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The Take / B2 / Japan

17.05.11

Poster Poster
Title
The Take
AKA
--
Year of Film
1974
Director
Robert Hartford-Davis
Starring
Billy Dee Williams, Eddie Albert, Frankie Avalon, Sorrell Booke, Tracy Reed, Albert Salmi, Vic Morrow, A Martinez, James Luisi
Origin of Film
UK
Genre(s) of Film
Billy Dee Williams, Eddie Albert, Frankie Avalon, Sorrell Booke, Tracy Reed, Albert Salmi, Vic Morrow, A Martinez, James Luisi,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
1974
Designer
Unknown
Artist
--
Size (inches)
20 4/16" x 28 12/16"
SS or DS
SS
Tagline
--

Apocalypse Now Redux / B1 / Japan

04.09.14

Poster Poster

This is the Japanese B1 poster for the 2001 re-release of arguably the best war film ever made, Francis Ford Coppola’s Apocalypse Now. This release, known as ‘Redux’ was a new version prepared by the director and his editor and long-time collaborator Walter Murch that saw almost 50 minutes inserted back into the film with several sequences extended and the flow of the film altered as a result. Set during America’s war in Vietnam, the film follows Martin Sheen‘s US Army Army and special forces veteran Benjamin Willard as he journeys up the dangerous Nung River and deeper into the jungle in the search of the rogue Special Forces Colonel Walter E. Kurtz (Marlon Brando in an unforgettable role). Willard is told that an insane Kurtz has gathered together an army of indigenous fighters inside neutral Cambodia and that he must ‘terminate with extreme prejudice’. After landing at the mouth of the river in a spectacular sequence in which Colonel Kilgore (Robert Duvall) first attacks an enemy village from helicopters whilst blasting Wagner’s Ride of the Valkyries from loudspeakers, then orders some of his men to surf despite the fact that mortar shells continue to land all around them, Willard  joins the crew of a Navy PBR boat that transports him on his fateful journey up river.

Apocalypse Now is famous for its fraught production in which the shoot went over time and over budget, sets were destroyed by storms, Martin Sheen suffered a heart attack and other woes that caused Coppola to famously say, “We had access to too much money, too much equipment, and little by little we went insane”, and “My film is not about Vietnam, it is Vietnam”. The director’s wife Eleanor helped to put together the acclaimed documentary of the troubled production called Hearts of Darkness: A Filmmaker’s Apocalypse, which is an essential watch for fans of the film. Despite the production woes, the film was a huge critical and commercial success, with its cultural impact undeniable.

The Redux version, which involved re-recording several of the original actors’ dialogue 30 years since the original filming, plus the addition of newly recorded music, was met with generally positive reviews. Many critics felt that the revisions made the film an even richer, stranger experience, whilst some felt that the new cut was self-indulgent and that the new sequences, particularly one set in a French plantation, slowed the film down too much. Check out this wikipedia article for details of the changes. I personally prefer the original cut but the new additions are undoubtedly interesting to watch.

The Japanese title on this poster is made from a photographic image of burning wood and the explosion and helicopters are taken from the now iconic ‘Charlie don’t surf’ sequence.

 

Apocalypse Now / B2 / Japan

17.05.11

Poster Poster

Finding Nemo / quad / teaser / UK

18.05.11

Poster Poster
Title
Finding Nemo
AKA
--
Year of Film
2003
Director
Andrew Stanton, Lee Unkrich
Starring
Albert Brooks, Ellen DeGeneres, Alexander Gould, Willem Dafoe, Brad Garrett, Joe Ranft, Allison Janney
Origin of Film
USA
Genre(s) of Film
Albert Brooks, Ellen DeGeneres, Alexander Gould, Willem Dafoe, Brad Garrett, Joe Ranft, Allison Janney,
Type of Poster
Quad
Style of Poster
Teaser
Origin of Poster
UK
Year of Poster
2003
Designer
Unknown
Artist
--
Size (inches)
30" x 40"
SS or DS
DS
Tagline
There are 3.7 trillion fish in the ocean*, they're looking for one.

Fat Girl / one sheet / USA

17.05.11

Poster Poster
Title
Fat Girl
AKA
À ma soeur! (France - original title)
Year of Film
2001
Director
Catherine Breillat
Starring
Anaïs Reboux, Roxane Mesquida, Libero De Rienzo, Arsinée Khanjian, Romain Goupil, Laura Betti, Albert Goldberg
Origin of Film
France | Italy
Genre(s) of Film
Anaïs Reboux, Roxane Mesquida, Libero De Rienzo, Arsinée Khanjian, Romain Goupil, Laura Betti, Albert Goldberg,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
2001
Designer
Unknown
Artist
--
Size (inches)
26 12/16" x 38 12/16"
SS or DS
SS
NSS #
--
Tagline
--

