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Blade Runner: The Director’s Cut / B2 / Japanese text / Japan

17.05.11

Poster Poster
Title
Blade Runner: The Director's Cut
AKA
--
Year of Film
1992
Director
Ridley Scott
Starring
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah
Origin of Film
USA | Hong Kong
Genre(s) of Film
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah,
Type of Poster
B2
Style of Poster
Japanese text
Origin of Poster
Japan
Year of Poster
1992
Designer
Unknown
Artist
John Alvin
Size (inches)
20 6/16" x 28 12/16"
SS or DS
SS
Tagline
--

Blade Runner: The Final Cut / one sheet / USA

17.05.11

Poster Poster
Title
Blade Runner: The Final Cut
AKA
--
Year of Film
2007
Director
Ridley Scott
Starring
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah
Origin of Film
USA | Hong Kong
Genre(s) of Film
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
2007
Designer
Unknown
Artist
Drew Struzan
Size (inches)
27 1/16" x 39 15/16"
SS or DS
DS
NSS #
--
Tagline
--

Blade Runner: The Final Cut / B2 / DVD release / Japan

17.05.11

Poster Poster
Title
Blade Runner: The Final Cut
AKA
--
Year of Film
2007
Director
Ridley Scott
Starring
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah
Origin of Film
USA | Hong Kong
Genre(s) of Film
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah,
Type of Poster
B2
Style of Poster
DVD release
Origin of Poster
Japan
Year of Poster
2007
Designer
Unknown
Artist
Drew Struzan
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

Family Business / B2 / Japan

17.05.11

Poster Poster
Title
Family Business
AKA
--
Year of Film
1989
Director
Sidney Lumet
Starring
Sean Connery, Dustin Hoffman, Matthew Broderick, Rosanna DeSoto, Janet Carroll, Victoria Jackson, Bill McCutcheon, Deborah Rush
Origin of Film
USA
Genre(s) of Film
Sean Connery, Dustin Hoffman, Matthew Broderick, Rosanna DeSoto, Janet Carroll, Victoria Jackson, Bill McCutcheon, Deborah Rush,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1990
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 15/16"
SS or DS
SS
NSS #
--
Tagline
--

Roller Boogie / B2 / style A / Japan

16.08.16

Poster Poster

This is the style A Japanese B2 poster for the release of the 1979 musical oddity Roller Boogie, featuring artwork by Yasuo Nemoto. One of those films that’s something of a time capsule, the film was put into production by Irwin Yablans the independent producer who had struck gold a year earlier with John Carpenter’s Halloween. Yablans is credited with the film’s story and the intention was to capitalise on the then craze for rollerskating that was sweeping the States.

 Mark L. Lester (known for Commando and Class of 1984) was hired to direct and Linda Blair (The Exorcist) was given the starring role opposite an award-winning amateur skating champion called Jim Bray who was originally attached as a stuntman but was later given acting lessons when the production struggled to find a leading actor.

Blair plays Terry Barkley a Beverly Hills rich girl who is largely ignored by her parents who are determined to see her attend a prestigious school in New York and carry on as a flautist. One day whilst visiting Venice Beach she meets a hotshot skater named Bobby James (Bray) who dreams of making it to the Olympics. The pair strike up a friendship and eventually Terry asks Bobby if she can teach him how to skate and create a routine for them both so they can compete in a Roller Boogie contest at a skating rink called Jammer’s. Unfortunately a nefarious property developer plans to buy Jammer’s and raze it to the ground, so the pair team up with other skaters to put a stop to the plans whilst practicing their routines ready for the big night.

The film was largely panned on its release but found success with teen audiences and has since gone on to have something of a cult following. Plans for a mooted sequel were scrapped when disco music and roller skating lost their popularity.

The artwork is credited to someone called Yasuo Nemoto but I’ve been unable to find out anything about them online. If anyone has any further details about Nemoto please get in touch. I also have the style B Japanese B2 in the collection and it can be viewed here.

