colby (Michael Caine) who is determined to win the game despite the distraction of other POWs who want to use the cover of the game to escape. Sylvester Stallone plays Hatch, an American POW who is at the vanguard of the escape attempt and actually manages to get out of the camp prior to the game to meet up with resistance leaders in Paris. After planning the big breakout, Hatch must get recaptured and returned to the POW camp in order to communicate the plans to the others. When the big day arrives, Hatch is put into goal and Colby persuades the team to see the match through to the final whistle before they make their escape.

The film notoriously features a host of real life professional footballers who were involved in the game and doubled for the actors or played on the German team, including the Brazilian superstar PeléBobby MooreOsvaldo Ardiles and a whole host of players from the English team Ipswich Town, who were one of the most successful British sides at the time of the film’s release. English goalkeeping legend Gordon Banks, who played during the 1966 world cup that England won, worked behind the scenes and coached Stallone to ensure his scenes in goal were realistic enough for the film’s audience.

This UK quad takes the central figures from the US one sheet (where the film was titled simply Victory) that were painted by the artist David Jarvis and adds a montage that was illustrated by the British designer Vic Fair, who also designed the poster. Jarvis is perhaps best known for his illustration on the US one sheet for Walter Hill’s The Warriors. Having completed a degree in illustration at the Los Angeles Art Center College of Design, Jarvis went on to work as a freelance illustrator producing over thirty designs for film posters, as well as record sleeves, magazine covers and more. He also worked as an artist for Disney studios on the films Mulan and Tarzan. The other posters I’ve collected by him can be seen here.

One of the most important designer/artists ever to work on British film marketing, Vic Fair is responsible for several iconic posters, including The Man Who Fell To Earth, posters for Hammer horrors like Vampire Circus, and the withdrawn advance one sheet for A View to a Kill. I interviewed the artist for this site and that article can be viewed by clicking here.

Dune / B2 / kiss style / Japan

17.05.11

Poster Poster
Title
Dune
AKA
Der Wüstenplanet (West Germany)
Year of Film
1984
Director
David Lynch
Starring
Francesca Annis, Kyle MacLachlan, Sting, Max von Sydow, Jose Ferrer
Origin of Film
USA
Genre(s) of Film
Francesca Annis, Kyle MacLachlan, Sting, Max von Sydow, Jose Ferrer,
Type of Poster
B2
Style of Poster
Kiss style
Origin of Poster
Japan
Year of Poster
1985
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

The Exorcist / B2 / window style / Japan

17.05.11

Poster Poster
Title
The Exorcist
AKA
--
Year of Film
1973
Director
William Friedkin
Starring
Ellen Burstyn, Max von Sydow, Lee J. Cobb, Kitty Winn, Jack MacGowran, Jason Miller, Linda Blair, William O'Malley
Origin of Film
USA
Genre(s) of Film
Ellen Burstyn, Max von Sydow, Lee J. Cobb, Kitty Winn, Jack MacGowran, Jason Miller, Linda Blair, William O'Malley,
Type of Poster
B2
Style of Poster
Window style
Origin of Poster
Japan
Year of Poster
1974
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 12/16"
SS or DS
SS
Tagline
--