Escape From The Planet Of The Apes / B2 / Japan

17.05.11

Poster Poster

Dreamscape / one sheet / USA

28.02.12

Poster Poster
Title
Dreamscape
AKA
--
Year of Film
1984
Director
Joseph Ruben
Starring
Dennis Quaid, Max von Sydow, Christopher Plummer, Eddie Albert, Kate Capshaw, David Patrick Kelly, George Wendt, Larry Gelman
Origin of Film
USA
Genre(s) of Film
Dennis Quaid, Max von Sydow, Christopher Plummer, Eddie Albert, Kate Capshaw, David Patrick Kelly, George Wendt, Larry Gelman,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1984
Designer
Unknown
Artist
Drew Struzan
Size (inches)
27 2/16" x 41"
SS or DS
SS
NSS #
840071
Tagline
Enter a world beyond your wildest imagination where anything can happen | Close your eyes and the adventure begins

Drew Struzan artwork on this poster for the 1984 sci-fi thriller Dreamscape, starring a young and fresh-faced Dennis Quaid, alongside the lovely Kate Capshaw. It also features veteran actors Christopher Plummer and Max von Sydow who were, coincidentally, up against each other for the ‘Best Supporting Actor’ prize at the 2012 Academy Awards. Plummer went on to win for the first time in his long career.

Quaid plays psychic Alex Gardner who has been using his skills for personal gain after disappearing from a research project run by Dr. Paul Novotny (Von Sydow). Novotny tracks down Alex and coaxes him into joining his new experiment, which sees psychics’ abilities being used to infiltrate the dreams and nightmares of others. Whilst inside the dreams the psychics are able to influence events with the intention of ridding them of any sleep disorders they’re suffering. Although intended for benevolent purposes, a shadowy government agent (Plummer) clearly has other plans and an ally in the form of deranged psychic (David Patrick Kelly). It’s not long before the life of the President of the USA is in danger and only Alex can save him.

If the idea of infiltrating dreams sounds familiar it’s probably because Christopher Nolan’s 2010 sci-fi masterpiece, Inception, uses a similar conceipt of dream infiltration, although for different purposes and without the use of psychic powers. Despite some notably dodgy effects, Dreamscape is a fun watch and is definitely one of Quaid’s better lead roles. David Patrick Kelly plays a typically excellent bad guy and this was one of several memorable roles for him during the 1980s.

Some of the dreams situations are pretty creepy and well executed, particularly those involving the apocalyptic visions of the President.

Struzan’s artwork features several images taken from dream sequences as well as a couple of the ‘real world’ action scenes in the film. My only criticism of it is that it does make the film look like something of an action-adventure, which is definitely not the case, and the kid depicted as one of the main characters only features for a few brief minutes.

The original trailer is on YouTube.

Cleopatra Jones and the Casino of Gold / B2 / Japan

20.04.12

Poster Poster

The late Tamara Dobson‘s second and last outing as the titular blaxploitation crime-fighter sees her traveling to Hong Kong to rescue two of her fellow agents who have disappeared whilst on a case. She soon discovers that the owner of a Macao casino and major drug lord, the sinister Dragon Lady (Stella Stevens), is responsible and Cleopatra sets out to stop her at all costs.

Apparently the film failed to make as much of an impact as the first one due to the fall in popularity of blaxploitation films by 1975. Director Charles Bail had previously worked on another entry in the genre, Black Samson, released in 1974. He went on to direct episodes of several TV series including CHiPsKnight Rider and Dragnet.

The original trailer is on YouTube.

Born American / one sheet / style B / USA

18.05.11

Poster Poster
Title
Born American
AKA
Born american - jäätävä polte (Finland) | Arctic Heat (International working title)
Year of Film
1986
Director
Renny Harlin
Starring
Mike Norris, Steve Durham, David Coburn, Thalmus Rasulala, Albert Salmi, Piita Vuosalmi, Vesa Vierikko
Origin of Film
USA | Finland
Genre(s) of Film
Mike Norris, Steve Durham, David Coburn, Thalmus Rasulala, Albert Salmi, Piita Vuosalmi, Vesa Vierikko,
Type of Poster
One sheet
Style of Poster
Style B
Origin of Poster
USA
Year of Poster
1986
Designer
Unknown
Artist
Unknown
Size (inches)
27 1/8" x 41"
SS or DS
SS
Tagline
Freedom is just a word...until you lose it.

Big Fish / B2 / Japan

17.05.11

Poster Poster
Title
Big Fish
AKA
--
Year of Film
2003
Director
Tim Burton
Starring
Ewan McGregor, Albert Finney, Billy Crudup, Helena Bonham Carter, Marion Cotillard, Jessica Lange, Alison Lohman, Steve Buscemi, Danny DeVito
Origin of Film
USA
Genre(s) of Film
Ewan McGregor, Albert Finney, Billy Crudup, Helena Bonham Carter, Marion Cotillard, Jessica Lange, Alison Lohman, Steve Buscemi, Danny DeVito,
Type of Poster
B2
Style of Poster
--
Origin of Poster
Japan
Year of Poster
2003
Designer
Unknown
Artist
Unknown
Size (inches)
20 6/16" x 28 14/16"
SS or DS
SS
Tagline
--

