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Mr Ricco / 30×40 / USA

03.01.14

Poster Poster
Title
Mr Ricco
AKA
--
Year of Film
1975
Director
Paul Bogart
Starring
Dean Martin, Eugene Roche, Thalmus Rasulala, Denise Nicholas, Cindy Williams, Geraldine Brooks, Philip Michael Thomas, George Tyne, Robert Sampson, Michael Gregory, Joseph Hacker, Frank Puglia
Origin of Film
USA
Genre(s) of Film
Dean Martin, Eugene Roche, Thalmus Rasulala, Denise Nicholas, Cindy Williams, Geraldine Brooks, Philip Michael Thomas, George Tyne, Robert Sampson, Michael Gregory, Joseph Hacker, Frank Puglia,
Type of Poster
30x40
Style of Poster
--
Origin of Poster
USA
Year of Poster
1975
Designer
Unknown
Artist
Larry Salk
Size (inches)
30" x 40"
SS or DS
SS
NSS #
75/27
Tagline
The one thing people hate more than a cop killer... is the lawyer who gets him off!

Mr Ricco, a little-seen 1970s crime thriller, marked the last starring role in film for ‘The King of Cool’ Dean Martin (unless you count his cameos in the two Cannonball Run films). The Italian-American entertainer, who had seen great success in several of his earlier roles including Rio Bravo and Ocean’s Eleven (with his fellow Rat Pack members), would continue to make popular TV appearances and music recordings but never headline a film again. After reading the reviews on IMDb it appears he was probably getting too old to convincingly pull-off the action scenes that roles like this one required.

Martin appears in the title role as Joe Ricco, a San Francisco lawyer who successfully defends Frankie Steele (Thalmus Rasulala) a member of a black militant group charged with murdering a woman. Shortly afterwards two cops are gunned down and Steele is implicated in the crime after witnesses describe seeing him fleeing the scene. The detective in charge of the case, George Cronyn (Eugene Roche), is angered that Steele appears to have got away with it again and decides to kill one of the members of the Black Serpents (Steele’s group) and implicate another in the cops’ murder. Ricco agrees to defend the wrongly-accused man but soon after is targeted by a lone sniper who almost kills him. Once again, Steele is implicated in the attempted murder so Ricco sets out to discover why his former client is trying to kill him.

This US 30×40 features artwork by an American artist called Larry Salk about whom I’ve been able to discover very little. A now defunct gallery site described him as a freelance illustrator who worked on around 165 film posters, as well as painting for advertisements, video game covers, record sleeves and more. IMPAwards features a few of his posters (I have his one sheet for the 3D re-release of House of Wax and the advance for Superman III) and he was the artist who painted the famous portrait of Cosmo Kramer from Seinfeld. He apparently passed away in 2004.

Revenge of the Jedi / one sheet / dated version / USA

28.11.12

Poster Poster
Title
Revenge of the Jedi
AKA
Return Of The Jedi (release title) | Star Wars Episode VI: Return of the Jedi (full title) | Blue Harvest (USA - fake working title)
Year of Film
1983
Director
Richard Marquand
Starring
Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, Kenny Baker, Peter Mayhew, David Prowse, Ian McDiarmid
Origin of Film
USA
Genre(s) of Film
Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, Kenny Baker, Peter Mayhew, David Prowse, Ian McDiarmid,
Type of Poster
One sheet
Style of Poster
Dated version
Origin of Poster
USA
Year of Poster
1983
Designer
Unknown
Artist
Drew Struzan
Size (inches)
27 1/8" x 41 1/16"
SS or DS
SS
NSS #
--
Tagline
The Saga Continues

The third film in the much-loved original trilogy of Star Wars films was written by Lawrence Kasdan and, in a recently produced documentary, he claims to have suggested that the initially planned title of ‘Return of the Jedi’ was too weak and that ‘Revenge’ would be a better option. A teaser trailer for the film featured the Revenge title and legendary poster artist Drew Struzan, who had worked on the style D one sheet for the first film, was hired to paint this teaser poster.

Lucas eventually decided that revenge was not a Jedi concept so the film was changed back to the original ‘Return’ title and all subsequent posters were renamed too. According to the Star Wars poster book, by the time the title had been changed thousands of Revenge posters had been printed and hundreds had been distributed to theaters. Lucasfilm stopped the shipping of the posters and destroyed all but 6,800 posters, which were sold in three days to Star Wars fan club members for $9.50. (Source: The Star Wars Poster Book).

The excellent resource site Movie Poster Collectors has a page on the poster that confirms:

The vast majority of posters that escaped destruction have the tagline “Coming May 25, 1983 to your galaxy” at the bottom.  According to reports, a very few – perhaps 100 – omit that tag line. The posters without the release date command somewhat higher prices than the “Coming May 25” posters.

Unfortunately because of its collectable nature there have been several fakes printed over the years and the MPC page features details on what to look for if you want to make sure you purchase an original.

The poster is one of Struzan’s most iconic designs and brilliantly depicts a moment from what would eventually be revealed as a fight between Darth Vader and Luke Skywalker. The colours and use of painting techniques are fantastic and you should check out the detailed images to see these up close. The poster features on his own website. The design was later adapted for a British advance quad featuring the Return title.

This teaser one sheet was officially reprinted by Kilian Enterprises on the film’s tenth anniversary but with the Return title instead. This page on Learn About Movie Posters details the various versions that were released.

The other posters I’ve collected by Struzan can be viewed here.

The Avengers / screen print / regular / Tyler Stout / USA

31.07.14

Poster Poster

2012 was an important year for several of cinema’s biggest franchises with the latest James Bond film, Skyfall, appearing four years after the last, plus Christopher Nolan bringing his Dark Knight trilogy to a spectacular close with The Dark Knight Rises. However, unquestionably the cinematic event of the year was the much anticipated release of Marvel’s superhero team-up The Avengers.

Even before the successful release of Iron Man in 2008, the production team in charge of what is known as the Marvel Cinematic Universe, had planned to release a series of films focusing on individual superheroes based on Marvel comic characters, with the intention of establishing their backstories, and popularity, with fans before uniting them together in a ‘crossover’ film. The original Avengers comic, which brought together previously stand-alone characters including Thor, Captain America, Hulk and Iron Man, was first released in 1963 and has been in print since then so it was no surprise that it was chosen to the be the crossover film following the first five standalone stories.

The film was helmed by cult screenwriter/director Joss Whedon who saw worldwide success with TV shows like Buffy, Angel and cult favourite Firefly, but this was his first major studio film and his appointment in 2010 was seen as a surprise, but welcome, choice by many fans. Whedon pushed the studio allow him to begin a new script after reading a screenplay by Zak Penn that they had been tinkering with since 2007 and the studio eventually agreed, with production beginning in July 2010.

Marvel’s faith in Whedon paid off in spectacular style when the film was released in 2012 and broke multiple worldwide box-office records, including highest-grossing opening in the US, the highest opening week earnings and fewest number of days to reach half a billion dollars (23). It was the highest grossing film of 2012 and currently stands at third in the all-time rankings.

To celebrate the release of the film, Marvel once again worked with Austin-based Mondo to release a series of screen prints based on characters from the film. The incomparable Austin-based geek culture outfit has worked on prints for all of the standalone Marvel releases, starting with Iron Man in 2008 and only skipping the same year’s The Incredible Hulk.

The team at Mondo assembled a roster of its most celebrated artists to turn in designs for each of the main characters and these were released over the period of a week in April 2012, beginning with Olly Moss‘ portrait of Black Widow and ending with Thor by Martin Ansin and Iron Man by Kevin Tong. A few weeks later, on the eve of the film’s release, Mondo then revealed a print featuring all of the characters that was designed and illustrated by arguably their most popular artist, Tyler Stout.

