You Searched For: Horror

Paganini Horror / B2 / Japan

17.05.11

Poster Poster
Title
Paganini Horror
AKA
The Killing Violin (Europe - informal title)
Year of Film
1989
Director
Luigi Cozzi
Starring
Daria Nicolodi, Jasmine Maimone, Pascal Persiano, Maria Cristina Mastrangeli, Michel Klippstein, Pietro Genuardi, Luana Ravegnini
Origin of Film
Italy
Genre(s) of Film
Daria Nicolodi, Jasmine Maimone, Pascal Persiano, Maria Cristina Mastrangeli, Michel Klippstein, Pietro Genuardi, Luana Ravegnini,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1991
Designer
Unknown
Artist
Enzo Sciotti
Size (inches)
20 6/16" x 28 13/16"
SS or DS
SS
Tagline
--

The Rocky Horror Picture Show / one sheet / style A / international

17.05.11

Poster Poster
Title
The Rocky Horror Picture Show
AKA
--
Year of Film
1975
Director
Jim Sharman
Starring
Tim Curry, Susan Sarandon, Barry Bostwick, Richard O'Brien, Patricia Quinn, Nell Campbell, Meat Loaf, Charles Gray
Origin of Film
UK | USA
Genre(s) of Film
Tim Curry, Susan Sarandon, Barry Bostwick, Richard O'Brien, Patricia Quinn, Nell Campbell, Meat Loaf, Charles Gray,
Type of Poster
One sheet
Style of Poster
Style A
Origin of Poster
International
Year of Poster
1975
Designer
Seiniger Advertising
Artist
--
Size (inches)
27 1/16" x 41"
SS or DS
SS
NSS #
75/127
Tagline
A Different Set Of Jaws.

The Rocky Horror Picture Show / B2 / Japan

17.05.11

Poster Poster
Title
The Rocky Horror Picture Show
AKA
--
Year of Film
1975
Director
Jim Sharman
Starring
Tim Curry, Susan Sarandon, Barry Bostwick, Richard O'Brien, Patricia Quinn, Nell Campbell, Meat Loaf, Charles Gray
Origin of Film
UK | USA
Genre(s) of Film
Tim Curry, Susan Sarandon, Barry Bostwick, Richard O'Brien, Patricia Quinn, Nell Campbell, Meat Loaf, Charles Gray,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1976
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 12/16"
SS or DS
SS
Tagline
--

The Funhouse / B2 / Japan

27.05.14

Poster Poster
Title
The Funhouse
AKA
Il Tunnel dell'Orrore [The Tunnel of Horror] (Italy)
Year of Film
1981
Director
Tobe Hooper
Starring
Elizabeth Berridge, Jack McDermott, Cooper Huckabee, Kevin Conway, William Finley, Sylvia Miles, Largo Woodruff, Miles Chapin
Origin of Film
USA
Genre(s) of Film
Elizabeth Berridge, Jack McDermott, Cooper Huckabee, Kevin Conway, William Finley, Sylvia Miles, Largo Woodruff, Miles Chapin,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1981
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 11/16"
SS or DS
SS
Tagline
--

A creepy slice of horror from Tobe Hooper, the man responsible for the classic Texas Chainsaw Massacre, The Funhouse features a menacing atmosphere helped by great production design, solid performances from a number of character actors and a genuinely ghoulish killer. The story sees a quartet of teenage friends; Amy (Elizabeth Berridge), her boyfriend Buzz (Cooper Huckabee), her best friend Liz (Largo Woodruff) and Liz’s boyfriend Richie (Miles Chapin), visit a traveling carnival where they smoke marijuana, sneak into an over-21 strip show and interact with the carnies who run the shows. Richie dares the group to spend the night in the The Funhouse, an indoor ride on rails (often called a ghost train in the UK), and the girls reluctantly agree to hide until the park clears of people.

After sneaking into the depths of the ride the group inadvertently witness the mute, mask-wearing ride operator murder Madame Zena (Sylvia Miles), the fortune teller who also moonlights as a prostitute. When the ride’s barker Conrad (Kevin Conway) discovers what has happened it is revealed that he is the father of the murderous ride operator, actually called Gunther, and when Conrad admonishes him he knocks the mask off revealing a hideous freak underneath. Conrad realises that the crime has been witnessed by the kids and he unleashes Gunther to track them down. The rest of the film sees the teenagers trying to outwit the murderous carnies and escape The Funhouse alive. The make-up for Gunther is incredibly effective and he surely ranks up their as one of the best horror movie bad guys.

This Japanese B2 features an obscured photograph of Gunther which emphasises his glowing eyes. A photo montage of the four unlucky teens is displayed at the bottom along with the same logo seen on the US one sheet.

The Funhouse / one sheet / USA

21.10.13

Poster Poster
Title
The Funhouse
AKA
Il Tunnel dell'Orrore [The Tunnel of Horror] (Italy)
Year of Film
1981
Director
Tobe Hooper
Starring
Elizabeth Berridge, Jack McDermott, Cooper Huckabee, Kevin Conway, William Finley, Sylvia Miles, Largo Woodruff, Miles Chapin
Origin of Film
USA
Genre(s) of Film
Elizabeth Berridge, Jack McDermott, Cooper Huckabee, Kevin Conway, William Finley, Sylvia Miles, Largo Woodruff, Miles Chapin,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1981
Designer
Unknown
Artist
Unknown
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
810070
Tagline
Something is alive in the Funhouse!

A creepy slice of horror from Tobe Hooper, the man responsible for the classic Texas Chainsaw Massacre (as noted on this poster), The Funhouse features a menacing atmosphere helped by great production design, solid performances from a number of character actors and a genuinely ghoulish killer. The story sees a quartet of teenage friends; Amy (Elizabeth Berridge), her boyfriend Buzz (Cooper Huckabee), her best friend Liz (Largo Woodruff) and Liz’s boyfriend Richie (Miles Chapin), visit a traveling carnival where they smoke marijuana, sneak into an over-21 strip show and interact with the carnies who run the shows. Richie dares the group to spend the night in the The Funhouse, an indoor ride on rails (often called a ghost train in the UK), and the girls reluctantly agree to hide until the park clears of people.

