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Who Framed Roger Rabbit / one sheet / USA

17.05.11

Poster Poster
Title
Who Framed Roger Rabbit
AKA
--
Year of Film
1988
Director
Robert Zemeckis, Richard Williams
Starring
Bob Hoskins, Christopher Lloyd, Joanna Cassidy, Charles Fleischer, Stubby Kaye, Alan Tilvern, Richard LeParmentier, Lou Hirsch, Betsy Brantley, Joel Silver, Paul Springer
Origin of Film
USA
Genre(s) of Film
Bob Hoskins, Christopher Lloyd, Joanna Cassidy, Charles Fleischer, Stubby Kaye, Alan Tilvern, Richard LeParmentier, Lou Hirsch, Betsy Brantley, Joel Silver, Paul Springer,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1988
Designer
Steven Chorney
Artist
Mick McGinty
Size (inches)
27" x 41"
SS or DS
SS
NSS #
880054
Tagline
It's the story of a man, a woman, and a rabbit in a triangle of trouble.

Who Framed Roger Rabbit / one sheet / Kilian mylar / style D / USA

23.01.15

Poster Poster
Title
Who Framed Roger Rabbit
AKA
--
Year of Film
1988
Director
Robert Zemeckis, Richard Williams
Starring
Bob Hoskins, Christopher Lloyd, Joanna Cassidy, Charles Fleischer, Stubby Kaye, Alan Tilvern, Richard LeParmentier, Lou Hirsch, Betsy Brantley, Joel Silver, Paul Springer
Origin of Film
USA
Genre(s) of Film
Bob Hoskins, Christopher Lloyd, Joanna Cassidy, Charles Fleischer, Stubby Kaye, Alan Tilvern, Richard LeParmentier, Lou Hirsch, Betsy Brantley, Joel Silver, Paul Springer,
Type of Poster
One sheet
Style of Poster
Kilian - style D - 'red dress' first version
Origin of Poster
USA
Year of Poster
1988
Designer
Dayna Stedry
Artist
2263 Graphics
Size (inches)
27" x 40 13/16"
SS or DS
SS
NSS #
--
Tagline
It's the story of a man, a woman, and a rabbit in a triangle of trouble. | Time to Toon in again!

Who Framed Roger Rabbit, the memorable mix of live-action and animation, is a true 80s classic and a milestone film in several ways. Although not the first time that the two mediums had been mixed, no film had attempted it on this scale before and it was the first time that iconic Warner Bros and Disney characters (Bugs Bunny, Mickey Mouse etc) had featured in the same film together. Based on Gary K. Wolf‘s 1981 novel Who Censored Roger Rabbit?, the rights were bought by the then president of the Walt Disney Company but it would be almost 7 years before filming began, during which time the project went through several creative teams. Eventually Amblin Entertainment were approached to be involved and this meant the project had the creative clout of Steven Spielberg behind it, and his presence was instrumental in getting several studios to agree to have their characters appear.

The story is set in a version of 1940s Hollywood in which human and cartoon actors exist together in the same reality, with the ‘toons’ mostly living in a section known as Toontown. The late Bob Hoskins appears as the washed-up private detective Eddie Valiant who has worked in Hollywood for years and, for reasons revealed during the film, has a loathing for toons. One day he is approached by the chaotic, slapstick-loving Roger Rabbit (voiced by Charles Fleischer) and asked to help prove his innocence after Marvin Acme, the owner of Acme Corporation and Toontown, is murdered and all fingers point to Roger. Rumours that Roger’s wife, the voluptuous Jessica Rabbit (an uncredited performance from Kathleen Turner), had been playing ‘pattycake’ with Acme don’t help and Eddie sets out to prove Roger’s innocence before the psychotic Judge Doom (a memorable performance from Christopher Lloyd) catches him and executes him via deadly ‘dip’.

This one sheet was created by a company called Kilian (owned by Jeff Kilian) and printed around the time of the film’s release for sale to collectors and fans of the film. The company was mostly active during the 1980s and early 90s and worked with film studios and production companies to produce officially licensed alternative posters and limited-edition prints (LAMP features more information about them). They produced several for Roger Rabbit, including two printed on gold mylar (glossy plastic), of which this is the style D version. The other styles can be seen in emovieposter.com’s auction history.

Emovieposter also note that this particular print of style D was actually done in error and there are two versions of it out there:

Also note that this is the ultra-rare “red dress” variant of the Style D poster! These posters were sent as a sample to Disney (who insisted that the dress be changed to pink) and less than 100 were printed!

 

Sweet Jesus Preacher Man / 30×40 / USA

21.01.13

Poster Poster
Title
Sweet Jesus Preacher Man
AKA
--
Year of Film
1973
Director
Henning Schellerup
Starring
Roger E. Mosley, William Smith, Michael Pataki, Tom Johnigarn, Joe Tornatore, Damu King, Marla Gibbs, Sam Laws, Phil Hoover, Paul Silliman
Origin of Film
USA
Genre(s) of Film
Roger E. Mosley, William Smith, Michael Pataki, Tom Johnigarn, Joe Tornatore, Damu King, Marla Gibbs, Sam Laws, Phil Hoover, Paul Silliman,
Type of Poster
30x40
Style of Poster
--
Origin of Poster
USA
Year of Poster
1973
Designer
Unknown
Artist
Unknown
Size (inches)
30 3/16" x 40"
SS or DS
SS
NSS #
73/189
Tagline
Amen, Brother!