As usual, the print came in both regular and variant versions and, despite each having relatively high print runs, the poster sold out within seconds of going on sale on Mondo’s webshop. I was lucky to snag a copy of the print via Tyler’s ‘lottery’, which he now holds on his own site shortly after each print release sells out via Mondo.

Whilst adding the regular version to the Film on Paper collection I wanted to interview the man himself about the creation of the poster as I’ve done previously with his work on the prints for AkiraKill Bill and Star Trek II: The Wrath of Khan. The interview can be read in full by clicking here.

Note that the final image of Iron Man is stamped on the back of the print.

The Thing / screen print / regular / Drew Struzan / USA

24.08.12

Poster Poster
Title
The Thing
AKA
John Carpenter's The Thing (USA - complete title) | Stvor (Serbia)
Year of Film
1982
Director
John Carpenter
Starring
Kurt Russell, Wilford Brimley, Keith David,Charles Hallahan, Donald Moffat, Richard Dysart, David Clennon, Richard Masur, T. K. Carter, Joel Polis, Thomas G. Waites, Peter Maloney
Origin of Film
USA
Genre(s) of Film
Kurt Russell, Wilford Brimley, Keith David,Charles Hallahan, Donald Moffat, Richard Dysart, David Clennon, Richard Masur, T. K. Carter, Joel Polis, Thomas G. Waites, Peter Maloney,
Type of Poster
Screen print
Style of Poster
Regular
Origin of Poster
USA
Year of Poster
2012
Designer
Drew Struzan
Artist
Drew Struzan
Size (inches)
25 14/16" x 38 2/16"
SS or DS
SS
Tagline
--

This year the Alamo Drafthouse cinema in Austin, Texas celebrated the 30th anniversary of the summer of 1982, a period they dubbed ‘the greatest summer of movies…ever’. It’s not hard to see why when, in the space of three months, films like E.T. The Extra Terrestrial, Mad Max 2,  Tron, Poltergeist and John Carpenter’s The Thing were released in cinemas. A series of screenings have taken place over the past few months and for several of these shows a limited edition screen printed poster was created by the folks at Mondo, the celebrated offshoot of  the Drafthouse.

Perhaps the most exciting of these was the one created for my favourite film of all time, John Carpenter’s The Thing. Mondo surpassed everyone’s expectations for the poster by harking back 30 years and working directly with the legendary artist Drew Struzan who was responsible for the fantastic one sheet for the film. Using the original painted artwork, Drew and the Mondo team were able to create a screen print of the classic image; a perfect choice to celebrate the anniversary of the film’s release.

Announcing the poster, Movies.com carried out an exclusive interview with Struzan and it’s an absolute must-read for fans of the artist and his work. One of the most interesting parts of the interview sees Struzan recalling the creation of the original poster:

“I got a phone call, the simplest phone call I ever got, saying, “We have a job, we want to know if you can do it, the catch is we need it by tomorrow.””

After agreeing to the ridiculously tight deadline, Struzan remembers getting to work:

“It was a very odd experience. I got an immediate concept, which is not unusual for me; I usually have something roving around in my mind. I dressed up in a winter snow outfit and my wife took a Polaroid of me. This was 30 years ago, back in the stone age when the only way to communicating a hundred miles away was the telephone or the fax machine. So I did the drawing and I faxed it back to the studio and they said, “Fine. We need it by tomorrow morning.” I went to work.”

And the result is this iconic image that perfectly captures the mood of the film and stands out as one of Struzan’s best poster designs, which is no mean feat when you consider the artist’s incredible output over several decades.

Around the time of the release, the website Machinima released a brilliant three-part documentary called ‘Limited Run: Mondo’s Modern Classic’ that features the process of creating this poster and includes interviews with Struzan and John Carpenter. Unfortunately, as of 2021, I can no longer find it online, which is a great shame.

The Thing / ‘Det er en Slags Ting’ / regular / Mark Englert / USA

13.03.17

Poster Poster

John Carpenter’s The Thing, one of my favourite films, has inspired many artists over the years and this screen print by the American artist Mark Englert was created in 2012. Englert, whose official website is here, has worked on a number of landscape format prints (typically 12″ x 36″) featuring scenes from cult films and TV shows. This print for the The Thing was the artist’s first and was created in response to two other prints in a similar style that were done by artist’s Englert admired. As detailed in this ExpressoBeans thread, he owned Dan McCarthy’s Hoth and JC Richard’s Fortress of Solitude prints, which both feature icy landscapes, and was inspired to create a third image to go with them. He chose The Thing and started to mock up ideas that he began posting in the thread. Over time it evolved into something he was happy with and he decided to have it printed.

Englert made it available for sale on his own site as a timed-edition and the final number sold was 232. There was also a variant version nicknamed ‘yeah, fuck you, too’ which featured a glow-in-the-dark ink layer of the giant creature seen at the end of the film. For more details and images of the elements check out this page on Posterocalpyse. On there he talks about his process:

“It’s my first print, but I’ve been making a living doing illustration for over 12 years now, so I was fairly confident I could pull it off. I work in Photoshop, took pictures of some local mountains after a recent snow storm and drew the rest myself, piece by piece. I drew the dog, base and helicopter at a much larger size then they would be printed in the end, so that when I shrunk them down, they would have a comparable level of detail as the picture of mountains they were placed in front of. The movie is a long-time favorite… lots of note-perfect, iconic moments that are carved into my brain and just re-watchable as hell.”

One of his most popular early prints was for The Walking Dead that was released around the same time as an Alien print. Each print is given a name that relates to the property in some way. In this case ‘Det er en Slags Ting’ is spoken by one of the survivors from the ill-fated Norwegian outpost.

Check out this interview with Englert on Collider.com which was carried out at the 2012 Comic Con and they also featured him in their first ever ‘Limited Paper’ column. Englert’s own site features the posters and other items he’s worked on so far, which includes vinyl sleeves and more. There’s a short biography on his website which mentions he was born in 1979. There’s an excellent interview with Mark on 411posters.com here.

He has a store here and you can follow him on Twitter here.

Superman III / one sheet / advance / USA

03.11.12

Poster Poster
Title
Superman III
AKA
Superman vs. Superman (USA - original script title)
Year of Film
1983
Director
Richard Lester
Starring
Christopher Reeve, Richard Pryor, Jackie Cooper, Marc McClure, Annette O'Toole, Annie Ross, Pamela Stephenson, Robert Vaughn, Margot Kidder
Origin of Film
UK | Canada | USA
Genre(s) of Film
Christopher Reeve, Richard Pryor, Jackie Cooper, Marc McClure, Annette O'Toole, Annie Ross, Pamela Stephenson, Robert Vaughn, Margot Kidder,
Type of Poster
One sheet
Style of Poster
Advance
Origin of Poster
USA
Year of Poster
1983
Designer
Unknown
Artist
Larry Salk
Size (inches)
27 1/16" x 40 15/16"
SS or DS
SS
NSS #
--
Tagline
--

Richard Pryor was clearly seen as a major draw for audiences who were contemplating going to watch the third entry in the Christopher Reeve series of Superman films, and the artwork on this US advance one sheet was reused for the final design. In the end, the inclusion of the infamous comedian proved one of the films biggest flaws since most of his scenes involved slapstick comedy, and his character’s daft antics serve to almost completely eradicate any of the gravitas the previous films had manage to establish. Pryor had appeared in a string of successful comedies during the early 1980s, including Stir Crazy (1980), but his casting in this film apparently came about after he mentioned on a US talk show how much he’d like to appear in a Superman film.