After sneaking into the depths of the ride the group inadvertently witness the mute, mask-wearing ride operator murder Madame Zena (Sylvia Miles), the fortune teller who also moonlights as a prostitute. When the ride’s barker Conrad (Kevin Conway) discovers what has happened it is revealed that he is the father of the murderous ride operator, actually called Gunther, and when Conrad admonishes him he knocks the mask off revealing a hideous freak underneath. Conrad realises that the crime has been witnessed by the kids and he unleashes Gunther to track them down. The rest of the film sees the teenagers trying to outwit the murderous carnies and escape The Funhouse alive. The make-up for Gunther is incredibly effective and he surely ranks up their as one of the best horror movie bad guys.

This US one sheet features the jaw of Gunther and is supposed to be something of a parody of the classic one sheet for The Rocky Horror Picture Show (the bright red lips). I’m not certain whether it’s actually painted or is a photographic image, although there has definitely been some additional touch-up work if it’s the latter. If anyone knows for sure please get in touch.

Frightmare / one sheet / USA

07.08.17

Poster Poster
Title
Frightmare
AKA
Horror Star (working title / international English title)
Year of Film
1983
Director
Norman Thaddeus Vane
Starring
Ferdy Mayne, Luca Bercovici, Nita Talbot, Jeffrey Combs, Leon Askin, Jennifer Starrett, Barbara Pilavin, Alan Stock
Origin of Film
USA
Genre(s) of Film
Ferdy Mayne, Luca Bercovici, Nita Talbot, Jeffrey Combs, Leon Askin, Jennifer Starrett, Barbara Pilavin, Alan Stock,
Type of Poster
One sheet
Style of Poster
Skull style
Origin of Poster
USA
Year of Poster
1983
Designer
Unknown
Artist
Terry Lamb (original artwork, adapted and tweaked)
Size (inches)
27 39 14/16"
SS or DS
SS
Tagline
There is no escape, not even death...

This is the ‘skull style’ US one sheet for the release of the low-budget 1983 horror Frightmare (AKA Horror Star), directed by the late Norman Thaddeus Vane. The film is largely forgotten today and only really notable as featuring the first appearance of genre legend Jeffrey Combs (Re-Animator). The film stars the late German-British actor Ferdy Mayne, a prolific actor who appeared in over 230 films and TV shows over a 60 year period. He is perhaps best known for his performance as Count von Krolock in Roman Polanski’s 1967 film, The Fearless Vampire Killers.

In Frightmare Mayne plays an aging horror film star called Conrad Razkoff, who is very much in the mould of the legendary British actor Christopher Lee – in fact, Lee appears on TV several times playing Dracula, which the audience are meant to infer is Razkoff in his prime. The actor has been reduced to appearing in adverts for dentures and is also suffering from poor health, fainting during a talk to drama students at a university. Soon afterwards Razkoff passes away, but not before he smothers his abusive agent. After his coffin is placed inside an improbably large crypt, which is lit by neon lights, a young group of fans of the star break into the cemetery and decide to steal his corpse.

After returning to the mansion in which they all live, the group sit him at the head of the table and later dance with his corpse before returning him to his coffin in the attic. Razkoff’s wife has discovered that her husband’s body is missing and uses a medium to try and contact him in the afterlife and find out where his body is. This has the unfortunate side-effect of reviving the actor as a murderous zombie who proceeds to work his way through the group of fans, killing each one using different methods. Eventually one of the survivors realises his body must be returned to his crypt. There’s barely anything in the way of character development and it’s hard to care for any of the victims when you have no clue who they are. Mayne’s performance is at least respectable and you do buy him as a fading horror star. It’s also pretty clear what producers like Charles Band saw in a young Jeffrey Combs.

This US one sheet is unusual in that it borrows some key artwork painted for a previous horror film, the 1974 Amicus anthology From Beyond the Grave, and tweaks it slightly in terms of colours and the removal of some elements. The original artwork was painted by the American illustrator Terry Lamb and can be seen here. You can see that the two living creatures were removed and various other elements were modified, but it’s unquestionably the same piece of art. If anyone has any more information as to why the recycling of art took place please get in touch.

Street Trash / one sheet / USA

03.07.11

Poster Poster
Title
Street Trash
AKA
Horror in Bowery Street (Italy)
Year of Film
1987
Director
J. Michael Muro
Starring
Mike Lackey, Bill Chepil, Vic Noto, Mark Sferrazza, Jane Arakawa, Nicole Potter, Pat Ryan, Clarenze Jarmon, Bernard Perlman
Origin of Film
USA
Genre(s) of Film
Mike Lackey, Bill Chepil, Vic Noto, Mark Sferrazza, Jane Arakawa, Nicole Potter, Pat Ryan, Clarenze Jarmon, Bernard Perlman,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1987
Designer
Unknown
Artist
Unknown
Size (inches)
26 6/8" x 39" 15/16"
SS or DS
SS
NSS #
--
Tagline
--

‘The ultimate melt movie’, Street Trash, the classic 1987 splatter-fest, is as gore-filled and tasteless as this American one sheet suggests. The image of the unlucky tramp melting into the toilet was re-used for the multiple VHS and DVD releases and is definitely up there as one of the all-time great horror poster images. I remember reading/hearing who did the artwork but forgot to write it down so if anyone knows could they please get in touch or leave a comment.

It’s interesting that they used a quote from a British radio broadcaster, the late Tommy Vance, for the American poster, but it’s not hard to see why; If that combination of classic titles doesn’t make you want to watch the film then there’s no hope.

The splendid original trailer can be see on YouTube – “It’s easy to find us…. we’re all over the place.”

Here’s the IMDb page for the film. Vaguely interesting bit of trivia: I bought this one sheet from the person who plays the chef in the restaurant scene and only found out after the fact.

Inferno / B2 / Japan

02.01.12

Poster Poster

A unique montage on this Japanese poster for the second in Italian horror maestro Dario Argento’s ‘Three Mothers’ trilogy of films. The series began in 1977 with the brilliant Suspiria and would end 27 years after this film with the disappointing Mother of Tears. Set in New York and Rome, Inferno focuses on a brother and sister and their investigation into a mysterious coven of witches, with predictably deadly consequences.

Like many of Argento’s films the plot is often secondary to the incredible visuals and inventive death scenes, but it’s definitely up there as one of his best and now has a well-deserved cult following. The film was partly financed by 20th Century Fox, following the success they had distributing Suspiria, however they declined to give it as wide a release as the previous film and Inferno suffered as a result. I’ve been unable to find out much about the UK cinema release, although this is what the poster for it looked like.