Sweet Jesus Preacher Man is apparently a lesser entry into the 1970s blaxploitation genre and it appears to have been largely forgotten with no DVD release forthcoming. Director Henning Schellerup is perhaps better known as a camera operator and cinematographer, having worked on such films as Death Race 2000A Nightmare on Elm Street and Silent Night, Deadly Night.

Roger E. Mosley (Tom Selleck’s partner in Magnum P.I.) stars as a hit man who who poses as a baptist preacher in order to take over the vice rackets in an L.A. ghetto. After his boss Martelli (character actor William Smith) double-crosses him he sets out on a rampage of revenge leaving bodies in his wake.

I’m unsure who is responsible for the artwork on this American 30×40 poster so please get in touch if you have an idea. You’ll notice that a large sticker with the credits on it has been applied over what is clearly the original credits block. This was likely done shortly after the posters were printed to correct an error without having to scrap the whole batch and print them again.

The original trailer is on YouTube.

Heart Condition / Thailand

01.03.17

Poster Poster
Title
Heart Condition
AKA
Black Ghost (Spain)
Year of Film
1990
Director
James D. Parriott
Starring
Bob Hoskins, Denzel Washington, Chloe Webb, Roger E. Mosley, Ja'net DuBois, Alan Rachins, Ray Baker, Jeffrey Meek, Eva LaRue
Origin of Film
USA
Genre(s) of Film
Bob Hoskins, Denzel Washington, Chloe Webb, Roger E. Mosley, Ja'net DuBois, Alan Rachins, Ray Baker, Jeffrey Meek, Eva LaRue,
Type of Poster
Thai
Style of Poster
--
Origin of Poster
Thailand
Year of Poster
1990
Designer
Unknown
Artist
Tongdee Panumas
Size (inches)
24" x 34 14/16"
SS or DS
SS
Tagline
--

This is the original Thai poster for the 1990 fantasy-comedy, Heart Condition, starring the late Bob Hoskins and Denzel Washington. The film was written and directed by James D. Parriott who appears to have spent most of his career working in TV (including shows like Grey’s Anatomy). It was one of only a handful of ‘racial’ comedies that Denzel starred in and he was apparently talked into doing it by his then agent. After the film was critically mauled and sank at the box-office he fired his agent and wasn’t to appear in another comedy film for over two decades.

IMDb describes the plot like this:

Jack Moony (Hoskins), a white cop, has it in for a black lawyer to the drug crowd, Napoleon Stone (Washington). That Stone is now dating his ex-girlfriend doesn’t help matters at all. Stone is shot after Moony suffers a heart attack and wakes to find that he not only has a new heart, but that it is Stone’s and that Stone’s ghost is now his constant companion. Stone is insistent that Moony not only take care of his heart now but that Moony solve his murder.

This Thai poster features a repainted take on the two leads as featured on the US one sheet but adds significantly more colour and a montage of action scenes as was typical of the artist responsible. Tongdee Panumas was an incredibly prolific film poster artist during the 70s, 80s and 90s. I’ve been unable to find out much about him, other than that he was born in 1947, so if anyone has any more details please get in touch.

Note that this particular copy of the poster has been hand-signed by Tongdee and I bought it from someone who had visited Thailand, met the artist and had him sign a few posters. I’ve seen photographic evidence that it’s a genuine signature.

The Mack / 30×40 / USA

02.12.11

Poster Poster
Title
The Mack
AKA
Mack - Il Marciapiede Della Violenza [Mack - The Sidewalk of Violence] (Italy)
Year of Film
1973
Director
Michael Campus
Starring
Max Julien, Don Gordon, Richard Pryor, Carol Speed, Roger E. Mosley, Dick Anthony Williams, William Watson, George Murdock, Juanita Moore
Origin of Film
USA
Genre(s) of Film
Max Julien, Don Gordon, Richard Pryor, Carol Speed, Roger E. Mosley, Dick Anthony Williams, William Watson, George Murdock, Juanita Moore,
Type of Poster
30x40
Style of Poster
--
Origin of Poster
USA
Year of Poster
1973
Designer
Unknown
Artist
Fred Pfeiffer
Size (inches)
30 1/16" x 40"
SS or DS
SS
NSS #
73/87
Tagline
Now that you've seen the rest... make way for... | the biggest and the best

One of the all-time-great pieces of Blaxploitation artwork for this 1973 flick starring Max Julien and Richard Pryor. The film is notorious for the ‘player’s ball’ scene, which birthed the idea of an annual meet-up for pimps in Chicago, Illinois.

I’m unsure who is responsible for the great artwork so please get in touch or leave a comment if you have an idea.

Here’s the original trailer on YouTube.