Richard Lester, the director who had completed work on the troubled Superman II after Richard Donner had been fired, took on directing duties for the sequel. The story sees Pryor’s computer ‘genius’ Gus Gorman blackmailed into using his skills for wealthy megalomaniac Ross Webster (Robert Vaughn), whose various plans for world domination are foiled by Superman. After attempting to cripple the superhero with synthesised kryptonite, the plan goes awry when a key ingredient is missed and, rather than stopping him, the material causes Superman to turn into an evil incarnation of his former self. This ends in a battle between the righteous Clark Kent and the malicious Superman and after successfully defeating his alter-ego, the good Superman heads to Webster’s lair in the grand canyon where a giant supercomputer built by Gorman almost succeeds in defeating the hero.

The film features a sequence that terrified me when I watched it as a child, which sees the supercomputer turning self-aware and forcefully changing Webster’s sister into a bizarre cyborg creature.

The poster art is credited to an American artist called Larry Salk about whom I’ve been able to discover very little. A now defunct gallery site described him as a freelance illustrator who worked on around 165 film posters, as well as painting for advertisements, video game covers, record sleeves and more. IMPAwards features a few of his posters (I have his one sheet for the 3D re-release of House of Wax) and he was the artist who painted the famous portrait of Cosmo Kramer from Seinfeld. He apparently passed away in 2004.

The late artist John Berkey painted a scene from the finale on the international one sheet.

Silent Night Evil Night / 30×40 / USA

25.12.12

Poster Poster
Title
Silent Night Evil Night
AKA
Black Christmas (original Canadian title, later used for the USA and other countries) | Stranger in the House (USA - TV title)
Year of Film
1974
Director
Bob Clark
Starring
Olivia Hussey, Keir Dullea, Margot Kidder, John Saxon, Marian Waldman, Andrea Martin, James Edmond, Doug McGrath, Art Hindle, Lynne Griffin, Michael Rapport
Origin of Film
Canada
Genre(s) of Film
Olivia Hussey, Keir Dullea, Margot Kidder, John Saxon, Marian Waldman, Andrea Martin, James Edmond, Doug McGrath, Art Hindle, Lynne Griffin, Michael Rapport,
Type of Poster
30x40
Style of Poster
--
Origin of Poster
USA
Year of Poster
1975
Designer
Unknown
Artist
Robert Tanenbaum
Size (inches)
30" x 40"
SS or DS
SS
NSS #
75/148
Tagline
If this picture doesn't make your skin crawl... it's on TOO TIGHT.

This 1974 Canadian horror, originally produced and released as Black Christmas, is often credited as being the first in the slasher sub-genre that went on to spawn countless others in the years that followed, including John Carpenter’s Halloween and Friday the 13th. It was one of the earliest films to feature the concept of a mysterious psychopath hunting down and murdering teens one by one, and it also was one of the first horrors to feature scenes shot from the killers point of view. Director Bob Clark was an American who worked in Canada for over a decade, producing some of the country’s most successful films, of which this was the highpoint. He had previously helmed the low-budget zombie horror Children Shouldn’t Play with Dead Things (1973) and would later see great success with the teen comedy Porky’s (1982) and the classic A Christmas Story one year later. Clark was tragically killed along with his son in a head-on car crash in 2007.

Although the film had seen great success in Canada with its production title of Black Christmas (for its release in 1974) the American distributor Warner Bros apparently changed the title to Silent Night Evil Night (and later Stranger in the House) because it feared audiences would think the film was an entry in the then burgeoning blaxploitation genre. After flopping in its first release in the USA (in 1975), the title was later changed back to Black Christmas and the posters that had already been printed with ‘Silent Night…’ had a snipe with the original title glued over the top, as can be seen on this one sheet.

The artwork is by the American artist Robert Tanenbaum. To see other posters I’ve collected by him click here.

The House Where Evil Dwells / one sheet / USA

24.04.17

Poster Poster
Title
The House Where Evil Dwells
AKA
Ghost in Kyoto (Japan)
Year of Film
1982
Director
Kevin Connor
Starring
Edward Albert, Susan George, Doug McClure, Amy Barrett, Mako Hattori, Tsuiyuki Sasaki, Toshiya Maruyama, Tsuyako Okajima, Henry Mitowa, Mayumi Umeda
Origin of Film
USA | Japan
Genre(s) of Film
Edward Albert, Susan George, Doug McClure, Amy Barrett, Mako Hattori, Tsuiyuki Sasaki, Toshiya Maruyama, Tsuyako Okajima, Henry Mitowa, Mayumi Umeda,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1982
Designer
Unknown
Artist
John Solie
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
820070
Tagline
An ancient curse has turned their lives into a nightmare of lust and revenge.

Artwork by the American artist John Solie features on this one sheet for the release of the 1982 USA/Japan co-production, The House Where Evil Dwells. Set and shot in Japan, the film is a horror based on a novel by James Hardiman and is effectively a haunted house tale. It opens in the city of Kyoto in 1840 and sees a samurai warrior return home to discover his wife being unfaithful with another man. In an utterly graceless, slow-motion sequence we watch as he butchers the pair before committing seppuku (ritual suicide). As the house is ravaged by a storm, a miniature figurine depicting a pair of lovers (one a devil like creature) is swept into the foundations, presumably cursing the place.

140 years later, the film picks up as US diplomat Alex Curtis (Doug McClure) meets an old friend, Ted Fletcher (Edward Albert) and his wife Laura (Susan George) and daughter at the airport. The family have traveled there to live for a few months for reasons that aren’t exactly made clear (something to do with his career?) and Alex has found them the perfect house to stay in. Of course it’s the same one depicted earlier and it’s now reported to be haunted. The couple soon begin to experience strange occurrences, with the audience first seeing the ghosts of the butchered lovers and angry samurai moving around the family before things take a dark turn as they begin to possess each one in turn. It soon becomes clear that the ghosts intend to free themselves from purgatory by causing Ted, Laura and Alex to commit a similar sort of murder-suicide. A Zen monk living nearby tries to warn the family and stop the ghosts before it’s too late.

It’s fair to say that The House Where Evil Dwells is no masterpiece and in fact is one of the clunkiest horror films I’ve ever watched. Director Kevin Connor, who is best known for the series of sci-fi fantasies he directed for Amicus productions (e.g. The Land That Time Forgot), has since said that his submitted version was heavily cut by producers, removing many scenes of character development. There’s no doubt this would have helped a bit, but it’s the acting from the likes of McClure and Ted Fletcher that really sinks the film. McClure is famous as an inspiration for the character of Troy McClure on The Simpsons, a Hollywood has-been reduced to appearing in shady infomercials and other such work. The actor himself never really found fame in Hollywood, despite appearances in over 500 films and TV shows. On the evidence of his performance here, it’s not hard to see why. Fletcher is perhaps even worse and Susan George, although great in Sam Peckinpah’s Straw Dogs, practically phones it in here. The lowlights of the film are undoubtedly the sex scenes between Laura and Ted and later Laura and Alex. Cringeworthy doesn’t quite cover it!

John Solie has been working as an illustrator for over 40 years. Film posters are just one aspect of his output, which also includes book and magazine covers, sculptures, portraits and work for NASA. He continues to paint today in Tucson, Arizona. Another gallery of his work can be viewed on Wrong Side of the Art.

Here are the posters by John Solie I have collected to date.