I’m a fan of the original Italian poster, which can be seen here.

British distributor Arrow Films released a lavish 30th anniversary edition blu-ray here in the UK (in 2010) and the US home video label Blue Underground also released the film last year.

The spectacularly nuts original US trailer can be viewed on YouTube.

Ghoulies / quad / UK

24.08.15

Poster Poster
Title
Ghoulies
AKA
--
Year of Film
1984
Director
Luca Bercovici
Starring
Peter Liapis, Lisa Pelikan, Michael Des Barres, Jack Nance, Peter Risch, Tamara De Treaux, Scott Thomson, Ralph Seymour, Mariska Hargitay, Keith Joe Dick
Origin of Film
USA
Genre(s) of Film
Peter Liapis, Lisa Pelikan, Michael Des Barres, Jack Nance, Peter Risch, Tamara De Treaux, Scott Thomson, Ralph Seymour, Mariska Hargitay, Keith Joe Dick,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1984
Designer
Unknown
Artist
--
Size (inches)
30 1/16" x 40"
SS or DS
SS
Tagline
They'll get you in the end!

This photographic image advertising the 1984 schlock-horror Ghoulies is absolutely seared into my memory from visits to video rental stores as a youngster where I would see the then forbidden fruits of the horror section. Illustrated covers by artist Graham Humphreys for titles like Evil Dead and Kindred sat alongside photographic designs that hinted at the horrors contained within. This photo of a small green creature bursting out of a toilet, coupled with a title that in UK slang is another word for testicles, sparked plenty of imagined atrocities committed against unsuspecting male victims who’ve just gone for a nice sit down on the porcelain throne.

The reality is that this image was a complete fabrication that was created for the marketing campaign and used around the globe to market the film. The green Ghoulie does pop up from a toilet during the film but it’s a blink and you’ll miss it moment, it’s also not wearing any clothes (as is depicted here), and there’s certainly no obvious harm done to any genitals during the film. According to the Wikipedia article on the film, producer Charles Band had some involvement in creating the image, although it’s a bit confusing:

According to stories Charles Band tells on his Full Moon Horror Road Show, he was tasked to come up with a great campaign to promote the film. During a brainstorming session he came up with the idea to have the Ghoulie popping up from the toilet. The idea was a huge success and the scene was then shot for the film after the fact. According to Band’s 2012 audio commentary for 88Films Blu-ray of Puppetmaster 2, someone else came up with the idea of the Ghoulie popping out of the toilet. Band actually thought it was a bad idea at first.

The film itself is hardly a classic of the genre but it has aged better than some of the other ‘malevolent creature’ films released around the same time. With that said, most of the effects haven’t held up well, particularly the creatures themselves which are poorly put together and unconvincing, especially in comparison to the creatures seen in Joe Dante’s Gremlins that was released the same year. The film is chiefly set in an old mansion that is inherited by student Jonathan Graves (Peter Liapis) after the death of his father Malcolm (Michael Des Barres giving it all he’s got). Unbeknownst to Jonathan, his mother was actually killed during a satanic ritual carried out by his father in which he was meant to be sacrificed as a baby. When a protective amulet prevented the murder being carried out, Malcolm decided to sacrifice his wife instead. Wolfgang (Jack Nance), a member of the cult, takes Jonathan away and raises him so he’s unaware of the situation with his parents.

The film opens with the ritual in which we see the group of small evil creatures (they’re never exactly referred to as Ghoulies in the film) reacting with glee, the film then jumps to a few years later when Jonathan has just moved into the mansion. He soon finds the occult paraphernalia that his father left behind and, for reasons that aren’t clearly explained, decides he wants to continue his father’s satanic practices. His friends and girlfriend Rebecca (Lisa Pelikan) get caught up in the new rituals and before long the Ghoulies have returned and his father has been resurrected from the grave. All does not go exactly to plan for Jonathan, but Wolfgang is still around and his vow to protect the boy holds strong.

I’m unsure who is responsible for the design of this quad so if you have any ideas please get in touch.

Dead and Buried / B2 / style A / Japan

27.11.14

Poster Poster
Title
Dead and Buried
AKA
Zongeria (Japan)
Year of Film
1981
Director
Gary Sherman
Starring
James Farentino, Melody Anderson, Jack Albertson, Dennis Redfield, Nancy Locke, Robert Englund
Origin of Film
USA
Genre(s) of Film
James Farentino, Melody Anderson, Jack Albertson, Dennis Redfield, Nancy Locke, Robert Englund,
Type of Poster
B2
Style of Poster
Style A
Origin of Poster
Japan
Year of Poster
1981
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
NSS #
--
Tagline
--

This is the style A B2 for the Japanese release of the American horror film Dead and Buried. The film was written by Ronald Shusett and Dan O’Bannon, the two screenwriters responsible for the 1979 sci-fi masterpiece Alien, and was directed by Gary Sherman whose previous film had been the creepy ‘cannibals on the London Underground’ horror Raw Meat (AKA Deathline) almost a decade earlier. The story is set in the seemingly normal New England seaside town of Potter’s Bluff and sees the local Sheriff Dan Gillis (James Farentino) investigating a series of mysterious disappearances of strangers visiting the area. The baffling thing for the sheriff is that the strangers are then reappearing some days later now seemingly a member of the community.

The viewer bears witness to a series of gruesome murders beginning with that of a photographer (Christopher Allport) who is seduced on the town beach before being attacked by several people from the town who beat him and burn him alive whilst taking photographs. It soon becomes clear that Potters Bluff’s eccentric mortician William G. Dobbs (Jack Albertson AKA Grandpa Joe from Willy Wonka and the Chocolate Factory) has been practicing some fairly unorthodox patient handling in his morgue and the sheriff sets out to put a stop to his plans.

Apparently, the film went through a number of edits at the request of one of the financiers and was moulded into more of a dark horror film than Gary Sherman had originally intended, with two additional killings inserted and filmed without the assistance of effects maestro Stan Winston (these are noticeably different in tone and quality of execution than the rest of the film). Despite this, Dead and Buried is a solid horror film with a creepy atmosphere, excellent production design and some memorable turns, particularly from Albertson and Melody Anderson as Dan Gillis’ wife who harbours a dark secret.

The film’s original trailer is on YouTube.

