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A Man Called Dagger / B2 / Japan

28.07.14

Poster Poster
Title
A Man Called Dagger
AKA
--
Year of Film
1967
Director
Richard Rush
Starring
Paul Mantee, Terry Moore, Jan Murray, Sue Ane Langdon, Eileen O'Neill, Maureen Arthur, Leonard Stone, Richard Kiel
Origin of Film
USA
Genre(s) of Film
Paul Mantee, Terry Moore, Jan Murray, Sue Ane Langdon, Eileen O'Neill, Maureen Arthur, Leonard Stone, Richard Kiel,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1968
Designer
Unknown
Artist
Unknown
Size (inches)
20 4/16" x 28 13/16"
SS or DS
SS
Tagline
--

A relatively obscure spy thriller from 1967, A Man Called Dagger saw limited release around the globe and, as far as I can tell, this Japanese poster is one of the few examples of a theatrical release (I don’t believe the UK was treated to a cinema outing). Originally filmed in 1966, it fell victim to a collapse of relations between its original production company, Lew Horwitz’s Global Screen Associates (GSA), and distributors Cinema Distributors of America. It languished for almost a year before being picked up by MGM. The film is essentially a low-grade James Bond homage (the original title was ‘Why Spy?’) and it’s clear that the original producers wanted to cash in on the global popularity of Ian Fleming’s famous creation.

Richard Rush (most known for 1980’s The Stunt Man) was at the helm and Paul Mantee (a cult figure from his performance in Robinson Crusoe on Mars, 1964) plays the unfortunately monikered Dick Dagger (isn’t that a weapon from David Fincher’s Seven?), a crime-fighting spy who teams up with female agent Harper Davis (Terry Moore) in a bid to track down wheelchair bound Nazi war criminal Rudolph Koffman (Jan Murray). Koffman is holed up in a meat-packing plant and is using less than legal supplies in its production. With several damsels in distress, including Harper, Dagger must his ingenuity and gadgets, including a dodgy laser watch to save the day.

This B2 poster is a combination of the original US one sheet artwork (artist unknown) and a few photographic stills. If you have any idea who is responsible for the artwork please get in touch.

Check out the original trailer on YouTube.

Treasure Island / 30×40 / USA

14.11.11

Poster Poster
Title
Treasure Island
AKA
--
Year of Film
1972
Director
John Hough
Starring
Orson Welles, Kim Burfield, Walter Slezak, Rik Battaglia, Ángel del Pozo, Lionel Stander, Jean Lefebvre, Maria Rohm, Paul Muller
Origin of Film
France | Italy | Spain | UK | West Germany
Genre(s) of Film
Orson Welles, Kim Burfield, Walter Slezak, Rik Battaglia, Ángel del Pozo, Lionel Stander, Jean Lefebvre, Maria Rohm, Paul Muller,
Type of Poster
30x40
Style of Poster
--
Origin of Poster
USA
Year of Poster
1972
Designer
Unknown
Artist
Unknown
Size (inches)
30 1/16" x 40"
NSS #
72/397
Tagline
NOW ORSON WELLES as "Long John Silver" | Sail away into the all-new excitement of the greatest pirate adventure ever!

One of over fifty film and TV adaptations of Robert Louis Stevenson‘s classic 19th century novel of the same name, this version of Treasure Island is only really notable for the fact that it starred Orson Welles. Apparently Welles contributed to the script under the pseudonym ‘O. W. Jeeves’ and also had his voice dubbed by another actor in post-production.

This poster features an excellent portrait of Welles by an unknown artist. There is what could possibly be a signature and date to the right of the open-mouthed boy (Jim Hawkins). If anyone has any ideas who may have illustrated it please get in touch.

The sans-serif typeface to announce Welles is an odd choice since it doesn’t match with the rest of the poster at all, although it’s quite clear what the producers felt was the main selling point of the film.

Flesh and Blood / quad / UK

29.07.15

Poster Poster
Title
Flesh and Blood
AKA
Flesh+Blood (alt. spelling)
Year of Film
1985
Director
Paul Verhoeven
Starring
Rutger Hauer, Jennifer Jason Leigh, Tom Burlinson, Jack Thompson, Fernando Hilbeck, Susan Tyrrell, Ronald Lacey, Brion James
Origin of Film
Spain | USA | Netherlands
Genre(s) of Film
Rutger Hauer, Jennifer Jason Leigh, Tom Burlinson, Jack Thompson, Fernando Hilbeck, Susan Tyrrell, Ronald Lacey, Brion James,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1985
Designer
Unknown
Artist
Unknown artist - based on artwork by Renato Casaro
Size (inches)
30 3/16" x 39 15/16"
SS or DS
SS
Tagline
A timeless adventure, a passion for wealth and power. Only the strongest will survive.