Fast Times / quad / UK

18.05.11

Poster Poster
Title
Fast Times
AKA
Fast Times At Ridgemont High (USA) | Viver Depressa [Live fast] (Portugal)
Year of Film
1982
Director
Amy Heckerling
Starring
Sean Penn, Jennifer Jason Leigh, Judge Reinhold, Phoebe Cates, Brian Backer, Robert Romanus, Lana Clarkson, Ray Walston, Forest Whitaker, Nicolas Cage
Origin of Film
USA
Genre(s) of Film
Sean Penn, Jennifer Jason Leigh, Judge Reinhold, Phoebe Cates, Brian Backer, Robert Romanus, Lana Clarkson, Ray Walston, Forest Whitaker, Nicolas Cage,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1983
Designer
Unknown
Artist
Unknown
Size (inches)
30" x 39 15/16"
SS or DS
SS
Tagline
Fast girls, Fast cars, Fast carrots.... Fast carrots?

Fast Times At Ridgemont High / one sheet / USA

17.05.11

Poster Poster
Title
Fast Times
AKA
Fast Times (UK) | Viver Depressa [Live fast] (Portugal)
Year of Film
1982
Director
Amy Heckerling
Starring
Sean Penn, Jennifer Jason Leigh, Judge Reinhold, Phoebe Cates, Brian Backer, Robert Romanus, Lana Clarkson, Ray Walston, Forest Whitaker, Nicolas Cage
Origin of Film
USA
Genre(s) of Film
Sean Penn, Jennifer Jason Leigh, Judge Reinhold, Phoebe Cates, Brian Backer, Robert Romanus, Lana Clarkson, Ray Walston, Forest Whitaker, Nicolas Cage,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1982
Designer
Unknown
Artist
--
Size (inches)
27" x 40 15/16"
SS or DS
SS
NSS #
820109
Tagline
It's Awesome! Totally Awesome! | At Ridgemont High Only the Rules get Busted!

Goldfinger / screen print / Todd Slater / USA

17.05.11

Poster Poster
Title
Goldfinger
AKA
--
Year of Film
1964
Director
Guy Hamilton
Starring
Sean Connery, Shirley Eaton, Gert Fröbe, Honor Blackman,Harold Sakata, Bernard Lee, Tania Mallet
Origin of Film
UK
Genre(s) of Film
Sean Connery, Shirley Eaton, Gert Fröbe, Honor Blackman,Harold Sakata, Bernard Lee, Tania Mallet,
Type of Poster
Screen print
Style of Poster
--
Origin of Poster
USA
Year of Poster
2007
Designer
Todd Slater
Artist
Todd Slater
Size (inches)
17 11/16" x 33 6/8"
SS or DS
SS
Tagline
--

Hellraiser / B2 / Pinhead style / Japan

17.05.11

Poster Poster
Title
Hellraiser
AKA
Clive Barker's Hellraiser (UK - complete title)
Year of Film
1987
Director
Clive Barker
Starring
Andrew Robinson, Doug Bradley, Clare Higgins, Ashley Laurence, Sean Chapman, Oliver Smith
Origin of Film
UK
Genre(s) of Film
Andrew Robinson, Doug Bradley, Clare Higgins, Ashley Laurence, Sean Chapman, Oliver Smith,
Type of Poster
B2
Style of Poster
Style A - Pinhead
Origin of Poster
Japan
Year of Poster
1987
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

Unquestionably one of the truly great British horror films, Clive Barker‘s Hellraiser launched an enduring franchise and established the character of Pinhead (or ‘Priest’, as Barker prefers him to be known) as one of horror’s most beloved villains. Based on the 1986 novella The Hellbound Heart, Barker made the decision to both write the screenplay and direct the film after being disappointed with how two of his earlier scripts had been treated by other directors. The story begins as seedy hedonist Frank Cotton () purchases a golden puzzle box from an antiques dealer in Morocco believing it holds the key to the ‘ultimate sensual experience’. On returning to his London home, Frank opens the puzzle box and is promptly torn apart by massive hooks controlled by a group of horribly scarred and mutilated humanoids known as the Cenobites. The lead Cenobite (Pinhead, played by Doug Bradley) twists the box back to its original shape and they pass back into their realm with Frank’s remains with the room returning to normal.