The Howling / one sheet / USA

27.07.15

Poster Poster
Title
The Howling
AKA
--
Year of Film
1981
Director
Joe Dante
Starring
Dee Wallace, Patrick Macnee, Dennis Dugan, Christopher Stone, Belinda Balaski, Kevin McCarthy, John Carradine, Slim Pickens, Elisabeth Brooks, Robert Picardo, Dick Miller
Origin of Film
USA
Genre(s) of Film
Dee Wallace, Patrick Macnee, Dennis Dugan, Christopher Stone, Belinda Balaski, Kevin McCarthy, John Carradine, Slim Pickens, Elisabeth Brooks, Robert Picardo, Dick Miller,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1981
Designer
Unknown
Artist
Unknown
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
810045
Tagline
Imagine your worst fear a reality.

One of two werewolf themed horrors to be released in 1981, Joe Dante‘s The Howling beat John Landis’ An American Werewolf in London to cinemas by a few months, but both would go on to be cult classics of the genre, even if the latter film won more critical plaudits at the time of its release. Despite hugely different storylines each film features a memorable werewolf transformation scene and The Howling’s one was created by noted practical effects specialist Rob Bottin (The Thing, Robocop), which was his first solo effort away from his mentor Rick Baker. Although he had initially started work on The Howling, Baker had decided to leave the production to work on Landis’ film and handed the reigns over to Bottin. The results are definitely impressive and were certainly groundbreaking for the time, however Baker’s handiwork on AWIL is unforgettable and impressed the judges of the Academy Awards so much that he won the Outstanding Achievement in Makeup in its inaugural year.

Very loosely based on the novel of the same name by Gary Brandner, The Howling’s script was worked on by two screenwriters before Dante brought in John Sayles, with whom he collaborated on 1978’s Piranha to write a third draft. The film begins as the investigative TV report Karen White (Dee Wallace) is on her way to meet the serial murderer Eddie Quist (Robert Picardo) at a sleazy LA porn store as part of a police sting operation. After entering a booth, Karen is surprised by Eddie who is standing behind her and forces her to watch a porno of a young woman being attacked. Karen turns to look at Eddie and her screams attract nearby police officers who shoot and apparently kill him. Severely traumatised by the event and suffering from hallucinatory flashbacks, Karen’s therapist Dr Waggner (Patrick Macnee) refers her to a secluded retreat on the Californian coast called The Colony.

Karen travels there with her boyfriend Bill played by the late Christopher Stone, who was Dee Wallace’s boyfriend at the time and later married her (Stone sadly passed away from a heart attack in 1995), and the pair are welcomed by the residents of the camp, which is made up of several log cabins in a forest near the coast. One night Bill is out for a walk and is attacked and bitten by a werewolf, which is actually Marsha Quist (Elisabeth Brooks) a sultry nymphomaniac who has been at the Colony for months. Later she accosts Bill and the pair make love in the forest as they transform into werewolves together. Karen suspects all is not right and invites her friend Teri (Belinda Balaski), another reporter who is looking into Eddie Quist and has discovered that his body is missing from the morgue, out to visit her. Soon after arriving Teri is attacked and killed by Eddie whom she watches transform into a wolf (with Rob Bottin’s help) and before long Karen discovers the true secret of the Colony. Teri’s partner Chris (Dennis Dugan) comes to Karen’s rescue clutching a rifle loaded with silver bullets.

The film was made on a low budget (circa $1m) and was a commercial success around the globe, making tens of millions of dollars. It inevitably spawned a number of significantly less interesting sequels, starting with 1985’s ‘Howling II: Your Sister is a Werewolf’. Joe Dante believes that Steven Spielberg saw the film at the cinema and subsequently offered him the directorial job on the cult classic Gremlins (1984).

Despite The Howling’s relatively high profile I’ve been unable to identify the artist responsible for the artwork on this US one sheet, which was also used as the marketing art in several other countries. If anyone has any ideas please get in touch. Note that this particular poster is discoloured somewhat as it is meant to be more orange/yellow in tone, and I believe it’s the result of an error during printing. It’s not the first one sheet for the Howling that I’ve seen with this discolouration and at least three can be seen in emovieposter’s past sales history of the poster. I suspect that a batch of the posters fell victim to an issue with blue/green inks at the time of printing.

The Fly / B1 / Poland

19.10.11

Poster Poster
Title
The Fly
AKA
--
Year of Film
1986
Director
David Cronenberg
Starring
Jeff Goldblum, Geena Davis, John Getz
Origin of Film
USA
Genre(s) of Film
Jeff Goldblum, Geena Davis, John Getz,
Type of Poster
B1
Style of Poster
--
Origin of Poster
Poland
Year of Poster
1987
Designer
Eugeniusz Skorwider
Artist
Eugeniusz Skorwider
Size (inches)
26 6/16" x 37 4/16"
SS or DS
SS
Tagline
--

Unique artwork for the Polish release (in 1987) of David Cronenberg‘s body horror classic. The design is by an artist called Eugeniusz Skorwider. Here are some details about him (found on this site):

Eugeniusz Skorwider obtained his diploma in 1981 in the studio of professor Waldemar Swierzy. From 1983 to 1997 he was Swierzy’s assistant. Currently he is a professor at the Academy of Fine Art in Poznan, where he leads the poster studio. During that time he had a series of lectures and presentations at Dutch academies (Breda, Utrecht, Groningen, Den Bosch 1990, 1991) as well as outdoor classes with polish students in Paderborn (1997 Germany). He also conducted classes at the Summer University in Paderborn (1998, 2002). He deals with design graphics, mostly posters. Skorwider takes part in competitions and poster presentations worldwide.

A list of the other film posters he worked on is on this site.

Here’s the original trailer.

Hard Rock Zombies / one sheet / USA

08.12.15

Poster Poster
Title
Hard Rock Zombies
AKA
Rock Zombies (France)
Year of Film
1985
Director
Krishna Shah
Starring
E.J. Curse, Geno Andrews, Sam Mann, Mick McMains, Lisa Toothman, Jennifer Coe, Ted Wells, Jack Bliesener, Richard Vidan, Phil Fondacaro
Origin of Film
USA
Genre(s) of Film
E.J. Curse, Geno Andrews, Sam Mann, Mick McMains, Lisa Toothman, Jennifer Coe, Ted Wells, Jack Bliesener, Richard Vidan, Phil Fondacaro,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1985
Designer
Unknown
Artist
Unknown
Size (inches)
27" x 41"
SS or DS
SS
NSS #
--
Tagline
They came from the grave to rock n' rave and misbehave.