Get Carter / quad / 1999 BFI re-release / UK

18.05.11

Poster Poster
Title
Get Carter
AKA
--
Year of Film
1971
Director
Mike Hodges
Starring
Michael Caine, John Osborne, Ian Hendry, Bryan Mosley, George Sewell, Tony Beckley, Glynn Edwards, Terence Rigby
Origin of Film
UK
Genre(s) of Film
Michael Caine, John Osborne, Ian Hendry, Bryan Mosley, George Sewell, Tony Beckley, Glynn Edwards, Terence Rigby,
Type of Poster
Quad
Style of Poster
BFI re-release
Origin of Poster
UK
Year of Poster
1999
Designer
Eureka! Design Consultants Ltd.
Artist
--
Size (inches)
29 6/8" x 39 13/16"
SS or DS
SS
Tagline
--

The Sea Wolves / B2 / Japan

17.08.15

Poster Poster
Title
The Sea Wolves
AKA
--
Year of Film
1980
Director
Andrew V. McLaglen
Starring
Gregory Peck, Roger Moore, David Niven, Trevor Howard, Barbara Kellerman, Patrick Macnee, Kenneth Griffith, Patrick Allen
Origin of Film
Switzerland | UK | USA
Genre(s) of Film
Gregory Peck, Roger Moore, David Niven, Trevor Howard, Barbara Kellerman, Patrick Macnee, Kenneth Griffith, Patrick Allen,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1981
Designer
Unknown
Artist
Seito
Size (inches)
20 5/16" x 28 13/16"
SS or DS
SS
Tagline
--

This is the art-style Japanese B2 for the 1980 action film The Sea Wolves, which is based on real events that occurred during the Second World War. The story is based on the exploits of ex-members of the Calcutta Light Horse, a cavalry regiment of the British Indian Army that was formed in 1872 and was disbanded a couple of years after the end of WWII. The plot sees British intelligence discovering that a Nazi radio ship is broadcasting the coordinates of allied ships from a harbour in Portuguese Goa, which was neutral during the war, so an all out assault cannot be launched by the Navy because of this.

British Intelligence officers Col. Lewis Pugh (Gregory Peck) and Capt. Gavin Stewart (Roger Moore) lead the operation and covertly enlist retired officer Col. Bill Grice (David Niven) of the Calcutta Light Horse & some of his former soldiers. The gang sneak into Goa and arrange a diversion on the evening of a planned raid, before making their way to the radio ship carrying enough explosives to sink it and put a stop any more transmissions. The film reunited much of the creative team behind an earlier OAPs on a mission film, 1978’s The Wild Geese, including director Andrew V. McLaglen, screenwriter Reginald Rose, producer Euan Lloyd and several of the stars.

This Japanese poster features artwork painted by Seito that is unique to the Japanese campaign. Seito is one of my favourite Japanese artists who was responsible for several fantastic illustrated posters during the 1970s and 1980s. Little is known about the man himself, even in his native country.

To see the other posters I’ve collected by Seito click here.

The Sea Wolves / quad / UK

17.04.15

Poster Poster
Title
The Sea Wolves
AKA
--
Year of Film
1980
Director
Andrew V. McLaglen
Starring
Gregory Peck, Roger Moore, David Niven, Trevor Howard, Barbara Kellerman, Patrick Macnee, Kenneth Griffith, Patrick Allen
Origin of Film
Switzerland | UK | USA
Genre(s) of Film
Gregory Peck, Roger Moore, David Niven, Trevor Howard, Barbara Kellerman, Patrick Macnee, Kenneth Griffith, Patrick Allen,
Type of Poster
Quad
Style of Poster
--
Origin of Poster
UK
Year of Poster
1980
Designer
Vic Fair
Artist
Arnaldo Putzu
Size (inches)
30 1/16" x 39 15/16"
SS or DS
SS
Tagline
The last charge of the Calcutta Light Horse.

Featuring great art by Arnaldo Putzu, this is the UK quad for the 1980 action film The Sea Wolves, which is based on real events that occurred during the Second World War. As mentioned on the poster, the story is based on the exploits of ex-members of the Calcutta Light Horse, a cavalry regiment of the British Indian Army that was formed in 1872 and was disbanded a couple of years after the end of WWII. The plot sees British intelligence discovering that a Nazi radio ship is broadcasting the coordinates of allied ships from a harbour in Portuguese Goa, which was neutral during the war, so an all out assault cannot be launched by the Navy because of this.

British Intelligence officers Col. Lewis Pugh (Gregory Peck) and Capt. Gavin Stewart (Roger Moore) lead the operation and covertly enlist retired officer Col. Bill Grice (David Niven) of the Calcutta Light Horse & some of his former soldiers. The gang sneak into Goa and arrange a diversion on the evening of a planned raid, before making their way to the radio ship carrying enough explosives to sink it and put a stop any more transmissions. The film reunited much of the creative team behind an earlier OAPs on a mission film, 1978’s The Wild Geese, including director Andrew V. McLaglen, screenwriter Reginald Rose, producer Euan Lloyd and several of the stars.

Arnaldo Putzu was born in Rome in 1927 and began painting from a very early age and in 1948 he got involved with the world of film publicity under the guidance of the famous artist Enrico De Seta. Eventually Putzu would gain enough confidence in his abilities to set up his own agency and it was this move that saw him getting involved in work for the British studio Rank. Eric Pulford was so impressed with his work that he brought him over to London to work at Downtons in 1967.

The artist worked on many quads whilst over here and also gained notoriety for lending his talents to the popular children’s magazine Look-in, for which he painted almost every cover during its publication lifetime. His best-known quad is undoubtedly the one he painted for the Michael Caine gangster classic Get Carter in 1971. My friend, and author of the must-own British Film Posters, Sim Branaghan met Putzu during the making of his book and describes it as a very memorable experience in the interview I published in 2012. Putzu sadly passed away the same year, aged 85, and Sim wrote an excellent obituary for The Guardian newspaper, which can be read here.