This is the British quad for the release of Dutch director Paul Verhoeven‘s first English language film, Flesh and Blood (sometimes referred to as Flesh+Blood). Verhoeven had been making films with subsidies from the Dutch government but things had been proving difficult due to the controversial subject matter of his stories so he decided to seek financial backing from a Hollywood studio. The now defunct Orion Pictures stumped up most of the budget for Flesh and Blood and had asked the director for a war film after seeing the celebrated Soldier of Orange. Verhoeven had nothing prepared in that genre so he worked hastily with a regular collaborator, the screenwriter Gerard Soeteman, to adapt some unused material from their TV series Floris, which was set during the Middle-Ages. Verhoeven would later rue the decision to allow Orion to insist on script changes that added a romantic interest to the story.

Set in Italy in 1501, the film features the Dutch actor Rutger Hauer, who had worked with Verhoeven several times before (including on Floris), as Martin, the leader of a band of mercenaries who are asked to help Lord Arnolfini (Fernando Hilbeck) retake his city that was captured whilst he was away. After successfully storming and recapturing it the mercenaries are initially told they can ransack the houses of the richest inhabitants of the city, but Arnolfini then changes his mind and orders his army to march the mercenaries from the city without the bounty that was agreed. The group vow to take their revenge and when Arnolfini’s son Steven (Tom Burlinson) leaves the castle to meet Agnes (Jennifer Jason Leigh), a noblewoman who has been betrothed to him, the mercenaries strike. After attacking the caravan and badly wounding Arnolfini, they kidnap Agnes and ride away with her. Eventually they end up at a castle where they hole-up and attempt to see off any attempts to rescue Agnes, who is seemingly falling in love with Martin.

Although it features moments of humour, Verhoeven’s intention was to show that the Middle-Ages weren’t as glamorous and pleasant as had been depicted in previous films, so he doesn’t shy away from casual violence, filth and degradation. Agnes in particular is subjected to a humiliating ordeal at the hands of the mercenaries, effectively ending up as their plaything later in the film. There’s plenty of blood-letting too with some battle scenes that are not for the faint hearted. Apparently the production was beset with problems, including an uncooperative international crew who were often drunk or under the influence of drugs, as well as a giant rift that opened up between Verhoeven and Hauer because the actor wanted to build a career as a heroic leading man, but the director wanted his character to be more ambiguous and at times unpleasant. The resulting film is definitely uneven and at times confusing, but is nevertheless engaging. Hauer in particular injects his scenes with plenty of wild energy and Jennifer Jason Leigh is memorable as the sensuous Agnes. Unfortunately Orion botched the American release and the film apparently flopped quickly. Verhoeven would later say he felt that he’d probably made the film too cynical and downbeat for audiences to take.

This artwork was adapted by an unknown British artist from an original piece of art by the Italian artist Renato Casaro, which was originally painted for the German poster. Notable changes include the position of the characters, which widened for this quad, plus the smaller figure of Hauer is also markedly different. One of my favourite artists, Renato Casaro had a prolific movie poster output that lasted over 35 years. He began his career in 1953, aged 19, at the famous Studio Favalli in Rome and would go on to design and paint posters for many of the biggest directors in the world. His skill at accurately portraying actors and his brilliant use of colour and composition saw him much in demand from studios and actors alike. His artwork has featured on posters used in multiple countries, including Japan, Germany, USA as well as in his native Italy.

Check out the incredible amount of work on his official website here, which also features a biography of the artist. In March 2014 I published an exclusive interview with Renato and it can be read by clicking here. The other posters I’ve collected by Renato Casaro are here.