Sometime later, Frank’s brother Larry () and his second wife Julia () move into the same house assuming that Frank is in jail in some exotic location. Larry’s daughter Kirsty () declines the offer to move in with her stepmother and chooses to find her own place. When Larry accidentally cuts his hand and drips blood onto the attic floor it somehow reaches Frank in his prison in the other realm and starts to resurrect his body (in a stunning special effects sequence). Later that day Julia finds Frank in the attic and the pair rekindle an affair they had started some years before. Julia agrees to help Frank to fully resurrect himself, which can only happen through blood sacrifices so she begins to seduce and bring back random men to the house before bludgeoning them to death for Frank to consume. Kirsty begins to suspect something is afoot and soon she is having her own encounter with the Cenobites who are displeased to learn that one of their prisoners has escaped and is on a murder spree.

What makes the film stand out is the excellent script by Barker which prevents the characters from being the usual one-dimensional death fodder usually seen in horror films, particularly those being released towards the end of the 1980s. The production, costume and makeup design are all excellent, with all of the Cenobite designs being particularly memorable. There’s only one stop-motion animation sequence at the end of the film that belies the productions low budget and the film stands up extremely well today. Although the series is up to its ninth film instalment, Barker never directed another and was only producer on the first two sequels. After the fourth film (1996′s Bloodline) the series became a straight-to-video enterprise and quality dropped significantly from then onwards.

This is the ‘style A’ Japanese B2 and features the same image of Pinhead that’s on the American one sheet for the film. There’s also a style B B2 for the film that features a montage of other scenes and characters.

Hellraiser / B2 / Montage style / Japan

17.05.11

Poster Poster
Title
Hellraiser
AKA
Clive Barker's Hellraiser (UK - complete title)
Year of Film
1987
Director
Clive Barker
Starring
Andrew Robinson, Doug Bradley, Clare Higgins, Ashley Laurence, Sean Chapman, Oliver Smith
Origin of Film
UK
Genre(s) of Film
Andrew Robinson, Doug Bradley, Clare Higgins, Ashley Laurence, Sean Chapman, Oliver Smith,
Type of Poster
B2
Style of Poster
Montage
Origin of Poster
Japan
Year of Poster
1987
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Unquestionably one of the truly great British horror films, Clive Barker‘s Hellraiser launched an enduring franchise and established the character of Pinhead (or ‘Priest’, as Barker prefers him to be known) as one of horror’s most beloved villains. Based on the 1986 novella The Hellbound Heart, Barker made the decision to both write the screenplay and direct the film after being disappointed with how two of his earlier scripts had been treated by other directors. The story begins as seedy hedonist Frank Cotton () purchases a golden puzzle box from an antiques dealer in Morocco believing it holds the key to the ‘ultimate sensual experience’. On returning to his London home, Frank opens the puzzle box and is promptly torn apart by massive hooks controlled by a group of horribly scarred and mutilated humanoids known as the Cenobites. The lead Cenobite (Pinhead, played by Doug Bradley) twists the box back to its original shape and they pass back into their realm with Frank’s remains with the room returning to normal.

Sometime later, Frank’s brother Larry () and his second wife Julia () move into the same house assuming that Frank is in jail in some exotic location. Larry’s daughter Kirsty () declines the offer to move in with her stepmother and chooses to find her own place. When Larry accidentally cuts his hand and drips blood onto the attic floor it somehow reaches Frank in his prison in the other realm and starts to resurrect his body (in a stunning special effects sequence). Later that day Julia finds Frank in the attic and the pair rekindle an affair they had started some years before. Julia agrees to help Frank to fully resurrect himself, which can only happen through blood sacrifices so she begins to seduce and bring back random men to the house before bludgeoning them to death for Frank to consume. Kirsty begins to suspect something is afoot and soon she is having her own encounter with the Cenobites who are displeased to learn that one of their prisoners has escaped and is on a murder spree.

What makes the film stand out is the excellent script by Barker which prevents the characters from being the usual one-dimensional death fodder usually seen in horror films, particularly those being released towards the end of the 1980s. The production, costume and makeup design are all excellent, with all of the Cenobite designs being particularly memorable. There’s only one stop-motion animation sequence at the end of the film that belies the productions low budget and the film stands up extremely well today. Although the series is up to its ninth film instalment, Barker never directed another and was only producer on the first two sequels. After the fourth film (1996′s Bloodline) the series became a straight-to-video enterprise and quality dropped significantly from then onwards.