Star Trek IV: The Voyage Home / one sheet / USA

20.02.12

Poster Poster
Title
Star Trek IV: The Voyage Home
AKA
--
Year of Film
1986
Director
Leonard Nimoy
Starring
William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Walter Koenig, Nichelle Nichols, Jane Wyatt, Catherine Hicks
Origin of Film
USA
Genre(s) of Film
William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Walter Koenig, Nichelle Nichols, Jane Wyatt, Catherine Hicks,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1986
Designer
Spiros Angelikas
Artist
Bob Peak
Size (inches)
27" x 40"
SS or DS
SS
NSS #
860103
Tagline
Star date: 1986 - How on Earth can they save the future?

A classic piece of Bob Peak artwork on this poster for the fourth in the original series of Star Trek films, The Voyage Home. For some reason, despite Peak having done the poster for the first film, his artwork wasn’t used for the USA posters of the second and third in the series, but did appear on international posters for The Wrath of Khan and The Search For Spock. The studio then went back to using Peak artwork on the US posters for the fourth and fifth films.

The Voyage Home is memorable for its extensive use of location-filming, which took place in around the city of San Francisco, as well as for its humorous, knowing script and barmy plot in which the crew must travel back in time to 1986, find two humpback whales, and transport them into the future so their calls can be used to save Earth in 2286. The film marked the culmination of a storyline that began in The Wrath of Khan.

The rather odd international one sheet for the film can be seen here.

The original trailer for the film is on YouTube.

Dreamscape / one sheet / USA

28.02.12

Poster Poster
Title
Dreamscape
AKA
--
Year of Film
1984
Director
Joseph Ruben
Starring
Dennis Quaid, Max von Sydow, Christopher Plummer, Eddie Albert, Kate Capshaw, David Patrick Kelly, George Wendt, Larry Gelman
Origin of Film
USA
Genre(s) of Film
Dennis Quaid, Max von Sydow, Christopher Plummer, Eddie Albert, Kate Capshaw, David Patrick Kelly, George Wendt, Larry Gelman,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1984
Designer
Unknown
Artist
Drew Struzan
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
840071
Tagline
Enter a world beyond your wildest imagination where anything can happen | Close your eyes and the adventure begins

Drew Struzan artwork on this poster for the 1984 sci-fi thriller Dreamscape, starring a young and fresh-faced Dennis Quaid, alongside the lovely Kate Capshaw. It also features veteran actors Christopher Plummer and Max von Sydow who were, coincidentally, up against each other for the ‘Best Supporting Actor’ prize at the 2012 Academy Awards. Plummer went on to win for the first time in his long career.

Quaid plays psychic Alex Gardner who has been using his skills for personal gain after disappearing from a research project run by Dr. Paul Novotny (Von Sydow). Novotny tracks down Alex and coaxes him into joining his new experiment, which sees psychics’ abilities being used to infiltrate the dreams and nightmares of others. Whilst inside the dreams the psychics are able to influence events with the intention of ridding them of any sleep disorders they’re suffering. Although intended for benevolent purposes, a shadowy government agent (Plummer) clearly has other plans and an ally in the form of deranged psychic (David Patrick Kelly). It’s not long before the life of the President of the USA is in danger and only Alex can save him.

If the idea of infiltrating dreams sounds familiar it’s probably because Christopher Nolan’s 2010 sci-fi masterpiece, Inception, uses a similar conceipt of dream infiltration, although for different purposes and without the use of psychic powers. Despite some notably dodgy effects, Dreamscape is a fun watch and is definitely one of Quaid’s better lead roles. David Patrick Kelly plays a typically excellent bad guy and this was one of several memorable roles for him during the 1980s.

Some of the dreams situations are pretty creepy and well executed, particularly those involving the apocalyptic visions of the President.

Struzan’s artwork features several images taken from dream sequences as well as a couple of the ‘real world’ action scenes in the film. My only criticism of it is that it does make the film look like something of an action-adventure, which is definitely not the case, and the kid depicted as one of the main characters only features for a few brief minutes.

The original trailer is on YouTube.

Borderline / one sheet / USA

09.12.13

Poster Poster
Title
Borderline
AKA
--
Year of Film
1980
Director
Jerrold Freedman
Starring
Charles Bronson, Bruno Kirby, Bert Remsen, Michael Lerner, Kenneth McMillan, Ed Harris, Karmin Murcelo, Enrique Castillo, Wilford Brimley, Norman Alden
Origin of Film
USA
Genre(s) of Film
Charles Bronson, Bruno Kirby, Bert Remsen, Michael Lerner, Kenneth McMillan, Ed Harris, Karmin Murcelo, Enrique Castillo, Wilford Brimley, Norman Alden,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1980
Designer
Unknown
Artist
Drew Struan
Size (inches)
27 1/16" x 40 15/16"
SS or DS
SS
NSS #
800098
Tagline
Somewhere along a thousand miles of barbed wire border the American dream has become a nightmare.

An excellent portrait of Charles Bronson by the great Drew Struzan features on this poster for Borderline (1980), a film that, quite frankly, probably didn’t deserve it. This was one of a number of films that were released in the early 1980s dealing with the issue of illegal immigrants on the USA/Mexico border, including the Jack Nicholson starring The Border (1982), and it was filmed in and around actual border crossing locations. Bronson appears as patrolman Jeb Maynard whose colleague, veteran senior agent Scooter (Wilford Brimley), is brutally murdered along with a Mexican boy by Hotchkiss, an American people smuggler played by Ed Harris in his first notable film role. The FBI are brought into help with the investigation and their assertion is that drug smugglers were responsible, but Jeb and the boy’s mother believe differently so he sets out to discover the truth and bring Hotchkiss to justice.

These two reviews on IMDb appear to sum up most views on the film:

‘I love Charles Bronson, and I really wanted to love Borderline, but it’s about as exciting as a trip to the grocery store.’

‘This was the third turkey in a row for Charles Bronson, after “The White Buffalo” and “Love and Bullets”. It’s so utterly, extraordinarily dull that you may not quite make to the end. There is little plot, no action, no emotion, no humour and generally nothing to engage your interest in any way; even the supporting characters are colourless.’

Drew Struzan is an artist that needs no introduction since he worked on many of the most iconic film posters over the past 35 years. This one sheet for Borderline was one of his earlier efforts and it appeared before classic pieces like The Thing and Back to the Future. The other posters I’ve collected by Drew can be seen here.

Fall Break / one sheet / USA

12.10.11

Poster Poster
Title
Fall Break
AKA
The Mutilator (release title)
Year of Film
1985
Director
Buddy Cooper
Starring
Matt Mitler, Ruth Martinez, Bill Hitchcock, Connie Rogers, Frances Raines, Morey Lampley, Jack Chatham
Origin of Film
USA
Genre(s) of Film
Matt Mitler, Ruth Martinez, Bill Hitchcock, Connie Rogers, Frances Raines, Morey Lampley, Jack Chatham,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1985
Designer
Unknown
Artist
DiRusso
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
--
Tagline
A Vacation That Became A Nightmare

The slasher film that was eventually released as The Mutilator started out life with a holiday-themed title, no doubt aiming to capitalise on the success of John Carpenter’s Halloween and other films like My Bloody Valentine. My understanding is that the name was changed when producers found the film almost impossible to sell; not only is it the least exciting title for a horror film imaginable, it’s also a name that means nothing to folks outside of the USA.

I believe that this poster was printed in very limited quantities because the name was changed soon after and the film was released across America as The Mutilator. I bought this poster from a film critic who was friends with the director and was given a handful of copies of this original design.

Check out the completely different final release poster with a classic tagline. The original trailer can be viewed on YouTube.