The poster was designed by the British designer and artist Vic Fair who is one the most important people ever to work on British film marketing. He is responsible for several iconic posters, including The Man Who Fell To Earth, posters for Hammer horrors like Vampire Circus, and the withdrawn advance one sheet for A View to a Kill. I interviewed Vic for this site and that article can be viewed by clicking here.

Moonraker / Thailand

07.04.15

Poster Poster

Although considered by most Bond fans to be one of the weakest of the series, I know I’m not the only one to have a soft spot for MoonrakerRoger Moore‘s fifth outing as James Bond. Thanks to endless TV showings during the 1980s and early 1990s I’ve probably seen this more than any other in the series and, like Live and Let Die, it had a huge impression on my young mind.

Looking at it through the cynical fog of adulthood it’s easy to sneer at the camp script, supremely daft action sequences (motorised Gondola anyone?) and painfully obvious attempt to cash in on the success of Star Wars (a very common theme amongst films released in its wake). The film is probably the quintessential outing for Moore as Bond and only he could have pulled it off as well as he did, particularly when it comes to the hokey script and madcap action.

The film features several memorable sequences, including a cable car fight over Rio de Janeiro, and a decent bad guy in Richard Kiel‘s inimitable ‘Jaws’ who used to scare me senseless as a kid. Also notable is John Barry‘s soundtrack, which marked a departure from his previous Bond work by mainly using strings instead of the typical brass. The film also features one of the most (literally) eyebrow-raising character names in the form of Dr Holly Goodhead (Lois Chiles) and one of the best/worst sign-offs of the entire series:

Sir Frederick Gray, Minister of Defence:  My God, what’s Bond doing?
Q: I think he’s attempting re-entry, sir.

This is the poster printed for the release of the film in Thailand, with a painting by the artist known as Kwow that was clearly based on two of American artist Dan Goozee’s paintings for the film. The main figures and some of the background is a repaint of the art on the the final Moonraker US one sheet with some of the elements from the international style B one sheet. I’ve been unable to find out anything about Kwow beyond other posters he worked on so if anyone has any more details please get in touch.

The other Moonraker posters I’ve collected can be seen here.

The Man With The Golden Gun / one sheet / USA

17.12.14

Poster Poster

This is the original US one sheet for the release of The Man With the Golden Gun, the ninth James Bond film and the second to star Roger Moore as the legendary secret agent. It’s definitely one of the weaker films in the long-running series and certainly not Moore’s finest hour, but it has several elements that make it worth watching, including a host of interesting far-eastern locales, strong production design and a very memorable bad guy in the shape of Christopher Lee‘s Scaramanga. Guy Hamilton returned as director for the fourth and last time in the series and the script, written by Richard Maibaum and Tom Mankiewicz, takes place amidst the climate of energy worries that followed the 1973 oil crisis. It also reflected the then craze for martial arts movies that followed the release of films like Bruce Lee’s Enter the Dragon with several kung-fu sequences and exotic locations.

The story starts as MI6 receive a golden bullet with 007 etched into it, leading them to believe that Bond’s life is at threat from the notorious international assassin Scaramanga so they decide to remove him from active duty. The agent was on the trail of a scientist who it is thought could help with the energy crisis and he is frustrated to have been stopped in his pursuit so he sets off to find Scaramanga without official approval. Bond follows a trail of assassinations which lead him from Macau to Bangkok and eventually to Scaramanga’s private island hideout where he discovers that the master assassin has an interest in solar power. Soon Bond is challenged to a duel to the death and he must use his wits to survive the traps set around Scaramanga’s hideout. Dwarf actor Hervé Villechaize has a memorable role as the assassin’s servant Nick Nack, and Clifton James returns as the (perhaps ill-advised) comic relief figure of Sheriff J.W. Pepper, as featured in Live and Let Die.

The artwork on this poster also features on the US one sheet and was painted by Robert McGinnis who is responsible for some of the best James Bond posters, including Thunderball, Live and Let Die and Diamonds are Forever as well as multiple other classic posters from the 60s, 70s and 80s. He was born in Cincinatti, Ohio in 1926 and was given an apprenticeship at Walt Disney studios before studying fine art at Ohio State University. After serving in the Merchant Marines during World War II, he started work in the advertising industry and later moved into painting book jackets for several notable authors, as well as editorial artwork for the likes of Good Housekeeping, TIME and The Saturday Evening Post. McGinnis’ first film poster was the now iconic one sheet for Breakfast at Tiffany’s, painted in 1962, and he went on to paint over 40 others during his career, including one for The Incredibles in 2004.

One interesting thing about this particular poster is that it missing the ‘East/West Hemi’ text that appears on most copies of this poster and on a few other Bond posters of the era, including the Live and Let Die one sheet that’s in the Film on Paper collection. This page on Learn About Movie Posters explains what the significance of that text is. An excerpt:

[Albert] Broccoli met with [Harry] Saltzman and tried to acquire the rights but Saltzman refused to sell. They instead decided to co-produce them. [….] After some success they decided to divide the production credits and entered into a contractual agreement for top billing and so was created the Hemi’s. [….] They divided the world into hemispheres. Harry took the East Hemisphere and Albert took the West Hemisphere. So Saltzman would get the European countries and Broccoli would get the Americas.