Lurid artwork features on this one sheet for Hard Rock Zombies, a 1985 horror-comedy from notorious schlock-peddlers Cannon films. Directed, produced and co-written by Indian-American Krishna Shah, the film was apparently originally conceived as a short that would be the film within a film for Shah’s American Drive-In (also 1985). At some point the production team decided to make HRZ into a feature-length production so the director had two films on the go in a single year.

I’ve not yet seen the film but it’s nutty plot is described on IMDb:

‘A hard rock band travels to the tiny and remote town of Grand Guignol to perform. Peopled by hicks, rubes, werewolves, murderous dwarves, sex perverts, and Hitler, the town is a strange place but that doesn’t stop the band’s lead singer from falling in love with a local girl named Cassie. After Nazi sex perverts kill the band to satisfy their lusts, Cassie calls the rockers back from the grave to save her, the town, and maybe the world.’

The reviews on there aren’t exactly favourable either, for example:

‘The tepid, dreadful zombie flick scrapes the bottom of the barrel, in a way that is truly insulting to barrels. Every possible cliché is driven home with all the subtlety of a steam hammer; every aspect of professional production is gleefully shredded by the intense non-talent in this film. BUT… You simply have to see it. A mess beyond all messes.’

The bizarre trailer is on YouTube if you want to watch it.

 

Carrie / one sheet / Turkey

05.08.15

Poster Poster
Title
Carrie
AKA
Carrie, lo sguardo di Satana [The gaze of Satan] (Italy) | Keri (Serbia)
Year of Film
1976
Director
Brian De Palma
Starring
Sissy Spacek, Piper Laurie, Betty Buckley, Amy Irving, William Katt, Nancy Allen, John Travolta
Origin of Film
USA
Genre(s) of Film
Sissy Spacek, Piper Laurie, Betty Buckley, Amy Irving, William Katt, Nancy Allen, John Travolta,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
Turkey
Year of Poster
1981
Designer
Unknown
Artist
Unknown
Size (inches)
26 14/16" x 39 4/16"
SS or DS
SS
Tagline
--

Brian De Palma‘s horror classic Carrie still stands up today as a perfectly paced thriller and a powerful portrait of the torment suffered by a social outcast on the receiving end of a bullying campaign. Sissy Spacek delivers a breakout performance as Carrie White, the teenager who is picked upon by her teachers, peers and her domineering, abusive mother Margaret (played brilliantly by Piper Laurie). What nobody knows is that Carrie has discovered that she has a latent telekinetic power that flares up when she’s upset or angry. The film also features memorable turns from several young actors who were relative unknowns at the time, including John TravoltaNancy Allen and William Katt as Tommy.

The unforgettable prom night sequence that sees Carrie’s destructive powers fully unleashed was clearly seen as the marketing cornerstone for the film, as evidenced by the images at the bottom of this Turkish one sheet. A still from the scene features on the brilliant Japanese B2. An image of Sissy Spacek drenched in blood is often used to promote the film and has been used for multiple DVD covers and other marketing materials. This artwork only appears on the Turkish poster but my friend Sim Branaghan confirmed that it was originally used by the UK publishing company NEL on the cover of the paperback reprint of Stephen King’s novel as early as 1975. Here’s a link to it on a later 1978 edition, also published by NEL. I’ve searched but am unable to find an artist to whom I can credit it.

Videodrome / one sheet / USA

17.05.11

Poster Poster
Title
Videodrome
AKA
--
Year of Film
1982
Director
David Cronenberg
Starring
James Woods, Deborah Harry, Sonja Smits, Peter Dvorsky, Leslie Carlson, Jack Creley
Origin of Film
Canada
Genre(s) of Film
James Woods, Deborah Harry, Sonja Smits, Peter Dvorsky, Leslie Carlson, Jack Creley,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1982
Designer
Unknown
Artist
Unknown
Size (inches)
27" x 41"
SS or DS
SS
NSS #
830004
Tagline
First it controls your mind...then it destroys your body

Cult Canadian director David Cronenberg’s Videodrome was released with this unique poster design when it hit Japanese cinemas in 1985. Like much of the director’s output, Videodrome is definitely not for the faint of heart and contains some utterly unforgettable moments of Cronenberg’s patented body-horror mutations. James Woods stars as Max Renn the sleazy CEO of a minor cable TV station who is constantly on the lookout for cheap exploitation fare to broadcast. Renn is told about Videodrome, a new and mysterious signal apparently being broadcast out of Malaysia which purports to depict real ‘snuff’ movies of victims being tortured and killed.

Renn decides to start pirating the show and broadcasting it to his audience. This soon attracts widespread attention that puts him into contact with sadomasochistic psychiatrist Nicki Brand (Debby Harry) and Professor Brian O’Blivion (Jack Creley). When he discovers that the signal is actually being broadcast out of Pittsburgh, Renn decides to investigate further and he plunges into a nightmarish conspiracy that goes deeper than he ever imagined. As the American tagline says ‘First it controls your mind. Then it destroys your body’. Fans of Cronenberg’s proclivity for unnatural cavities and the melding of flesh with inorganic substances are not left disappointed, and the gun on this poster hints towards the finale.

This American one sheet features a great illustration of Woods being torn apart in front of a giant image of Debby Harry’s face. I’ve been unable to discover who is responsible for the art so if you have any ideas please get in touch.

In addition to the one sheet I also have the British quad and the Japanese B2.

Zombi Holocaust / Thailand

24.07.15

Poster Poster
Title
Zombi Holocaust
AKA
Doctor Butcher M.D. (USA) | Zombie 3 (USA) | Queen of the Cannibals (International)
Year of Film
1980
Director
Marino Girolami
Starring
Ian McCulloch, Alexandra Delli Colli, Sherry Buchanan, Peter O'Neal, Donald O'Brien, Dakar, Walter Patriarca
Origin of Film
Italy
Genre(s) of Film
Ian McCulloch, Alexandra Delli Colli, Sherry Buchanan, Peter O'Neal, Donald O'Brien, Dakar, Walter Patriarca,
Type of Poster
Thai
Style of Poster
--
Origin of Poster
Thailand
Year of Poster
1980
Designer
Unknown
Artist
Unknown
Size (inches)
21" x 29 5/16"
SS or DS
SS
Tagline
--

Zombi Holocaust is an unusual entry in the history of Italian exploitation films in that it combines three popular horror themes, with cannibals, zombies and a mad doctor all featuring. The prolific producer Fabrizio De Angelis was behind Lucio Fulci’s legendary Zombie Flesh Eaters (1979) and clearly decided to cash in on the popularity of that film, rushing Zombi Holocaust into production the same year. Marino Girolami was in the director’s chair and Ian McCulloch, star of Zombie Flesh Eaters, appears as a doctor investigation a series of strange murders.