Apocalypse Now / Thailand

23.09.15

Poster Poster

This is the very scarce original 2-sheet poster for the Thai release of arguably the best war film ever made, Francis Ford Coppola’s Apocalypse Now.  Set during America’s war in Vietnam, the film follows Martin Sheen’s US Army Army and special forces veteran Benjamin Willard as he journeys up the dangerous Nung River and deeper into the jungle in the search of the rogue Special Forces Colonel Walter E. Kurtz (Marlon Brando in an unforgettable role). Willard is told that an insane Kurtz has gathered together an army of indigenous fighters inside neutral Cambodia and that he must ‘terminate with extreme prejudice’. After landing at the mouth of the river in a spectacular sequence in which Colonel Kilgore (Robert Duvall) first attacks an enemy village from helicopters whilst blasting Wagner’s Ride of the Valkyries from loudspeakers, then orders some of his men to surf despite the fact that mortar shells continue to land all around them, Willard  joins the crew of a Navy PBR boat that transports him on his fateful journey up river.

Apocalypse Now is famous for its fraught production in which the shoot went over time and over budget, sets were destroyed by storms, Martin Sheen suffered a heart attack and other woes that caused Coppola to famously say, “We had access to too much money, too much equipment, and little by little we went insane”, and “My film is not about Vietnam, it is Vietnam”. The director’s wife Eleanor helped to put together the acclaimed documentary of the troubled production called Hearts of Darkness: A Filmmaker’s Apocalypse, which is an essential watch for fans of the film. Despite the production woes, the film was a huge critical and commercial success, with its cultural impact undeniable.

The film had several interesting posters printed for its release, including the great Bob Peak artwork used around the world, but this Thai 2-sheet is up there, in my mind, as one of the best posters ever painted, full stop. The amount of detail, use of colour and expertly arranged montage all add up to a visual feast of a design and I find some new detail every time I look at it. I’ve added 70 photos for you to really get a sense of the poster.

This poster was painted by the artist Tongdee Panumas (he signs his posters with just his first name) who was an incredibly prolific Thai film poster artist during the 70s, 80s and 90s but I’ve been unable to find out much about him, other than that he was born in 1947. If anyone has any more information please get in touch.

The two sides of the poster were printed separately and then joined together once they were displayed at cinemas. I tried my best to join them together with Photoshop but it’s not that easy to get them to match. Photos 2 and 3 show the two halves separately. It’s interesting to note that Tongdee actually painted the original art on two canvases as can be seen on this photograph showing him and the British collector Neil Pettigrew that was published in issue 168 of Dark Side magazine. This means that getting a totally seamless join between the two halves is impossible.

Note that there was a reprint made of this poster several years ago where someone in Thailand scanned the poster when the two halves were joined together and then printed it as a single sheet poster at the standard Thai film poster size of around 21″ x 31″. These have sometimes been sold as ‘commercial posters’ but are nothing more than unauthorised fakes and should be avoided at all costs. Permission was not sought from the distributor or the artist to make these copies and their sale should not be supported.

The Sword and the Sorcerer / quad / UK

30.01.15

Poster Poster

The Sword and the Sorcerer is a 1982 fantasy film directed by Albert Pyun (in his debut) and was one of several entries in the genre that were released the same year, including Conan the Barbarian and The Beastmaster. Lee Horsley appears in his first film role as Prince Talon the song of a King and Queen who are slain by the evil King Cromwell (Richard Lynch) after he uses the black magic of a sorcerer named Xusia (Richard Moll) to overthrow their kingdom.

Over a decade later, Talon returns to the kingdom as a mercenary leading a band of men on a mission to help rebels overthrow Cromwell. Talon is asked to help free Mikah (Simon MacCorkindale), Cromwell’s war chancellor, who is secretly a double agent and is captured and imprisoned. His sister Alana (Kathleen Beller) begs for help from Talon and the mercenary sets out to Cromwell’s castle where the final showdown with his parents’ murderer takes place.

The film was critically derided at the time but still proved a popular box-office draw, easily recouping its relatively low budget and ending up as the most profitable independent film of 1982.

This quad was painted by the British designer and artist Brian Bysouth who I interviewed for this site in 2012, There is also a quad for Willow featuring the same artwork. Brian is one of my favourite artists and worked on multiple classic posters from the 1960s to the 1980s, including the final painted poster for a James Bond film, The Living Daylights. The other posters I’ve collected by Brian can be seen by clicking here.

This poster takes elements from both the Style A US one sheet as well as the Style B one sheet, both credited to the artist Peter Andrew Jones.

Octopussy / B2 / final style / Japan

21.07.14

Poster Poster

This is the Japanese B2 for Roger Moore‘s sixth outing as the legendary spy, 1983’s Octopussy. Considered by many to be one of the weaker entries in the long-running series, the film nevertheless continued the more ‘realistic’ and down to earth approach that was taken for the previous entry, For Your Eyes Only (1981), following the over-the-top lunacy of Moonraker (1979). The story sees Bond sent to investigate the death of his fellow agent ’009′ who perishes in front of the British embassy in East Berlin clutching a copy of a priceless Fabergé egg. When the trail leads to an auction house in London where the real egg is to be sold, Bond enters a bidding war with the mysterious Afghan prince Kamal Khan (Louis Jourdan), forcing him to spend several times its listing price.