Carrie / one sheet / Turkey

05.08.15

Poster Poster
Title
Carrie
AKA
Carrie, lo sguardo di Satana [The gaze of Satan] (Italy) | Keri (Serbia)
Year of Film
1976
Director
Brian De Palma
Starring
Sissy Spacek, Piper Laurie, Betty Buckley, Amy Irving, William Katt, Nancy Allen, John Travolta
Origin of Film
USA
Genre(s) of Film
Sissy Spacek, Piper Laurie, Betty Buckley, Amy Irving, William Katt, Nancy Allen, John Travolta,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
Turkey
Year of Poster
1981
Designer
Unknown
Artist
Unknown
Size (inches)
26 14/16" x 39 4/16"
SS or DS
SS
Tagline
--

Brian De Palma‘s horror classic Carrie still stands up today as a perfectly paced thriller and a powerful portrait of the torment suffered by a social outcast on the receiving end of a bullying campaign. Sissy Spacek delivers a breakout performance as Carrie White, the teenager who is picked upon by her teachers, peers and her domineering, abusive mother Margaret (played brilliantly by Piper Laurie). What nobody knows is that Carrie has discovered that she has a latent telekinetic power that flares up when she’s upset or angry. The film also features memorable turns from several young actors who were relative unknowns at the time, including John TravoltaNancy Allen and William Katt as Tommy.

The unforgettable prom night sequence that sees Carrie’s destructive powers fully unleashed was clearly seen as the marketing cornerstone for the film, as evidenced by the images at the bottom of this Turkish one sheet. A still from the scene features on the brilliant Japanese B2. An image of Sissy Spacek drenched in blood is often used to promote the film and has been used for multiple DVD covers and other marketing materials. This artwork only appears on the Turkish poster but my friend Sim Branaghan confirmed that it was originally used by the UK publishing company NEL on the cover of the paperback reprint of Stephen King’s novel as early as 1975. Here’s a link to it on a later 1978 edition, also published by NEL. I’ve searched but am unable to find an artist to whom I can credit it.

The Fly / A1 / Hungary

13.01.16

Poster Poster
Title
The Fly
AKA
--
Year of Film
1986
Director
David Cronenberg
Starring
Jeff Goldblum, Geena Davis, John Getz
Origin of Film
USA
Genre(s) of Film
Jeff Goldblum, Geena Davis, John Getz,
Type of Poster
A1
Style of Poster
--
Origin of Poster
Hungary
Year of Poster
1986
Designer
Unknown
Artist
Unknown
Size (inches)
22 2/16" x 32 2/16"
SS or DS
SS
Tagline
--

Unique artwork features on this poster for the Hungarian release of David Cronenberg‘s sci-fi classic, The Fly. Loosely based on a 1957 short story of the same name by George Langelaan, which was first adapted for the big screen in 1958, the screenplay was written by Cronenberg himself and based on an initial draft by Charles Edward Pogue. The director rewrote most of the characters and dialogue and added themes of identity, sexuality and body horror with which he’d become synonymous.

Cronenberg cast Jeff Goldblum as the gifted but eccentric scientist Seth Brundle who has secretly been working on teleportation of objects from one place to another instantly. He works for Bartok Science Industries but has been working on a pair of ‘telepods’ at his home laboratory. When he’s introduced to the journalist Veronica Quaife (Geena Davis) at a ‘meet the press’ event he decides to risk taking her to see his work, which he demonstrates by teleporting inanimate objects. Impressed, Veronica agrees to keep quiet in return for exclusive rights to the story.

Soon afterwards the pair start a romantic relationship as Brundle continues to work on the pods. He decides that he wants to have the pods teleport living tissue and eventually manages to do so successfully with a baboon he’s borrowed from his company. Flushed with success Brundle begins drinking and starts to get paranoid that Veronica has rekindled her relationship with her editor and former lover Stathis Borans John Getz. He decides to try teleporting himself but unbeknownst to him a housefly gets inside the pod with him.

He emerges in the other pod seemingly fine and initially feels he’s come out of the pod an ‘improved’ human with higher strength and stamina. However over the following weeks Brundle’s mood becomes highly erratic and he begins a bodily transformation that starts out with unwanted hairs and fingernails falling out but begins to progress into something much more destructive as he realises his pod had been contaminated. The transformation into ‘Brundlefly’ sees the scientist scrambling for a cure before it’s too late, desperately imploring a pregnant Veronica to help him.

Goldblum’s performance was rightly celebrated and it remains one of his most memorable roles to date. The special effects depicting Brundle’s deterioration were executed by Chris Walas‘ company and ended up rightfully winning an Academy Award. The film is as impressive as it was 30 years ago and is definitely one of Cronenberg’s best.