I’m not sure why it’s missing on this copy but I’ve heard of other examples like this turning up and I’m confident it’s an original. If anyone has any ideas please get in touch.

To see the other posters I’ve collected that were painted by McGinnis click here and to see the other James Bond posters in the Film on Paper collection click here.

A View To A Kill / one sheet / recalled / UK

25.11.11

Poster Poster

Sir Roger Moore‘s last outing as James Bond, A View to a Kill, was definitely not his finest hour, although it is memorable for a few reasons, including Christopher Walken‘s turn as the truly psychotic bad guy (Max Zorin), Duran Duran’s great title theme and the appearance of the incomparable Grace Jones as Mayday, Zorin’s accomplice. She may not be able to act very well but she’s never anything less than a striking presence and is definitely not a lady to mess with, as British chat show presenter Russell Harty infamously found out.

This poster is the UK one sheet that was designed by Vic Fair and illustrated by Brian Bysouth, a not insignificant pairing of two great English talents. Having been commissioned by the studio the poster was apparently then rejected and ultimately never used in cinemas to promote the film. Sim Branaghan, the man behind the must-own book ‘British Film Posters‘, interviewed Vic Fair who recalled that they were looking for a more conventional design, something that often frustrated the designer when working with clients:

‘Not very exciting are they, the Bond posters … always the same thing. So I had this idea of putting him in a white jacket, but they just threw their arms up in horror – “Ooh no, we can’t have that”. It was ridiculous really’

The poster is now known as the ‘recalled’ UK one sheet as, despite the poster having been printed, it was recalled by the studio and most copies were apparently pulped. Obviously, several did manage to escape destruction and made their way into the hands of poster dealers and collectors. I’d like to know a rough figure on how many did survive since it does show up at major auctions and on Ebay occasionally, so it’s certainly more than a tiny handful. If anyone has any more details on this please get in touch or leave a comment.

The artwork did end up being used for other countries, notably a Japanese B2 poster promoting the film.

For more information on Vic Fair and Brian Bysouth I highly recommend picking up a copy of ‘British Film Posters‘ as it features sections on both men. Here are the posters I’ve collected so far by Brian Bysouth and those by Vic Fair (with more to add over the coming months).

In 2012 I met and interviewed Brian Bysouth and this poster was discussed:

There are two specific collaborations you had with Vic Fair that I’d like to talk about. There was the UK one sheet for A View to a Kill, which you mentioned, and before I read Sim’s book I had no idea that it was one of yours. It’s quite different to others you’d worked on before then.
Ah yes, that poster was painted with a different technique than the one I’d typically work with. It has a very smooth look mostly done with an airbrush. The clients had started to require illustrations to have a less painted look and they were asking for much more photo-realistic illustrations. This requirement was because of falling sales in the video market.  The clients had concluded that the paying public had become more discerning and distrustful of what was portrayed on the video sleeves, and to some extent on film posters. The public had begun to realise that an exciting illustration could flatter what in reality would be a truly awful film.  So illustration had to take on a new, more highly-finished look, but this only worked for a short while before the use of photographs and the versatility of the computer took over completely.

Anyway, to continue, Vic asked me if I’d like to do the finished painting based on his rough; it was a really excellent and novel design, which required me to execute the painting in two stages. The first stage would be used as a teaser poster and this was just the image ofGrace Jones and Bond contained within a diamond motif. All I had to do was get the airbrush out and work up his design. I remember spending a while on the Grace Jones image, polishing and improving her look, as well as the pose of Bond. It went away to be printed but later we were disappointed to learn that it was going to be withdrawn because the clients were not happy with the legendary spy being portrayed in a white tuxedo; that being considered not very Bond-like!

For the second stage, Vic’s design included an exciting montage to fit either side of the central icon of the two characters. The preliminary painting was returned to me for completion and I continued by adding the montage of scenes from the film onto the artwork in a semi-drawn style, which I was experimenting with at the time. I was very pleased with the final results and Vic liked it too. That went off for approval but, for reasons unknown to me, the printing didn’t go ahead. I never saw the artwork again and pathetically, because it was not approved, I don’t even think a transparency was made. I entertain hopes that one day it will eventually re-appear and I will be able to establish my claim to ownership.

Here’s the film’s original trailer.

Barbed Wire Dolls / one sheet / USA

18.05.11

Poster Poster
Title
Barbed Wire Dolls
AKA
Frauengefängnis (Switzerland - original title) | Caged Women (UK) | Penitenziario femminile per reati sessuali [Female prison for sexual offences] (Italy)
Year of Film
1975
Director
Jesus Franco (aka Jess Franco and about 50 other names)
Starring
Lina Romay, Paul Muller (as Paul Müller), Monica Swinn(as Monika Swinn), Roger Darton, Ronald Weiss, Martine Stedil, Eric Falk, Peggy Markoff
Origin of Film
Switzerland
Genre(s) of Film
Lina Romay, Paul Muller (as Paul Müller), Monica Swinn(as Monika Swinn), Roger Darton, Ronald Weiss, Martine Stedil, Eric Falk, Peggy Markoff,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1977
Designer
Unknown
Artist
Unknown
Size (inches)
26 7/8" x 41"
SS or DS
SS
NSS #
--
Tagline
--