Beginning in New York City, the film starts in a hospital where cadavers are being mutilated and the staff discover that a male nurse has been eating body parts. Whilst the staff try to subdue him, he manages to escape and jumps through a window, falling to his death. Lori Ridgeway (Alexandra Delli Colli) is a morgue assistant at the hospital who is also interested in anthropology and is interested to discover that the cannibal nurse is from the same Asian Molucca islands that she was originally from. Dr. Peter Chandler (McCulloch) arrives at the hospital and explains that a number of other deaths have occurred all over the US in which natives from Molucca have been implicated.

The pair travel to the islands along with an investigative reporter (Sherry Buchanan) and meet up with a Doctor Obrero (Donald O’Brien) who has apparently been looking into the mystery. Soon after they arrive, their group is attacked by vicious cannibals and several members of the party are eviscerated. Whilst trying to escape the island they are once again attacked by cannibals, but just before they are killed a handful of disfigured zombies show up and scare off the cannibals. They discover that Dr Obrero has been covering up his experiments on the islanders which have been turning them into the undead and before long Chandler is on the mad doctor’s operating table. Lori, who was snatched by the cannibals, is accepted as their queen and she sends her new friends to rescue Chandler.

The film is entertaining enough and certainly doesn’t scrimp on the gore, with barely any cutting away at the critical moment as is often the case (at least in the uncut version I recently watched). Rather bizarrely, the film was marketed as a kind of slasher film in the US as Doctor Butcher M.D. (Medical Deviant) and had several cuts made as well as a new scene inserted that was taken from another, unfinished film.

The artwork is unique to this Thai poster and I’m unsure who is responsible. If anyone has any ideas, please get in touch.

Dead and Buried / B2 / style B / Japan

24.06.15

Poster Poster
Title
Dead and Buried
AKA
Zongeria (Japan)
Year of Film
1981
Director
Gary Sherman
Starring
James Farentino, Melody Anderson, Jack Albertson, Dennis Redfield, Nancy Locke, Robert Englund
Origin of Film
USA
Genre(s) of Film
James Farentino, Melody Anderson, Jack Albertson, Dennis Redfield, Nancy Locke, Robert Englund,
Type of Poster
B2
Style of Poster
Style B
Origin of Poster
Japan
Year of Poster
1981
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
NSS #
--
Tagline
--

This is the style B B2 for the Japanese release of the American horror film Dead and Buried. The film was written by Ronald Shusett and Dan O’Bannon, the two screenwriters responsible for the 1979 sci-fi masterpiece Alien, and was directed by Gary Sherman whose previous film had been the creepy ‘cannibals on the London Underground’ horror Raw Meat (AKA Deathline) almost a decade earlier. The story is set in the seemingly normal New England seaside town of Potter’s Bluff and sees the local Sheriff Dan Gillis (James Farentino) investigating a series of mysterious disappearances of strangers visiting the area. The baffling thing for the sheriff is that the strangers are then reappearing some days later now seemingly a member of the community.

The viewer bears witness to a series of gruesome murders beginning with that of a photographer (Christopher Allport) who is seduced on the town beach before being attacked by several people from the town who beat him and burn him alive whilst taking photographs. It soon becomes clear that Potters Bluff’s eccentric mortician William G. Dobbs (Jack Albertson AKA Grandpa Joe from Willy Wonka and the Chocolate Factory) has been practicing some fairly unorthodox patient handling in his morgue and the sheriff sets out to put a stop to his plans.

Apparently, the film went through a number of edits at the request of one of the financiers and was moulded into more of a dark horror film than Gary Sherman had originally intended, with two additional killings inserted and filmed without the assistance of effects maestro Stan Winston (these are noticeably different in tone and quality of execution than the rest of the film). Despite this, Dead and Buried is a solid horror film with a creepy atmosphere, excellent production design and some memorable turns, particularly from Albertson and Melody Anderson as Dan Gillis’ wife who harbours a dark secret.

The film’s original trailer is on YouTube.

C.H.U.D. / quad / UK

25.06.14

Poster Poster
Title
C.H.U.D.
AKA
C.H.U.D. (Cannibalistic. Humanoid. Underground. Dwellers.) - full title | CHUD (alt. spelling)
Year of Film
1984
Director
Douglas Cheek
Starring
John Heard, Daniel Stern, Christopher Curry, Kim Greist, Laure Mattos, Brenda Currin, Justin Hall, Michael O'Hare, Cordis Heard, Vic Polizos, Eddie Jones, Sam McMurray, John Goodman, Jay Thomas, Hallie Foot, Jon Polito
Origin of Film
USA
Genre(s) of Film
John Heard, Daniel Stern, Christopher Curry, Kim Greist, Laure Mattos, Brenda Currin, Justin Hall, Michael O'Hare, Cordis Heard, Vic Polizos, Eddie Jones, Sam McMurray, John Goodman, Jay Thomas, Hallie Foot, Jon Polito,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1984
Designer
Unknown
Artist
--
Size (inches)
30" x 39 15/16"
SS or DS
SS
NSS #
--
Tagline
They said there were underground colonies living under the streets of New York... THEY WERE RIGHT! They said they were human... THEY WERE WRONG! C.H.U.D. is under the city AND THEY'RE NOT STAYING DOWN THERE ANY MORE...!

A true cult horror – you only have to look at the list of references in pop culture on its Wikipedia page to get an idea of how much impact the film has had – this UK quad poster for C.H.U.D. features a memorable, lengthy tagline and a teaser of the creatures of the title. The story is nicely schlocky; toxic mutants living in the sewers of New York City are attacking its inhabitants and it’s up to ragtag group of people (cop, fashion reporter, soup-kitchen owner!) to save the day, but the film works with its low budget to create some memorable gore-filled scenes and features fun acting from the likes of John Heard and Daniel Stern. It also has an excellent none-more-80s synth soundtrack.