The artwork on this poster depicting a malevolent creature with fly eyes was painted by an unknown artist and also features the telepod that appeared on the US one sheet (though minus the fly’s leg). If anyone has any ideas who was responsible for it please send me an email.

Here’s the film’s original trailer.

Basket Case / quad / UK

27.01.12

Poster Poster
Title
Basket Case
AKA
¿Dónde te escondes, hermano? [Where are you hiding, brother?] (Spain)
Year of Film
1982
Director
Frank Henenlotter
Starring
Kevin Van Hentenryck, Terri Susan Smith, Beverly Bonner, Robert Vogel, Diana Browne, Lloyd Pace, Bill Freeman, Joe Clarke
Origin of Film
USA
Genre(s) of Film
Kevin Van Hentenryck, Terri Susan Smith, Beverly Bonner, Robert Vogel, Diana Browne, Lloyd Pace, Bill Freeman, Joe Clarke,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1982
Designer
Unknown
Artist
Unknown
Size (inches)
30 2/16" x 40"
SS or DS
SS
Tagline
The tenant in room 7 is very small, very twisted and very mad.

Frank Henenlotter’s marvellously sleazy Basket Case is a true cult classic and is a film that transcended it’s micro budget to become a mainstay of midnight movies across the globe. Technically the film shouldn’t work; the acting is terrible throughout and makes the cast of Tommy Wiseau’s The Room look like Oscar-winning legends, the special effects are laughable and the editing is seriously rough in places, but the film has a certain charm that allows you to forgive it’s faults and revel in its trashy delights.

The film is definitely a love letter to a New York City, specifically the area around Times Square and 42nd street, that has long since changed. On the film’s excellent audio commentary Henenlotter talks about how he could see the change coming and shot lots of footage of the area so he could capture what it was like before it was cleaned up and sanitised beyond all recognition. Times Square was once a haven of sleazy nightclubs, nude shows and sex shops, full of weird and wonderful characters, particularly once the sun went down. Basket Case was shot in and around the area and you can really feel the griminess in every scene, particularly the opening shots where Duane (poodle-haired Kevin Van Hentenryck) makes his way through these streets on his way to Hotel Broslin.

Like many low-budget ($35k apparently) films Basket Case had some trouble getting into cinemas in the form that the director had envisioned. This is talked about in the commentary and is mentioned on Hotelbroslin.com, the official website:

When Analysis Films first released “Basket Case,” they cut it. They removed most of the gore so the film would be “funnier.” Obviously, the gore is part of the punch line so their cut version was awful, few came to see it, and the film died almost the moment it was released in April of ’82. However, “Drive-In Movie Critic” Joe Bob Briggs wanted to host the Dallas premiere of the film in June but wouldn’t host a cut version. So Analysis sent it to Dallas uncut and let it play there. The film quickly started selling out. So Analysis quietly replaced the cut version with the uncut version everywhere else and the film suddenly became a hit. After three weeks of the uncut version playing in New York’s Waverly Theatre in Greenwich Village, Analysis finally put an ad in the Village Voice announcing that, yes, it’s finally uncut.

The film was recently released on blu-ray and it’s a revelation to see the film as the director intended. It was shot on 16mm and so was originally full frame (4:3). To be able to show it at cinemas the distributor blew it up to 1:85:1 widescreen and, as Henenlotter notes, it made everything look squashed and claustrophobic, whilst also seriously affecting the many night scenes. For the blu-ray transfer the original 16mm negatives were used and the film has never looked better, particularly if, like me, you first saw the film on murky VHS.

This British quad features a surreal background made up of images from the Times Square of the time. There are various genuine brands in there as well as what I assume are fictional ones. I’m pretty sure the unknown artist’s name is one of the signs too, but can’t be certain. Note the cinema hoarding showing the 1971 horror film ‘Let’s Scare Jessica to Death’. The character holding the basket doesn’t look massively like Van Hentenryck but I think this can be forgiven!

The tagline and logo are also undoubted classics and rank up there as some of the best ever to grace British horror posters.

The film’s original trailer is on YouTube.