After following Khan back to his palace in Rajasthan, India, the spy eventually ends up in the clutches of Khan’s bodyguard Gobinda (an imposing Kabir Bedi) and, after escaping, discovers that the prince is working with a power-hungry Soviet general named Orlov (Steven Berkoff) who plans to detonate a nuclear bomb in a US Air Force base in Germany in order to destabilise Europe and expand Soviet borders. Bond heads to a palace on an Indian lake on the trail of Octopussy (Maud Adams), the enigmatic leader of an all-female cult and head of a travelling circus troupe that Khan and Orlov plan to use to smuggle the weapon into the base. Bond must convince Octopussy that Khan is only using her for his nefarious plot and sets out to prevent the bomb from detonating before Europe is plunged into chaos.

This B2 was fully illustrated by Renato Casaro, an Italian artist with a prolific output, who actually re-painted the central two figures that American artist Dan Goozee had originally illustrated for the US one sheet. Whilst on the UK quad Casaro had painted a montage that was used to surround Goozee’s figures, here he was asked to repaint the whole thing to fit a portrait format.

I interviewed the artist in March 2014 and he mentioned this poster:

—–

[…]Every poster painted by you was from your original design?
Almost every single one I worked on. Very occasionally I would adapt some posters for American films from the artwork that had been used over there. For example, for the British poster for Octopussy I painted an action montage around the central figures that had already been painted by the American artist Dan Goozee. When they wanted the same montage for the Japanese poster it was in a portrait format so I was able to repaint the figures myself and then adapt my original action montage around them. That was a very unusual case though and if it were an Italian production I would always retain complete creative control.

————-

 

Renato Casaro began his career in 1953, aged 19, at the famous Studio Favalli in Rome, which was part of the legendary Cinecittà studios and handled film publicity for many Italian productions. Casaro soon decided to become a freelance artist and went on to design and paint posters for many of the biggest directors in the world. His skill at accurately portraying actors and his brilliant use of colour and composition saw him much in demand from studios and actors alike. His artwork has featured on many German posters as well as others from countries including Japan, UK, North America as well as in his native Italy.

Check out the incredible amount of work on his official website here, which also features a biography of the artist. The other posters I’ve collected by Casaro can be seen by clicking here.

My New Partner / B1 / Poland

07.03.16

Poster Poster
Title
My New Partner
AKA
Les ripoux (France - original title) | Skorumpowani (Poland) | Le Cop (UK)
Year of Film
1984
Director
Claude Zidi
Starring
Philippe Noiret, Thierry Lhermitte, Régine, Grace De Capitani, Claude Brosset, Albert Simono, Julien Guiomar, Henri Attal
Origin of Film
France
Genre(s) of Film
Philippe Noiret, Thierry Lhermitte, Régine, Grace De Capitani, Claude Brosset, Albert Simono, Julien Guiomar, Henri Attal,
Type of Poster
B1
Style of Poster
--
Origin of Poster
Poland
Year of Poster
1986
Designer
Wieslaw Walkuski
Artist
Wieslaw Walkuski
Size (inches)
26 3/16" x 37 14/16"
SS or DS
SS
Tagline
--

Striking and colourful artwork on this Polish B1 poster for the release of the 1984 French comedy film My New Partner that was originally released as Les Ripoux, which translates as ‘the corrupt ones’. The film stars two of France’s most popular and prolific actors, the late Philippe Noiret (best known for his role as the projectionist in Cinema Paradiso) and Thierry Lhermitte who starred in a number of popular comedies during the 1970s and 1980s. 

Noiret plays René, a corrupt Parisian beat cop who regularly dispenses street justice and happily takes bribes from minor criminals to let them carry on, instead of arresting them. When his long-term partner retires he is put together with Francois (Lhermitte), an idealistic young rookie who’s just graduated from training. René must work hard to convince Francois that his way of doing things is the right way, including using a sultry prostitute friend to seduce the innocent cop. The film was enough of a success to spawn two sequels (of lesser quality) over the following years.

The artwork on the poster is by Wieslaw Walkuski who was born in 1956 and studied at the Academy of Fine Arts in Warsaw. Since 1981 Walkuski has worked as a graphic designer and artist for publishing houses and theaters, as well as for the Polish film organisations Polfilm and Film Polski. He’s worked freelance since 1987 and has painted over 200 film posters. He continues to live and work in Warsaw. Walkuski’s official website features galleries of many of his designs and images of his other work.

He’s responsible for some incredible designs and two of my favourites include those he painted for Lars Von Trier’s Breaking the Waves and the Dustin Hoffman comedy Tootsie.