Chud has since been appropriated to describe ugly, stupid people thanks mainly to its use in Kevin Smith’s Clerks II. It’s also used as the domain name of an excellent cult film website (Cinematic Happenings Under Development).

This UK quad is very similar to the US one sheet but features a different tagline and more muted colours around the creature (his eyes glow more on the one sheet, for example). Here’s the original trailer.

The Outing / one sheet / style B / USA

08.07.13

Poster Poster
Title
The Outing
AKA
The Lamp (Japan)
Year of Film
1987
Director
Tom Daley
Starring
Deborah Winters, James Huston, Andra St. Ivanyi, Scott Bankston, Red Mitchell, André Chimène, Damon Merrill, Barry Coffing, Tracye Walker, Raan Lewis
Origin of Film
USA
Genre(s) of Film
Deborah Winters, James Huston, Andra St. Ivanyi, Scott Bankston, Red Mitchell, André Chimène, Damon Merrill, Barry Coffing, Tracye Walker, Raan Lewis,
Type of Poster
One sheet
Style of Poster
Style B
Origin of Poster
USA
Year of Poster
1987
Designer
Unknown
Artist
Drew Struzan
Size (inches)
27" x 41"
SS or DS
SS
NSS #
--
Tagline
Don't say see you later... say goodbye. | They're not coming back.

A rarely seen ‘style B’ one sheet with artwork by the great Drew Struzan, for the release of the horror film The Outing, which was actually a re-edited version of the 1986 film The LampSkouras Films distributed the film in most territories outside of the United States but, for reasons I’m unable to ascertain, the domestic release was handled by the now defunct outfit The Movie Store who cut 18 minutes, primarily from the first ‘prologue’ part of the film, and changed its name to the one seen on this poster. The Lamp cut of the film is now something of a cult classic and it faired much better on its original worldwide release than The Outing did in the US.

The Lamp version of the story starts in the 19th century onboard a cargo ship from the Middle East bound for Texas. When the ship docks most of the crew have been killed with only the captain and a young girl surviving, that is until the mysterious killer strikes again and the source of the evil is shown to be related to an ornate Arabian lamp. Jumping forward several decades (where The Outing begins) a bunch of hicks are ransacking the home of an elderly Arabic lady who they murder before coming across the lamp seen at the start of the film. When one of the thieves accidentally rubs the object, the evil djinn (or genie) is unleashed and proceeds to massacre each of the men one by one. During the subsequent police investigation, the lamp is found and sent to the Houston Museum of Natural Science, which is where the bulk of the film takes place. A teenage girl, whose father works at the museum, discovers the lamp and is somehow possessed by the creature, persuading a bunch of her schoolmates to stay the night at the museum allowing the evil genie to have his wicked way.

This style B differs from the other version of the poster, which I also have in the collection, by depicting the evil genie in all its gruesomeness. The main image of the four terrified teens features on both posters, albeit with a slightly modified colour scheme.

To see the other posters I have in my collection that were painted by Drew Struzan click here.

The Return of the Living Dead / quad / UK

29.02.12

Poster Poster
Title
The Return of the Living Dead
AKA
Battalion (Japan - English title)
Year of Film
1985
Director
Dan O'Bannon
Starring
Clu Gulager, James Karen, Don Calfa, Thom Mathews, Beverly Randolph, John Philbin, Jewel Shepard, Miguel A. Núñez Jr., Brian Peck, Linnea Quigley, Mark Venturini, Jonathan Terry
Origin of Film
USA
Genre(s) of Film
Clu Gulager, James Karen, Don Calfa, Thom Mathews, Beverly Randolph, John Philbin, Jewel Shepard, Miguel A. Núñez Jr., Brian Peck, Linnea Quigley, Mark Venturini, Jonathan Terry,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1985
Designer
Unknown
Artist
--
Size (inches)
30 2/16" x 39 15/16"
SS or DS
SS
NSS #
--
Tagline
They're Back! .. And They're Hungry...

An extremely low-fi poster for the UK release of the excellent 1985 horror comedy The Return of the Living Dead. The image is of Jerome ‘Daniels’ Coleman who plays the rather terrifying legless zombie who chomps on a paramedic before chasing Don Calfa. A clip of him in action is on YouTube.

Apparently Coleman was an amputee who could run on his stumps and was discovered by one of the film’s producers living on the streets of L.A. The effect is extremely effective, particularly when coupled with his blood-curdling screams. It’s one of the few truly creepy moments in the whole film, in my opinion.

The US one sheet is markedly different and can be seen here.

The original trailer is on YouTube.

Gremlins / quad / UK

30.07.12

Poster Poster
Title
Gremlins
AKA
Gremlin (Japan)
Year of Film
1984
Director
Joe Dante
Starring
Zach Galligan, Phoebe Cates, Hoyt Axton, Frances Lee McCain, Dick Miller, Polly Holliday, Judge Reinhold, Keye Luke, Roger Garth, Corey Feldman, John Louie, Glynn Turman, Ben Develing
Origin of Film
USA
Genre(s) of Film
Zach Galligan, Phoebe Cates, Hoyt Axton, Frances Lee McCain, Dick Miller, Polly Holliday, Judge Reinhold, Keye Luke, Roger Garth, Corey Feldman, John Louie, Glynn Turman, Ben Develing,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1984
Designer
Unknown
Artist
John Alvin
Size (inches)
30" x 39 14/16"
SS or DS
SS
Tagline
Cute. Clever. Mischievous. Intelligent. Dangerous.

Gremlins, director Joe Dante‘s classic horror comedy, was one of the biggest box-office hits of the 1980s and this tale of small, malevolent creatures attacking the residents of a small town spawned countless imitations, including Critters and Troll, none of which were able to match the quality of the film they were attempting to emulate. The film was produced by Steven Spielberg through his Amblin Entertainment company, the logo of which features on the jeans button on this poster (see this close up on the American one sheet).

Thanks to several violent scenes, the film is credited, along with Indiana Jones and the Temple of Doom, for the introduction of the PG-13 rating in America, which was intended to be applied to films that fell into the gap between the PG (Parental Guidance, but safe for children) and R-rated (intended for over 17-year olds). The equivalent in the UK is the 12A rating, which was introduced in 2002 and replaced the 12 rating that had been instigated at the end of the 1980s (for Tim Burtons’s Batman).