Films By Takeshi Kitano / B2 / Japan

17.05.11

Poster Poster
Title
Films By Takeshi Kitano
AKA
--
Year of Film
Unknown
Director
Takeshi Kitano
Starring
Various
Origin of Film
Japan
Genre(s) of Film
Various,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
Unknown
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Akira / Thailand

03.03.16

Poster Poster
Title
Akira
AKA
--
Year of Film
1988
Director
Katsuhiro Ôtomo
Starring
Mitsuo Iwata, Nozomu Sasaki, Mami Koyama
Origin of Film
Japan
Genre(s) of Film
Mitsuo Iwata, Nozomu Sasaki, Mami Koyama,
Type of Poster
Thai
Style of Poster
--
Origin of Poster
Thailand
Year of Poster
Unknown
Designer
Unknown
Artist
Unknown
Size (inches)
21 7/16" x 30 12/16"
SS or DS
SS
Tagline
--

Katsuhiro Ôtomo‘s landmark manga series Akira was adapted into a feature-length anime film in 1988 and directed by Ôtomo himself. The film is set 30 years after an explosion levelled Tokyo and started World War III. Neo-Tokyo eventually rises from the ashes but it is a run-down, seedy city that is ravaged by marauding biker gangs and terrorists. Two members of a biker gang, Akira and his friend Kaneda, come into contact with an esper (a human with special powers, including telepathy) and soon Tetsuo is embroiled in a secret government project known as Akira. Kaneda must set out to stop his friend from triggering another cataclysmic disaster with the help of a trio of espers.

The film adapted most of the first half of the manga and dropped a lot of the content from the second half. It was hailed as a critical success on its release and remains many fans’ favourite anime film. Akira had a huge impact on me when it was shown on the UK’s Channel 4 sometime in the early 1990s. I’d never seen anything quite like it and it opened my eyes to the world of anime films that were slowly being released in the UK, including the likes of Ninja ScrollGhost in the Shell and the great work of Hayao Miyazaki and his Studio Ghibli.

This is the poster for the release of the film in Thailand and features unique artwork painted by a local artist known as Noppadol.

I also have two Japanese B2 posters for the film; style A and style B, the Japanese B1 poster, as well as the American one sheet, and ace illustrator Tyler Stout’s take on the film.

Wild Style / quad / UK

18.05.11

Poster Poster
Title
Wild Style
AKA
Graffiti (West Germany)
Year of Film
1983
Director
Charlie Ahearn
Starring
Lee Quinones, Sandra Fabara, Patti Astor, Fab 5 Freddy, Cold Crush Brothers, Rock Steady Crew,, Grandmaster Flash, Busy Bee Grandmixer DST
Origin of Film
USA
Genre(s) of Film
Lee Quinones, Sandra Fabara, Patti Astor, Fab 5 Freddy, Cold Crush Brothers, Rock Steady Crew,, Grandmaster Flash, Busy Bee Grandmixer DST,
Type of Poster
Quad
Style of Poster
ICA
Origin of Poster
UK
Year of Poster
Unknown
Designer
Unknown
Artist
Unknown
Size (inches)
28 7/8" x 38 2/8"
SS or DS
SS
Tagline
It's the rappin' scratchin' breakin'

Joshua and the Blob / one sheet / USA

17.05.11

Poster Poster
Title
Joshua and the Blob
AKA
--
Year of Film
1972
Director
John C. Lange
Starring
Unknown
Origin of Film
USA
Genre(s) of Film
Unknown,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1972
Designer
Unknown
Artist
Unknown
Size (inches)
27 1/8" x 41 1/16"
SS or DS
SS
NSS #
73/110
Tagline
--

Aliens / one sheet / studio version / USA

18.05.11

Poster Poster
Title
Aliens
AKA
Aliens - Scontro finale [Final encounter] (Italy), Aliens - Le retour [The return] (France)
Year of Film
1986
Director
James Cameron
Starring
Sigourney Weaver, Carrie Henn, Michael Biehn, Lance Henriksen, William Hope, Paul Reiser
Origin of Film
USA
Genre(s) of Film
Sigourney Weaver, Carrie Henn, Michael Biehn, Lance Henriksen, William Hope, Paul Reiser,
Type of Poster
One sheet
Style of Poster
Studio version
Origin of Poster
USA
Year of Poster
1986
Designer
Unknown
Artist
Unknown
Size (inches)
27" x 41"
SS or DS
SS
NSS #
--
Tagline
This time it's war