This is the ‘style B’ Japanese B2 and features a montage of scenes and characters from the film. There’s also a style A B2 for the film that features the same image of Pinhead that’s on the American one sheet for the film.

Highlander 2: The Quickening / one sheet / USA

17.05.11

Poster Poster
Title
Highlander 2: The Quickening
AKA
Highlander II (USA)
Year of Film
1991
Director
Russell Mulcahy
Starring
Christopher Lambert, Sean Connery, Virginia Madsen, Michael Ironside
Origin of Film
France | UK | Argentina
Genre(s) of Film
Christopher Lambert, Sean Connery, Virginia Madsen, Michael Ironside,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1991
Designer
Unknown
Artist
Rudy Obrero
Size (inches)
27" x 41"
SS or DS
SS
NSS #
--
Tagline
--

Prometheus / screen print / regular / Martin Ansin / USA

16.09.16

Poster Poster

It’s fair to say that the film that would become Prometheus was long in gestation and expectations were set impossibly high before its release. Originally developed as the fifth entry in the Alien franchise, Ridley Scott and James Cameron (directors of the original film and its sequel) began developing a story after Scott expressed an interest in returning to the universe he brought to life. His intention was to make the film a prequel and focus on the so-called ‘space jockey’ creature that was seen briefly in the derelict space ship during the first part of the original film. Unfortunately the studio (Fox) decided to instead concentrate on the ill-fated Alien vs Predator (2004) and Cameron stepped away from the sequel project.

In 2009 the idea of a reboot of the Alien series was mooted and this quickly morphed into the previously conceived prequel to the first film. Screenwriter Jon Spaihts delivered a first version of the script and after several stop-starts the project was eventually green-lit. Before filming commenced, however, Damon Lindelof was hired to retool the script to suit Fox’s intention to make it less of a sci-fi horror and more something that would appeal to a wider audience. Once filming began there began a strange period where Scott and others played down all links to the original film and made efforts to sell it as the start of a ‘new, grand mythology’. Unfortunately this tactic wasn’t entirely successful and many audience members went into the cinema expecting to watch something close to Scott’s original film.

The film is set in the late 21st Century and follows a group of scientists on a mission to a distant moon after following clues discovered around Earth. Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) believe that they have been invited to meet humanity’s forerunners and their mission is funded by Peter Weyland (Guy Pearce), the billionaire CEO of the Weyland Corporation. The titular ship sets off to LV-223 with the crew in stasis whilst an Android named David (Michael Fassbender) tends to the ship. When they eventually reach the moon, the expedition team, led by Meredith Vickers (Charlize Theron) sets off to investigate a mysterious structure on the surface. Things don’t exactly go to plan from here on in and members of the crew are killed by a snake-like creature that spits acid and a black fluid that infects its host and causes them to behave aggressively. After some of the team discover a chamber with a number of the deceased space-jockey figures from Alien, it soon becomes clear that David is working under different orders than the rest of the crew. Things get increasingly ridiculous following this point and the film ends with one of the more preposterous sci-fi scenes of the last few years.

Prometheus made over $400m at the worldwide box-office and received mostly favourable reviews from professional critics, but its reputation amongst general audiences wasn’t exactly stellar. I recall reading many disappointed comments from people who’d expected something more from a film set in the Alien universe, especially one so long in gestation. One of the biggest criticisms was aimed at the plot holes that the film has, along with several moments of laughable dialogue and clunky character choices that don’t make much sense. It’s fair to say that the rewrites and stop-start nature of the project had a profound impact on the final film and undoubtedly created a lot of the issues it has. I personally don’t mind the film too much and feel it has several things going for it, including superb production design, almost flawless special effects and a great score. A sequel is on the way in 2017 and it’ll be interesting to see if Scott has listened to the critics of this film. Already, from reading early reports and viewing on-set photos, it’s clear that he intends to bring the story towards the feel of the first film.

 

This screen print by the Uruguayan artist Martin Ansin was released by the incomparable Mondo, the Austin-based purveyors of limited edition posters and film merchandise. The print was one of several created by Martin Ansin for a joint show with fellow artist Kevin Tong held at the Mondo Austin gallery during March 2014. Ansin also worked on a print for the original 1979 Alien and other films covered by the pair included James Cameron’s sequel Aliens and Flash Gordon. Badass Digest went to the show and interviewed Ansin and Tong, which can be read here and Collider.com ran an article featuring loads of images from the show. There was a variant of this print available that was printed with a gold colour scheme, also with metallic inks.