Missing in Action / one sheet / teaser / USA

01.05.12

Poster Poster
Title
Missing in Action
AKA
--
Year of Film
1984
Director
Joseph Zito
Starring
Chuck Norris, M. Emmet Walsh, David Tress, Lenore Kasdorf, James Hong, Ernie Ortega, Pierrino Mascarino, Erich Anderson, Joseph Carberry
Origin of Film
USA
Genre(s) of Film
Chuck Norris, M. Emmet Walsh, David Tress, Lenore Kasdorf, James Hong, Ernie Ortega, Pierrino Mascarino, Erich Anderson, Joseph Carberry,
Type of Poster
One sheet
Style of Poster
Teaser
Origin of Poster
USA
Year of Poster
1984
Designer
Unknown
Artist
Stan Watts
Size (inches)
27 1/16" x 41"
SS or DS
SS
NSS #
--
Tagline
The war's not over until the last man comes home.

Action legend Chuck Norris stars in this Vietnam Prisoner of War (POW) film that shamelessly ripped off borrowed many elements from a script for Rambo: First Blood Part II, which had been written by James Cameron and had been doing the rounds in Hollywood for several months. Apparently folks at the Cannon Group had seen the script and quickly put the first two Missing in Action films into production; part 2, which is actually a prequel, was filmed at the same time as this film.

The story sees Colonel James Braddock escaping from a POW camp after seven years of captivity and then returning to Vietnam on a covert mission to rescue the men he had to leave behind. The film was absolutely savaged by critics on its release, with Derek Adams of Time Out saying that the film is “so bad that it defies belief. It’s xenophobic, amateurish and extraordinarily dull”. The biggest problem with the film is that it feels like a handful of set pieces with a lot of padding to fill in the rest of the running time, making it a frustratingly boring experience.

For all of its faults, it does feature this utterly brilliant minute of action, which has to be seen to be believed.

The poster artwork is by Stan Watts, who painted the posters for Invasion USA and The Delta Force, also starring Norris.

The trailer can be seen on YouTube.

Twin Peaks: Fire Walk With Me / one sheet / USA

17.05.11

Poster Poster
Title
Twin Peaks: Fire Walk With Me
AKA
--
Year of Film
1992
Director
David Lynch
Starring
Sheryl Lee, Moira Kelly, David Bowie, Chris Isaak, Harry Dean Stanton, Ray Wise, Kyle MacLachlan, Heather Graham
Origin of Film
France | USA
Genre(s) of Film
Sheryl Lee, Moira Kelly, David Bowie, Chris Isaak, Harry Dean Stanton, Ray Wise, Kyle MacLachlan, Heather Graham,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1992
Designer
Unknown
Artist
--
Size (inches)
27" x 41"
SS or DS
DS
NSS #
--
Tagline
In a town like Twin Peaks, no one is innocent.

Despite the phenomenal ratings success that David Lynch and Mark Frost‘s Twin Peaks TV series had enjoyed during its first season, the viewing figures dropped sharply in the middle of the second and the show was put on hiatus by ABC. After a letter-writing campaign by fans, dubbed COOP (Citizens Opposed to the Offing of Peaks), the studio relented and agreed to show the remaining six episodes. The biggest problem the show faced was that halfway through the second series the killer of Laura Palmer had been revealed, which had been the main storyline focus up until that point, and the following episodes failed to hold viewer interest as much.

When ABC revealed they were not planning to make a third series the show’s cancellation was confirmed. Only a month after this happened, Lynch announced that he was planning to make a Twin Peaks film in conjunction with French company CIBY-2000, which ended up being both a prequel and an epilogue to the original show. Working without Mark Frost, Lynch was able to assemble most of the original cast, with the exception of Lara Flynn BoyleSherilyn Fenn and Richard BeymerKyle MacLachlan had been reluctant to return as FBI Agent Dale Cooper and is only featured briefly in the film, which lead Lynch and his co-screenwriter to change the focus of the film, with another murder case and the life of Laura Palmer being key facets of the plot.

In Twin Peaks: Fire Walk with Me, Chris Isaak plays FBI Agent Chester Desmond who, along with his new partner Sam Stanley (Kiefer Sutherland), are sent to investigate the murder of Teresa Banks in the town of Deer Meadow. After finding an important clue, Desmond mysteriously disappears and the film then cuts to one year later in the town of Twin Peaks, picking up the story of homecoming queen Laura Palmer whose eventual murder has a direct link to that of Teresa Banks.

Despite the cult following of the TV series, the film was both a critical and commercial flop and was greeted with boos and jeers at the Cannes Film Festival, with Quentin Tarantino confessing “After I saw Twin Peaks: Fire Walk with Me at Cannes, David Lynch had disappeared so far up his own ass that I have no desire to see another David Lynch movie until I hear something different. And you know, I loved him. I loved him.” It also saw poor box-office takings in the USA after the ratings drop of the second series and the unforgiving plot for people unfamiliar with the Twin Peaks universe.

This US one sheet features a portrait of Laura Palmer (Sheryl Lee) and the split necklace. Notably this one sheet is double-sided and will have been one of the first to be printed in this way.

The original trailer is on YouTube.

Raising Arizona / one sheet / USA

27.06.11

Poster Poster
Title
Raising Arizona
AKA
Arizona Junior (Canada / France / Greece / Hungary / Italy / Sweden)
Year of Film
1987
Director
Joel Coen
Starring
Nicolas Cage, Holly Hunter, Trey Wilson, John Goodman, William Forsythe, Sam McMurray, Frances McDormand, Randall 'Tex' Cobb, T.J. Kuhn
Origin of Film
USA
Genre(s) of Film
Nicolas Cage, Holly Hunter, Trey Wilson, John Goodman, William Forsythe, Sam McMurray, Frances McDormand, Randall 'Tex' Cobb, T.J. Kuhn,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1987
Designer
Spiros Angelikas
Artist
Unknown
Size (inches)
27" x 41"
SS or DS
SS
NSS #
--
Tagline
Their lawless years are behind them. Their child-rearing years lay ahead... | A comedy beyond belief

One of my top three Coen brothers films (with ‘Fargo’ and ‘The Big Lebowski’) and probably my favourite Nic Cage performance (the other contender being ‘Wild at Heart’), I like the simplicity of this US one sheet. I’ve been unable to find out the artist so if anyone knows could you please get in touch or leave a comment.

You might spot a strange looking stain on the bottom of the poster. I’m unsure of its origin, but I like to think Leonard Smalls had something to do with it.

The original trailer is on Youtube here, although it doesn’t do the best job of selling this classic film.

Nijinsky / one sheet / USA

27.02.17

Poster Poster
Title
Nijinsky
AKA
--
Year of Film
1980
Director
Herbert Ross
Starring
Alan Bates, George De La Pena, Leslie Browne, Alan Badel, Carla Fracci, Colin Blakely, Ronald Pickup, Ronald Lacey, Vernon Dobtcheff, Jeremy Irons
Origin of Film
USA
Genre(s) of Film
Alan Bates, George De La Pena, Leslie Browne, Alan Badel, Carla Fracci, Colin Blakely, Ronald Pickup, Ronald Lacey, Vernon Dobtcheff, Jeremy Irons,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1980
Designer
Unknown
Artist
Richard Amsel
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
800034
Tagline
Genius. Madman. Animal. God. Nijinsky. | A True Story.