The poster artwork on this British quad is by the late American designer and artist John Alvin, who was responsible for over 135 film poster designs over a thirty year period. Alvin painted many unforgettable pieces of artwork, including Blade Runner and E.T. The Extra Terrestrial, and this image he created for Gremlins is definitely one of his most beloved. It was used around the globe to promote the film, including the US, Japan and multiple European countries. Alvin sadly passed away too early, just shy of his 6oth birthday (in 2008), but his fantastic designs will live on for generations to come.

To see the posters I’ve collected by Alvin click here.

A Nightmare on Elm Street 4: The Dream Master / double crown / UK

17.06.15

Poster Poster

When the fourth film in the ‘A Nightmare on Elm Street’ franchise (subtitled The Dream Master) was released in the UK it happened to be up against the latest James Bond entry, Licence to Kill, at the box office. Palace Pictures had been handling the British distribution of the horror franchise since the first film and had worked with the same artist, Graham Humphreys, to produce unique poster designs for the market. When it came to promoting The Dream Master Graham produced a unique quad for use in cinema lobbies and on billboards, but he also had the idea of creating a small run of double crowns that spoofed the iconic James Bond gun barrel opening sequence created by Maurice Binder and first seen in Dr No (1962).

When I interviewed Graham in 2011 for this site he explained how that came about and where the poster was used. Here’s an excerpt:

—————-

So it was often the case that you wouldn’t know what it was going to look like until you printed it?
No, everything was an experiment. This poster could have been so much different as well though. The stained glass from the final scene in the church was good for me because it was a lovely device that meant I could use the large silhouette [of Freddy]. I also thought it was interesting because at that point the face was so familiar so we could take it dark again; we know who he is. We also did the cheeky James Bond spoof poster.

Ah, you were involved with that?
I was, it was my idea.

For folks who haven’t seen it it’s the classic James Bond silhouette from the title sequence where he shoots and the blood drips down, but with Freddy in Bond’s place. The tag-line is ‘The name’s Krueger…Freddy Krueger’. There was some talk of that poster being withdrawn?
It was, within a week. The new James Bond film was about to come out and that was why we did it anyway. They’re very protective of that image, of course, and they said they’d sue if we didn’t take it down. It was fly-posted on the underground for a little while. I’d gone to the folks at Palace and said I’ve got this great idea for a teaser for Elm Street 4 and brought along a VHS tape [of a Bond film] which I put on and freeze-framed at that moment where he turns around and fires the gun. They said ‘great!’ and that was that.

Was that always the case with Palace, that they’d be happy to try things like that?
Oh yes, completely.

———–

To see the other posters I’ve collected by Graham click here and read the exclusive interview with the artist here.

The Wicker Man / screen print / regular / Richard Wells / UK

04.01.16

Poster Poster

The Wicker Man is a true British classic and even though it started life as a low-budget b-feature the film has lost none of its power since its release forty years ago this year. Based on a script by celebrated screenwriter Anthony Shaffer, who had previously seen great success with the play Sleuth (1970), The Wicker Man was helmed by first time director Robin Hardy and was filmed on location around Scotland, with several coastal settings chosen to stand-in for the fictional island of Summerisle. It’s unfair to call the film a horror as it’s a mix of murder-mystery with occult undertones and features an unforgettable finale that lingers in the mind for a long time after the credits roll.

Edward Woodward stars as Sergeant Howie, a strait-laced policeman sent from the Scottish mainland to to investigate the mysterious disappearance of a local girl. After encountering indifference and hostility from the inhabitants, Howie decides to investigate the islands’ de facto leader Lord Summerisle (A memorable Christopher Lee) and soon discovers that this charismatic figure’s influence and beliefs hold sway over the population. The policeman realises too late that he has been brought to the island for reasons more sinister than the supposed disappearance of a local girl, and things are about to get very heated indeed for the unlucky Sergeant Howie.

This screen print was created by the British designer and illustrator Richard Wells (AKA Slippery Jack) in a traditional woodcut style that perfectly suits the film. Wells first debuted the artwork digitally in 2013 to mark the film’s 40th anniversary and then the following year he collaborated with Under the Floorboards to release a screen print of it in both regular and variant editions (the variant is on a different, brighter type of paper). There are so many great details to the print and I spot new ones each time I look at it. In 2013 Wells worked on a similar style print for Ben Wheatley’s A Field in England that was originally only given to cast and crew members but was later made available to the public in early 2015.

Check out Richard Wells’ portfolio site here and his DeviantArt gallery here.

C.H.U.D. / one sheet / USA

29.10.11

Poster Poster
Title
C.H.U.D.
AKA
C.H.U.D. (Cannibalistic. Humanoid. Underground. Dwellers.) - full title
Year of Film
1984
Director
Douglas Cheek
Starring
John Heard, Daniel Stern, Christopher Curry, Kim Greist, Laure Mattos, Brenda Currin, Justin Hall, Michael O'Hare, Cordis Heard, Vic Polizos, Eddie Jones, Sam McMurray, John Goodman, Jay Thomas, Hallie Foot, Jon Polito
Origin of Film
USA
Genre(s) of Film
John Heard, Daniel Stern, Christopher Curry, Kim Greist, Laure Mattos, Brenda Currin, Justin Hall, Michael O'Hare, Cordis Heard, Vic Polizos, Eddie Jones, Sam McMurray, John Goodman, Jay Thomas, Hallie Foot, Jon Polito,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1984
Designer
Unknown
Artist
--
Size (inches)
27 1/16" x 41 1/16"
SS or DS
SS
NSS #
--
Tagline
A recent article in a New York newspaper reported that there were large colonies of people living under the city... The paper was incorrect. What is living under the city is not human. C.H.U.D. is under the city. | They're not staying down there, anymore!

A true cult horror – you only have to look at the list of references in pop culture on its Wikipedia page to get an idea of how much impact the film has had – this poster features a memorable tagline and a teaser of the creatures of the title. The story may be schlocky; toxic mutants living in the sewers of New York are attacking its inhabitants and it’s up to ragtag group of people (cop, fashion reporter, soup-kitchen owner!) to save the day, but the film works with its low budget to create some memorable gore-filled scenes and features fun acting from the likes of John Heard and Daniel Stern. It also has an excellent none-more-80s synth soundtrack.

Chud has since been appropriated to describe ugly, stupid people thanks mainly to its use in Kevin Smith’s Clerks II. It’s also used as the domain name of an excellent cult film website (Cinematic Happenings Under Development).

Here’s the original trailer.