The Anderson Tapes / B2 / Japan

18.04.16

Poster Poster
Title
The Anderson Tapes
AKA
--
Year of Film
1971
Director
Sidney Lumet
Starring
Sean Connery, Dyan Cannon, Martin Balsam, Ralph Meeker, Alan King, Christopher Walken, Val Avery, Dick Anthony Williams, Garrett Morris
Origin of Film
USA
Genre(s) of Film
Sean Connery, Dyan Cannon, Martin Balsam, Ralph Meeker, Alan King, Christopher Walken, Val Avery, Dick Anthony Williams, Garrett Morris,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1971
Designer
Unknown
Artist
Unknown
Size (inches)
20 4/16" x 28 14/16"
SS or DS
SS
Tagline
--

This is the Japanese poster for the release of The Anderson Tapes, a 1971 crime film from director Sidney Lumet. It stars Sean Connery and was released the same year as Diamonds are Forever, the film that marked the final time he would officially play James Bond (for Eon Productions). It’s based on a novel of the same name by Lawrence Sanders and had a screenplay written by Frank Pierson who was a producer as well as a screenwriter. Lumet and Pierson would later collaborate on the classic Dog Day Afternoon in 1975.

Connery plays the role of John “Duke” Anderson, a serial burglar who has just been released from prison and reunites with his girlfriend Ingrid (Dyan Cannon) who lives in a high-class apartment block in Manhattan. Far from being reformed, Duke decides he will target all of the flats in the block in one big heist with the help of his mafia connections and a crew of assorted criminals. Things have changed since he was put away and Duke must contend with the electronic surveillance throughout the building as well as various forms of snooping that are covering his entire crew. The film was one of several released at the start of the 1970s that dealt with the issue of surveillance, including the brilliant The Conversation.

This Japanese poster features artwork originally found on the US one sheet, although it appears to have been colour-tinted somewhat, particularly the masked men at the top. If anyone has any ideas who the artist is please get in touch.

Before Night Falls / one sheet / USA

17.05.11

Poster Poster

Indiana Jones and the Last Crusade / one sheet / advance / brown style / USA

17.05.11

Poster Poster

Blade Runner / one sheet / ‘odd NSS’ version / USA

18.05.11

Poster Poster
Title
Blade Runner
AKA
Blade Runner - Metropolis 2020 (Finland)
Year of Film
1982
Director
Ridley Scott
Starring
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah
Origin of Film
USA | Hong Kong
Genre(s) of Film
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah,
Type of Poster
One sheet
Style of Poster
'Odd NSS'
Origin of Poster
USA
Year of Poster
1982
Designer
Intralink Film Graphic Design
Artist
John Alvin
Size (inches)
27" x 41"
SS or DS
SS
NSS #
820007
Tagline
Man Has Made His Match... Now It's His Problem

One of my top five films of all time, Blade Runner was released with easily one of the most iconic sci-fi one sheets ever printed. The design and artwork is by the late, great John Alvin, a man responsible for several of the most memorable film posters of the past 40 years. This is perhaps his most well known piece since it featured on posters across the globe, was reused for the 1992 Director’s cut release and has been on the cover of home video releases for many years.

In August 2014 a book entitled The Art of John Alvin was released after four years of preparation by his wife and studio partner Andrea. An absolute must-own for any fan of film posters and the art of cinema, the book features almost all of John’s most memorable posters which are each given their own section. As well as images of the printed poster, there are also early sketches, painted concepts and pictures of the original artwork itself, plus Andrea has provided fascinating commentary detailing the creation of each piece.

Blade Runner is given six pages and the section features a look at the original graphite sketches done by Alvin to show to Ridley Scott and the studio’s marketing department. Elements of these were then combined to create the painting we know today. Andrea notes that the posters for the film were originally conceived to focus on the relationship with the characters and the futuristic city, but by the time of release Harrison Ford was a global star so Alvin was asked to make him more prominent in the artwork.

John apparently always regretted not featuring Rutger Hauer’s android Roy Batty so when he was asked to revisit the design for a 25th anniversary print he reworked several elements, including the two portraits of Harrison Ford and Sean Young and added the face of Roy Batty looming large over them. The print was called ‘I’ve Seen Things’ by John and can be viewed here.