Corvette Summer / one sheet / style B / USA

23.03.16

Poster Poster
Title
Corvette Summer
AKA
--
Year of Film
1978
Director
Matthew Robbins
Starring
Mark Hamill, Annie Potts, Eugene Roche, Bill Bryant, Richard McKenzie, Kim Milford, Philip Bruns, Danny Bonaduce, Albert Insinnia, Jane A. Johnston, Stanley Kamel
Origin of Film
USA
Genre(s) of Film
Mark Hamill, Annie Potts, Eugene Roche, Bill Bryant, Richard McKenzie, Kim Milford, Philip Bruns, Danny Bonaduce, Albert Insinnia, Jane A. Johnston, Stanley Kamel,
Type of Poster
One sheet
Style of Poster
Style B
Origin of Poster
USA
Year of Poster
1978
Designer
Unknown
Artist
Unknown
Size (inches)
27 3/16" x 41"
SS or DS
SS
NSS #
780086
Tagline
And he thought fast cars were a thrill...

Colourful artwork features on this style B one sheet for the US release of the 1978 adventure comedy Corvette Summer. The film is perhaps most notable for starring Mark Hamill, fresh from his success with Star Wars a year earlier and prior to filming The Empire Strikes Back in 1980. Production began only a short while after Hamill was involved in a car crash in Malibu that left him with facial injuries and visibly scarred. Matthew Robbins assumed directorial duties and he’s perhaps best known as the director of Batteries Not Included and the writer of two films that were directed by Guillermo Del Toro, 1997’s Mimic and 2015’s Crimson Peak.

Hamill stars as high-school senior Kenny Dantley who is obsessed with cars and builds a custom Corvette Stingray as part of a class project. The car has a heavily modified body, bright red paint with flames down the side and is adapted to be right-hand drive so Kenny can talk to girls as he rolls down the street beside them. Soon after unveiling the finished car it is stolen and Kenny manages to follow a trail that leads him to Las Vegas. On the way he meets Vanessa (Annie Potts) who describes herself as a ‘prostitute in training’ and who’s headed to Sin City to try and make it big.

After taking a job at a car wash, Kenny eventually spots the Stingray and sets out to try and steal it back, but the truth behind its disappearance, which involves a teacher from his high school (played by Eugene Roche), shocks Kenny. The revelation only makes him more determined to get his car back and Vanessa is ready to help him. The film received mixed critical notices and performed rather limply at the box-office. It has a minor cult following today, largely due to the Corvettes featured. An article about the ‘hero’ car in the film, which was originally found in a junkyard following a wreck, can be read here.

Frustratingly this poster doesn’t feature any indication of who painted the artwork and I’ve been unable to find anything online either. I did discover that the original painting was sold along with two others at Profiles in History’s ‘Hollywood Auction 56’ in 2013. The items are on page 93 of the auction catalogue PDF, or see here for a standalone page featuring the item on another site.  If anyone has any ideas as to who the artist is, please get in touch.

The original trailer is on YouTube and gives you a pretty good idea of what to expect.

Roller Boogie / B2 / style A / Japan

16.08.16

Poster Poster

This is the style A Japanese B2 poster for the release of the 1979 musical oddity Roller Boogie, featuring artwork by Yasuo Nemoto. One of those films that’s something of a time capsule, the film was put into production by Irwin Yablans the independent producer who had struck gold a year earlier with John Carpenter’s Halloween. Yablans is credited with the film’s story and the intention was to capitalise on the then craze for rollerskating that was sweeping the States.

 Mark L. Lester (known for Commando and Class of 1984) was hired to direct and Linda Blair (The Exorcist) was given the starring role opposite an award-winning amateur skating champion called Jim Bray who was originally attached as a stuntman but was later given acting lessons when the production struggled to find a leading actor.

Blair plays Terry Barkley a Beverly Hills rich girl who is largely ignored by her parents who are determined to see her attend a prestigious school in New York and carry on as a flautist. One day whilst visiting Venice Beach she meets a hotshot skater named Bobby James (Bray) who dreams of making it to the Olympics. The pair strike up a friendship and eventually Terry asks Bobby if she can teach him how to skate and create a routine for them both so they can compete in a Roller Boogie contest at a skating rink called Jammer’s. Unfortunately a nefarious property developer plans to buy Jammer’s and raze it to the ground, so the pair team up with other skaters to put a stop to the plans whilst practicing their routines ready for the big night.

The film was largely panned on its release but found success with teen audiences and has since gone on to have something of a cult following. Plans for a mooted sequel were scrapped when disco music and roller skating lost their popularity.

The artwork is credited to someone called Yasuo Nemoto but I’ve been unable to find out anything about them online. If anyone has any further details about Nemoto please get in touch. I also have the style B Japanese B2 in the collection and it can be viewed here.