The Best Of Times / one sheet / advance / USA

18.05.11

Poster Poster
Title
The Best Of Times
AKA
--
Year of Film
1986
Director
Roger Spottiswoode
Starring
Robin Williams, Kurt Russell, Pamela Reed, Holly Palance, Margaret Whitton, Donald Moffat
Origin of Film
USA
Genre(s) of Film
Robin Williams, Kurt Russell, Pamela Reed, Holly Palance, Margaret Whitton, Donald Moffat,
Type of Poster
One sheet
Style of Poster
Advance
Origin of Poster
USA
Year of Poster
1986
Designer
Kaiser Creative
Artist
--
Size (inches)
27" x 41"
SS or DS
SS
NSS #
860016
Tagline
--

Big Guns / B2 / Japan

13.08.12

Poster Poster
Title
Big Guns
AKA
Tony Arzenta (Italy - original title | No Way Out (USA)
Year of Film
1973
Director
Duccio Tessari
Starring
Alain Delon, Richard Conte, Carla Gravina, Marc Porel, Roger Hanin, Nicoletta Machiavelli, Guido Alberti, Lino Troisi, Silvano Tranquilli, Corrado Gaipa
Origin of Film
Italy | France
Genre(s) of Film
Alain Delon, Richard Conte, Carla Gravina, Marc Porel, Roger Hanin, Nicoletta Machiavelli, Guido Alberti, Lino Troisi, Silvano Tranquilli, Corrado Gaipa,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1973
Designer
Unknown
Artist
--
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Big Guns, a crime thriller from the late, prolific Italian director Duccio Tessari, starred French acting legend Alain Delon as Tony Arzenta, a mob hitman whose decision to retire angers the bosses and leads to the accidental death of his wife and child. Arzenta sets out on a bloody revenge mission, unleashing his particular set of skills on the criminals who wronged him. Richard Conte, who had starred in The Godfather a year earlier, also features as Nick Gusto, a Sicilian crime boss who wants to bury the hatchet with Arzenta, much to the consternation of his associates.

The film was released internationally (as No Way Out in the US, for example) and this poster was printed for Japan, a country in which Delon has a huge fan base. The main image is taken from a moment during one of the car chases for which the film is perhaps best remembered, and a clip from it can be watched here.

The original trailer is on YouTube.

Bronco Billy / one sheet / USA

27.02.12

Poster Poster

One of Clint Eastwood’s lesser known outings, Bronco Billy is nevertheless apparently one of the actor-director’s favourites amongst his myriad films. It was pitched firmly in the vein of his earlier Orangutan-featuring screwball comedy dramas, Every Which Way But Loose and its sequel. The studio presumably hoped to ape their success, but in the end the film failed to generate similar box-office numbers.

Eastwood stars as the titular Billy, the leader of a traveling Wild West show and so-called ‘fastest guns in the West’. Things aren’t looking too great for the show and go from bad to worse when they pick up Antoinette Lilly (Sondra Locke) a wealthy heiress who has been abandoned by her future husband. Antoinette must learn to cope without the luxuries she has become accustomed to whilst Billy struggles to keep the show afloat. Eventually the pair strike up a relationship, but it’s not long before Antoinette’s former life catches up with her.

This US one sheet features artwork by American Roger Huyssen, a commercial artist who has worked on advertising campaigns for some of the world’s largest brands, as well as magazine covers, packaging design and several movie posters. His website features plenty of samples of his work and this poster can be seen on there. He often partners with lettering designer Gerard Huerta (working as 2H studio) as is the case on this poster. You’ll notice both signatures are included on the poster.

It’s a brilliantly detailed and colourful design and works perfectly for the film it’s advertising. I particularly like the idea of using a billboard in the style of the Wild West show to display the film’s title.

The film’s trailer is on YouTube.

Blood Diner / one sheet / USA

18.05.11

Poster Poster
Title
Blood Diner
AKA
Il ristorante all'angolo [The restaurant on the corner] (Italy)
Year of Film
1987
Director
Jackie Kong
Starring
Rick Burks, Carl Crew, Roger Dauer, LaNette LaFrance, Lisa Guggenheim
Origin of Film
USA
Genre(s) of Film
Rick Burks, Carl Crew, Roger Dauer, LaNette LaFrance, Lisa Guggenheim,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1987
Designer
Unknown
Artist
Bill Morrison
Size (inches)
27" x 41 1/16"
SS or DS
SS
NSS #
--
Tagline
First they greet you, then they eat you.

Robocop 2 / Thailand

22.06.16

Poster Poster

Excellent artwork by Tongdee Panumas features on this Thai poster for the release of the 1990 sequel, Robocop 2. The film is definitely not a patch on the classic original, although it does have a few redeeming qualities. Paul Verhoeven decided to pass on directing the sequel as he wasn’t happy with the direction the studio wanted to take the story. He was then offered the job on Total Recall which ended up being released the same year as Robocop 2. The original screenwriters also failed to return and the script was penned by Frank Miller (best known for Sin City and his work as a comic book writer) and Walon Green (The Wild Bunch). Irvin Kershner (The Empire Strikes Back) signed on as director and it would turn out to be the final film he would helm.