There are known reprints of this poster and this particular version is one of three known variants. LAMP has a guide to all three here. To summarise:

Variation 1 – NSS Version
This version has NOTHING in the bottom left corner; Litho in U.S.A. (AND) the NSS tag in the center; BLADE RUNNER 820007 in the bottom right

Variation 2 – Studio Version
This variation has “PRINTED IN U.S.A.” in the bottom left corner; NOTHING in the center; and “NSS 820007” in the bottom right.

Variation 3 – Odd NSS Version
In the bottom left corner has “PRINTED IN U.S.A.”; in the center ‘IN SMALLER PRINT’ has “LITHO IN U.S.A.” (AND) the NSS tag; In the bottom right has “BLADE RUNNER NSS 820007” in ‘UNEVEN’ print.

As is clear from my photos, the version I have is the ‘Odd NSS Version’. I bought this particular example about five years ago from a very reputable and established dealer who has been in business over 25 years. I have also seen this version sold by the major auction houses on a number of occasions and have seen it in the collections of several long-time collectors.

A dealer in London once told me he believes all NSS versions of this poster are reprints/restrikes. If this is the case then the poster has fooled both respected dealers and collectors alike.

Blade Runner / B2 / Japan

17.05.11

Poster Poster
Title
Blade Runner
AKA
Blade Runner - Metropolis 2020 (Finland)
Year of Film
1982
Director
Ridley Scott
Starring
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah
Origin of Film
USA | Hong Kong
Genre(s) of Film
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1982
Designer
--
Artist
--
Size (inches)
20 6/16" x 28 12/16"
SS or DS
SS
Tagline
--

Blade Runner / screen print / Tyler Stout / regular / USA

17.05.11

Poster Poster
Title
Blade Runner
AKA
Blade Runner - Metropolis 2020 (Finland)
Year of Film
1982
Director
Ridley Scott
Starring
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah
Origin of Film
USA | Hong Kong
Genre(s) of Film
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah,
Type of Poster
Screen print
Style of Poster
Regular
Origin of Poster
USA
Year of Poster
2008
Designer
Tyler Stout
Artist
Tyler Stout
Size (inches)
24 5/16" x 36 2/8"
SS or DS
SS
Tagline
--

Blade Runner / screen print / Tyler Stout / variant / USA

17.05.11

Poster Poster
Title
Blade Runner
AKA
Blade Runner - Metropolis 2020 (Finland)
Year of Film
1982
Director
Ridley Scott
Starring
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah
Origin of Film
USA | Hong Kong
Genre(s) of Film
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah,
Type of Poster
Screen print
Style of Poster
Variant
Origin of Poster
USA
Year of Poster
2008
Designer
Tyler Stout
Artist
Tyler Stout
Size (inches)
24 6/16" x 36 2/8"
SS or DS
SS
Tagline
--

Blade Runner / Giclee / Carlos Bêla & Kako / UK

17.05.11

Poster Poster
Title
Blade Runner
AKA
Blade Runner - Metropolis 2020 (Finland)
Year of Film
1982
Director
Ridley Scott
Starring
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah
Origin of Film
USA | Hong Kong
Genre(s) of Film
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah,
Type of Poster
Giclee
Style of Poster
--
Origin of Poster
UK
Year of Poster
2008
Designer
Carlos Bêla
Artist
Kako
Size (inches)
23 1/4" x 33"
SS or DS
SS
Tagline
Man Has Made His Match... Now It's His Problem

This poster was created by Carlos Bêla and Kako for the Now Showing exhibition at the Cosh Gallery in Soho, London in 2008. It’s a giclée print on Da Vinci archival art paper and only 25 were printed. It comes with a certificate of authenticity confirming that it will not be reprinted. I happened to be passing by just before the exhibition opened and was able to reserve one.