Amelie / B1 / bed style / Japan

21.05.11

Poster Poster
Title
Amelie
AKA
Le fabuleux destin d'Amélie Poulain (France - original title) | Ameri (Japan)
Year of Film
2001
Director
Jean-Pierre Jeunet
Starring
Audrey Tautou, Mathieu Kassovitz, Rufus, Lorella Cravotta, Serge Merlin, Jamel Debbouze, Clotilde Mollet, Claire Maurier, Isabelle Nanty
Origin of Film
USA
Genre(s) of Film
Audrey Tautou, Mathieu Kassovitz, Rufus, Lorella Cravotta, Serge Merlin, Jamel Debbouze, Clotilde Mollet, Claire Maurier, Isabelle Nanty,
Type of Poster
B1
Style of Poster
Red
Origin of Poster
Japan
Year of Poster
2001
Designer
Unknown
Artist
Unknown
Size (inches)
28 9/16" x 40.5"
SS or DS
SS
Tagline
--

Action Jackson / one sheet / USA

18.05.11

Poster Poster
Title
Action Jackson
AKA
--
Year of Film
1988
Director
Craig R. Baxley
Starring
Carl Weathers, Vanity, Craig T. Nelson, Sharon Stone
Origin of Film
USA
Genre(s) of Film
Carl Weathers, Vanity, Craig T. Nelson, Sharon Stone,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1988
Designer
Unknown
Artist
Unknown
Size (inches)
27 1/16" x 41 1/16"
SS or DS
SS
NSS #
880001
Tagline
It's time for "Action" / NAME: Jericho Jackson NICKNAME: "Action" HOME: Detroit PROFESSION: Cop EDUCATION: Harvard Law HOBBY: Fighting Crime WEAPON: You're looking at 'em

The Hitcher / quad / UK

18.05.11

Poster Poster
Title
The Hitcher
AKA
--
Year of Film
1986
Director
Robert Harmon
Starring
Rutger Hauer, C. Thomas Howell, Jennifer Jason Leigh, Jeffrey DeMunn, John M. Jackson, Billy Green Bush, Jack Thibeau, Armin Shimerman, Gene Davis
Origin of Film
USA
Genre(s) of Film
Rutger Hauer, C. Thomas Howell, Jennifer Jason Leigh, Jeffrey DeMunn, John M. Jackson, Billy Green Bush, Jack Thibeau, Armin Shimerman, Gene Davis,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1986
Designer
Unknown
Artist
Unknown
Size (inches)
29 15/16" x 39 15/16"
SS or DS
SS
Tagline
He came from hell. Don't ask him where he wants to go!

Andy Warhol’s Frankenstein 3D / one sheet / USA

19.03.12

Poster Poster
Title
Andy Warhol's Frankenstein 3D
AKA
Flesh for Frankenstein (UK)
Year of Film
1973
Director
Paul Morrissey, Antonio Margheriti
Starring
Joe Dallesandro, Monique van Vooren, Udo Kier, Arno Juerging, Dalila Di Lazzaro, Srdjan Zelenovic, Nicoletta Elmi, Marco Liofredi
Origin of Film
USA | Italy | France
Genre(s) of Film
Joe Dallesandro, Monique van Vooren, Udo Kier, Arno Juerging, Dalila Di Lazzaro, Srdjan Zelenovic, Nicoletta Elmi, Marco Liofredi,
Type of Poster
One sheet
Style of Poster
3D re-release
Origin of Poster
USA
Year of Poster
1982
Designer
Unknown
Artist
Unknown
Size (inches)
27 2/16" x 41
SS or DS
SS
NSS #
--
Tagline
Brings the horror off the screen... and into your lap.

Legendary pop artist Andy Warhol had been making films since the early 1960s but after his near fatal shooting in 1968 he relinquished direct involvement in those coming out of The Factory. Warhol’s acolyte and assistant Paul Morrissey stepped into the role of director and made close to a dozen films over the following years. Two of these, filmed at the Italian studio Cinecittà, were unquestionably more mainstream than the others; Blood for Dracula (1974) and Flesh for Frankenstein.

Morrissey is co-credited with prolific Italian director Antonio Margheriti although the latter’s role in the production has since been disputed by several people involved, including Morrissey. The film is a sex and gore-filled update of the classic tale, starring German cult favourite Udo Kier as the insane Baron Frankenstein who is obsessed with breeding a Serbian super-race by creating the perfect couple, bit by bit. He makes a poor choice for the male’s head (and brain) when his assistant Otto (Arno Juerging) kidnaps a local man who had plans to enter a life of celibacy in a monastery nearby.