The film is notably dark and possibly even more violent than the original. Peter Weller returns as the eponymous cyborg who continues to police the streets of an increasingly out of control Detroit. The city is dealing with an epidemic surrounding a new drug called Nuke, pushed by the psychotic Cain (Tom Noonan) and his gang of miscreants. The nefarious corporation OCP is also moving ahead with secret plans to bankrupt the city and turn it into their own Delta City, independent of the US government.

As part of the plan they have been increasing the amount of crime in the city by causing police strikes. They also intend to expand the Robocop program by using dead criminals, and not police officers, as the basis for their next cyborgs. When Cain is mortally wounded during a confrontation with Robocop, the unscrupulous scientist Faxx (Belinda Bauer) seizes the opportunity to implant his brain in her new robotic creation. Unfortunately for her and OCP Cain’s addiction to Nuke, which they initially think they can use to control him, turns out to be their undoing. Only Robocop can stop the new cyborg’s rampage and end the Delta City dream once and for all.

Tongdee Panumas (he signs his posters with just his first name) was an incredibly prolific Thai film poster artist during the 70s, 80s and 90s. I’ve been unable to find out much about him, other than that he was born in 1947, so if anyone has any more details please get in touch.

Note that the line across the centre of the poster is where the original artboards onto which Tongdee paints were joined. Thai artists apparently often struggled to find large enough canvases to paint on. There are also some other marks where the original canvases were damaged before printing – see the close up of the female figure on the right as an example. The main figure on this poster is repainted from the photographic international one sheet which can be seen here.

For Your Eyes Only / one sheet / advance / USA

17.05.11

Poster Poster
Title
For Your Eyes Only
AKA
007 - Missão Ultra-Secreta (Portugal)
Year of Film
1981
Director
John Glen
Starring
Roger Moore, Carole Bouquet, Topol, Lynn-Holly Johnson, Julian Glover, Cassandra Harris, Jill Bennett, Michael Gothard, John Wyman, Jack Hedley, Lois Maxwell, Desmond Llewelyn
Origin of Film
UK | USA
Genre(s) of Film
Roger Moore, Carole Bouquet, Topol, Lynn-Holly Johnson, Julian Glover, Cassandra Harris, Jill Bennett, Michael Gothard, John Wyman, Jack Hedley, Lois Maxwell, Desmond Llewelyn,
Type of Poster
One sheet
Style of Poster
Advance
Origin of Poster
USA
Year of Poster
1981
Designer
Bill Gold
Artist
Morgan Kane (photography)
Size (inches)
27 1/16" x 41"
SS or DS
SS
NSS #
810014
Tagline
No one comes close to JAMES BOND 007

For Your Eyes Only / one sheet / USA

17.05.11

Poster Poster
Title
For Your Eyes Only
AKA
007 - Missão Ultra-Secreta (Portugal)
Year of Film
1981
Director
John Glen
Starring
Roger Moore, Carole Bouquet, Topol, Lynn-Holly Johnson, Julian Glover, Cassandra Harris, Jill Bennett, Michael Gothard, John Wyman, Jack Hedley, Lois Maxwell, Desmond Llewelyn
Origin of Film
UK | USA
Genre(s) of Film
Roger Moore, Carole Bouquet, Topol, Lynn-Holly Johnson, Julian Glover, Cassandra Harris, Jill Bennett, Michael Gothard, John Wyman, Jack Hedley, Lois Maxwell, Desmond Llewelyn,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1981
Designer
Bill Gold
Artist
Morgan Kane
Size (inches)
27 1/16" x 41 1/8"
SS or DS
SS
NSS #
810014
Tagline
No one comes close to JAMES BOND 007

For Your Eyes Only / B2 / artwork style / Japan

18.10.13

Poster Poster

This is the artwork style B2 poster for the Japanese release of one of Roger Moore’s better outings as 007, For Your Eyes Only, which was intended to bring the legendary spy back down to earth with a more realistic and less sensational storyline following the lunacy of Moonraker. It marked the first time John Glen would helm a Bond film, having worked as an editor and second-unit director on three of the previous outings, and he would go on to direct the next four films in the series. The story sees the spy being sent to try and recover an ‘ATAC’ device capable of controlling the British Polaris submarine fleet, which is lost after a spy ship disguised as a trawler is sunk in neutral waters.

It becomes clear that the Soviets are also keen to get their hands on the device and Bond must discover who is aiding them, with suspicion falling on both Milos Columbo (Topol) and Aris Kristatos (Julian Glover). Bond also finds an ally in the form of Melina Havelock (the gorgeous Carole Bouquet) who is out for revenge after her parents are murdered by the same forces who retrieve the ATAC device. The film features several memorable chases and action sequences, including a climactic assault on a fortress on top of a sheer cliff. It also includes the infamous character of Bibi Dahl (Lynn-Holly Johnson) a gorgeous young ice-skating protégée who becomes infatuated with Bond, and in turn became the object of countless teenage boys’ fantasies, including yours truly.

The artwork on this poster is unique to Japan and was painted by the artist Seito. I’ve not been able to discover much about Seito but he was fairly prolific and painted for a lot of US films that were released in Japan. If anyone has any information about him please get in touch.

The other posters I’ve collected by Seito can be seen here.