Octopussy / one sheet / advance / style A / USA

17.05.11

Poster Poster

Octopussy / one sheet / USA

17.05.11

Poster Poster

Trouble In Mind / one sheet / USA

17.05.11

Poster Poster
Title
Trouble In Mind
AKA
Wanda's Café (France) | Stati di alterazione progressiva (Condition of progressive alteration] (Italy)
Year of Film
1985
Director
Alan Rudolph
Starring
Kris Kristofferson, Keith Carradine, Lori Singer, Geneviève Bujold, Joe Morton, Divine, George Kirby, John Considine, Dirk Blocker, Albert Hall
Origin of Film
USA
Genre(s) of Film
Kris Kristofferson, Keith Carradine, Lori Singer, Geneviève Bujold, Joe Morton, Divine, George Kirby, John Considine, Dirk Blocker, Albert Hall,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1985
Designer
Mike Kaplan
Artist
Ignacio Gomez
Size (inches)
27 3/16" x 40 1/16"
SS or DS
SS
NSS #
--
Tagline
--

Beauty / quad / advance / UK

20.07.15

Poster Poster
Title
Beauty
AKA
Skoonheid (South Africa)
Year of Film
2011
Director
Oliver Hermanus
Starring
Deon Lotz, Charlie Keegan, Michelle Scott, Albert Maritz, Sue Diepeveen, Roeline Daneel, Drikus Volschenk
Origin of Film
South Africa | France | Germany
Genre(s) of Film
Deon Lotz, Charlie Keegan, Michelle Scott, Albert Maritz, Sue Diepeveen, Roeline Daneel, Drikus Volschenk,
Type of Poster
Quad
Style of Poster
Advance
Origin of Poster
UK
Year of Poster
2012
Designer
Sam Ashby
Artist
Sam Ashby
Size (inches)
30" x 39 14/16"
SS or DS
SS
Tagline
Love - Envy - Obsession

This is the advance quad poster for the UK release of the first Afrikaans-language film to be shown at the Cannes Film Festival, 2011’s Beauty, which was directed by Oliver Hermanus. Set in Bloemfontein and Cape Town, the film is a drama that is intended to highlight the bigoted attitudes towards homosexuality in South Africa, which forces men like François van Heerden (Deon Lotz) to lead a closeted life. François has become bored with his marriage to wife Elena Michelle Scott, is frustrated with his daughter’s behaviour, and is bored of his job at a local sawmill. He is shown to be regularly meeting a group of gay men at a remote farm where they engage in sexual activities and then return to their families.

After meeting Christian Roodt (Charlie Keegan), the handsome son of an old friend, at a wedding he becomes obsessed with him and begins to fake reasons to travel to Cape Town where Christian lives with his family. When he sees his daughter relaxing on the beach with Christian, François starts to descend even deeper into his dangerous obsession. After spending a drunken evening out in Cape Town, he calls Christian asking him to pick him up and when the pair drive back to François’ hotel an incident occurs that neither are prepared for. The ending is fairly ambiguous but we’re led to believe that life will be no happier for the married man.

This fantastic UK quad was created by Sam Ashby, a London-based graphic designer who has worked on a number of film posters, including quads for films like Weekend (2011). According to this interview, Sam used to work at the poster design firm AllCity as Head of Design before leaving to set up his own studio in 2010. His website hasn’t been updated in a number of months so I’m not sure if he’s still active as a film poster designer.

It’s worth noting that I bought this poster directly from the UK distributor Pecadillo Pictures and it’s printed on thicker paper than standard quads. The printing quality is not as high as would usually be expected.

Miller’s Crossing / one sheet / advance / international

17.05.11

Poster Poster
Title
Miller's Crossing
AKA
História de Gangsters (Portugal)
Year of Film
1990
Director
Joel Coen
Starring
Gabriel Byrne, Albert Finney, Marcia Gay Harden, John Turturro, Jon Polito, Steve Buscemi
Origin of Film
USA
Genre(s) of Film
Gabriel Byrne, Albert Finney, Marcia Gay Harden, John Turturro, Jon Polito, Steve Buscemi,
Type of Poster
One sheet
Style of Poster
Advance
Origin of Poster
International
Year of Poster
1990
Designer
Concept Arts
Artist
--
Size (inches)
27" x 39 7/8"
SS or DS
SS
NSS #
--
Tagline
--

Out Of Sight / one sheet / USA

17.05.11

Poster Poster
Title
Out of Sight
AKA
Un Romance Muy Peligroso [A Very Dangerous Romance] (Spain)
Year of Film
1998
Director
Steven Soderbergh
Starring
George Clooney, Jennifer Lopez, Ving Rhames, Don Cheadle, Steve Zahn, Albert Brooks, Dennis Farina, Luis Guzman, Isaiah Washington, Michael Keaton
Origin of Film
USA
Genre(s) of Film
George Clooney, Jennifer Lopez, Ving Rhames, Don Cheadle, Steve Zahn, Albert Brooks, Dennis Farina, Luis Guzman, Isaiah Washington, Michael Keaton,
Type of Poster
One sheet
Style of Poster
--
Origin of Poster
USA
Year of Poster
1998
Designer
BLT & Associates
Artist
--
Size (inches)
26 11/16" x 39 11/16"
SS or DS
DS
NSS #
--
Tagline
--