Photos from the exhibition can be found on Flickr here

Blade Runner / special / Schlitz College Preview / USA

17.05.11

Poster
Title
Blade Runner
AKA
Blade Runner - Metropolis 2020 (Finland)
Year of Film
1982
Director
Ridley Scott
Starring
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah
Origin of Film
USA | Hong Kong
Genre(s) of Film
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah,
Type of Poster
Special
Style of Poster
Schlitz College Preview
Origin of Poster
USA
Year of Poster
1982
Designer
Unknown
Artist
--
Size (inches)
17" x 21 15/16"
SS or DS
SS
NSS #
--
Tagline
--

Blade Runner / one sheet / studio version / USA

15.09.14

Poster Poster
Title
Blade Runner
AKA
Blade Runner - Metropolis 2020 (Finland)
Year of Film
1982
Director
Ridley Scott
Starring
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah
Origin of Film
USA | Hong Kong
Genre(s) of Film
Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah,
Type of Poster
One sheet
Style of Poster
Studio version
Origin of Poster
USA
Year of Poster
1982
Designer
Intralink Film Graphic Design
Artist
John Alvin
Size (inches)
27" x 41"
SS or DS
SS
NSS #
820007
Tagline
Man Has Made His Match... Now It's His Problem

One of my top five films of all time, Blade Runner was released with easily one of the most iconic sci-fi one sheets ever printed. The design and artwork is by the late, great John Alvin, a man responsible for several of the most memorable film posters of the past 40 years. This is perhaps his most well known piece since it featured on posters across the globe, was reused for the 1992 Director’s cut release and has been on the cover of home video releases for many years.

In August 2014 a book entitled The Art of John Alvin was released after four years of preparation by his wife and studio partner Andrea. An absolute must-own for any fan of film posters and the art of cinema, the book features almost all of John’s most memorable posters which are each given their own section. As well as images of the printed poster, there are also early sketches, painted concepts and pictures of the original artwork itself, plus Andrea has provided fascinating commentary detailing the creation of each piece.

Blade Runner is given six pages and the section features a look at the original graphite sketches done by Alvin to show to Ridley Scott and the studio’s marketing department. Elements of these were then combined to create the painting we know today. Andrea notes that the posters for the film were originally conceived to focus on the relationship with the characters and the futuristic city, but by the time of release Harrison Ford was a global star so Alvin was asked to make him more prominent in the artwork.

John apparently always regretted not featuring Rutger Hauer’s android Roy Batty so when he was asked to revisit the design for a 25th anniversary print he reworked several elements, including the two portraits of Harrison Ford and Sean Young and added the face of Roy Batty looming large over them. The print was called ‘I’ve Seen Things’ by John and can be viewed here.

There are known reprints of this poster and this particular version is one of three known variants. LAMP has a guide to all three here. To summarise:

Variation 1 – NSS Version
This version has NOTHING in the bottom left corner; Litho in U.S.A. (AND) the NSS tag in the center; BLADE RUNNER 820007 in the bottom right

Variation 2 – Studio Version
This variation has “PRINTED IN U.S.A.” in the bottom left corner; NOTHING in the center; and “NSS 820007” in the bottom right.

Variation 3 – Odd NSS Version
In the bottom left corner has “PRINTED IN U.S.A.”; in the center ‘IN SMALLER PRINT’ has “LITHO IN U.S.A.” (AND) the NSS tag; In the bottom right has “BLADE RUNNER NSS 820007” in ‘UNEVEN’ print.

This is the second variation (studio version) but I also have the ‘Odd NSS Version’, which can be viewed here. A dealer in London once told me he believes all NSS versions of this poster are reprints/restrikes. If this is the case then the poster has fooled both respected dealers and collectors alike.

Never Say Never Again / re-release / Thailand

16.03.16

Poster Poster

An excellent portrait of Sean Connery surrounded by an action montage features on this German poster for Never Say Never Again, a non-canon James Bond film. The existence and status of the film is due to a long-running legal issue involving Bond creator Ian Fleming and a film producer called Kevin McClory. The pair had worked together on an abandoned Bond project called Longitude 78 that Fleming later turned into the novel Thunderball without crediting the producer or another writer who worked on the project. The case went to the high court and McClory was then given the right to produce the resultant Thunderball film in 1965 as well as the ability to remake the novel turned film after 10 years had elapsed. It took a bit longer than that but eventually McClory brought the same story to the screen in 1983, which happened to be the year that Octopussy, an official entry into the series starring Roger Moore, was released.