Richard Amsel artwork features on this one sheet for the release of the biographical drama Nijinsky. The film tells the story of the celebrated Russian ballet dancer and choreographer Vaslav Nijinsky who was born in 1889 in what is now Kiev, Ukraine and died in 1950 in London, England. Often cited as the greatest dancer of the 20th Century he was celebrated for his virtuosity, his ability to dance en pointe and his gravity defying leaps. The film was based on the dancer’s personal diaries and the 1934 biography that was written by his wife Romola de Pulszky. It was directed by the late Herbert Ross, a sometime actor, choreographer, producer and director who is perhaps best known for Footloose (1984).

The plot is described thusly on IMDb:
Set in the early 1910s at a time of passionate artistic experimentalism, and based on biographical fact, this is the story of Vaslav Nijinsky, the young and brilliant but headstrong premier danseur and aspiring choreographer of the Ballets Russes. The company is managed by the famous Sergei Diaghilev, himself a controlling and fiercely possessive impresario. The increasing tension between these powerful egos, exacerbated by homosexual desire and jealousy, becomes triangular when the young ballerina Romola de Pulsky determinedly attempts to draw the increasingly mentally unstable Nijinsky away from Diaghilev.

Richard Amsel was born in Philadelphia in 1947 and studied at the city’s College of Art. Whilst there he entered and won a nationwide artist competition to paint the poster for the film ‘Hello Dolly!’. Amsel was just 22 at the time and this win helped him quickly establish a career in New York where he worked on album covers (including one for Barry Manilow) as well as magazine covers and editorial art. In addition, he worked on posters some of the most important films of the 1970s, including Chinatown, Nashville and The Sting. During the 1970s he also worked on a series of covers for the American magazine TV Guide, which are still celebrated to this day.

In the 1980s Amsel worked on what is my favourite Indiana Jones poster, the Raiders of the Lost Ark 1982 re-release one sheet. He had also painted the original release version, featuring a much more serious looking Indy. The artist’s final film poster was the one sheet for Mad Max Beyond Thunderdome in 1985. Amsel sadly died of AIDS-related complications that same year. He leaves behind a great legacy of unforgettable artwork, some of which I already have in the Film on Paper collection and which can be seen here.

Shaft in Africa / 30×40 / USA

25.11.13

Poster Poster
Title
Shaft in Africa
AKA
--
Year of Film
1973
Director
John Guillermin
Starring
Richard Roundtree, Frank Finlay, Vonetta McGee, Neda Arneric, Debebe Eshetu, Spiros Focás, Jacques Herlin, Jho Jhenkins, Willie Jonah
Origin of Film
USA
Genre(s) of Film
Richard Roundtree, Frank Finlay, Vonetta McGee, Neda Arneric, Debebe Eshetu, Spiros Focás, Jacques Herlin, Jho Jhenkins, Willie Jonah,
Type of Poster
30x40
Style of Poster
--
Origin of Poster
USA
Year of Poster
1973
Designer
Unknown
Artist
John Solie
Size (inches)
30 3/16" x 40"
SS or DS
SS
Tagline
THE Brother Man in the Motherland. Shaft is stickin' it... all the way.

Shaft in Africa is the final entry in the trilogy of films featuring Blaxploitation hero Shaft (Richard Roundtree). This time the eponymous detective is kidnapped from his New York apartment and coerced into assuming the identity of a native-speaking itinerant worker. His ’employer’ wants Shaft to smash a human trafficking ring, run by the dastardly Amafi (Frank Finlay), that’s bringing African workers into Europe to exploit them. Much more of an adventure film than the previous two entries, which were pretty much entirely set in urban areas, this film was actually shot on location in Ethiopia and has less of a blaxploitation feel and more of a James Bond-style action style. Gordon Parks, the director of the previous entries, was replaced by the British director John Guillermin who would helm the box-office smash The Towering Inferno the following year.

The all-action artwork on this 30×40 poster is by the American artist John Solie who has been working as an illustrator for over 40 years. Film posters are just one aspect of his output, which also includes book and magazine covers, sculptures, portraits and work for NASA. He continues to paint today in Tucson, Arizona. Another gallery of his work can be viewed on Wrong Side of the Art. Solie also painted the art for the US poster for Shaft’s Big Score.

Here are the posters by John Solie I have collected to date.

You can view the trailer on YouTube.

Sweet Jesus Preacher Man / 30×40 / USA

21.01.13

Poster Poster
Title
Sweet Jesus Preacher Man
AKA
--
Year of Film
1973
Director
Henning Schellerup
Starring
Roger E. Mosley, William Smith, Michael Pataki, Tom Johnigarn, Joe Tornatore, Damu King, Marla Gibbs, Sam Laws, Phil Hoover, Paul Silliman
Origin of Film
USA
Genre(s) of Film
Roger E. Mosley, William Smith, Michael Pataki, Tom Johnigarn, Joe Tornatore, Damu King, Marla Gibbs, Sam Laws, Phil Hoover, Paul Silliman,
Type of Poster
30x40
Style of Poster
--
Origin of Poster
USA
Year of Poster
1973
Designer
Unknown
Artist
Unknown
Size (inches)
30 3/16" x 40"
SS or DS
SS
NSS #
73/189
Tagline
Amen, Brother!

Sweet Jesus Preacher Man is apparently a lesser entry into the 1970s blaxploitation genre and it appears to have been largely forgotten with no DVD release forthcoming. Director Henning Schellerup is perhaps better known as a camera operator and cinematographer, having worked on such films as Death Race 2000A Nightmare on Elm Street and Silent Night, Deadly Night.

Roger E. Mosley (Tom Selleck’s partner in Magnum P.I.) stars as a hit man who who poses as a baptist preacher in order to take over the vice rackets in an L.A. ghetto. After his boss Martelli (character actor William Smith) double-crosses him he sets out on a rampage of revenge leaving bodies in his wake.

I’m unsure who is responsible for the artwork on this American 30×40 poster so please get in touch if you have an idea. You’ll notice that a large sticker with the credits on it has been applied over what is clearly the original credits block. This was likely done shortly after the posters were printed to correct an error without having to scrap the whole batch and print them again.

The original trailer is on YouTube.

The Sword And The Sorcerer / one sheet / style A / USA

17.05.11

Poster Poster
Title
The Sword And The Sorcerer
AKA
La spada a tre lame [The sword of three blades] (Italy)
Year of Film
1982
Director
Albert Pyun
Starring
Lee Horsley, Shelley Taylor Morgan, Kathleen Beller, Simon MacCorkindale, George Maharis, Richard Lynch, Richard Moll, Anthony De Longis, Robert Tessier, Nina Van Pallandt, Anna Bjorn, Jeff Corey, Joe Regalbuto, Christina Nigra, Earl Maynard, Russ Marin
Origin of Film
USA
Genre(s) of Film
Lee Horsley, Shelley Taylor Morgan, Kathleen Beller, Simon MacCorkindale, George Maharis, Richard Lynch, Richard Moll, Anthony De Longis, Robert Tessier, Nina Van Pallandt, Anna Bjorn, Jeff Corey, Joe Regalbuto, Christina Nigra, Earl Maynard, Russ Marin,
Type of Poster
One sheet
Style of Poster
Style A
Origin of Poster
USA
Year of Poster
1982
Designer
Unknown
Artist
Peter Andrew Jones
Size (inches)
27" x 41"
SS or DS
SS
NSS #
--
Tagline
A lusty epic of revenge and magic, dungeons and dragons, wizards and witches, damsels and desire, and a warrior caught between.

The Sword and the Sorcerer is a 1982 fantasy film directed by Albert Pyun (in his debut) and was one of several entries in the genre that were released the same year, including Conan the Barbarian and The Beastmaster. Lee Horsley appears in his first film role as Prince Talon the song of a King and Queen who are slain by the evil King Cromwell (Richard Lynch) after he uses the black magic of a sorcerer named Xusia (Richard Moll) to overthrow their kingdom.