Octopussy / B2 / Yamakatsu style A / Japan

21.07.14

Poster Poster

This is the scarce Yamakatsu (style A) Japanese B2 poster for Roger Moore‘s sixth outing as the legendary spy, 1983’s Octopussy. Considered by many to be one of the weaker entries in the long-running series, the film nevertheless continued the more ‘realistic’ and down to earth approach that was taken for the previous entry, For Your Eyes Only (1981), following the over-the-top lunacy of Moonraker (1979). The story sees Bond sent to investigate the death of his fellow agent ’009′ who perishes in front of the British embassy in East Berlin clutching a copy of a priceless Fabergé egg. When the trail leads to an auction house in London where the real egg is to be sold, Bond enters a bidding war with the mysterious Afghan prince Kamal Khan (Louis Jourdan), forcing him to spend several times its listing price.

After following Khan back to his palace in Rajasthan, India, the spy eventually ends up in the clutches of Khan’s bodyguard Gobinda (an imposing Kabir Bedi) and, after escaping, discovers that the prince is working with a power-hungry Soviet general named Orlov (Steven Berkoff) who plans to detonate a nuclear bomb in a US Air Force base in Germany in order to destabilise Europe and expand Soviet borders. Bond heads to a palace on an Indian lake on the trail of Octopussy (Maud Adams), the enigmatic leader of an all-female cult and head of a travelling circus troupe that Khan and Orlov plan to use to smuggle the weapon into the base. Bond must convince Octopussy that Khan is only using her for his nefarious plot and sets out to prevent the bomb from detonating before Europe is plunged into chaos.

The photos around the central artwork are a mixtures of stills from the film and behind the scenes and marketing images. The artwork was fully illustrated by Renato Casaro, an Italian artist with a prolific output, who actually re-painted the central two figures that American artist Dan Goozee had originally illustrated for the US one sheet. Whilst on the UK quad Casaro had painted a montage that was used to surround Goozee’s figures, here he was asked to repaint the whole thing to fit a portrait format.

I interviewed the artist in March 2014 and he mentioned this poster:

—–

[…]Every poster painted by you was from your original design?
Almost every single one I worked on. Very occasionally I would adapt some posters for American films from the artwork that had been used over there. For example, for the British poster for Octopussy I painted an action montage around the central figures that had already been painted by the American artist Dan Goozee. When they wanted the same montage for the Japanese poster it was in a portrait format so I was able to repaint the figures myself and then adapt my original action montage around them. That was a very unusual case though and if it were an Italian production I would always retain complete creative control.

————-

Renato Casaro began his career in 1953, aged 19, at the famous Studio Favalli in Rome, which was part of the legendary Cinecittà studios and handled film publicity for many Italian productions. Casaro soon decided to become a freelance artist and went on to design and paint posters for many of the biggest directors in the world. His skill at accurately portraying actors and his brilliant use of colour and composition saw him much in demand from studios and actors alike. His artwork has featured on many German posters as well as others from countries including Japan, UK, North America as well as in his native Italy.

Check out the incredible amount of work on his official website here, which also features a biography of the artist. The other posters I’ve collected by Casaro can be seen by clicking here.

The Sword And The Sorcerer / one sheet / style B / USA

17.05.11

Poster Poster
Title
The Sword And The Sorcerer
AKA
La spada a tre lame [The sword of three blades] (Italy)
Year of Film
1982
Director
Albert Pyun
Starring
Lee Horsley, Shelley Taylor Morgan, Kathleen Beller, Simon MacCorkindale, George Maharis, Richard Lynch, Richard Moll, Anthony De Longis, Robert Tessier, Nina Van Pallandt, Anna Bjorn, Jeff Corey, Joe Regalbuto, Christina Nigra, Earl Maynard, Russ Marin
Origin of Film
USA
Genre(s) of Film
Lee Horsley, Shelley Taylor Morgan, Kathleen Beller, Simon MacCorkindale, George Maharis, Richard Lynch, Richard Moll, Anthony De Longis, Robert Tessier, Nina Van Pallandt, Anna Bjorn, Jeff Corey, Joe Regalbuto, Christina Nigra, Earl Maynard, Russ Marin,
Type of Poster
One sheet
Style of Poster
Style B
Origin of Poster
USA
Year of Poster
1982
Designer
Unknown
Artist
Peter Andrews
Size (inches)
27 1/8" x 41 1/16"
SS or DS
SS
Tagline
A lusty epic of revenge and magic, dungeons and dragons, wizards and witches, damsels and desire, and a warrior caught between.

The Sword and the Sorcerer is a 1982 fantasy film directed by Albert Pyun (in his debut) and was one of several entries in the genre that were released the same year, including Conan the Barbarian and The Beastmaster. Lee Horsley appears in his first film role as Prince Talon the song of a King and Queen who are slain by the evil King Cromwell (Richard Lynch) after he uses the black magic of a sorcerer named Xusia (Richard Moll) to overthrow their kingdom.