Fright / 30×40 / USA

03.08.12

Poster Poster
Title
Fright
AKA
L'allucinante notte di una baby sitter [The terrifying night of a baby sitter] (Italy) | I'm Alone and I'm Scared (USA - reissue title)
Year of Film
1971
Director
Peter Collinson
Starring
Honor Blackman, Susan George, Ian Bannen, John Gregson, George Cole, Dennis Waterman, Tara Collinson, Maurice Kaufmann, Roger Lloyd-Pack, Michael Brennan
Origin of Film
UK
Genre(s) of Film
Honor Blackman, Susan George, Ian Bannen, John Gregson, George Cole, Dennis Waterman, Tara Collinson, Maurice Kaufmann, Roger Lloyd-Pack, Michael Brennan,
Type of Poster
30x40
Style of Poster
--
Origin of Poster
USA
Year of Poster
1972
Designer
Unknown
Artist
--
Size (inches)
30" x 40"
SS or DS
SS
NSS #
72/157
Tagline
Now the screen has a new definition of TERROR!

A strong contender for one of the earliest entries into the ‘slasher’ sub-genre of horror, Fright was filmed in the UK by Peter Collinson, perhaps best known as the director of the original The Italian Job. The film focuses on the plight of a babysitter, played by Susan George, who suffers a series of frightening occurrences after the parents (Honor Blackman and George Cole) leave for the evening, but before long the real terror arrives in the shape of the child’s biological father (Ian Bannen), a recent escapee from a mental asylum.

Fright is notorious for its brutal scenes of violence and is one of several films that raised the bar in terms of the depiction of on-screen horror following the relaxation of censorship rules at the start of the 1970s. This was the second film released in 1971 to feature Susan George being subjected to domestic terror, the other being Sam Peckinpah’s brilliant Straw Dogs.

The original trailer is on YouTube.

Harold & Kumar Escape from Guantanamo Bay / one sheet / advance NPH / USA

17.05.11

Poster Poster

Live and Let Die / B2 / Japan

31.03.14

Poster Poster

This is the Japanese B2, featuring artwork by the great Robert McGinnis, for the first (and my favourite) Roger Moore-starring James Bond film, Live and Let Die. Along with the others in the series I probably saw the film on TV about fifteen times and can vividly recall many of the best scenes. Like British comedian and director Joe Cornish admitted when interviewing Roger Moore, his Bond films are responsible for many of my first ‘awakenings to the delights of the female form’ (being a young teenager at the time it would have been shown). The gorgeous Jane Seymour who plays ‘Solitaire’ is definitely responsible for putting at least a couple of hairs on my chest, as it were.

Robert McGinnis is responsible for some of the best James Bond posters, including Thunderball,  The Man With the Golden Gun and Diamonds are Forever as well as multiple other classic posters from the 60s, 70s and 80s. He was born in Cincinatti, Ohio in 1926 and was given an apprenticeship at Walt Disney studios before studying fine art at Ohio State University. After serving in the Merchant Marines during World War II, he started work in the advertising industry and later moved into painting book jackets for several notable authors, as well as editorial artwork for the likes of Good Housekeeping, TIME and The Saturday Evening Post. McGinnis’ first film poster was the now iconic one sheet for Breakfast at Tiffany’s, painted in 1962, and he went on to paint over 40 others during his career, including one for The Incredibles in 2004.

The artwork on this B2 poster isn’t identical to the US one sheet (the art of which was used worldwide) and it’s not clear whether the original art was painted over or whether it was repainted entirely. Some examples on the Japanese poster include the ‘Devil’ missing the doll from her hand and the alligator being given a yellow eye.

To see the other posters I’ve collected that were painted by McGinnis click here and to see the other James Bond posters in the Film on Paper collection click here.

The Applegates / B2 / Japan

17.05.11

Poster Poster
Title
The Applegates
AKA
Meet the Applegates (USA) | I cari vicini di casa [Dear Neighbours] (Italy)
Year of Film
1990
Director
Michael Lehmann
Starring
Ed Begley, Jr., Stockard Channing, Dabney Coleman, Robert Jayne, Camille Cooper, Glenn Shadix, Susan Barnes, Roger Aaron Brown, Lee Garlington
Origin of Film
USA
Genre(s) of Film
Ed Begley, Jr., Stockard Channing, Dabney Coleman, Robert Jayne, Camille Cooper, Glenn Shadix, Susan Barnes, Roger Aaron Brown, Lee Garlington,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1992
Designer
Unknown
Artist
Unknown
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Moonraker / one sheet / USA

17.05.11

Poster Poster
Title
Moonraker
AKA
Agente 007, Moonraker: Operazione Spazio (Italy)
Year of Film
1979
Director
Lewis Gilbert
Starring
Roger Moore, Lois Chiles, Michael Lonsdale, Richard Kiel, Corinne Clery, Bernard Lee, Geoffrey Keen, Desmond Llewelyn, Lois Maxwell, Toshirô Suga, Blanche Ravalec
Origin of Film
UK | France
Genre(s) of Film
Roger Moore, Lois Chiles, Michael Lonsdale, Richard Kiel, Corinne Clery, Bernard Lee, Geoffrey Keen, Desmond Llewelyn, Lois Maxwell, Toshirô Suga, Blanche Ravalec,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1979
Designer
Unknown
Artist
Dan Goozee
Size (inches)
27 >1/16" x 41"
SS or DS
SS
NSS #
790012
Tagline
Outer space now belongs to 007