Factory regular Joe Dallesandro plays a randy stablehand and friend of the kidnapped man who ends up at Frankenstein’s castle and  quickly gets caught up with the mad doctor’s wife (Monique van Vooren) whilst trying to rescue his friend. The film features a bucket-load of blood and guts, perverted sexual behaviour (including the use of all-new orifices), hints of incest and plenty of wild dialogue. The film was originally released in 3D, which served to enhance the already over-the-top gore with disembowelled innards being thrust towards the audience.

The film was also released in 2D but was granted an X-rating in the US on its initial release. This poster is for the 1982 3D re-release and is markedly different from the original 1974 one sheet; the tagline leaves you in no doubt as to the audience the re-release was aiming for. I’ve been unable to determine the artist for this poster so please get in touch if you have an idea.

In the UK the film was released as Flesh for Frankenstein and was originally passed with an X-certificate with over 8 minutes of cuts. It was later caught up in the infamous Video Nasties debacle and was only finally released uncut in 2006.

The trailer is on YouTube.

An American Werewolf in London / B2 / photo style / Japan

17.05.11

Poster Poster
Title
An American Werewolf in London
AKA
--
Year of Film
1981
Director
John Landis
Starring
David Naughton, Jenny Agutter, Griffin Dunne, John Woodvine, Brian Glover, David Schofield
Origin of Film
USA | UK
Genre(s) of Film
David Naughton, Jenny Agutter, Griffin Dunne, John Woodvine, Brian Glover, David Schofield,
Type of Poster
B2
Style of Poster
Photo
Origin of Poster
Japan
Year of Poster
1982
Designer
Unknown
Artist
Unknown
Size (inches)
20 6/16" x 28 15/16"
SS or DS
SS
Tagline
--

An American Werewolf in London / B2 / artwork style / Japan

17.05.11

Poster Poster
Title
An American Werewolf in London
AKA
--
Year of Film
1981
Director
John Landis
Starring
David Naughton, Jenny Agutter, Griffin Dunne, John Woodvine, Brian Glover, David Schofield
Origin of Film
USA | UK
Genre(s) of Film
David Naughton, Jenny Agutter, Griffin Dunne, John Woodvine, Brian Glover, David Schofield,
Type of Poster
B2
Style of Poster
Artwork
Origin of Poster
Japan
Year of Poster
1982
Designer
Unknown
Artist
Unknown
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

The Gate / one sheet / USA

17.05.11

Poster Poster
Title
The Gate
AKA
--
Year of Film
1987
Director
Tibor Takács
Starring
Stephen Dorff, Christa Denton, Louis Tripp, Kelly Rowan, Jennifer Irwin
Origin of Film
Canada | USA
Genre(s) of Film
Stephen Dorff, Christa Denton, Louis Tripp, Kelly Rowan, Jennifer Irwin,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1987
Designer
Unknown
Artist
Unknown
Size (inches)
27" x 41"
SS or DS
SS
NSS #
--
Tagline
There's a Passageway - A Gate Behind Which the Demons Wait to Take Back What Was Once Theirs. | ... pray it's not too late!

Amelie / B2 / bed style / Japan

17.05.11

Poster Poster
Title
Amelie
AKA
Le fabuleux destin d'Amélie Poulain (France - original title) | Ameri (Japan)
Year of Film
2001
Director
Jean-Pierre Jeunet
Starring
Audrey Tautou, Mathieu Kassovitz, Rufus, Lorella Cravotta, Serge Merlin, Jamel Debbouze, Clotilde Mollet, Claire Maurier, Isabelle Nanty
Origin of Film
USA
Genre(s) of Film
Audrey Tautou, Mathieu Kassovitz, Rufus, Lorella Cravotta, Serge Merlin, Jamel Debbouze, Clotilde Mollet, Claire Maurier, Isabelle Nanty,
Type of Poster
B2
Style of Poster
Bed style
Origin of Poster
Japan
Year of Poster
2001
Designer
Unknown
Artist
Unknown
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