Over a decade later, Talon returns to the kingdom as a mercenary leading a band of men on a mission to help rebels overthrow Cromwell. Talon is asked to help free Mikah (Simon MacCorkindale), Cromwell’s war chancellor, who is secretly a double agent and is captured and imprisoned. His sister Alana (Kathleen Beller) begs for help from Talon and the mercenary sets out to Cromwell’s castle where the final showdown with his parents’ murderer takes place.

The film was critically derided at the time but still proved a popular box-office draw, easily recouping its relatively low budget and ending up as the most profitable independent film of 1982.

The artwork on this style B one sheet features the signature Peter Andrew, which has actually been cut short as it belongs to Peter Andrew Jones, a British artist who was born in North London in 1951 and studied at Central St. Martins art school. After graduating in 1974 he began working on book covers for the likes of Philip K. Dick, Arthur C. Clarke and Isaac Asimov. He also painted artwork for the Fighting Fantasy series of books by Steve Jackson and Ian Livingstone, including the cover of the first one published in 1982, The Warlock of Firetop Mountain.

Andrews created covers for video games published by the likes of US Gold and Psygnosis and also worked on magazine covers for Games Workshop that led to him to work on game art for several releases for the company. He only worked on a handful of film posters, which included one for Alligator II and the two one sheets for The Sword and the Sorcerer (style A and style B). These posters were adapted by the artist Brian Bysouth for the UK quad. Andrews continues to paint to this day from his home studio in Shropshire. His official site contains plenty of galleries of his work and links to buy books, prints and more.

 

Apocalypse Now / one sheet / USA

12.08.13

Poster Poster

A classic painting by the late, great Bob Peak on this one sheet for the release of arguably the best war film ever made, Francis Ford Coppola’s Apocalypse Now. Set during America’s war in Vietnam, the film follows Martin Sheen‘s US Army Army and special forces veteran Benjamin Willard as he journeys up the dangerous Nung River and deeper into the jungle in the search of the rogue Special Forces Colonel Walter E. Kurtz (Marlon Brando in an unforgettable role). Willard is told that an insane Kurtz has gathered together an army of indigenous fighters inside neutral Cambodia and that he must ‘terminate with extreme prejudice’. After landing at the mouth of the river in a spectacular sequence in which Colonel Kilgore (Robert Duvall) first attacks an enemy village from helicopters whilst blasting Wagner’s Ride of the Valkyries from loudspeakers, then orders some of his men to surf despite the fact that mortar shells continue to land all around them, Willard  joins the crew of a Navy PBR boat that transports him on his fateful journey up river.

Apocalypse Now is famous for its fraught production in which the shoot went over time and over budget, sets were destroyed by storms, Martin Sheen suffered a heart attack and other woes that caused Coppola to famously say, “We had access to too much money, too much equipment, and little by little we went insane”, and “My film is not about Vietnam, it is Vietnam”. The director’s wife Eleanor helped to put together the acclaimed documentary of the troubled production called Hearts of Darkness: A Filmmaker’s Apocalypse, which is an essential watch for fans of the film. Despite the production woes, the film was a huge critical and commercial success, with its cultural impact undeniable.

Master movie poster artist Bob Peak was asked to create a series of paintings to sell the film and he worked in conjunction with art directors Murray Smith and Don Smolen from the boutique poster agency Smolen, Smith and Connolly, based in New York City. Two of Peak’s paintings were used in North America, with an image of the Nung River on the teaser poster and then this superb portrait of Brando as Kurtz with a menacing looking Sheen behind him was the final poster. Both of those images were used around the world to sell the film. German cinemas also saw this stunning image of Kurtz that was painted by Peak and used exclusively in that country.

Bob Peak was born in 1927 in Denver, Colorado and grew up in Wichita, Kansas before heading off to serve in the military during the Korean War. Upon his return Peak enrolled in the Los Angeles-based Art Center College of Design where he began to hone his craft as an artist, moving to New York after graduation where he began his career as a commercial illustrator, first working on a campaign for Old Hickory Whiskey. For the next few years the artist worked on a string of successful advertising campaigns, magazine editorials and more, but it was when United Artists hired Peak to work on their campaign for the release of West Side Story in 1961 that he began what would prove to be a fruitful and almost unrivalled career in film poster creation.

Peak’s immediately recognisable style was soon much in demand and his painting appeared on posters for films such as My Fair Lady (1964) and Camelot (1967), but it was his work in the area of sci-fi and fantasy for which Peak is perhaps best known, with the iconic design for the first Superman film (1978), the classic image he created for Rollerball (1975) and the colourful poster for Star Trek: The Motion Picture (1979), amongst several classics of the genre he was responsible for. His paintings for Apocalypse Now, however, arguably saw the artist working at the top of his game and in the recently published must-own book The Art of Bob Peak (put together by one of his sons), he is quoted as saying, “Of all my movie work, it is my work on Apocalypse Now that I am most proud of.”

To see the other posters in the Film on Paper collection that were painted by Bob Peak click here.