Over a decade later, Talon returns to the kingdom as a mercenary leading a band of men on a mission to help rebels overthrow Cromwell. Talon is asked to help free Mikah (Simon MacCorkindale), Cromwell’s war chancellor, who is secretly a double agent and is captured and imprisoned. His sister Alana (Kathleen Beller) begs for help from Talon and the mercenary sets out to Cromwell’s castle where the final showdown with his parents’ murderer takes place.

The film was critically derided at the time but still proved a popular box-office draw, easily recouping its relatively low budget and ending up as the most profitable independent film of 1982.

The artwork on this style A one sheet features the signature PAJ and this belongs to Peter Andrew Jones, a British artist who was born in North London in 1951 and studied at Central St. Martins art school. After graduating in 1974 he began working on book covers for the likes of Philip K. Dick, Arthur C. Clarke and Isaac Asimov. He also painted artwork for the Fighting Fantasy series of books by Steve Jackson and Ian Livingstone, including the cover of the first one published in 1982, The Warlock of Firetop Mountain.

Andrews created covers for video games published by the likes of US Gold and Psygnosis and also worked on magazine covers for Games Workshop that led to him to work on game art for several releases for the company. He only worked on a handful of film posters, which included one for Alligator II and the two one sheets for The Sword and the Sorcerer (style A and style B). These posters were adapted by the artist Brian Bysouth for the UK quad. Andrews continues to paint to this day from his home studio in Shropshire. His official site contains plenty of galleries of his work and links to buy books, prints and more.

Amityville 3-D / one sheet / USA

05.12.16

Poster Poster
Title
Amityville 3-D
AKA
Amityville: The Demon
Year of Film
1983
Director
Richard Fleischer
Starring
Tony Roberts, Tess Harper, Robert Joy, Candy Clark, John Beal, Leora Dana, John Harkins, Lori Loughlin, Meg Ryan, Neill Barry
Origin of Film
USA
Genre(s) of Film
Tony Roberts, Tess Harper, Robert Joy, Candy Clark, John Beal, Leora Dana, John Harkins, Lori Loughlin, Meg Ryan, Neill Barry,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1983
Designer
Unknown
Artist
Unknown
Size (inches)
27 4/16" x 41"
SS or DS
SS
NSS #
830163
Tagline
WARNING: in this movie you are the victim.

This is the one sheet for the release of the third film in the Amityville series of horror films, known as Amityville 3-D (or Amityville: The Demon). In an unusual step, the producers of the film were forced to add a line of text to the bottom of the poster asserting that it’s not a sequel to the Amityville and Amityville II. This was because legendary Italian producer Dino De Laurentiis was in the middle of a lawsuit with the Lutz family that were part of the original hauntings that inspired the first films. In the film the original story is referenced, as is the murdered family at the centre of the story, the DeFeos.

Amityville 3-D was one of three big horror releases of 1983 that were presented in 3D (the others being Jaws 3 and Friday the 13th part 3). It’s fair to say that the results were hardly spectacular and audiences and critics alike complained about the blurriness of the 3D content, particularly in this film. Notably, this is the only film released by the now defunct Orion Pictures to be given the 3D treatment.

The plot focuses on the journalist John Baxter (Tony Roberts) who, along with his partner Melanie (Candy Clark), has recently exposed a pair of conmen that were living in the infamous house on 112 Ocean Avenue. He is persuaded to buy the house by a local estate agent and after he agrees to do so a series of events occur that all point to a supernatural presence in the home. John is unconvinced and ignores the pleas of Melanie who is convinced that something lurks inside the house. After his daughter Susan (Lori Loughlin) dies in the lake near the house he is finally convinced to allow his friend, the paranormal investigator Doctor Elliot West (Robert Joy) to check out the house. 

This one sheet features artwork of a demonic claw bursting out of the famous house, presumably giving potential ticket buyers an idea of what they’d be in for with the 3D. I’m unsure who designed or painted it (I believe the hand to be an illustration but may be wrong) so if anyone has an idea, please get in touch.

Thor / screen print / regular / Martin Ansin / USA

16.11.16

Poster Poster

This screen print depicting the Marvel character Thor, as played by Chris Hemsworth, was created by the talented Uruguayan designer and artist Martin Ansin. It was commissioned by the limited edition poster outfit Mondo as part of a series of prints that were released in preparation for the highly anticipated Marvel superhero team-up, The Avengers (2012). A print was released for each of the seven main heroes featured in the first film. This included one for Captain America by the design outfit Phantom City Creative and one for The Hulk by Ken Taylor. This page on Collider.com shows five of the posters and the other two can be seen here. To finish of the series Mondo asked Tyler Stout to design a poster for the actual Avengers film itself. See here for my interview with Tyler about his work on the print.

Not all of the characters that made the line-up for the first film were given a solo outing before The Avengers was released. The first Iron Man film that was released in 2008 set the template that others followed and made a tidy profit at the box office in doing so. A sequel followed two years later and then Thor’s solo outing was released in 2011 along with the first Captain America film. This then completed what is called Phase One in the Marvel Cinematic Universe. Phase Two began with Iron Man 3 in 2013.

Ansin’s work has graced many of the best posters released by Mondo, including several in the Universal Monsters series, like this amazing Phantom of the Opera one. This Thor poster was printed in a regular and variant version with the variant having a grey/silver colourway and glow-in-the-dark inks.

The other posters I’ve collected by Ansin can be seen here. His official website is well worth a browse.

Magnum Force / one sheet / USA

05.09.12

Poster Poster
Title
Magnum Force
AKA
Dirty Harry 2 (Japan - English title) | Magnum .44 (Argentina / Finland / Peru / Venezuela)
Year of Film
1973
Director
Ted Post
Starring
Clint Eastwood, Hal Holbrook, Mitchell Ryan, David Soul, Felton Perry, Robert Urich, Tim Matheson
Origin of Film
USA
Genre(s) of Film
Clint Eastwood, Hal Holbrook, Mitchell Ryan, David Soul, Felton Perry, Robert Urich, Tim Matheson,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1973
Designer
Bill Gold
Artist
Philippe Halsman (photography)
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
73/318
Tagline
--

A classic design by the great Bill Gold on this one sheet for Magnum Force, the second entry in the Dirty Harry franchise starring acting legend Clint Eastwood. The follow up to the 1971 original, this entry saw ‘Dirty’ Harry Callahan face off against a group of vigilante cops who have taken the law into their own hands and are bumping off criminals who manage to escape conviction. The film was helmed by Ted Post who had previously directed Eastwood in the TV series Rawhide and in his hit Western Hang ‘Em High (1968).

Bill Gold has had a working relationship with Eastwood that has lasted over four decades. He worked on the iconic one sheet for Dirty Harry and went on to design the American poster for every Eastwood film since, which includes the brilliant one for Clint’s last Western, Unforgiven (1992). Gold has also designed posters for some of Hollywood’s greatest directors, including the likes of Stanley Kubrick (A Clockwork Orange, with artwork by Philip Castle) and Alfred Hitchcock (Dial M For Murder).

Born in New York City in 1921, Gold studied illustration and design at the Pratt Institute before starting his professional design career in 1941 in the publicity department for Warner Brothers. One of his earliest designs was for the classic Humphrey Bogart film Casablanca and within a few years he went on to become the head of the studio’s poster department. In 1962 he started Bill Gold Advertising in New York and then spent the next four decades creating hundreds of memorable poster designs and collaborating with some of the best illustrators in the business, including the brilliant Bob Peak.