Connery wasn’t always in the frame to return as Bond, but after he developed an initial draft of the script with novelist Len Deighton in the 1970s, his name became attached to the project and he was eventually persuaded to star thanks to a significant fee as well as a share of the profits and the ability to veto script and casting decisions. Irvin Kershner came onboard to direct and the rest of the cast was filled with the likes of Max von Sydow as the arch-villain Blofeld and Klaus Maria Brandauer as Maximilian Largo (key villain in Thunderball). A young Kim Basinger appears as Domino, the partner of Largo and later a love interest for Bond.

The film’s plot about the hunt for stolen nuclear warheads features a great deal of similarities with Thunderball, given that it is effectively a remake, but there are significant stylistic differences and also several references made to the fact that Connery is playing an older Bond (he was 52 at the time). The ending is hugely different from Thunderball and ditches the now embarrassing sequence on the out-of-control ship and replaces it with a bit of an anticlimactic showdown underwater. The rest of the film is entertaining enough with excellent use of locations and some thrilling action and stunt sequences, although it’s certainly no match for the best of the canonical series. It was favourably received critically at the time of release and supposedly went on to outperform Octopussy at the box office in 1983, which no doubt annoyed the folks at Eon Productions.

This Thai poster features excellent artwork by Tongdee Panumas (he signs his posters with just his first name) who was an incredibly prolific Thai film poster artist during the 70s, 80s and 90s. I’ve been unable to find out much about him, other than that he was born in 1947, so if anyone has any more details please get in touch.

Note that this is the re-release version of the poster. The first release version is larger in size and features a Pepsi logo and different printer credit in the bottom right. The re-release is missing the Pepsi logo and the painted image has a slight red tint to it. There’s also some noticeable damage that has been captured during printing. It’s possible that the original art was re-used and by that time it had been damaged, or a first release poster was scanned which had some damage on it. There are marks in various parts of the artwork but the most noticeable one is across Sean Connery’s forehead. Click here to see a picture of the two side by side. If anyone knows anything more about this please leave a comment below.

To see the other posters I’ve collected that were painted by Tongdee click here.

 

Highlander / B2 / style B / Japan

18.09.14

Poster Poster

This is one of three B2 posters printed for the Japanese release of the cult fantasy Highlander. The film started life as a story by Gregory Widen which he penned whilst studying screenwriting at UCLA and it was sold to the film’s producers for $200k before undergoing several re-writes. Directed by Australian Russell Mulcahy, who had made a name with a series of music videos, the film is set in two time periods and tells the story of a Connor Macleod (a career-making turn from Christopher Lambert) who is born in Scotland in 1518 and discovers he is immortal when he is seemingly killed in a battle with a rival clan, later waking with no injuries. Believing him to be cursed, he is banished by his fellow clans people and is forced to live in a remote castle.

Eventually, after marrying a woman called Heather (Beatie Edney), he is visited by another immortal called Ramirez (Sean Connery) who teaches him how to sword fight and explains that the only way to kill another immortal is to remove his head. Ramirez also urges Connor to leave Heather, explaining that immortals are sterile and always end up causing hurt to any mortals that they fall in love with. In present day, Connor is shown to be living and working as an antique dealer in New York City and dealing with attacks from other immortals who are taking part in ‘The Gathering’ in which the remaining immortals from around the world fight to be the last one alive (“There can be only one!”). The psychotic Kurgan (Clancy Brown in a memorable turn), who first met Connor on the battlefield in Scotland, is determined to win the prize and will stop at nothing to do so.

Mulcahy injects great energy into the film, clearly using many of the tricks he learned making music videos and the performances of the three main actors all help to elevate the film beyond what could have been a very schlocky fantasy. Some of the scenes involving Connor and Heather are genuinely touching and force the viewer to imagine the downsides of living as an immortal. Michael Kamen’s orchestral score is excellent and is embellished by several memorable songs by the British band Queen, including ‘A Kind of Magic‘. Although not initially a box-office success in the US, the film was an international hit and would gain a cult following, which later saw the release a series of iffy film sequels and a popular TV series that lasted for six seasons. The franchise also includes comic books, novels and animated shows.

This is the style B Japanese B2 but I also have the style C one too. The British quad, painted by Brian Bysouth is by far the best of the international Highlander posters.

The trailer for the film can be seen on YouTube.