Amelie / B2 / green style / Japan

17.05.11

Poster Poster
Title
Amelie
AKA
Le fabuleux destin d'Amélie Poulain (France - original title) | Ameri (Japan)
Year of Film
2001
Director
Jean-Pierre Jeunet
Starring
Audrey Tautou, Mathieu Kassovitz, Rufus, Lorella Cravotta, Serge Merlin, Jamel Debbouze, Clotilde Mollet, Claire Maurier, Isabelle Nanty
Origin of Film
USA
Genre(s) of Film
Audrey Tautou, Mathieu Kassovitz, Rufus, Lorella Cravotta, Serge Merlin, Jamel Debbouze, Clotilde Mollet, Claire Maurier, Isabelle Nanty,
Type of Poster
B2
Style of Poster
Green
Origin of Poster
Japan
Year of Poster
2001
Designer
Unknown
Artist
Unknown
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Akira / one sheet / USA

18.05.11

Poster Poster
Title
Akira
AKA
--
Year of Film
1988
Director
Katsuhiro Ôtomo
Starring
Mitsuo Iwata, Nozomu Sasaki, Mami Koyama
Origin of Film
Japan
Genre(s) of Film
Mitsuo Iwata, Nozomu Sasaki, Mami Koyama,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1990
Designer
Unknown
Artist
Unknown
Size (inches)
27" x 41 1/16"
SS or DS
SS
NSS #
--
Tagline
Neo-Tokyo is about to E.X.P.L.O.D.E.

The Green Hornet / B2 / Japan

09.05.13

Poster Poster
Title
The Green Hornet
AKA
--
Year of Film
1974
Director
William Beaudine, Norman Foster, E. Darrell Hallenbeck
Starring
Van Williams, Bruce Lee, Wende Wagner, Lloyd Gough, Walter Brooke, William Dozier
Origin of Film
USA
Genre(s) of Film
Van Williams, Bruce Lee, Wende Wagner, Lloyd Gough, Walter Brooke, William Dozier,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1975
Designer
Unknown
Artist
Unknown
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Legendary action star Bruce Lee was given his break into acting after being cast as Kato, one half of the crime-fighting duo in the 1960s TV show The Green Hornet. The masked vigilante began life as a radio show that was created by George W. Trendle and Fran Striker and aired in 1936. It went on to be produced as film serials and as comic book series in the 1940s, before being adapted for a TV series in the 1960s.

Van Williams starred as Britt Reid, the playboy owner of The Daily Sentinel who runs his media empire whilst simultaneously fighting criminal gangs as the titular vigilante with assistance from his martial-artist sidekick Kato. The series was to only last for one season of 26 episodes but nevertheless proved popular in the States and elsewhere, with Lee being catapulted to fame on the back of the show. In Japan the series was apparently even aired as The Kato Show.

This Japanese B2 poster was printed for the 1975 release of the first of two films based on the character that were cobbled together from several episodes of the TV show and are apparently as incoherent as that would suggest. As can be seen from the design, the emphasis was placed firmly on Lee’s character, particularly since the studio was clearly keen to cash in on the star’s fame following his run of classic action films that ended with Enter the Dragon (1973) and his untimely death that same year.

Alien Nation / one sheet / USA

18.05.11

Poster Poster
Title
Alien Nation
AKA
--
Year of Film
1988
Director
Graham Baker
Starring
James Caan, Mandy Patinkin, Terence Stamp, Kevyn Major Howard
Origin of Film
USA
Genre(s) of Film
James Caan, Mandy Patinkin, Terence Stamp, Kevyn Major Howard,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1988
Designer
Unknown
Artist
Unknown
Size (inches)
27 1/16" x 41"
SS or DS
SS
NSS #
880090
Tagline
Los Angeles, 1991. They have come to Earth to live among us. They've learned the language, taken jobs, and tried to fit in. But there's something about them we don't know.

Allegro Non Troppo / one sheet / USA

18.05.11

Poster Poster
Title
Allegro Non Troppo
Year of Film
1976
Director
Bruno Bozzetto
Starring
Maurizio Micheli, Maurizio Nichetti, Néstor Garay, Maurialuisa Giovannini
Origin of Film
Italy
Genre(s) of Film
Maurizio Micheli, Maurizio Nichetti, Néstor Garay, Maurialuisa Giovannini,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1978
Designer
Unknown
Artist
Unknown
Size (inches)
26" x 39"
SS or DS
SS
NSS #
--
Tagline
--