Gold started to design less posters towards the end of the 1990s, with only a handful of posters for Eastwood films being credited to him. His last poster was for the 2011 film J. Edgar (directed by Eastwood), which Gold agreed to work on after an unsuccessful period of retirement following the poster he worked on for Mystic River in 2003. He continues to live in Upstate New York and in 2011 a book was released to coincide with his 90th birthday called Bill Gold Posterworks, which features 450 pages worth of his incredible designs and details his creative process. Unfortunately, it has an eye-watering price tag that has prevented me picking a copy up but I hope that one day a more affordable version will be released.

To see the other posters I’ve collected that were designed by Gold click here.

The Revengers / 30×40 / style A / USA

06.05.12

Poster Poster
Title
The Revengers
AKA
--
Year of Film
1972
Director
Daniel Mann
Starring
William Holden, Ernest Borgnine, Woody Strode, Roger Hanin, Reinhard Kolldehoff, Jorge Luke, Jorge Martínez de Hoyos, Arthur Hunnicutt, Warren Vanders
Origin of Film
USA | Mexico
Genre(s) of Film
William Holden, Ernest Borgnine, Woody Strode, Roger Hanin, Reinhard Kolldehoff, Jorge Luke, Jorge Martínez de Hoyos, Arthur Hunnicutt, Warren Vanders,
Type of Poster
30x40
Style of Poster
Style A
Origin of Poster
USA
Year of Poster
1972
Designer
Tom Jung
Artist
Tom Jung
Size (inches)
30 2/16" x 40 1/16"
SS or DS
SS
NSS #
72/58
Tagline
He bought six men out of hell and they brought it with them. These are...

Design and artwork by Tom Jung, featuring an excellent portrait of Ernest Borgnine, on this US 30×40 for this largely forgotten Western directed by Daniel Mann and starring the brilliant William Holden. Mann had made his name in the 1950s with a string of successful dramas, including Come Back, Little Sheba (1952), The Rose Tattoo (1955) and had helped Elizabeth Taylor win her first oscar for Butterfield 8 (1960).

The Revengers was seemingly an attempt to cash in on the success of Sam Peckinpah’s landmark film The Wild Bunch (1969), which had pushed the boundaries of violence in the Western genre and featured a very similar storyline based around a ragtag bunch of criminals getting together to carry out a job. In this case it’s Holden’s rancher who enlists the help of a gang of lawless convicts to help him in his quest for revenge after his family is killed and his farmstead destroyed by outlaws. Holden and Borgnine had headlined Peckinpah’s earlier film so the studio were obviously hoping for a similar level of success.

Tom Jung is perhaps best known for his iconic ‘style A’ one sheet for Star Wars and the style B one sheet for The Empire Strikes Back. He was a prolific designer and illustrator for film campaigns from the 1950s through to the 1980s. IMPAwards features a gallery of his work and his Wikipedia article has a selected list of the posters he worked on. The other posters I’ve collected by him can be seen here.

 

The Mutilator / one sheet / USA

12.10.11

Poster Poster
Title
The Mutilator
AKA
Fall Break (pre-release title)
Year of Film
1985
Director
Buddy Cooper
Starring
Matt Mitler, Ruth Martinez, Bill Hitchcock, Connie Rogers, Frances Raines, Morey Lampley, Jack Chatham
Origin of Film
USA
Genre(s) of Film
Matt Mitler, Ruth Martinez, Bill Hitchcock, Connie Rogers, Frances Raines, Morey Lampley, Jack Chatham,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1985
Designer
Unknown
Artist
Unknown
Size (inches)
27 1/16" x 41"
SS or DS
SS
NSS #
--
Tagline
By pick, by axe, by sword, bye bye!

Buddy Cooper’s 1985 slasher was originally set to be released as Fall Break and, having been given a sensible title change at the last minute, needed a new theatrical poster. The tagline is one of the all time horror greats, even if the film itself isn’t counted as a classic. It’s popularity level isn’t helped by the fact that it has never been officially released on DVD in the US. There is a (pricey) uncut UK disc available but it strikes me as a title that Arrow Video might pick up for release sometime in the future.

I’m not sure if DiRusso, the artist responsible for the Fall Break poster, is also behind this one since there is no signature present. It certainly bears some stylistic similarities to the first poster but please get in touch if you know for sure.

There’s apparently another version of this poster with the blood removed from around the man’s face.

Check out the completely different pre-release poster. The original trailer can be viewed on YouTube.

Dead Ringers / one sheet / USA

15.12.14

Poster Poster
Title
Dead Ringers
AKA
Inseparables (Spain)
Year of Film
1988
Director
David Cronenberg
Starring
Jeremy Irons, Geneviève Bujold, Heidi von Palleske, Barbara Gordon, Shirley Douglas, Stephen Lack, Nick Nichols, Lynne Cormack, Damir Andrei, Miriam Newhouse
Origin of Film
Canada | USA
Genre(s) of Film
Jeremy Irons, Geneviève Bujold, Heidi von Palleske, Barbara Gordon, Shirley Douglas, Stephen Lack, Nick Nichols, Lynne Cormack, Damir Andrei, Miriam Newhouse,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1988
Designer
Spiros Angelikas
Artist
Spiros Angelikas
Size (inches)
27 2/16" x 40 15/16"
SS or DS
SS
NSS #
880119
Tagline
From the director of "The Fly" comes a new kind of thriller. | Two bodies. Two minds. One soul.

Upon its release in 1988, Dead Ringers was arguably Canadian director David Cronenberg‘s most mainstream release to date (as close as he’d come at least) and it was his first psychological thriller following a slew of horrors, including Scanners (1981) and The Fly (1986). Based on the novel ‘Twins’ by Bari Wood and Jack Geasland, the film was also influenced by the real life case of Stewart and Cyril Marcus and focuses on twin gynaecologists Beverly and Elliot Mantle (both played by Jeremy Irons) who practice in a Toronto clinic dealing with fertility problems. For years they have operated a system where the more confident Elliot seduces women who visit the clinic and then passes them onto the shy Beverly when he’s bored of them, with the women usually not noticing the deception.

One day troubled actress Claire Niveau (Geneviève Bujold) visits the clinic and Elliot does his usual seduction trick. Beverly then becomes infatuated with her, leading to a destabilising of the relationship between the brothers and, after Beverly begins taking the prescription drugs that Claire is addicted to, things take a turn for the worse. Soon paranoid delusions of ‘mutant women’ lead Beverly to purchasing a series of bizarre tools from a metallurgical artist. When he later attacks a patient at the clinic the twins are suspended from practice and set in motion a chain of events with a deadly conclusion.

Although more drama focused, the film still gave Cronenberg plenty of scope for his usual body horror tricks and although it’s not as bloody as previous efforts the film is no less disturbing. Irons impresses with his performance and the actor would win a few awards during the year of release.

The poster was designed by Spiros Angelikas who was a prolific designer and artist of film posters during the 1970s and 1980s. He owned a design agency called Spiros Associates. Some of his most famous work includes the poster he designed for Friday the 13th, with artist Alex Ebel, and for his collaborations with the legendary artist Richard Amsel. They worked on Raiders of the Lost Ark and Nijinsky together and there’s a great article on the late artist’s website about their efforts. He also worked on several of the posters for the original Star Trek films, including the gorgeous Bob Peak original. There’s an interesting article by Angelikas’ son Harry on the Trek Core website which has photographs of concepts for the posters by Spiros that never made it to the print stage.

For this poster, not only did Spiros design the layout and type but he also put together the photo montage used for the central image of the melded faces.